3 Levels of Chopin Chord Exercises

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En blanc et noir

En blanc et noir

Күн бұрын

Пікірлер: 49
@en-blanc-et-noir
@en-blanc-et-noir 5 ай бұрын
00:00 Intro 00:18 Basics 02:04 Level 1 03:07 Level 2 04:16 Level 2 Modulating Exercise 06:22 Level 3 08:07 Level 3 Modulating Exercise
@samuelschnaider6954
@samuelschnaider6954 5 ай бұрын
Put this in the description, so the video will be properly divided
@paulrhodesquinn
@paulrhodesquinn 3 ай бұрын
As a Jazzer, that’s just a standard D13 for me! With the 13th on top it’s great for voice leading and resolution to the tonic. Great video as usual!
@michaelgoikhberg3107
@michaelgoikhberg3107 5 ай бұрын
Mind blowing as always. That last piece is like chopin turned into something that could be a modern film score sound
@niccolomaldera
@niccolomaldera 5 ай бұрын
The last prelude reminds me of Chopin op 45. You are the GOAT...beeeh
@fondtrout6354
@fondtrout6354 5 ай бұрын
Funny how quickly something “contemporary” like the descending M3rds of Giant Steps can be generated with “classical” logic.
@PlayBetterJazz
@PlayBetterJazz 5 ай бұрын
2nd example I immediately thought of Coltrane's "26-2" :D
@pjbpiano
@pjbpiano 5 ай бұрын
But the modulation that created Giant Steps actually came from classical music theory. That’s where Coltrane got it from.
@en-blanc-et-noir
@en-blanc-et-noir 5 ай бұрын
I‘ll check out that tune
@claudiomonteverdi7126
@claudiomonteverdi7126 5 ай бұрын
@@pjbpiano don't tell it to a jassist, their brains might melt
@MaggaraMarine
@MaggaraMarine 4 ай бұрын
Well, a lot of older jazz is mostly based on ii V I in different keys. Giant Steps too. I think that's pretty "classical logic" - not sure how it differs from the logic presented in this video. What made Giant Steps unique wasn't the fact that it used ii V I to modulate to keys a major 3rd apart (there was nothing new about that on its own back then). What made it unique was how fast it modulated from one key to another. It never spends more than 2 measures in a single key. And since it only uses keys a major 3rd apart, it kind of creates a "never ending loop" where none of the keys feels like the "main key". It's pretty much equally in all of the three keys. And because these keys are quite distant from one another, it makes improvising over the tune quite challenging (especailly considering its fast tempo). The modulation here works differently, though, because it uses a common tone in the melody. Giant Steps doesn't do that. But the melody of Giant Steps is still mostly based on a sequence. Why this also reminds of Giant Steps is because the latter half uses a similar descend with scale degrees 3 and 2 in the melody. It doesn't continue to the tonic, though, but leaps up to the 5th instead.
@k.j.8798
@k.j.8798 5 ай бұрын
6:40 der Neapolitaner mit Nonenvorhalt hat mich gerade völlig von den Socken gehauen, und dann noch die darauf folgende #1 Stufe, auf die ich noch weniger vorbereitet war... bII -> #I ?!? Wow. Mein harmonisches Repertoire wurde wieder erweitert. Danke für das Video!
@ElDalai
@ElDalai 5 ай бұрын
This is fantastic! Many many thanks!
@grocheo1
@grocheo1 5 ай бұрын
What an excellent video, again! Thanks
@erickramirez5483
@erickramirez5483 5 ай бұрын
Amazing job ❤! The end was really nice and it's always nice to see you in action !
@MusicaAngela
@MusicaAngela 5 ай бұрын
👏👏👏Thanks for the three different levels! Such a great way of learning even though I’ll be working on levels one and two for some time…
@alexp.d3689
@alexp.d3689 5 ай бұрын
I personally love the piece at the end ❤ , it's so emotional ... Thanks for the awesome content,as an amateur composer your videos are really helpful, keep up the good work ❤
@Taki-NeobaroqueDZ
@Taki-NeobaroqueDZ 5 ай бұрын
Very nice!
@squishyrrr
@squishyrrr 5 ай бұрын
@Supo27.72
@Supo27.72 4 ай бұрын
