@@Vibhor_Yadav thank you very much 🫶🏼

@@felixschwiderski danke für die Hilfe 🫵🏼✌🏼

hahaha appreciate it 🙌🏼

ist nicht meiner 😂👀

thank you, mister killer 🫡

hahaha, congrats 🙌🏼

this is one of the nicest comment I’ve ever gotten, thank you 🙌🏼

I make no secret about the fact that if you spend some time in DaVinci and understand how lens artifacts physically work, you could build this powergrade yourself. However, there are more than enough people who value the time and knowledge I put into creating this node tree. I never advertised this tool to be more than a simple powergrade for DaVinci and simply from the feedback I have gotten since making it available, it seems like a very fair deal. If you don’t find value in it, don’t buy it, but that doesn’t make it ‘poor work’.

No, unfortunately it won’t. Just with DaVinci Resolve Studio

These are actually two very different tools that can both be used in combination. What I am offering is not a film emulation, but a lens emulation, recreating artifacts from vintage lenses digitally. You could combine it with Juan Melara’s film emulation to create an overall vintage look :)

@@ArtemYarkho Thanks ✌🏼

Yeah man, that’s a bummer!

🙌🏼🫶🏼

@@ThomasTeissier Hahaha, thank you! 💪🏼 Haven’t had my hands on the Proteus yet 🤔

@@LNcreative 🔥

@@louis-wild appreciate it 🫶🏼

@@bildhaft2168 Es ging tatsächlich viel mehr um die Objektive, als um die Kamera haha. Es waren die Sirui Saturn Anamorphics auf einer Canon R5C. Ich habe auch schon ein Video dazu gemacht, schau gern mal rein: kzbin.info/www/bejne/faasiXuPpMSti5Isi=l9om2EwhsyGm18wj

@@raggi6886 Thanks for help 🫶🏼

@@bildhaft2168 Yes, I am located in germany, but unfortunately the giveaway is over now.

@@CharlieJamesMusic 🙌🏼

@@cammackey Thanks, man! It’s an amazing lens 🔥

@@chilloflamingo1395 🙌🏼

@@ascari100 Awesome! Thank you so much 🫶🏼

@@DarnleyFrancis Thank you 🙏🏼

@@oleberek Haha, thanks for the help and letting me in on your endless knowledge 🙏🏼

Insoglio Tenuta di Biserno… you got a good taste there… his wife paint pictures with wines in it… she painted the Ferrari picture earlier, too.

@@MediaDivision Grazie! Very nice, like the style! 🙂

@@jakobgarde6769 Hahaha, should’ve done that with the longer hair! Thanks so much bro 💜

@@Kroptics Hell yeah! Thanks so much for your work on the sound design, it really tied it all together 🙌🏼

Good job!

@@RebellionFilms0824 It should work just fine, if you want, you can send me one or two shots to [email protected] and I can send them back with Optical Drift applied so you have a little preview.

There will be a black friday deal coming up… 🫢

@@MortyFilms its possible earlier? then i will use it on my channel and make review

That would be great! Please DM me on Instagram: instagram.com/mortyfilms?igsh=OG0xdXhicjZlbXFw&

I must admit I have never worked with Final Cut, so I would have to team up with some people who have a better understanding of that NLE. But maybe in the future…

@@fivelight5693 Oh, how did it not work? 😅

@@hankdinardo4308 I don’t know unfortunately, it is still available here in Germany.

@@frankmichael1317 well, it depends how you import it into your DaVinci timeline. As long as it is a gradable clip in DaVinci, Optical Drift can be applied to anything, even graphics or other animations. I even think Optical Drift could be a wonderful tool for 3D artists, to make their renders look even more authentic :)

@@xclvsif Thanks mate 🙏🏼

I would think so, but I’m not 100% sure

I didn’t try it exactly like that, I’ll experiment with it

@@eddieblanquiz2542 ✌🏼

Absolutely, I’d love to collaborate! What’s your email?

I tried both, to me the radial blur looks more authentic as I am not trying to replicate any lens blur at all, but in fact the uneven focal plain in the flange of the lens, so it has nothing to do with any distance from the subject to the lens, but with the lens to the sensor / film. Also it adds a little bit of swirly character to the edges and I don’t need to add any masks.

welcome to social media, my friend

Thank you so much! I am trying to implemet the sizing node, but it still keeps the black borders, it’s scaling up the footage within them. Do you know how I can scale it up just how I would with an adjustment clip?

@@MortyFilms it is not possible in grading page. you have to go into fusion, apply the distortion effect (there's two different ones, i can't remember which is the right one. After that you can add a resizing node, also within fusion. I also think it is a better idea to make this powergrade entirirly in fusion if that is possible. That way you can copy it to all clips in the timeline, while still having a clean grade page for you actual color grading

@@Champ.offisiell I have actually found out how to do the scaling in the grading page, I have updated the user manual that comes with Optical Drift. I can try to see how it could be done in fusion, but I like the workflow of being able to just drag and drop it into the grading page.

@@MortyFilms That's awesome! Didn't know it was possible. Could you quickly explain it here?

You can go into Sizing and then choose node sizing, there you can adjust the zoom setting and make the border dissappear

Appreciate it 🫶🏼

Unfortunately not, most of the effects like lens distortion or chromatic aberration are only available in the studio version