An Intro to Making Generative Music on Modular

[@mylarmelodies]

If you enjoyed this here's A NEW VID that shows a tiny generative modular and a whole host of interesting patches!! kzbin.info/www/bejne/oKWbgHeCjrNqjqc ✨

[@chromosundrift]

​@Element 115 there's a guy who focuses on software modular synths, specifically VCV Rack. I think your best bet would be to check his backlog: kzbin.info

[@10908070605040302]

"Generative music is a lot like gardening , you set up the parameters but the garden grows by itself" - Brian Eno

[@yetidlt2073]

exactly

[@dmitryovsiannikov4476]

Happy modular gardening during journey in the universe :)

[@SamBrev]

"The great benefit of computer sequencers is that they remove the issue of skill, and replace it with the issue of judgement." - Brian Eno

[@mylarmelodies]

Nicely put. Yes, that!

[@SamBrev]

***** you raise a good point. however i would say the 'skill' associated with mixing, arranging, etc. is essentially based on judgement. pretty much anyone can, with minimal teaching and a pen, write legible 'music' on paper but what makes a composer 'good' or 'bad' is where they decide to put the notes. conversely, a violinist is judged as 'good' or 'bad' by how accurately they can perform the music given to them. they make no decisions, but to physically play a complex or fast piece requires immense skill. i always consider this in the setting of the rock band or singer-songwriter (Eno worked with many himself), where it meant that often a certain 'sound' might be desired by an artist, but without the means or budget to create that sound for the record (consider the desire for a string section on a ballad, or a high note in a melody that the singer can't reach). thanks to modern technology (synthesis and autotune, respectively) the 'skill' is no longer a limiting factor, and so the quality of the music is down solely to the artist's judgement in whether or not to include it. in the context of generative music, as in the video, it goes further - the 'skill' required in even /writing/ the music is removed, but it can still be 'good' or 'bad': the distinction is by how the artist judges what is a 'good' or 'bad' sound, which dictates how they design their patches and which sounds they keep on the record.

[@SimpleTrax]

But great disadvantage is that it supports repetitiveness and lazyness. Electronic synthesizers existed before sequencers. When sequencers became mainstream, house music was invented.

[@SamBrev]

how you choose to structure your song, and how varied you choose to make it, are precisely the issues of judgement eno was talking about. you can blame the lazy producer for the terrible music, not the electronic sequencer.

[@midilyfestyle]

Simple Trax House music is a wonderful thing. As is generative modular music. As is Shostakovich's 8th. As is Thelonius Monk. As is Kendrick Lamar.

[@NICUofficial]

"Watching MylarMelodies making a generative patch is wonderful in that you almost feel like you did something yourself while actually you just sat back and drank beer" - Brian Eno

[@mylarmelodies]

UPDATE: Said band member has literally since gone off the deep end and bought a 18U modular and been whatsapping me his generative jams. Theyyyyy alllllll come rooooound eventually.... ✅

[@GlitchWolf]

Haha! So funny because I came here as I was discussing this topic with someone the other day, and they had the same reaction. I remembered this video, and wanted to send it to them. We're both math fanatics, and I was trying to explain that setting up a generative patch is an analog to writing a mathematical algorithm. You do such a great job of bringing up amazing examples of this concept. Happy to hear your friend folded. Counting on mine to do the same in the next few months :)

[@Raku777]

What I find is that generative ambient has always been riding the borderland between live and created music from the beginning. I am clear that it requires creativity and is mostly live. When the music is being created, there is a "watching over" and "tweaking" that happens that is only perfected when all the conflict points, adverse feedback loops, and overload points are removed, and then it can be recorded like regular music or left as an automated sequence that is done by rules rather than recording (which makes it feel more alive). What is possible, though, is that after a generative patch and settings is set into motion, it can be tweaked in present time to introduce more subtleties in a kind of live ongoing improv. Thanks for sharing your process and ideas!

[@MatchdayFootballStudio]

Yep, it was HIM talking bollocks from the start. 😂🤣

[@GuitarsAndSynths]

wow that cost as much as a house and car!

[@jebone743]

jesus christ the dark ambient in the "LFOS - To Enact Changes Over Time" part are absolutely stunning!

[@LeslieRollins]

You're a natural teacher and you do a great job re-emphasizing key points. And you do it with a light touch so you don't sound pedantic. Super useful video. Wish I had seen it years ago. Thank you!

