Bach - Aria mit 30 Veränderungen 'Goldberg Variations' BWV 988 - Rondeau | Netherlands Bach Society

The legend surrounding the 'Goldberg Variations', performed here by Jean Rondeau for All of Bach, is such a nice one. Count Hermann Karl von Keyserlinck was having trouble sleeping and asked Bach for some pleasant music to pass the time, to be played by Keyserlinck’s harpsichord prodigy Johann Gottlieb Goldberg.
Recorded for the project All of Bach on June 6th 2017 at the Concertgebouw, Bruges. If you want to help us complete All of Bach, please subscribe to our channel bit.ly/2vhCeFB or consider donating bit.ly/2uZuMj5.
For the interview with harpsichordist Jean Rondeau on the 'Goldberg Variations' go to • Rondeau on Bach Goldbe...
For more information on BWV 988 and this production go to allofbach.com/en/bwv/bwv-988/
All of Bach is a project of the Netherlands Bach Society / Nederlandse Bachvereniging, offering high-quality film recordings of the works by Johann Sebastian Bach, performed by the Netherlands Bach Society and her guest musicians. Visit our free online treasury for more videos and background material allofbach.com/en/. For concert dates and further information go to www.bachvereniging.nl/nederla....
Jean Rondeau, harpsichordist
Harpsichord: Jonte Knif & Arno Pelto, 2004
0:00 Aria
4:39 Variation 1
6:56 Variation 2
8:29 Variation 3
10:33 Variation 4
11:59 Variation 5
13:59 Variation 6
15:34 Variation 7
17:28 Variation 8
20:48 Variation 9
23:02 Variation 10
25:13 Variation 11
27:52 Variation 12
31:39 Variation 13
37:54 Variation 14
40:21 Variation 15
45:49 Variation 16
49:06 Variation 17
52:21 Variation 18
53:41 Variation 19
54:53 Variation 20
57:35 Variation 21
1:00:13 Variation 22
1:02:00 Variation 23
1:05:06 Variation 24
1:08:17 Variation 25
1:16:28 Variation 26
1:19:01 Variation 27
1:22:04 Variation 28
1:24:08 Variation 29
1:26:29 Variation 30
1:29:27 Aria

[@bach]

0:07 Aria 4:39 Variation 1 6:56 Variation 2 8:29 Variation 3 10:33 Variation 4 11:59 Variation 5 13:59 Variation 6 15:34 Variation 7 17:28 Variation 8 20:48 Variation 9 23:02 Variation 10 25:13 Variation 11 27:52 Variation 12 31:39 Variation 13 37:54 Variation 14 40:21 Variation 15 45:49 Variation 16 49:06 Variation 17 52:21 Variation 18 53:41 Variation 19 54:53 Variation 20 57:35 Variation 21 1:00:13 Variation 22 1:02:00 Variation 23 1:05:06 Variation 24 1:08:17 Variation 25 1:16:28 Variation 26 1:19:01 Variation 27 1:22:04 Variation 28 1:24:08 Variation 29 1:26:29 Variation 30 1:29:27 Aria

[@johndobson1899]

Thank you for this . I’m obsessed with this piece , realise I’ll never master it but that’s why it’s so great. I love this version bravo

[@hadrienpaloc3839]

You should precise and give more detail about what kind of Variation for each one : i mean unisson, canon, ... ?

[@pbhuygen]

i disagree... one could.

[@padrepatta5535]

Thank you!

[@e.heller4483]

It is very sad that the Netherlands Bach Society allows all these vulgar comments on this channel. Disrespectful against Bach, Mr. Rondeau and the Bach Society itself. If you cannot afford a moderator, you should maybe disable the comments. This should be a virtual place for civility and high culture.

[@jaikee9477]

As someone who is addicted to Bach for almost 40 years now, it's beautiful to watch and listen to a whole new generation of incredible Bach performers. It feels as if the Bach revival has only just begun. Never before have there been so many great young talents all over the world and Jean Rondeau is a shining example!

[@rejac2833]

Agreed! I love Beethoven & Bach

[@classicallpvault8251]

I'd have preferred this so-called 'revival' having taken place without the almost fetishistic fixation on period instruments. I'd much rather hear an otherwise similar interpretation but played on a Fazioli grand than on a 'typewriter'.

[@marcustulliuscicero2676]

@@classicallpvault8251 Why so negative and exclusionary? You want new Goldberg Variations on the Grand? Well, Vikingur Olafsson's album is about to come out and sounds very promising. I like both modern grand pianos and historic harpsichords. There is nothing fetishistic about that. Focusing only on one instrument like you do, on the other hand...

