Eslay❤

they borrowed music from resurrection

Constantine's Hyde is like the voice of Darkness

Dude fight it don't let hyde control

The sexiest Hyde in my opinion 🥰 What a voice 😍

Constantine sounds so young ❤️❤️❤️

Constantine 💕 Teal should have played Lucy instead of Emma

When I hear Constantine’s Hyde saying “Lucy, come, closer…” I’m smitten!

My inner Fate/ fan is like "I wish that were me" and the rest of me goes "weebweebweebweeb"

Constantine is quite good mimicking a southern English accent

😍❤️ Constantine

Constantine Maroulis ❤️❤️❤️❤️❤️❤️

I love Deborah Cox’s version

Do not think that this is a good version, and I have heard a lot of versions.

fffggy

The only vocalist after Linda Eder to do this role justice. Beautiful job.

Why don't people like this version?! It fucking SLAPS!

Bro you forgot the best part "I dare not leave this place. I am dangerous. More dangerous than any wild animal stalking its prey!"

Teal does things vocally with her role that I haven't heard from other Emmas/Lisas. She's amazing.

Though I don't like his breaks in rhythm, I love the vocal aggression he brings to the part, especially here.

Teal is the most vocally aggressive i've ever heard in this role.....and I'm eating it up!!!!!!!!!!!!

Deborah is the best Lucy since Eder.

I saw her on the last leg of tour and her voice in person was such an incredible experience. I wish I had seen the body guard.

Everyone's saying this version made it too sexual but the Complete Thriller version sounds way more sexual than this. The lighter instrumentation makes that one feel so much more intimate and Warlow and Eder definently played it more that way. The OBC comes off pretty much the same. This comes off more like Music of the Night from Phantom. A seduction song, with both parties drawing in their partner. It comes off like a quid pro quo almost. The emphasis in this version is on the "game" part of the title. The emphasis in the other versions is on the "dangerous," as getting close to Hyde in any form would be. Those versions make it clear Hyde is in control. So this version humanizes Hyde a bit, since he's engaging in the trade off. That can be good or bad, depending on how the actor is playing it.

Thanksss I hate it Seriously though idk i just feel like this musical is a perfect match for the style of the original, like the lyrics just dont fit here?

This rendition is amazing!

I am so used to Hyde having a much more deeper voice, but I have to admit Constantine's version is growing on me. The Rockish version reminds me a little bit of the movie "Phantom of the Paradise".

fuck it i love this

지금 이 순간 지금 여기 간절히 바라고 원했던 이 순간 나만의 꿈이 나만의 소원 이뤄질지 몰라 여기 바로 오늘 지금 이 순간 지금 여기 말로는 뭐라 할 수 없는 이 순간 참아온 나날 힘겹던 날 다 사라져 간다 연기처럼 멀리 지금 이 순간 마법처럼 날 묶어왔던 사슬을 벗어 던진다 지금 내게 확신만 있을 뿐 남은 건 이제 승리 뿐 그 많았던 비난과 고난을 떨치고 일어서 세상으로 부딪혀 맞설 뿐 지금 이 순간 내 모든 걸 내 육신마저 내 영혼마저 다 걸고 던지리라 바치리라 애타게 찾던 절실한 소원을 위해 지금 이 순간 나만의 길 당신이 나를 버리고 저주하여도 내 마음 속 깊이 간직한 꿈 간절한 기도 절실한 기도 신이여 허락하소서

I much prefer the broadway version, but it's good.

Its not supposed to be a tango, bad instrumental

！！！See what I just found,a great song...love this version!

kinda reminds me of norman bates and marion crane in bates motel

This version is really good, but not my cup of tea.

all i hear is Elphaba

Love this the song if the sexual tone was removed. I always found Lucy to be more afraid of Hyde than she is sexually aroused by him.

kinda disappointed they didn't put the same vocal effects on Hyde like in the stage version, but hey, at least we have both versions!

Why isn't this on Spotify!?

I still prefer the original but this was a good cover. I've been a huge Deborah cox fan since she started and think she has an amazing voice. She's criminally underrated imo.

Standing ovation from me ... yes!

he sounds like professor Farnsworth lol

Love it!!!

The thing I like the most about Constantine's Jekyll and Hyde is that unlike every other version I've heard, Constantine's Hyde is the exact same voice as his Jekyll, but it has a different air of confidence. I think the way he does it really brings out that the potential to be Hyde was in Jekyll all along. However, while that symbolism and artistic interpretation is wonderful, it brings up an issue in the song of Confrontation. Which reprises No One Must Ever Know, Alive, Streak of Madness, and Transformation all in one song. It's a melody of the numbers where Jekyll and Hyde struggle for control. But because of Constantine's choice to speak most lines and end the phrase with a high note, its often very hard to tell the difference between his jekyll and his Hyde. I know the song very well, as I've performed it. But from an outside perspective this might be difficult to tell the difference between. This is not a criticism as much as it is an analysis. I like what Constantine did with this role. He's not my favorite, but I like his versions of the songs for what they are, and I don't dislike them for what they aren't.

This beat just did not work with me. However, I love the whole

My wedding song

Didn't Five Finger Death Punch do a metal J&H song?

Teal's voice is AMAZING in this, but Cox's voice is very good on the high notes, but others is ehhh I dislike how they made this sound more pop

I hate this

this is better then stage as I can actually here hyde

INSTRUMENTAL VERSION PLEASE