[@n__n]

That ambient soundscape setup was such quality. Then the sound at 10:24 changed my life.

[@thomasswoodward]

Why the fuck couldn't I take these kind of classes in high school? In the midst of global catastrophe and dehumanisation, it is indeed wonderful that this exists. Amusing how much humanity and pleasure lies within your nuanced explanation of the capacities of these machines.

[@mycosys]

Did music for 10 years in school and never got exposed to it - the only time i used a sequencer was pulling a System 100 out of a closet and teaching myself (in final year). btw see also: probablility and conditionals on Elektron sequencers.

[@stephenjoseph5265]

I'm a music teacher in a school. You've inspired me to step up my game. We already use quite a bit of modern gear, but nothing as wonderful as this.

[@thomasswoodward]

@@stephenjoseph5265 that's so great to hear dude. Lucky students, lucky you.

[@Polyphonic-Ringtone]

The patch from 8:35 is amazing!

[@OliverCharles]

You're doing such a fantastic job with this videos. Congrats on being the first person I've supported on Patreon - can't wait to see what comes next!

[@mylarmelodies]

Thanks so much Oliver, that means a lot! People are awesome. x

[@playboxadministrator9229]

I've come back to this again. Now that i'm a full 2 years deep into my Modular system. It's like revision. Excellent stuff.

[@montgomeryword7748]

great video as always!!! as an advanced user, i knew everything you talked about already, but hearing you say it made me realize i was neglecting my vca's! also, i hadn't thought of quantized cv's to control envelopes, etc, not just pitch! thanks man!!! inspired to make more stuff!!!

[@0neTwo0neTwo]

how do you personally quantize your CV's??

[@anobayan7742]

The demonstration of the importance of a VCA was illuminating. As a noob trawling through forums, you see people saying you need more VCAs all the time, but this video made it clear why

[@the_real_redx]

19:12!! Man I wish you were my neighbor and you could help me with this stuff. Absolutely gorgeous. Thank you for breaking it down like this. I needed this today!

[@samzungs4745]

Yeah i agree!!

[@tomaszzielinski4521]

I absolutely love how you lay down philosophy behind generative music :)

[@djey308]

this might be the 5th time i've watch it, some all the way through, sometimes going back for clarification on different module types. i love you for this video and would love you even more if you felt up to doing a part 2... not necessarily covering different modules, but different patch ideas or workflow with different manufacturers. cheers!!!!!!

[@mapledev]

I think I'm on my 5th run too. Really helpful as I've got a case now but no modules!

[@boristheodd2644]

what happens at ~19:40 when you pull that cable is totally amazing amazing video all in all!

[@n__n]

Mindblowing

[@djdigitaladdict8407]

he dont pull any cable at 19:40...you must to pay atention to the time...he pull the cable at minute 19:36, but even if you put at this minute, thats wrong, because i cant see nothing, and i have to rewind the video, cuz you have to put at least at minute 19:33, to make possible to see that...hope you understand how its work...

[@planktron]

Yeaaah but what is even happening here?! Sounds like some orchestra samples :O Amazing!!!

[@bennydeckard]

I'd imagine its the sames on the Radio Music

[@cna9708]

I love the way theres awsome dark abient sound and then this very interresting and calm rambling. I can watch this for entertainment only.

[@els1f]

KZbin keeps recommending this to me every couple of months, and I watch it every time 😁

[@zvnavv3w5]

This is the best approach to doing this that I could even imagine. You recognize that this process is self-generating, yet provide a way for creativity to flourish as a skill and progression. Fuck. I don't even do this and this is my nightmare, as far as production goes, but you did such a great job... for anything, ever.

[@saturnine1979]

current favorite source of random is the Two Drunks mode in Tides Parasite. love it because it's two sources of random with two kind of outputs (triggers and cv) that are related. it's usually the starting point of a lot of my patches. also one function that I think is great for generative patches is envelope following. I use the 4MS SMR in the middle of a patch, taking the output of one or two modules and then using the envelopes it generates from the sound to influence those same or other modules. gets really interesting with the rotate function so that the envelopes are being generated based of different parts of the input. just got a Cold Mac and I love the Follow and Location outputs, which are both envelope followers which behave in a sort of abnormal way, so you can have a CV modulation (like the Two Drunks) which can also generate two more related, but different modulation slopes.