[@will.sagastume]

@@classicallpvault8251Your perception of Bach’s music has been poisoned by the piano recordings you grew up on. Sorry!

[@caesarsneezer6992]

​@@rejac2833throw in Mozart and we'll discuss the wedding!

[@inneswilliamc]

I've never heard the harpsicord sing so beautifully. This was an outstanding performance.

[@beejee3955]

Witzig! Ja, er sieht wie die Vorstellung eines Jesus aus 😊

[@Egill2011]

@@beejee3955 A good simile.

[@Egill2011]

This piece must be performed with harpsichord. There were no modern pianos in Bach's time.

[@jacobschiller4486]

​@@Egill2011Utter nonsense. The first piano was invented around 1700, and Bach died in 1750.

[@interroga-te-ipsum]

He knows exactly what he's doing. He is a cembalist, not just a pianist playing the cembalo. Many pianists' recordings feel cold and distant when they play a cembalo. But his modulation, the tiny rhythmic variations,... it's simply wonderful. So lively and emotional.

[@astrosandorbits5532]

It just blows me away how I can listen to this free of charge and enjoy the very spiritual essence of Bach's Goldberg Variations played at such a supreme, superb, and elegant level. Thank you!

[@scottlarsen5285]

I would pay good money to hear this genius play live.

[@lyndon1904]

This is playing of a very high order. Comments about the performer’s hair or any other aspect of his appearance seem a bit out of place and rude. But perhaps that’s just me. We are so lucky to be able to hear performances like this at the click of a mouse.

[@hank1519]

It's not just you! Some people were better off listening to their vinyls and CDs and imagining what the performer looked like. Cheers

[@chopin65]

True. I don't give a damn about the appearance of the performer. He is one of the greatest musicians today. He is bringing the harpsichord back into the mainstream. That is a great accomplishment.

[@heyguysinternet]

People have become too accustomed to the hyper-manicured "hot" look of so many singers and musicians since the advent of television and music videos. We'd all be somewhat better off if the viability of music nowadays weren't so dependent upon the marketability of a person's appearance.

[@ericholicky3797]

I absolutely agree with you. When the wise man points at the moon the fool looks at the finger.

[@PeterYi]

He has some fantastic hair though

[@koenvo6519]

Music: Bach's Goldberg variations Performer: Jezus

[@benjamMin278]

BACH + AMEN = BACHmann

[@koenvo6519]

@Harold Anderson it is as magical as the Goldberg variations themselfs

[@kissekitadissa]

jesus n' avait pas prévu que hannibal lecter aimerait les variations de goldberg !

[@fredericktarr8266]

French Hipster Jesus

[@marcmosteirin7575]

Thank you to our Lord and Savior for this wonderful performance.

[@flavioferreira5924]

In addition to the magnificent interpretation played on a period instrument, I appreciate the simplicity of the setting, the changes of tone in the lighting and the subtle camera movements.

[@thegildedpagestudio6485]

I have and will always love this dear man, Monsieur Rondeau very much for his deeply perceptive performances of music that is dear to every harpsichordist and should be dear to EVERY keyboard artist! Perhaps I am biased because I once enjoyed correspondence with Jean before life became much more pressured, but I adore and value him along with his deeply personal interpretations, undoubtedly fostered by his late mentor Mme Blandine Verlet, whom I was honoured to know in her later years. A very stylistic approach, but beautiful all the same, as is the erudite and deeply sensitive man himself. I love you, Jean!

[@flamindigo]

This is possibly the best Goldberg I've ever heard.

[@malicant123]

30 variations and and aria. All pieces are played in the same key, sound similar and yet each one is unique and interesting. Genius!

[@wolfgangrussold8859]

My son and I had the privilege to see him perform the Goldberg Variations in concert last year in East Lansing, Michigan. MSU campus and what a great performance!!

[@caesarsneezer6992]

Hello from Jackson MI

[@winifredbelk8105]

Just saw Rondeau perform the Variations live yesterday. I discovered him from this particular recording at the Bach Netherlands Society, but listening to him live was a whole other experience. The deep reverence he has for time, space, and order orient the listener within the present. I have never quite had an experience like this where time itself proceeds so slowly and serenely forward, given sanctity like this through music. I don’t think there has been any other performance which has placed me so fully in the sacred present and made me realize how beautiful life becomes through such ordering. The moments before and after playing, Rondeau paused in a deep and profound silence for a whole couple of minutes. He seemed almost reluctant to leave such stillness for the applause that followed- in fact I believe it was the restless multitude that broke him out of that magical aura and warm depth created. That silence was perhaps the most special time of the performance, I can’t describe it…

[@ariadne4720]

Dearly wish I could see him perform live, but he is no appearing anywhere near me. Also, at €34 a ticket (Köln), it is out of my price range.