A very interesting Chopin resolution I’ve came across (2nd piano concerto, fantasy in F minor) is resolving the V7 in a dominant of the Neapolitan, therefore resolving the leading tone upwards as normally but going a semitone down with the bass. Example, G7 with B in the soprano leads to Ab7/Gb with C in the soprano. Very emotional and unexpected resolution
@en-blanc-et-noir
@en-blanc-et-noir 4 ай бұрын
YO that's a classic! There is a comparable device used by Mozart and Czerny occasionally where you have e.g. a G7/F where the 7th in the bass resolves into an E7 as Dominant to A Minor, Mozart would pic up such a device in the developements of the piano concertos. What you're describing is a very interesting thing though, those strategies to tonizise the Neapolitan are obviously a thing that romantic composers had a certain tendency towards. IMO Scriabin is the king of that game...
@Birbeniho
@Birbeniho 5 ай бұрын
Great vid
@tilllanglo5316
@tilllanglo5316 5 ай бұрын
Und hab vallah Auge gemacht auf das Level 3 Modulation Exercise, ohne Spaß. 👀😅 Vielen, vielen Dank für deine Videos.
@en-blanc-et-noir
@en-blanc-et-noir 5 ай бұрын
ich küsse doch deine Augen
@kofiLjunggren
@kofiLjunggren 5 ай бұрын
Love!!!!!
@kaptnkirk2740
@kaptnkirk2740 5 ай бұрын
Wallah! Mit diese Romantic-Style kannst du die Ischen klar machen. Ischwör', Bruder! 😇
@HuffleScrumblo
@HuffleScrumblo 5 ай бұрын
2:56 Giant Steps.
@FransizekHeanski
@FransizekHeanski 5 ай бұрын
Nice 🎉🎉🎉🎉🎉❤❤❤❤❤
@JazzGuitarScrapbook
@JazzGuitarScrapbook 5 ай бұрын
I do wonder how much of what I think of as jazz harmony is appropriated c19 harmony. We’d call this dom13th. I’d expect Tin Pan Alley to have borrowed a lot of this stuff ‘off the shelf’ so to speak. Standards often have 3-1 as a final melodic cadence. All of me and All the things being good examples
@cablenelsonbabygrandpiano842
@cablenelsonbabygrandpiano842 5 ай бұрын
Very nice and beautiful 😍 🤩 👌 ❤️ Thank you ❤️ Subscribed! New friend ❤️ ✨️
@MosesM514
@MosesM514 5 ай бұрын
Whats the way to learn the various RO's? Which is your favorite or the most use in your opinion? Maybe even make a video running through how it works or how we can come up with "our own".
@tilllanglo5316
@tilllanglo5316 5 ай бұрын
More of this type of content please. We all love the romantic sound. Instant stank face. 😇
@TropicalPianist
@TropicalPianist 5 ай бұрын
Wish you had marked the chords degrees used clearly like II V I Instructive content !
@anthonywritesfantasy
@anthonywritesfantasy 5 ай бұрын
The piece at the end is giving big "Sad Count" vibes.
@YukiEhms
@YukiEhms 2 ай бұрын
1:18
@user-qy8yu7nw5m
@user-qy8yu7nw5m 5 ай бұрын
do something related to Rachmaninoff's harmony and texture
@en-blanc-et-noir
@en-blanc-et-noir 5 ай бұрын
tried this one yet? kzbin.info/www/bejne/hHSzpph-qL2EnqM
@user-qy8yu7nw5m
@user-qy8yu7nw5m 5 ай бұрын
@@en-blanc-et-noir Yes! Thank you, I have watched that video but I was wondering if you could do a video specifically on Rachmaninoff. Everything from his structural integrity, harmony, smart writing and attention to detail which is fascinating. I am sure that you could pull off a 20 minute video.. It's up to you.. I like your videos very much.
@maxjohn6012
@maxjohn6012 5 ай бұрын
Where can I get that t-shirt?!
@RhodesyYT
@RhodesyYT 5 ай бұрын
I wonder if chopin himself would ever do stuff like this to practice for later compositions and to play his own pieces
@tilllanglo5316
@tilllanglo5316 5 ай бұрын
He sure did a lot of this kind of stuff in his young days. 👏
@disinformationworld9378
@disinformationworld9378 5 ай бұрын
He was a master improviser so he almost certainly was a master of using any chord.
@alphabug9
@alphabug9 5 ай бұрын
Who is the most right figure when you mention the GOATs at 7:35
@en-blanc-et-noir
@en-blanc-et-noir 5 ай бұрын
you gotta recognize Scriabin✌️😝
@squishyrrr
@squishyrrr 5 ай бұрын
HAHAH WALLAH BIS NACH GISMOLL BRUDERRRRR
@Archiekunst
@Archiekunst 2 ай бұрын
Funnily that sounded a bit more like Brahms than Chopin.
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