[@filtomsun]

Loved this. Your defence of generative music being creative, creating the rules, deciding on what's right, etc., reminded me of many things I said in interviews in a former life when I did this sort of thing using software. Great to see the concept continues to evolve! Phil (Thompson, aka Organised Chaos, Gingerbread: The Mandelbrot Music Generator.)

[@DanPratt]

This is one of the clearest explanations of a very difficult concept! Beginner modular dude here and this is giving me a ton of inspiration.

[@vaspers]

Several days ago, I got the Pittsburgh Modular Lifeforms System 201. I know nothing about modular, but this video is an incredibly lucid and logical tutorial. You are an extremely good teacher. Thanks.

[@tomdp3660]

for a starter this is probably the best vid i could find. always been heavily into sampling, now i grab bits from my own tracks, its brilliant

[@stefanhansen5882]

I've watched close to one hundred KZbin-videos about modular synths this week trying to promote myself from Newbie to Newbie second level. This video helped me the most of them all to understand the modular mystery. Thanks!

[@RadeonThe1st]

Okay, two things: First: Thank you for FINALLY making me understand how modular synthesis works. I've been going digital for a few years and, for me, modular was like "Whooooa, too many patches for me, baby!", but now I finally get it... And I love it. Two: Curse you! You made me want to end my degree ASAP, get a job and earn some cash to buy some of these toys! :P Oh, and finally, you got yourself a new subscriber. Thanks for the great content, and keep it up!

[@madebymccoy]

Brilliant video! I love the approach of explaining functions and methods, versus the usual breakdown videos. I always want to know what and why, rather than being “taught” combinations etc, and this is ideal, explaining what each type of generative source does and how it can work in a big patch. Love it!

[@Outdoorshuntingshooting]

Mind........blown. What a simply fuss free explanation of the subject. Thank you.

[@UNPAVEDMusic]

This is the best video out there explaining this process! You are extremely detailed on the modules and how to patch them! Keep making videos like this...fantastic!

[@themonohub5455]

This has to be about the most helpful and educational video I've seen on modular synthesis. No exaggeration. I have pages of notes to read through after watching this. Thank you! One thing though, and I do apologise if I come across like I haven't been paying attention here, but with all these many outputs from clocks, sequential switches, random generators and clock dividers don't you have to have a lot of sound generators to plug them into. This is where I have to admit my modular naivety. I get the sample bays and oscillators, but there must be so much more to the actual 'making a noise' in modular synthesis. I noticed in this video the Korgasmatron was being used to generate a noise, but with nothing being input. I know this is not a forum, but it would so so helpful to me, and I am sure multitudes of others, to understand more about the source of noise modules than the obvious oscillators and sample bays. Apologies once again if this is an not really the place for a post like this. And Mr. M, if I had another five, they would be yours.

[@mylarmelodies]

Heck - I was genuinely a bit unsure if people would like this one, so this is kinda bonkers and great. Thanks!! Yeah well a trigger doesn't have to just fire a sound, it could be doing all sorts of things - clocking things, opening envelopes, resetting LFOs, advancing sequencers, changing sequencer directions, feeding logic modules - and all this could be triggering and modulating just one VCO and filter maybe, but in a hugely complex way. And there are things like Braids where a complex voice is packed into a small space, so you have a lot more room for interesting things like the modulation sources and sequencers - and you literally could plug the output of the Braids (ideally via an attenuator) into a soundcard or mixer, and you've got a complete sound.

[@mylarmelodies]

Oh and with the korgasmatron yes, any self-resonant filter can usually make a very accurate sine wave, and the Korgasmatron can make two, with 1V/Oct tuning, so it's kind of an oscillator too - such are the joys of modular...strange things can become sound generators. Here's a whole other vid on that subject: kzbin.info/www/bejne/fKSbnJagmdOjbMk

[@themonohub5455]

Thank you. Really. I was a bit alarmed because I thought I was gonna have to buy banks of oscillators. I think I need to do a lot more learning. This is why I love videos like this. These are like the Open University for Eurorack.

[@memohech]

This video is one of the most insightful description of how to approach generative music on modular. Thank you for sharing.

[@patrickphipps3328]

This is the first video of this kind that actually helped me make sense of the signal path in a modular system. Thank you for that. As a visual artist, I couldn't help but draw parallels to conceptual art and your distinction/definition of generative music as a worthy pursuit is apt. I see parallels with the ideas of Sol LeWitt in this definition.

