I love it when you add the fingering on both right and left hands. Keep it up. Thx
@lim7lim2 жыл бұрын
Really terrific lesson. Thank you so much. I especially loved the sound of the whole tone scale over the dominant 7 chord.
@philipperobin85662 жыл бұрын
Such quality for all to enjoy and practise on a regular basis is just amazing. Thanks Jonny! .
@merveilkioto9332 жыл бұрын
Subscribing to this channel has never been a mistake. I have learned something. Thank you maestro. 🙏
@alanfreguson38072 жыл бұрын
Really enjoying your lessons Jonny. Easy to follow with manageable goals. Thanks.
@jorgeparr30028 ай бұрын
Well done Sir CONGRATS 👏 👍 AND MORE GREAT PIANO 🎹 LESSONS PLEASE 🙏 😀
@michaelladisa2 жыл бұрын
Love that whole tone sound...thanks Jonny!
@zalp662 жыл бұрын
Just swapped from organ to piano. There are some great ideas in these videos. Thank you.
@MorisoniProductions2 жыл бұрын
An incredible amount of useful information condensed in this short video! Many thanks!
@ShenSang2 жыл бұрын
Very cool idea to introduce to my students! Thank you 🙏🌷
@lydkoch92098 ай бұрын
I just began Hal Leonard Jazz Piano Method Book 1, and it shows what the whole tone scales are, but don’t really explain, as you do, how to use the scales or “notes in that scale” with the various types of chords (7th, aug). Thanks!
@stevesomerdin99286 ай бұрын
Same reason I was brought here
@josephmartino99582 жыл бұрын
Monk is an expert with his use of the whole tone scale
@rysriffs2 жыл бұрын
So hopeful!! Thank you so much!
@kane65292 жыл бұрын
Martin had a dream!!!!!!!!!!!!
@andreipatrascu89732 жыл бұрын
That was super interesting
@brendaboykin32812 жыл бұрын
Thank you, Jonny🌹🌹🌹🌹
@exist0142 Жыл бұрын
Amazing! Love this sound!
@FredHerrman2 жыл бұрын
These videos are excellent. I love Oscar Peterson.
@wendi-bnkywuv2 жыл бұрын
Part of the reason I prefer lydian over Ionian (natural major) scale is the raised fourth degree, creating a rather eerie/dreamy tone. Phrygian dominant, the double harmonic major, and even (as strange as it may...err...SOUND) the major locrian scale. Ionian has actually always sounded a bit...off, or sad, then it hit me upon stumbling upon the modes, the mediant chord is actually phrygian, which in the minor scale, is the also the fifth, but phrygian is a type of minor sounding scale all on it's own! Hence, in my elementary school choir, I was singing in these different modes and scales, including the whole tone scale, without even "knowing" they really existed!!
@pianolessonswithisrael97442 жыл бұрын
I liked it am from Nigeria
@nigelworwood85302 жыл бұрын
Sometimes there ought to be a higher rating than a like.
@musikistmeinetherapie2 жыл бұрын
Wonderful Videos you do 🌹 thanks a lot
@ewallt2 жыл бұрын
Dream sound thing was really cool. I wonder if there’s a way of mimicking a train with the WT scale.
@12Keys2 жыл бұрын
Omg magic😍
@spencersworldofmusic96862 жыл бұрын
Nice sir johnny. Vey impormative. How about the scale of phrydian. Mode .use in augmented chords is it works?
@chuckgenco2 жыл бұрын
I have a request. I am a member of Piano with Jonny. When the videos are on the site, the links you mention in the video are not added to the text in the course. They should be. For example, here you mention "Scales for Improv on 7th Chords". On the site I need to dig for that lesson by searching and don't always find the exact lesson. It's even worse when I remember you mentioned another video in the "4 amazing whole tone scale tricks" lesson. I then listen to the video again for the exact name use used and search. A link in the text on the site would fix that and it would be so much simpler.
@ewallt2 жыл бұрын
When playing over a Dominant 7th chord (say C E G Bb) if the left hand has the fifth in it, there will be a clash if you play Ab over that (with the G), which can be avoided by just playing C E Bb. This clash isn’t necessarily bad, as if you’re moving quickly, it’s not really noticeable, but I was curious if this was inadvertent or intentional.
@Phrygian12 Жыл бұрын
He played a shell voicing for it. But when he goes on to show you D7 he has the 5th (A) in the voicing of that chord. A dominant 7 chord creates tension that wants to resolve to the tonic chord. So adding more tension on it is just building it up more to hear it resolve. However, you’re mileage may vary. Just like all tension notes, they’re probably not a note you want to sit on unless you’re really trying to build a lot of tension. I wouldn’t worry about it too much, just experiment with the sound that’s coming from using it.