[@cjcanada5349]

So lovely to read this. A friend gave me a ticket as a generous birthday present, to his performance in Vancouver tomorrow, and I am looking so forward to it. And will tell you how it was!

[@user-ot2mk2yy7m]

@@cjcanada5349 Расскажите, пожалуйста.

[@eloisehooper1801]

I too felt this odd experience as I listened on and on. Questions would crop up: this is Bach isn't it? So much rubato! I try to become my usual "attention-deficit self", but I find I am not able to stop paying attention! How could I, when this person's technique is absolutely perfect. All parts are perfectly articulated. Mr. Rondeau renders his Bach with heroic conviction. One must pay attention to those trills, thirds, and chromatic meanderings that are just beyond anything. Yes, oh yes, that's right. It's Bach. I must go hear more of this man's playing.

[@sunkenindeaf]

If I may comment, dear Miss Belk, you've described it beautifully. Indeed, sometimes absolute silence is required in order to bring the _ritual_ to appropriate closure. However, the audience usually consists of folks who are light years away from appreciating this delicate matter. (From mere observation, I would even go on to argue that majority of people don't care about music at all, but well...) At one concert, upon repeated untimely bursts of applause during Schubert's intimate string quintet (d956), I remember the violinist asking the audience directly, _"did the piece bore you so bad that you're eager to get rid of us at once?"_ --- By the way, if you are the cellist on _that_ video, thank you for introducing me to Minsky's waltz. Waving from Istanbul.

[@user-uu2mr1cb4d]

Исполнение нравится уравновешенностью, гармоничностью. Одухотворённость, выразительность сочетаются с прекрасным чувством меры, такта. Отличный инструмент. Благодарю NBS за возможность получить удовольствие от этой прекрасной версии исполнения вариаций.

[@paqman67]

Today it's been 13 years since my Father was taken from me by cancer. I always remeber him when I listen to the Goldberg variations. It's a piece about life itself, a full circle which starts with an Aria, and ends with the same Aria, albeit a more pensive one. This young man gets it..the first half is more full of life..the latter after variation 15 are more pensive and Variation 25 is when you know you're going to die and put a bravado before realizing that with all that Life gives you, the tribulations, sadness, regrets, and disappointments..Life is still Beautiful..Bach understood this better than anyone..having lot his parents by the time he was 9, living hardships with a jerk of an older brother, marrying his cousin and losing her by the time he was 35, then marrying his second wife,the second love of his life..losing 1/2 of his 20 children, and working for unappreciative jerks most of his life..Bach understood suffering,but that did not dissuade him for Living and Loving Life. The 30th variation is the best example: a silly song, mixed with a Love song + with different parts of religious songs..that's what Life is: the silly thrown in with the serious, the tragedy along with the triumph, the Love and the Loss..This brings all of that together. That is why Bach was one of the Greatest Genuises Mankind will ever know. I miss you Dad, but as long as I hear the Goldberg's I know you'll be waiting for me.

[@jmoreh1070]

thanks for posting this interesting analysis. and may your father's memory be blessed, with all people who respect life and values

[@paqman67]

@@jmoreh1070 Thank You! My Dad Loved Bach and adored Beethoven! You can't go wrong with either of these towerig genuises! They represent the Best in Mankind!

[@littlekiwi9724]

I always feel Bach creates an entire universe in his work. How sad and dull life would be without his music. My dad loved Freddie Mercury and the Beatles! God bless

[@luif5123]

thank you...

[@IvanHernandez-gx4rt]

You made me cry. God bless you and your beloved father!

[@REOGURU]

Easy on the eyes, easy on the ears. A banquet of pleasure for your senses.

[@Migsfigs8]

He suffered 40 days and 40 nights being tempted by satan in the woods and then came back to play Bach… what a legend

[@angelamalek]

That’s funny!!

[@parthoroy9141]

Hey man, He is Risen ✝️ And he's got killer rubato 🎹

[@tallisrocktube]

I think that would apply to Bach himself..given the death of his wife and other family members..

[@GMDFrostBite]

Practiced 40 hours a day

[@exoccidenteluxus3563]

So many funny people with a very good taste for jokes... OmG

[@Phil99470]

The world is indebted to the Netherlands Bach Society for recording Jean's wonderful renditions of Bach.

[@GRANDPIANOSERIES]

And all the rest

[@gillbarnett263]

Philip McFedries 44

[@topkho]

Amen to that

[@sibellesibelius5029]

Is it just me or anyone else also noticed that, apart from the great playing of rondeau, the lighting also changes throughout the piece- when the music is more cheerful and uprising, the lights are brighter and warmer and when the music turns sad or depressing, everything becomes colder and darker. Just amazing! Many thanks to the Netherlands Bach society for this video!