[@JeremySeitz]

Such a great overview and inspiring. I love how you obsessively tighten the nuts on module jacks :)

[@TRUEiMPROrecords]

This vid ties together so much knowledge! Best 30min of all-round modular basics I´ve seen on YT. Could literally hear the puzzle pieces falling in to place in my head. Getting the Disting to try out some of this stuff.

[@onetimeracas5972]

"And they don't have to be audio--" *BLEEEWUUUUAAAOOOUUUUUUU* "It's VCA as well." I'm sold.

[@marthagraham7180]

This video changed my life. Thank you for being so clear and direct

[@roccoharris]

okay, this is incredibly lucid explanation. very rare & very necessary for folks like me. thanks so much for all this!!

[@thirdeyevisuals1]

Boss videos dude.. I have actually brought modules based off the media in your great reviews and demos. Much respect. Best presented and my favorite modular vids . Cheers eh!

[@sdejesus13]

Great video! Very much what I am into. Want to mention that in logic modules, an OR function acts as a two channel mixer, combining both inputs. Useful, with a regular beat plus a random element. Excellent videos from you consistently, so Thanks!

[@maloontrahla]

As far as your bandmate insinuating that the machine is responsible for the product, it reminds me that when I've dealt with this concept in the past, I remind others that they (most likely) didn't invent, perfect, and build their instrument of choice. Operating machinery is a bonafide skill, and the results are yours. Wonder what they'd say about an excavator bucket through the side of a house. 🤘

[@James.Bondsai]

Thanks for this crystal clear explanation of not only generative patches but also basic usage of modules. I needed that :)

[@Chunda8]

The modular synth is a musical instrument, it is just asynchronous to the player. If you give it the parameters, it is the same as using the Nashville numnbering system in a recording session with human players. The patch is its chart. You could also think of it as a robot guitar, instead of using a pick to play it, you use cables. Current technology means we have a new process for creating music, it's just a different way to play. It also gives us deeper insight into what music is, people have loved electronic sounds for decades. In fact, we have greatly expanded the range of sounds we consider to be musical and emotionally impactful. The 12 tones of the Western scale are just a subset of what a synth can produce. When I look at the DAW, I actually have control of a full orchestra in my laptop. It will perfectly play whatever I tell it and I can humanize it too.

[@girlinagale]

I had a Hugh Hopper album in the 70s, the weirdist record I had, it went around and around. I kind of knew that 40 years later I would be playing a couple of Moog Mother 32s, but I also knew there was a convoluted route to that.

[@DraganAlves]

This is one of the best explanations of modular synthesis I've seen on KZbin. Wow.

[@whitenoisefromelectronicto1728]

Man I keep on watching your tutorials and everytime you give me a new idea! Please keep on doing stuff like this!

[@chrismoon2961]

First video I've seen that explains what a logic module does. Thanks!

[@drumnotdrum9262]

Here’s the point! And points..... Yup, there it is. Great hand work as always. (& the content is ok too! ;)

[@cyprn6600]

each time i watch your vids and see your amazement to awesome sounds I can't help but being drawn to modular. one day i'll be out of college and hopefully can afford some gear.

[@mylarmelodies]

Thanks - in the meantime get a student price license for Reaktor - you can do everything in this video with Reaktor Blocks!!

[@cyprn6600]

i'll look into it!

[@Unifono2012]

That's why I'm thinking about combining Blocks with some modules to start out. It's really powerful isn't it?

[@mike.thomas]

I'll just add to all the glowing comments. I used to have a home studio in the 90s, but lately just goof around with GarageBand. I have a growing interest in modular, which I'm trying to fight off ;-). Anyway, I'm also interested in the idea of generative music, and this video taught me a lot about both modular/analog concepts AND generative music. I really enjoyed it. Thanks, and damn you and KZbin for feeding my interest -- I can't afford yet another expensive hobby! :-D

[@lcortier]

Resistance is futile. You will be assimilated.

[@mike.thomas]

You are correct! I have a Pittsburgh Lifeforms 301 system coming tomorrow, and have been very busy on modulargrid.com deciding what to add next.

[@mike.thomas]

And now, only one month on, I have filled 2x104hp, and am working on another 104hp. They don't call it "eurocrack" for nothing!

[@benbauer1065]

This is so incredibly helpful. I was hoping to find the exact video. I have my first case on its way right now. This is really helping me figure out which pieces I would need. A Turing machine looks like a fun affordable way to start with generative cv stuff paired with a quantizer and I guess some envelopes like the video says.

