La regina dello staccato e di ogni tipo di agilità e fiorettature...
@indeserto Жыл бұрын
Amazing, great balm to the ears and soul after listening to a "star" of today bleating, wobbling, and whining her way through this!
@frankmarter6845 Жыл бұрын
She is spectacular in her singing. I cannot imagine how she did that fancy passage work. It is unbelievable.
@luigipirsavele93732 жыл бұрын
Interpretazione meravigliosa. Gli abbellimenti fenomenali e perfettamente consoni con il brano. Quando la Tetrazzini canta così è favolosa.
@martamatuszewska65493 жыл бұрын
I simply cannot imagine better staccato than this. It's a clear perfection to me which can't be found anywhere else...
@uranusterra5799 жыл бұрын
well that's bel canto!!
@ronronizetti25347 жыл бұрын
Brava! ~ Such perfect intonation! Delightfully joyous and playful ... I can only image her effect upon the stage - True belcanto singing
@rosaponselleart12 жыл бұрын
thank you for helping me. yes, the recording is from 1911. I just use to clean old recordings moostly or myselfe. I could better enjoy it... 1st I clean up the cracks, 2nd I put a compression to the voice (not to be so thin) 3rd I give a litle stereo effect (to give a shine to the voice). But every recording needs a special method and steps. I'm very pleased that you enjoy it. R.
@phil2u487 жыл бұрын
MORE >>> MORE>>>>
@sachseco9 жыл бұрын
Happy Birthday Luisa born on June 29, 1871, one of the greatest coloratura sopranos I ever heard. She would have been one hundred forty-four (144) today.
@angelabender81326 жыл бұрын
A sweet young bird!
@Bluejeans07019 жыл бұрын
I regret to say that Luisa Tetrazzini was born too early. She would have left us more refined recordings of this aria had she been born later by fifty or sixty years at least. Nevertheless, I find her voice really amazing; the sound quality of this recording is so remarkable. Thanks a lot for posting this clip. Luisa Tetrazzini had a very beautiful and pure voice.
@PiccDan6 жыл бұрын
Such clarity and power - and real strength when required. The 78 when played on a wind-up gramophone has great immediacy, but the cleaned-up sound here is impressive, thanks.
@rosaponselleart6 жыл бұрын
Thank you.
@ksionc1005 жыл бұрын
The sound is impressive but how close is to her true sound? First we had a poor recording, then someone engineers it with tonnes of artificial reverb.
@draganvidic20392 жыл бұрын
@@ksionc100 Voice is bigger than any coloratura’s today. It got clarity, chestvoice, correct vibrato action and chiaroscuro to perfection. Now you know.
@ksionc1002 жыл бұрын
@@draganvidic2039 yes, we've all watched TiO channel. Their instructions focus on how to make the core of the voice and its adjacencies bigger. How does it translate to the extremities of the voice with high fiorituras, staccatos etc. is less obvious and the 'restored recordings' don't seem to give real representation.
@EloOso-l2c2 ай бұрын
Un vrai rossignol ❤❤❤❤❤ Merveilleuse !!!!!
@Homoclassicus10 жыл бұрын
This is only rivaled by Callas and Sutherland as my favorite "Ah non giunge". So much joy, grace and perfect style in her singing, besides the magnificent voice and virtuosity.
@jerryferguson72666 жыл бұрын
NONE OF THE CURRENT SINGERS TODAY CAN MATCH TETRAZZINI
@irinakhruleva9556 жыл бұрын
the style of singing is different, you cannot really compare. The singing back in the day was much lighter than now.
@mortlock365 жыл бұрын
@@irinakhruleva955 good joke, back then the voices were very loud, huge, with much more core, chest voice, darkness. Nowdays they struggle to be heard beefed with aplification. So, think twice before writing nonsense!
@draganvidic20392 жыл бұрын
@@mortlock36 Thanks
@indeserto Жыл бұрын
Complete nonsense - fine singing is fine singing, period. No-one gets within light-years of this today.@@irinakhruleva955
@frankmarter6845 Жыл бұрын
How true. But how to you match perfection?
@bobzeschin31543 жыл бұрын
Thanks so much for posting this. So many recordings from that long ago can only hint at what the singer must have sounded like, but listening to Tetrazzini skip merrily through one of opera's most fearsome obstacle courses, I remembered reading a history of Oscar Hammerstein's Manhattan Opera Company. Comparing her to that era's reigning prima donna assoluta, Vincent Sheean wrote that if he had been alive then, "I would have admired Melba, but spent my money on Tetrazzini."
@HaasRegen2 жыл бұрын
Fabulous sound! Thank you!
@sirdicaudore12 жыл бұрын
Excellent work! Thanks so much for sharing!
@OGrauMusic3 жыл бұрын
Chest voice correctly combined, BRAVA !!
@xplosebmusic7 жыл бұрын
¡Inigualable!
@GeorgiaTryfona4 жыл бұрын
Omg thats even better than the one in 1904. 😍
@sirdicaudore12 жыл бұрын
Dear Nick, here again with our great and admired friend Luisa... I think that Tetrazzini recorded "Ah, non giunge" only twice - in 1904 with piano accompaniment and then in 1911 with orchestra. In fact, thanks to Rosa P. here we have an excellent remastering of an excellent copy of the 1911 version. Let's be inspired and have a wonderful day beyond any "uman pensiero" and "sempre uniti in una speme formiamoci un ciel d' amor!" (at least give a try...)
Великая на все времена.У современных певиц нет такого тембра.Из наших только у одной Куляш Байсеитовой очень похожее пение.
@sirdicaudore12 жыл бұрын
Dear Nick, I am NOT Rosaponselleart... I 'm only another thankful listener of Rosaponselleart channel... but seeing your comment and remembering a discussion we had some time ago about Tetrazzini, I just wrote to you my idea (may be wrong) about this beautiful recording! Now we have to wait Rosaponselleart's answer to know the truth...
@angelabender81326 жыл бұрын
Un uccellino
@oliviertrostanatomie-freea43766 жыл бұрын
The Gruberova of the 19th century !!!
@dabi51446 жыл бұрын
Olivier TROST Don't insult Tetrazzini!
@antoniopedrolisboa5 жыл бұрын
Are you Crazy??
@G.Andrea_Piras4 жыл бұрын
Parafrasando Schopenhauer:"qui non c'è trippa per gatti".
@oliviertrostanatomie-freea43764 жыл бұрын
Vivant encore en démocratie, j’affirme avec aplomb ce à quoi je crois. Non mais !
@Feisenbach4 жыл бұрын
I don't know about that. I enjoyed Gruberova for decades, but I can't stand listening to Tetrazzini for more than a few minutes.
@suzannederringer16076 жыл бұрын
I never liked her. The higher notes are pure head tone and her staccti and trills etc. are clean, but as with so many 'coloraturas' from her heyday to the late 20th century, the lower tones are quite ugly and the transition to head voice is not smooth. There should be no audible 'registers.' She sounds like she has two entirely separate voices.
@dboyen5 жыл бұрын
I’d love the opportunity to compare it with Suzanne’s recording.
@marinellabakken58635 жыл бұрын
It's your ugly spirit, you can't understand Tetrazzini's singing, that's your problem! La Tetrazzini is shining, who cares of what you're saying!
@Feisenbach4 жыл бұрын
@@marinellabakken5863 I care. And I agree.
@meltzerboy3 жыл бұрын
Tetrazzini was criticized for her lower register (and middle register) by vocal critics of her own day. Her voice is certainly not perfect. However, there is a joie-de-vivre in her singing, a technical virtuosity, and a pureness and beauty in her upper register that largely compensate for any defects.