[@crocozon]

God accompanied him ! ;-)

[@Cybi0]

Quite amazing that your quote about the lighting got three hundred "likes", while mine, speaking only about the way Jean Rondeau plays, got 0 likes ... isn't it astounding Sibelle ?;°) Apparently, people are more appealed by the presentation than the content itself ... but it is perfectly logical while the majority of the people have an IQ under 100 ... just like you !;°) ♥

[@vainbow4632]

@@Cybi0 Comments about the playing are quite low hanging fruit, thus not as interesting as when someone points out a less obvious detail. By definition 50% of people have an IQ under 100 btw... not a majority.

[@eloisehooper1801]

Yes, now that you mention it. There is a definite change in how I would perceive the physical room I was in. And it kept me glued to the piece and what I was seeing.

[@Thetruepianoman]

​@@Cybi0Yuck

[@paulrogers7423]

Perhaps the greatest harpsichordist alive; Rondeau has exquisite sense of timing and use of crescendi to bring the nuances and depth of work for the listener, precise and never indulgent but with profound emotion. Such a high barrier to achieve with clavichord/ harpsichord instruments. A phenomenal interpreter.

[@sabinedalincourt2735]

Agreed, Paul! By the way, I kindly recommend the appreciation of the work of a living classical composer dedicated mostly to sacred music. I feel myself like a sort of non-official ambassador for his music - and, effectively, also one of his few supporters. He is very, very talented. You won't be disappointed. kzbin.info

[@mr.powers]

@@izaacmasters2668 Leonhardt died in 2012.

[@johninman7545]

Alas with such beauty gafaws

[@jeffschrepfer3618]

You can't crescendo or decrescendo on a harpsichord. That is precisely why the piano was invented. But I agree: this is the first time I have heard him play (although I know the GB Variations quite well) and he is a phenomenal player.

[@luciotanzini7319]

@@jeffschrepfer3618 Actually, it is a bit more nuanced than that. You can achive some slight variations in dynamics by pressing more or less. Also, you can give the impression of a crescendo in other ways (eg with faster trills or slight accelerandos).

[@michaelperkins8364]

No words left to capture the excellence of this. Thanks to Jean Rondeau and Netherlands Bach Society

[@mosheknoll1603]

Jean Rondeau is one of the truly great musicians in our time.

[@joefilter2923]

I’m not sure about that but he’s one of my favorites in decades of listening.

[@ludwigvanbeethoven61]

and bach the greatest composer ever

[@epicaunleashed8764]

@@ludwigvanbeethoven61 Dune fan eh?

[@davidglynn3101]

@@joefilter2923 After tonight's performance of the Goldberg at the Wigmore you would be in no doubt.

[@markranfone6393]

hes very very good.

[@bystroffc]

He has a beautiful Bachian intuition for phrasing and tempo. No note is out of place, ever.

[@Guitarist166]

No note is out of place, ever. That is such a good way to describe Bach. Like listening to a beautiful equation.

[@user-jg1ds9ss1t]

So true

[@mrmomo42]

I come here whenever I need love

[@rusticagenerica]

God bless the person in charge of sound recording, lighting, and color grading. I just decided to nominate them for BBC Prom's and True Oscars (oscars of Baroque Music interpretations)

[@johnmichael1594]

i'll second that nomination.

[@johnhawkins7274]

There is nothing wrong with this exquisite performance. His tempi are original and perfect. Rubatos, ritardandos, etc. contribute to this perfection. This sends me into another world.

[@obineg5752]

it is also the exact instrument the original was written vor.

[@JonBecker81]

Listening to this on the harpsichord as it’s meant to be just puts me into a different realm. It’s like an out of body experience.

[@leporello7]

It is breathtaking how he manages to give the impression of subtle dynamic crescendi and decrescendi on a harpsichord. This is artistry of the highest level. I am in tears.

[@sabinedalincourt2735]

Agreed! By the way, I kindly recommend the appreciation of the work of a living classical composer dedicated mostly to sacred music. I feel myself like a sort of non-official ambassador for his music - and, effectively, also one of his few supporters. He is very, very talented. You won't be disappointed. kzbin.info

[@Toyos-yk3ri]

Bach in general brings tears to my eyes, it touches the soul.

[@lolasuraya8788]

Me too!

[@Vextrove]

@@sabinedalincourt2735 thank you!

[@user-st8xv6wq6b]

Я тоже восхищена!!!