[@naturligfunktion4232]

This is the fourth time I watch this video. Simply love your channel man, big up! /NaturligFunktion who is really gettin hooked on that modular shit

[@PDJMDS]

Great video, simple clear explanations. I'm just building a modular system and my main interest is control structures :-).

[@GuitarsAndSynths]

This is very helpful to newbies like myself looking to get started on modular gear- my Eurorack friend told me you can never have enough VCAs. You also can run out of LFOs and Envelopes quickly as well from what I hear. I also have folks recommend a mixer, sequencer and sampler module as part of the setup besides VCO/VCA/LFO/VLF for a base setup.

[@sotem3608]

Wow, I'm hyped lv 99999 for building my own modular :D. Never really looked into it, but now that I have I'm in love! Always loved synths, so I guess this is my love amplified :D

[@BlueSB017]

I keep coming back to this video. One of your best.

[@JakeThomasCreative]

Thank you for this excellent video! I found it because I wanted to know what generative music is and I got a new understanding of electronic music in general! Also a weird mental model of the brain.

[@glennmorrisontv]

you are an excellent teacher - i really love watching your videos and learning - keep up the great work

[@mylarmelodies]

Thanks mate

[@lauprellim]

This is definitely one of the most useful eurorack videos I’ve seen. Thanks so much!

[@marcuspearson6214]

One of the best and most informative wiggling video's I've seen. Excellent work dude.

[@mycosys]

2:25 the qoute i suspect youre looking for is "All art is knowing when to stop" - Toni Morisson

[@joelkupiainen6759]

Hi! Just wanted to let you know that this video clarified a lot of things about the functionalities of different modules for me and got me on my way towards a more systematic approach towards building my modular set-up. Also very inspiring. Thank you for the awesome video!

[@Jannakar]

Excellent -- really really useful. Serious SAW Vol 2 vibe going on there in the first segment. \keeps staring into the modular rabbit hole

[@mylarmelodies]

Jannakar Don't do it! (Do it)

[@jamescorrigan1724]

Very helpful, thank you. As a beginner, with beginning gear, I think a VCA would be an excellent addition.

[@damondarkwalker]

The VCA tips alone are priceless. Thank you, sir!

[@Umil-25-01]

would love to see a tutorial on MI Marbles from you! You're definitely my favorite modular tutorial go-to right now : )

[@ellopropello]

awesome stuff! ... thanks for sharing your experiences. i am just at the beginning to enter the modular world with my mother32 and now building a clockdivider and router device and such... and your video is really informative to me.

[@samzungs4745]

I got goosebumps over and over by the Sounds as he explained point 2 ( the lfo ) ... Sounds from outer Space coming and going .... I Love it! Also point 5 ( the clock dividers ) 😍

[@c_h_r_i_s_t_c_o_r_e]

This is the most helpful synth video I’ve ever seen

[@MRFraserHellRaiser]

another simply put great video. thanks mate for all your work on these. they have really helped me.

[@routecauzevision5125]

Man I love your energy, I can tell you live modular ;) learning a great deal, massive respect, cheers

[@jjbing3]

Great video explaining the types of modules and not just your specific module. 👏🏾

[@Quantumspace23]

Love your demonstrations and so must Google's algorithm as I keep being directed to your stuff, that or we have very similar interests in modules. What's especially funny about this is the fact you've only made about 40 videos. Seeing I've not made a New Years resolution, it'll now be a wish to see you create more of these fantastic vids.

[@DruLeeParsec]

Best modular lesson on the internet.

[@iNuchalHead]

1:44 This kind of analysis right here is why this channel is good. Also, hand gestures and utterances ;) PS: Music has the right to children.

[@dlphinzwlazerz978]

Fucking awesome! I’m just getting into modulars and this laid out the whole spectrum to a much more comprehensive scale. Thank you Sir 🙏🏽

[@BURG]

how about creating a degenerative patch.. going from massive modular sound mayhem which eventually ends up in a simple sine in a440 ?.. now thats a challenge :D ... jokes aside, fun tutorial / demo, im not yet into modulars but stuff like this makes me want to buy a white lab coat and dive into the eurocrack domain .. inspiring, thanks !

[@poopshipdestroy3r]

I'm gonna try this in vcv

[@iqnill]

I have actually done that when in a dark space in my life. I love the degenerative name, I called it simply destruction. Didn't go to 440, but filtered noise.

[@solongyouth]

19:00 onwards and pulling out that cable is what got me into modular.

