Should start calling it the Passing Scale

So that’s what that Dm chord is called. I always just called it the Buckley triangle since it sounds like a chord he’d have used.

I have had a classical guitar and the intention to start learning some classical guitar for some time. This series had finally got me started on that. The videos and the tab were just what I needed - thanks Jared!

🎸 FREE Sheet Music & Tab: Guitar arrangements you can play by yourself! → www.soundguitarlessons.com/moon

This is soo good

Thank you! This is a very pleasant piece. It has a nice "bouncy" feeling to it. I'm finding all of the pieces in this series to be very good examples of "simple" pieces that actually contain a hidden depth of info on techniques and presentation. Thanks for sharing the idea of working from the back of the piece to the front. I can see where that could be a real help in bringing a piece together. Lookinmg forward to learning this one!

Bonjour Jared. Pour ma part la meilleure façon d'entendre les modes est de conserver toujours la même tonique. Soit C ionien.C Dorien.C Phrygien...etc Sinon on s'y oerd et on a tendance à jouer la gamme Majeure parente au lieu du mode.

I wonder why min(b6) and maj(b6) are not mentioned in the video. How do you play them if you see them in the chord chart of a song?

Amazing would anyone write in Ionian mode after learning hearing modes this harmonic Such more rich sounds etc Excellent teaching sir Outstanding Cheers

guthrie govan also recomends this method on his book but i recently found something interesting if you take the CAGED system, and isolate G+E and C+A as 2 big patterns, like GE CA it works perfectly with this method because it forms 2 big chromatic scale boxes, while also giving you the exact information of each scale tones for each key signature on the sheet the GE pattern covers octave 1 + 2, and the CA pattern covers octave 2 + 3 depending on the key and the D is really not usable with this method, it becomes a C

Now do it riding the unicycle

I got lost at melodic patterns. Despite the instructions I don't know how to do it.

I wonder if you would consider doing a video on developing 'Dom 7 vocab' - how to use our knowledge of triads / arpeggios / scales and 'moves' or 'bluesy stuff' to play over a static Dom chord (or even a Dom chord in a blues that might only be for 2 bars) or even a G7 that you might only hit for 1 bar in a blues in Bb. Hope that makes sense - I'm just struggling to play stuff that sounds/feels good over that chord type, and need some inspiration on what the practice or listen to to get better - even just some album recs or tune recs would be great (or a good book if you've used one that has examples of that kind of vocab! (This might make a good series to discuss ideas for lots of different chord types (Dom7, Maj7, Maj6, m6, etc etc)).

This is what i really need, as i am a self taught musician

So...how are you playing the chord progression at the same time as the melody? I am trying to picture playing the correct chord while playing the correct melody note at the same time, might be hard for me

I came for copper I struck gold 😄 thank you sir 🙏🏽

Love this Jared, what’s the make and model of your telecaster?

nice but how do you choose which position out of the five to drill these and also what about fingering ? for example major arpeggios have often 1 note per chord on three strings one after the other

Thanks for this Jared. Really helpful and I have found the theory you expound to be true! Also it's more fun to enjoy a smorgasbord of new songs, new techniques and consolidate, refresh and review than just relentlessly hammer away at one piece. Thanks for the inspiration and sharing, Peter

So lovely! Is there tab available?

Great video! Really helps with visualization!!

Dean lamb from archspire brought me here.

Jared can you explain the filler lines, I not picking that up

The second lesson on this video is something I’ve been searching for the past 3 years & you just made my journey into music so much more easier. Thank you so much man you are a great teacher ❤️🥲

Jared, your advice around the 21:20 mark to take a deep dive into 10 thought-provoking songs rather than skimming 100 is pure gold. I really appreciated the example songs you gave-such a solid foundation for deep learning! Would you consider curating a list of essential songs for each major genre? Not 10 for each genre, but maybe 5? Classics, or others that truly push a guitarist to think critically about their playing. Thanks for the incredible content and the inspiration!

I first learnt the pentatonic shapes, then added the other 2 notes later on.

Can you cover extended arpeggios?

1-6-2-5 ?? Lost me lol 1-6-2& 5 what tho ?😢

Just too difficult

Wow thank you, gazilian times.

Thank you!

❤❤❤ seen.

Why is it that we play the Minor triad, but convert the Major triad to a Major7?

Haven't finished the video but liking for the guitar choice already

🎸 FREE PDF: Download the most important scale diagrams for guitar → www.soundguitarlessons.com/scales

It's the little things. Thank you.

Superb Jared.👌

Very helpful video! The slurs sound jazzy and cool, and help relax the hands, win win!

I’m so bummed! I’ve dabbled in guitar for years, but have really been hitting daily practice hard for the last two months. Catching Iron Maiden in the front row lit a fire in me🤘Now both arms are on fire and I have had to put the axe down for the week….definitely need to build in some recovery time moving forward…

Jared……can I just take a moment to tell you that this is without question the absolute best guitar instructional lesson I have ever seen. Thank you very much for taking the time to put this together. The graphics, the melody on ordinal key, the tips on harmony, the alternate chords, really a master class. The pace is excellent, not too fast or too slow. I will certainly be checking out more of your lessons.

Dude you the best. the 4th pattern i LOVEDD

A minor reminds me of kryptonite

what software for the stadards are you usig

Last year… I gave you my heart

I definitely am going to implement stress enhanced, interweaving, and rotating into how I practice. Thank you Jared

This video was very helpful thank you very much.

How about legato notes on the same string, where planting would stop the previous note? How do you develop accuracy based on starting "in the air"?

❤️❤️

Thank you for taking the time to put out these lessons. You are an awesome teacher. Keep up the good work. Happy Holidays!

Hi Jared. Thank you for taking the time to research and explain these learning techniques. I'm glad to say that I have been unconsciously doing this because I get tired or bored just focusing on one piece. Now that you have so eloquently identified what I have been doing, I now have a "formula" to use to enhance my learning rather than by happenstance. Happy Holidays!