¿Qué fue? ¿Pura inspiración? Es la interpretación más especial que he escuchado. Magia

Desde niña escuchaba a Lippati en mi hogar, donde reinaba la música, recordar a este pianista sublime junto a Karayan es un regalo de los Dioses !!! Su pureza y musicalidad son impresionantes, dejan una profunda huella en el alma, y pensar que ya estaba enfermo y tocaba con inyecciones para no sucumbir al dolor !!! De su enfermedad!!!! Realmente incomparable !!!! Gracias gracias infinitas !!!! 🌹🙏🏻🌿

è un capolavoro

I’ve listened to numerous versions of Mozart’s this famous piano concerto. And over the years Lipatti’s still has been one of a kind.

Jamais on a fait plus beau …perfection divine ….et cette main gauche…..divin ….. merci…..

Back in the 60s, this was the lead off tune from the BBCs Listen With Mother, on the radio. It permeated my young life. One of those gateway drugs into music.

De Groot means "the great" Cor=heart - that's what his gorgeous playing great heart, backed by great facility and taste! Thank you! More Cor please!

Schubert always says it all -- and this pianist hears him

아.... 이게 인생인가보다

God exists

I'm blown away by this. Can anyone enlighten me on the trill situation, particularly 23 - 27. Were the trills Mozart?

This i SUBLIME - touches the human heart and spirit in the centre ...!!!

❤❤❤ Mozart é a perfeição de DEUS E LIPATTI O FILHO QUE MOSTRA TODA A MARAVILHA DESTA OBRA.😮😮

A maior interpretação desse concerto! Souza Lima, orgulho desse Brasil sem memória..

I do not think that with these no. 1 and no 2 he would pass the first round of the Warsaw Chopin competition. The jury would not accept the pedal drowned chromatic lines of no. 2. No 11 in e flat major among others is open to criticism, too. In German we call it „geschmäcklerisch“. Exaggerated sweetness, just the opposite of Pollinis interpretation who exaggerates in the other direction. Listen to Trifonow or some young people from the Far East.

Le plus grand pianiste de tous les temps tout simplement, Mozart réincarné, absolument prodigieux et Karajan en état de grâce tout comme le génial Dinu Lipatti que j'adore 😢❤😊

Great disciplined mindful musical intellect

Unsurpassed amazingly beautiful and celestial pianist!

Karajan thinks the opening tutti is the Meistersinger Prelude.

No meu modo de "OUVIR", o MAIS BELO CONCERTO DE AUTOR BRASILEIRO. Eu o estudei e toquei para o autor, em minha casa, nos idos de 1950, depois abandonei o piano por 40 anos para me dedicar à composição e nunca o toquei em público, apesar de tocá-lo constantemente. Forma com o nº 1 de Villa-Lobos e com o de Camargo Guarnieri , os quis também estudei, uma riqueza, que a maioria dos pianistas brasileiros desconhece. Este é o "nosso"(?) Brasil.

I am not so thrilled with vastly over-rated Karajan. But Lipatti's brilliance definitely and convincingly rises above this conductor's mediocrity.

Потрясающее исполнение гениального творения Шуберта. Гений исполняет музыку другого гения. Просто упоение от восторга гармонией и красотой мира звуков! Браво!❤👌🙏🙏

heads and shoulders above any modern interpretation; sorry Denis Matsuev, but there is a particular idea behind Tatiana, that no amount of fentanyl, cocaine, social media 'high' or internet hype can surpass.... that is a very, very true to score interpretation, above

es wahr ein sehr schönes Mozart

❤

Este preferatul meu ❤!Orgoliu românesc!

🌹

🥰😍

My mother bought a Columbia records album of this piece with Emil Gilels when I was 9 years old. I literally played it every single day from grade school through college. It was the only way I could study. His magnificent interpretation of this piece is so far beyond any I have ever heard. His music is hardwired into my soul. We moved into a fifth wheel a few years back and that same album is now in storage I miss it. What a joy to find this on KZbin. It was a different orchestra but the same Gilels.

Thank you very much. Have a blessed day

A outstanding performance by a outstanding pianist.

Richters and Weissenberg performance are the best i think!

Très heureusement surpris par cette interprétation du Concerto 2 longtemps méconnu en France : je l'ai découvert grâce à la merveilleuse version d'Igor Joukov - Guennadi Rojdetvenski au début des années 70. Pour la version qu'on entend ici, j'en suis à la moitié du premier mouvement et attends la partie soliste pour me faire une idée, tant Joukov m'y semble brillant.

Maravilhoso!!! Soberbo! Cortot e Horowitz a quintessência do piano!!!

Divinal...

Какое невероятное мастерство пианизма в сочетании с безупречным вкусом, сдержанностью, глубиной и благородством. А звук.......!!!! Исполнительский шедевр

Le plus grand, avec Cortot et Meyer

О ней все так хорошо говорят,и очень часто в превосходной степени,что меня очень радует и трогает-я люблю благодарных. И Татьяну Петровну,я тоже люблю-очень! В мае этого года,ей исполнится сто лет. Московская Консерватория (по этому случаю) посвятила её памяти свой концерт. Я тоже скажу:Светлая-пресветлая ей ПАМЯТЬ и имя светлое у ней,как у Пушкинской Татьяны. Спасибо,Вам! Всего самого доброго! 18.01.2024.

Das wirklich Besondere in dieser Aufnahme ist, dass es so klingt, als würde dieses Werk in diesem Moment als Verbindungsglied zwischen den Musikern (Pianist UND Orchester) und der Erinnerung an Rachmaninoff funktionieren. Sowohl Moisejewitsch kannte Rachmaninoff persönlich und schätzte ihn, als auch die Musiker des Orchesters sind es wohl die Gleichen die auch Rachmaninoff bei diesem Werk begleitet hatten. Man merkt wie gut alle Beteiligten mit dieser Musik vertraut sind und wie persönlich auch jedes einzelne Solo aus dem Orchester antönt, welche tiefe Verbundenheit der Pianist mit diesem Werk fühlt. Das ist eine Qualität des Musizierens, die jegliche Unperfektion als lächerlich unwichtig erscheinen lässt.

Sublime. Dedicate to GKP.

Comme cela a été dit, ses interprétations traversent le temps et nous rejoignent d' une manière étonnante. Merci madame Haskil..

23:20

C'e' chi trova piu' interessante vivere insieme a dei geni morti che a dei deficienti vivi

Johann Sebastian Bach:1.A-dúr Angol Szvit BWV 806 1. Prelúdium 00:00 2. Allemande 01:55 3. Courante I 06:34 4. Courante II 07:55 5. Double I 09:55 6. Double II 11:57 7. Sarabande 13:56 8. Bourrée I 18:09 9. Bourrée II 20:02 10. Gigue 22:28 Anatolij Vedernyikov-zongora

Bellissimo , dolcissimo , perfetto.

Qué sí, que Fürtwängler tenía razón, que éste es un trobador del piano; que aquella partitura, sea de quien sea, que haga Anda al piano sonará hermosa, personal, evocadora y... genuina. Un artista maravilloso, de esos cuyas grabaciones hay que atesorar.

11:53

30:34

Very nice but I think it's mostly too loud, and he seems to fudge a few places he doesn't seem to be very interested in, including near the very beginning. His color rarely varies. Brutal mostly, but that's my take.

Great interpretation (from all musical aspects) and realization, which combines deep understanding of the Baroque era with great pianism skills. Bravissimo!