[@marymm7439]

Beautiful and clear tones, can't stop lessening to Jean Rondeau's interpretation of Bach's master piece "Goldberg Variations" played by a master Harpsichord performer. Merci monsieur Rondeau!!!

[@paulpadillo4591]

Every time I watch this film is the same. It is, for me, the greatest performance of the Goldberg's on a harpsichord in my experience. Rondeau approaches the entirety of the work as if unlocking a mystery that is not really a mystery and taking us on an amazing journey of discovery that goes beyond mere virtuosity and digs into the beautiful grit of Bach. I'm blown away by his performance, and moved to the very core of my existence. It IS that powerful . . . that beautiful. Thank you Netherlands Bach Society and Mr. Rondeau. Whenever I feel like retreating away from the world, this reminds me of how wondrous a place it still is.

[@jirijablonsky1128]

Cítím to přesně jako Vy

[@paulpadillo4591]

Tak hezké setkat se s dalším fanouškem tohoto krásného umělce.

[@jirijablonsky1128]

Dobre ráno Dekuji za komplinent

[@AugustineMotiar]

I hate when I come across a video of a talented musican and all I see in the comments are hurtful remarks. Thoes who hate, cannot play so childish bulling of a artiest who has spent years and years mastering their craft is ridiculed not for his ability but his looks. Shame on all you cowards. I respectfully enjoyed this performance. Bravo my good man! Bravo! 👏

[@marcussfebruary9104]

Wow thank you so much for that @thomas liming!

[@scarlatti222]

@@mcrettable have you ever heared about (Rubato) ?? Its the essence of baroque playing ...enlighten your mind dear & i doubt that you can play both hands together 😂😂😂😂😂 !! If you educated yourself a little bit then you won't write a clumsy comment

[@paulclarke9693]

Hurbii, are you being ironic?

[@paulclarke9693]

I remember reading (yikes! 40+ years ago!) that some incompetent critic had complained that Baroque music is "sewing machine music," meaning that it was performed with metronome-like rigidity. The elasticity used by Mr. Rondeau is entirely appropriate and necessary. I am grateful to find a good recording with all the repeats played on a good harpsichord. See archive.org/details/JeanRondeauGoldbergVariationsBWV988 to download the variations in any of seven digital formats; there is no need to be annoyed by Mr. Rondeau's grooming choices. The photo of him on the archive.org page shows him with his hair combed back and in a bun

[@manmeat3859]

he's great, now master the art of spelling and change your diaper

[@Contextcatcher]

Appearance is irrelevant, interpretation is everything. This is superb. But I love the close up of his fingers. Beautiful vid!

[@gilbertbrothier8446]

Merci Jean Rondeau pour cette magnifique interprétation, vos notes s'écoulent comme l'eau pure d'une rivière au printemps;

[@rosecroix77]

You can put this on, listen to it all, re-start listening from the beginning, and so on. It's so wonderful. I've heard many saying that listening to the Golberg Variations is an exercise for deeply accultured music connoisseurs. I disagree. I know nohing about composition, and I don't always listen to classical music. While knowing music and composition sure allows one to appreciate this even more, in my opinion it'absolutely not necessary. To me, one doesn't need to know anything to love this. Just turn up the volume and close your eyes. It's pure pleasure.

[@mimifrijolvincent]

Hearing this on a harpsichord is glorious....and I like the way he looks. He's original and has personality. His playing is impeccable. Everything is perfect in my view.

[@classicallpvault8251]

No it's not, it absolutely sucks no matter how good the performer is. The harpsicord sounds awful compared to a modern concert grand, it even sounds awful compared to my Yamaha Clavinova. Hell, it sounds awful compared to a 500 dollar stage piano. And if the cringe-inducing sound wasn't bad enough, it also doesn't allow for dynamic variation or control over the decay time of notes like the sustain pedal on a piano does. It's a shame that the Dutch Bach Society actively promotes playing Bach's works on harpsicord rather than the piano. They should be pushing for playing it on the best instrument available and wether that's a Fazioli, Steinway, Yamaha, Kawai, Mason & Hamlin, Bechstein or Bösendorfer concert grand is all the same to me. Bach wrote his solo keyboard music for the harpsicord because it was the only available option, e.g. loud enough for public performance and mechanically capable of playing rapid passagework, and there is 0 doubt in my mind whatsoever that he would have prescribed using a piano had fortepianos actually been both mechanically capable + widespread enough in his day and age.

[@useraccount8419]

@@classicallpvault8251 are you asian?

[@marksmith3947]

​@@classicallpvault8251I'm not sure you've made this exact point enough times in this comment thread, because I am not convinced in the slightest degree by your rant. Have you thought of using all caps, or maybe calling your interlocutors idiots?

