Whhaaa right off the bat the simple chords on the chart for the A section are way different than the chords you are playing with those dissident sort of notes .. Are those jazz substitutions? Asking for a friend 🥴

One of the best teachers in KZbin

make more videos on guitar!

Thanks for the great analysis, which de-mystified this tune for me!

Tnx! I have learned a lot.

superb

Can 13 and #5 be the rootless voicing

Thank you :-) it seems he used also The mediants to modulate, right ? C - Ab - (E Maj) - C

Best of all tutorials of all disciplines 💜

❤❤❤❤❤❤Thank you so much sir very very very useful the great explanation ❤❤❤❤❤❤❤

Monk harmonizing is much more complex than this. 🤔

Hi,when you still have questions,you know the teacher has failed,but in this case teacher,you have not,I have no question ,like what if,or what about this,great lesson and very good teaching skills.when a teacher can break it down and pull it apart,which you have,with out the brain fog and more questions then answers.I wish you good health and contentment.I have subscribed to your channel and looking forward in my journey with your Chanel.thank you.

"You can get a degree in How to Play it Wrong." --Derek Smalls

Great video. Perfect explanation.

Excellent. Very well explained! I love the mathematical approach.

Огромное спасибо🤝Большой труд. Великое произведение. Слушал с переводчиком. Всё понял, и проникся красотой гармонии. Такого всестороннего разбора не встречал.

Second line you have a "B" vs "Bb"???

Best teacher KZbin

Beautiful

Really interesting. Thanks for taking the time to explain what - to me at least- is quite a difficult concept. If I can get up to a reasonable level in rock or boogie I’ll be happy…I think I’ll be leaving the funk out for this lifetime sadly.

5:45 noooo

Thank you! You are an excellent teacher! I now understand what comping is and how to practice it :)

Thanks for your info …👍👍🌏🌎🌍🎧🎹👌

Very useful ! Chiarissimo , grazie

That was awesome thank you.

Hilarious to see the responses to a video like this. All the midwit theory nerds come out of the woodwork to insist frequencies have emotions. There's even people claiming an analogy to colors! As if colors have emotions! Red is angry... no wait it's romantic... no wait... see my point?

I think this kind of misses the point, or is a retrospective analysis. I'm going to guess (from how I play this stuff) that its largely instinctive or emotive.

Nice B section analysis. I understood A and the 3-6-2-5 turnaround. But, was always wondering an out the B section. Thanks for giving me some ways to think about it.

I think that the supposed unique colours of different keys are A: personal, and B: dependant on context and prior experience. To people saying 'listen to this piece then hear it in another key', of course, if you hear one key then hear a different key, there will be a shift in colour, no one is arguing that, such is the case even if you are merely used to hearing a piece in one key, then hear it in another. People can have preconceived notions about certain keys for any number of reasons - how comfortable it is to play on your instrument, how resonant it is on your instrument (less so for piano), certain pieces you have heard/played in those keys, perhaps you assign a kind of simplicity to C bcs it has no accidentals, leading to an experience of purity or clarity. Ppl say the pitch of a key may also have an effect, but i think this is only rly relevant with large shifts up or down. Thats not to say these are improper or redundant ways of thinking, i think it allows for nuanced musical understanding. For example, 'O Polichinelo' by Lobos uses an almost comically simple melody in C against a rather absurd accompaniment to make a sarcastic, mocking feel. People are gonna feel differently abt the keys whether u like it or not, but if we, as a musical collective, had taken A as 420 instead of 440, i dont think anything would have changed.

Amazing... will take me another 2 or 3 times before I fully understand but it's fascinating

Best teacher ❤❤

Love this

Innnnteresting.

You have answered my questions over the years of not knowing how to approach comping. God bless you and more. 🎉❤

Merci!

Bro you you talk too match. It´s à video...

One Note Samba composição de Antonio Carlos Jobim e Newton Mendonça

you talk too much bruv

Although Timba has modified the pocket most non Cuban Latin Jazz or even Salsa players are not hip to it or prefer the traditional style of constant montuno and tumbao. My timbale player threatened to quit if the bass didn't keep strict tumbao! RIP Rudy!

Mate tried to explain it to me and he's either shit at explaining or my brain is french, but watching your video it became as clear as water. Thanks!

Thank you.

Bravo!!!!

Dios quiera q todo este correcto. Gracias por su contribución, inexpugnable. El mejor canal de armonizaciom del mundo, q se dice pronto. Saludos desde Madrid

Well done, good video

the first instance of sunny was WAY BETTER!! The rest was TOO busy!!

you are really boring!! WAT too slow - get it up to 16ths PLEASE!!!

Really fantastic account

biggest fail in human history...

i really hate pythagoras

awesome