[@parkermcannally1505]

This is a wonderful video - thanks so much for putting in the time to share your knowledge in such a digestable inspiring way.

[@FlippingTheBits]

Very structured and clear explanation. Resulted in another boost of inspiration and (unavoidable): more modules ;-)

[@lxndrbe]

This is a very nice and new idea to me ... will def. test some of this, Thanks a lot

[@woosix7735]

The drum demo at the end is the most impressive for me!

[@woosix7735]

Sounds a little like aphex twin

[@woosix7735]

Btw logic chips are like 2.5$ a piece max, so yeah ;)

[@jasontalton9736]

you are the shit man. just want to let you know you really help the euro community and thanks man

[@mylarmelodies]

Thanks Jason, much love x

[@Tentaclesband]

Very nice video, with fundamentals of making Generative Music with Eurorack modules. All is very clear and informative. Great job!!!

[@ScottFichter]

1:49 CORRECT! Your making a robot dance. You're not doing the dancing but your programming the robot to dance. This is a skill. A true artist never worries about how the art is made he or she just makes it.

[@mynewcolour]

Fascinating, broken down nicely and sounds flipbpbping bonkers. Cheers.

[@ichibanrob]

Thank you helping me 'jumble up my shit'! This video is next-level modular knowledge. VERY HELPFUL.

[@MichaelTiemann]

I live in the Buchla universe, but this well-founded lesson translates across quite well!

[@mattiabonafini4026]

Hi there ... many thanks for the video: very good explained...practical! I would suggest Iannis Xenakis (one example is the book he wrote "Formalized Music"), which spent a lot of his effort in developing Stochastic / Random / Random Walk strategy for composing Computer Music ... ok it is not Modular but the main idea is Algorithms where (as mylarmelodies said) you define rules, and amount of randomness or predictability

[@colinwright27]

Brilliant video (as always). This is exactly the reason I want to get in to Eurorack.

[@hayblade]

I absolutely love that sound at 10:25. Sounds like some discordant strings being bowed for a moment. Is that Maths modulating Radio Music, or is that an oscillator of some sort?

[@mathematicwaveformrecordings]

3:27 & 5:29 comments are what is confusing . I'm experienced with use of modular synths . I've been using them for some years and built a couple too. I'm by no means an expert, there's much to learn. But here's what I don't fully understand. I have a couple of vca's in a system but I never find myself patching the vca module in a patch except for the final output before the output mixer. *If you can never have enough vca, wouldn't it mean you're going to need an lfo to go with the vca in order to get something to "change over time" ? Wouldn't just a looping lfo make something "change over time" the same way? So, basically my question is this: What is the difference between a Lfo changing a filter cutoff Or a vca changing a filter cutoff?? The vca still needs the lfo module to actually change the filter cutoff. What's the difference?

[@mylarmelodies]

The difference is the total strength by which it is affecting the final CV control, a VCA (under control with something else) adds an additional overall dynamic

[@mathematicwaveformrecordings]

it's still a bit confusing to me. If i have an LFO changing the vcf cutoff, it's doing it without touching it by hand, and if i want the strength of the LFO to be reduced i can attenuate the LFO , so i can't fully understand the VCA concept. Regardless. Thank you for the reply​@mylarmelodies

[@kozmicstreamz]

man this amazing info ... just what I need to hear .. or maybe not. Nevermind I think its too late. Definitely need a modular to play around with to start absorbing all of this info.

[@molveni]

Beautiful and inspirational video, thank you.

[@M_Campbell]

Great video as always. On the subject of logic modules, I'd like to recommend the Doepfer A-166 as an alternative to the Plog. While the Doepfer does not have flip flop or VC shift of logic type on its two channels, it does have simultaneous outputs of AND, OR, XOR gates, as well as NAND and NOR via it's two inverters. It is also significantly cheaper than the Plog.

[@mylarmelodies]

Good shout - Doepfer rule. They've done a new A160 clock divider that's got extended long-divisions out as well! They've clearly got an eye on what else is out there, and are still the dons.

[@nichttuntun3364]

Man, I enjoyed the sonic beauty of those sounds a lot. Great stuff for my ears - brain interchanging relation :)

[@geecen]

Sounds great man!

[@PPCMusicTV]

Probably the best introductory to modular on YT - thank you! Subbed

[@geargabbilly]

Brilliant! This gives me so much to think about and tinker about with. Thank you.