[@RIXRADvidz]

Bach pulled me back. After an abusive piano teacher nearly crushed my spirit, I opened a book of Bach Fugues and Toccatas and began again to learn Music, this time from someone who had the time and patience for me to learn the patterns, the rhythms, the sound, then Apollo100 put in a beat and I Loved Music Again.

[@panteliscarcabassis7084]

To my knowledge, the best rendition of this key work on the harpsichord.

[@Moribus_Artibus]

Oh I love the 7th variation

[@danielbillingsley74]

Jean Rondeau is exceptional. One the most skilled and dedicated keyboardists out there right now. This recording is outrageously good.

[@sabinedalincourt2735]

Agreed! By the way, I kindly recommend the appreciation of the work of a living classical composer dedicated mostly to sacred music. I feel myself like a sort of non-official ambassador for his music - and, effectively, also one of his few supporters. He is very, very talented. You won't be disappointed. kzbin.info

[@maneki9neko]

Very special.

[@borisdonskoy-ho2ru]

Perfect tempos, clarity, musical taste. No eccentricities or sentimentalties. The music of Bach performed as I heard it inside of me. My deep gratitude to JR.

[@aurelian9817]

I love how he turns the pages customarily

[@claudiatamblay-arancibia6806]

I love music, yet I have never been able to enjoy the sound of a harpsichord... Until this. Jean Rondeau made all the difference. Thank you God for allowing me this delight. Thank you Netherlands Bach Society for bringing this to the world. Thank you Jean Rondeau for being you. It brings light to the world.

[@dennis.k3904]

Listening to Jean Rondeau is like taking a walk through a beautiful forest. His is so expressively nuanced and that makes his music compelling to listen to. I love how he interprets the rhythm of Bach's work to make it alone so much a part of his expression. Just beautiful!

[@rayancharafeddine4982]

I feel he does a bit of dynamics as well!

[@derpymcderp3099]

K

[@jeannelidori209]

the fact that we can listen to this for free and without ads 😌

[@hugogarciadelavega503]

Extraordinaria versión de Jean Rondeau, en ejecución y estilo; contando, además con un instrumento de la época. realmente uno siente que Bach debió concebir así esta gran obra. Gracias por la aportación.

[@Adeodatus100]

I’ve heard a lot of Goldbergs, but I don’t think I’ve ever heard a performance as compelling as this. Rondeau achieves something you might see in a musician a few times in your life, if you’re lucky: he becomes the music.

[@sergiorbcruz]

Foi isso que senti quando ouvi Glenn Gould. Pensei que nunca teríamos uma interpretação para o cravo como temos para piano. E agora temos, não apenas uma interpretação, mas algo que transcende e conecta ao original.

[@waloa]

Since I first heard Rondeau play the harpsichord around 2014, I was hoping for him to pIay the variations. I'm so full of joy right now! What a time to be alive :)

[@mrstinkabell123]

This guy, Rondeau, is really feeling the music as he plays. You can see it written on his face. Jean Rondeau must be the top harpsicordist in the whole world. His dedication is so much appreciated. Thank you.

[@username45739]

He might even be Jesus...

[@ramirogonzalez254]

excelente interpretación. es admirable la limpieza en la ejecución. felicitaciones maestro

[@mdsf01]

If the human race is ever to be judged Bach will be one of our greatest champions. In my many years of worshipping Bach's music Jean Rondeau's performance is one the best versions of the Goldberg variations I have ever heard (and that includes listening to Glenn Gould's versions). Simply Brilliant! Thank you for sharing this wonderful artist.

[@dr.a.995]

First time I hear this artist. His interpretation of Bach was perfection. People commented on his physical appearance? He’s true to himself down to the boots he was wearing.

[@vincentn.9154]

This performance is stuff legends are made of. The Netherlands Bach Society has now earned its place in the history of music. Merci, Jean!

[@gretchenweiss1925]

Es ist großartig zu sehen, daß junge Musiker neue Ideen haben und die Interpretationsmöglichkeiten auf höchstem Niveau unendlich sind. Auch das ist Mensch sein. Rondeau ist genial. Danke!

[@victordigiorgi]

Today, I just realized that there is now two genius harpsicord interpreters in the history of this instrument. One upon a time was Scott Ross. Today here is Jean Rondeau.

