32-Bit Float Audio Recording is Game Changing for DaVinci Resolve | Here's the Mic I'm Using

[@JasonYadlovski]

Just for you all - Use Code: JASONYADLOVSKI10 saramonic-usa.8lvxaf.net/WyDOm3 Save 10% Off Site Wide + Free U.S. Shipping On Orders $50+ At Saramonic.com! Shop Now!

[@seemedoit]

Great video, showing what the mic can really do. Dynamic range is everything.

[@GaryCunninghamyouareenough]

Excellent, Jason 😁🙏

[@RoadReality]

YES! 32-bit is awesome! And that mic is a slick setup. I'm guessing your 5DIV doesn't have autogain on the mic? Oh, and how did you train yourself not to yell at the camera when it's far away? I find myself raising my voice quite a bit when the camera is farther away, even though I have a wireless mic on me :(

[@JasonYadlovski]

Hey! My 5DIV does have auto gain, but I never use it, always set it manually, just for consistency in the recording. As for the yelling, haha, I just think about the neighbors looking at me. 😆

[@RoadReality]

@JasonYadlovski Oh, good call on consistency. If I didn't use auto my stuff would be consistently blown out, lol.

[@dr.gregoryf.maassen2637]

The Zoom F6 field recorder is the ultimate floating 32 bit recorder with 6 inputs we use for all film assignments.

[@JasonYadlovski]

Nice! I like the zoom equipment. 👍

[@pitrow66]

Yes 32bit is the way to go

[@JasonYadlovski]

I'm loving 32-bit float.....makes it so easy

[@SimonHepworth]

32 bit is fine if you're the only person on the production line and a nightmare if you're not. It means production companies can (and do, I know) skimp on professional sound recordists on set thinking "oh we don't need to worry about that anymore".

[@JasonYadlovski]

I could see that being a problem for sure. For the solo creator it can be good. 👍

[@johannes3530]

32bit is awesome! We cant go back to 24bit 😊

[@KJmotoplus]

Hello Jason, we've talked about muddy audio in motorcycle helmets before and only last month I bought the DJI Mic2 for exactly the same reason you have just made this video... 32 bit Float. Have you made or can you make a step by step video of how you organise on the time lines in DaVinci the separate audio from the transmitters(32 float) and the camera/audio with a timeline of multiple clips? I was trying to salvage my latest video by trying to mute one track or the other but i got way to deep for my editing knowledge. I tried to Auto Sync Audio but couldn't figure it out, maybe because I had clips before and after the piece I was trying to fix. I hope that made sense... Glad to see you out and about!

[@theharryexperience_]

That is very good .

[@JasonYadlovski]

Thanks!

[@reptilespantoso]

If you can't make 24 bit work for you, you're doing something wrong. Most professional audio engineers are using 24 bit files. It has more dynamic range than the human ear. You can clip a 32-bit file too, if you set your gain wrong.

[@JasonYadlovski]

True, but why not take some work out of the process. Especially for a solo creator. But you’re right, we’ve used 24 bit audio forever and we know how to make it work…At least most of us do. 😜 Thanks for watching!

[@johannes3530]

Haven't found that gain knob on my 32bit audio interface yet..