he didn't say "blown" speaker. He said "ripped cone" those are 2 different things entirely. Take a spare speaker that works perfectly. Tear the paper cone. Play. This is what many players had back then. The 4-12 would have 1 or 2 of the paper cones torn so they flap. If that is a picture of his Marsh 4-12 it only has 3 speakers, top left is removed, bottom left torn and top right and bottom right stock- no tears. So you are hearing 3 of 4 and 1 is torn. The magnet and coils etc. work fine. Try this on an old rig and you will Mr Magic no pedal distortion! Any "who cares" amp will do, guitar, bass... tear the cone then make it sound how YOU like your bass through the $30 pile of garbage and you will find something that will make you happy for the rest of your life. Mic it, record it and listen back. Then look at that shit guit amp with the hole as a secret weapon set to destroy all who hear! lol Guys will use a pignose and tear the cone and a bass for super weird $40 amp distortion! lol It is about "what we had" back then. Broken stuff was perfectly fine if it made a sound we liked. Broken gear for a sound is hard to steal and copy! lol Later he played out of a 15 for the less treble sound at one point. 15's are beastly. The punk go to was the Ampeg FRIDGE so some of those had torn cones playing on albums and shows too. Les Paul was copied. He wanted "Pure" so PURE was the way until the late 60's when Pure was BORING so broken gear, like on Helter Skelter was suddenly OK. Snobs, classical, jazz and sweet music bands want pure sound, no distortion. Before torn cones , which was the only trick for badassery like Link Wray etc. ZERO albums eve made had distortion. It was considered bad work like a boat that won't float. Anyone who wants to have old school fun just take an old amp, tear the cone paper or plastic, cut i poke holes... whatever.. then mess with the knobs until you are laughing your head off a the sounds you just found. It cots the price of a meal for 2 to mess around. It creates song ideas. Cheers!

EB-2

Why shift one finger for the chromatic part? weird...

Thanks for mentioning so many relevant examples. Hugs from France brother 🤗💚🖤🤘🚀🎸

I met Stephen Perkins in 2015. We chatted a bit. He told me Eric A. threw a temper tantrum and stormed out of the studio before recording OF COURSE song and did not play on the album on that song. Instead, Stephen told me their Manager stepped in and it is him you hear.

Excellent

A world of possibilities. Thanks!

Always one of the greatest riffs of all time. RIP Scott Weiland. Great video.

Thank you

Ooooole ❤

WHY HAVE I NEVER BOTHERED TO LEARN THIS?!?!???!??

Day 4 of asking for a Black Crowes (Johnny Colt) bass habits video!!!!!! The Crowes love The Rolling Stones and Allman Bros so you can imagine how good they are😅 you should check out the songs “Gone” and also “No speak No slave” which has a great example of what your talking about in this video!!(Chromatic walk ups) Much Love Paul!🎉

Nice ✊🏼🇵🇷🍺🤘🏼

Nice

I can hear the drums drop into this groove!I'll bet you can too!

❤️‍🔥❤️‍🔥❤️‍🔥🎸🎶🎵🎶🔝🔝🔝👏🏻👏🏻👏🏻😊

Thought you were gonna play "Pets" by Porno for Pyros

Cool. Does it remove low frequency? Hooe not.

Great video! Thanks for breaking it down and making it simple. Perfect examples with the video and then the real song.

Thanks for this! I’ve been wanting something like this for a while. Now I can add even more pedals!

GET A BAND!

Paul was just a natural. Amazing bass player.

I love the delay effect

🔝🔝🔝👏🏻👏🏻👏🏻🎸🎶🎵🎶😊

That sounds firmly 🤔Oxygène ?? by Jean-Michel Jarre