[@PhillipYewTree]

I appreciate that the maker of this wonderful harpsichord is also acknowledged 👏🏻👏🏻👏🏻

[@johannesbrahms7414]

The sound quality f this particular harpsichord is so beautiful---- gorgeous! However it is so surprisingly appropriate for Bach, especially, this magnificent work. The timbre is also "in vibration" with this performer's particular depth and awe of the work. He understands it---- completely! I must remark on Jean Rondeau's sublime sense of lyricism. Here he has us discover that there is more to Bach than the composer's virtuosically deep, original, exquisitely beautiful sense and command of original chords and chord progressions and counterpoint. Rondeau makes us discover the sublime, ecstatic dimension in the Cosmos of Bach's beautiful, sensuous lyricism, which UPLIFTS THE SOUL!!!! This last, dimension of the Infinite Cosmos is, tragically, so, so, often ignored---- discriminsted against---- by "brainless"---- "souless" Humans, that then, they never discover and make "Spitual/Cosmic Contact with Bach's MESSIANICALLY TRANSCENDENT---- UPLIFT!!!! The performer, Jean Rondeau's superb, magnificent technical command and Virtuosity! Such, Excellence, is one of the, critical, factors that make it possible for all those "brainless/souless" Humans, which I scorned, to be "seduced through the doori into the "Spiritual/Cosmic Dimension" of MESSIANIC UPLIFT!!!! I, infinitely truly, believe that there is, indeed---- HOPE---- for, ALL, Humanity, the Planet, and the entire INFINITE COSMOS!!!! All Humamity and the, entire---- EACH---- BEING, that there has ever been---- yes, the Past, too---- what a Scientific Mystery!!!!---- is , or, EVER. will be, can be seduced, and, Transcended up to the INFINITELY HIGHEST PLANE OF EXISTENCE, INCLUDING, YES---- IMMORTALITY!!!! YES, BACH CAN---- END WARS---- AND BRING---- PEACE TO----ALL----- FOREVER!!!! Thank you, Monsieur Jean Rondeau for bringing us this Messianic Portal! Thanks also to all involved in producing this video! It msy seem indignificant, or even ridiculous, but this video, and, lots more, like it---- can---- teach the entire Cosmos how to be---- MESHIACHIM---- of the INFINITE COSMOS!!!! P.S. : Jean Rondeau, and all involved in this video's production, must be most generously monetarily---- They deserve it! Forgive my grandiloquence. It was 100% sincere! This has Cosmic power.

[@johninman7545]

Isn't it exquisite. Such a beautiful instrument. What a splendor all of this

[@johninman7545]

@@johannesbrahms7414 indeed

[@Eudaimonia88]

@@johannesbrahms7414 I recognise the Cosmic Pulse of Bach... the cosmic equation. You're not alone. And, upon hitting 'reply', to my surprise I now realise that I am responding to my favourite composer, JB.

[@DeclanProud]

I was fortunate enough to watch him perform this in a tiny room at Handel & Hendrix in London in 2017 (Handel's home that has been kept historically-accurate and a superb attraction if you like this sort of thing!). The audience of 20 people or so sat enraptured in silence, we knew the notes that were coming but each one was somehow a joyous surprise. I can't wait to see him again!

[@aboringfart413]

Handel & Hendrix? And Rondeau played the "little wing". (Wing = Flügel in german = Grand piano). P.S. I hope he didn't burn it! :-)

[@chopin65]

Yes. I am jealous. I hear He is very friendly.

[@ftumschk]

@@aboringfart413 Handel and Jimi Hendrix lived in adjoining houses in Brook Street, and would have been next-door neighbours if they'd been contemporaries. Hendrix was apparently delighted by this concidence.

[@aboringfart413]

@@ftumschk That's funny and cool. :-)

[@hemiolaguy]

@@ftumschk I'm a pianist and singer. When I was in London I visited the Händel museum, and I saw the blue plaque commemorating Jimi Hendrix on the house next to Händel's house. What a wonderful coincidence!

[@robertdorsman9596]

When you're sick and tired of worrying about covid-19, the disaster in Yemen with thousands of young children dying of starvation, climate change and everything that that involves, there's All of Bach, which leaves you silent for an hour or two after listening to the excellence of the musicians...

[@rosypaniz8563]

Thanks for the Netherlands Bach Society for this gift.

[@gaelhillyardcreative]

Jean Rondeau is incredible. And he is a real human being with an exceptionally deep soul and intellect, not some shallow, overly primped, eye candy manufactured for Instagram.

[@maryodonnell5760]

Well said, I just discovered him in a recording with Francois Lavarevitch where he has short hair and they both look exceptionally good looking yet it is a direct contrast with most of what constitutes music today as they are both geniuses and at the top despite being good looking, not chosen by Simon Cowell or people feeding their faces on sofas in front of tvs pressing like buttons or calling in to call centers to 'vote' on some whim

[@charlottemacdonald4167]

"Real" human being. He just didn't brush his hair and wear clean clothes.

[@MegaFount]

Bach smiles down from the heavens when he hears you playing. Bravo, Rondeau!

[@georgio2]

Another miracle from Jesus! Loved it.

[@nicholasheimpel5998]

underappreciated comment XD

[@gaspardatthepiano2126]

This is my favourite version of all Goldberg recordings. Bravo to a great musician

[@benjaminknuf6258]

The raw perfection of the execution of every note is astounding. I have studied the piano, pipe organ, and harpsichord for over 20 years combined, and the precision of this recording is simply beyond measure.

[@angelob.1089]

I NEED this on CD. I appreciate Netherlands Bach Society's consistent quality and effort in uploading this for free, but I'd pay good money to have this on my shelf.

[@raywilson3509]

Me too! Ray in New Hampshire, [e-mail]

[@GordonKindlmann]

Me three. Is there no purchase-able version of this performance? I see other things by Jean Rondeau on iTunes but not this

[@angelob.1089]

@@GordonKindlmann - As I recall, All of Bach is a non-profit initiative.

[@GordonKindlmann]

@@angelob.1089 Yes, and I even donated to them. but I'll happily pay to have the audio of this performance in a more convenient format

[@angelob.1089]

@@GordonKindlmann - Yeah, it’s a real shame.

[@hornsby5533]

This music will last for millennia. It gives me peace and confidence in these stormy times.

[@Cantbuyathrill]

This never ever gets old. Sounds like a long, long goodbye, never to see each other again.

[@Kuhrvenal]

you know the thing is serious when you need a lion to play this piece...epic and deep master class on musicality. merci beaucoup Jean.

[@andreamundt]

Lion !! That´s cute ! Lovely comment!!! : )))

[@nnicollan]

🦁🎶

[@dennishodapp2379]

45:35 this man's body movements are as incredible as his playing technique.

[@brunovanhove1832]

Dit klavecimbel muziek, deed iets voor mij toen ik het als jong mens hoorde spelen s'avonds in een salon met wat in de jaren 70 gewoon was toen een brandende haard in elke living, binnenshuis dus ! Al is dit geweldig gespeeld! Heb ik , mischien om dat ik het eerst hoorde" in huis," nog dit gevoel en sfeer niet meer gevonden sindsdien in concert zalen!! Ik dacht er toen niet echt over na, maar dit was ontspanning en vertier, vroeger voor huiselijke avonden! Nou, honderden jaren geleden!!

[@griottembf2405]

OH , tu as la chance de l'avoir entendue, cette oeuvre - là précisément, en salle de concert, mes rencontres n'ont été que dans mes maisons successives, et parfois avec du " matériel" exceptionnellement bon!🙏🌺💙

[@marcaurele3115]

A vous réécouter toujours et encore , les larmes me viennent aux yeux . Comment un jeune musicien dont la vie commence peut porter déjà en lui cette intuition du juste , cette pertinence- impertinence- de ton , cette lumière intérieure que seule l'experience généralement permet d'atteindre ? Bach a bien de la chance de vous avoir rencontré ! Et nous aussi ... Quelques semaines plus tard...je viens d'ecouter à la chapelle Corneille de Rouen Jean Rondeau dans cette oeuvre intemporelle : c'est encore plus prenant en live. Les variations entreprises alors que le soleil couchant traverse les verrières de cette chapelle baroque se terminent dans la pénombre ...et toujours cette sensibilité qui module l'oeuvre à l'infini...

[@AL-ns1jm]

I never got tired of this performance. That's says enough. I am a very critical listener... Jean has a great craftsmanship, artistic insight and insight into the invisible matter, and insight into a complicated personality as Bach was because o his history and talents, as well as a high observational ability and a well-developed intellect! All this together ensures that people are listening to real art instead of dead notes and technique.

[@anachreon01]

Just exquisite! Jean Rondeau is marvelous, as always, I love to watch those gorgeous hands, and his comprehension of the music and of pacing, ornamentation and rhetoric bring this miraculous piece to life. Superb performance, wonderful instrument and stunning setting all add up to a very enjoyable mental and spiritual experience. Thanks so much.

[@Trallalinda08]

[@websterforrest]

This is really beautiful. I love how he sort of 'hangs on' with certain notes. This music can have the tendency to sound robotic. Not here. It all feels so organic and I love it!

[@paulbonge6617]

The playing is lovely, and M. Rondeau is supremely talented, but I cannot help but be reminded of a musician's joke from the time the great Landowska was in her waning years. The story goes: Landowska was playing a concert of the Goldberg Variations and into the upper back gallery wandered a drunken sailor. At the first rest he shouted drunkenly, "Play Melancholy Baby!" Landowska did not hesitate and played on. At the second rest and third, the sailor shouted again, "Play Melancholy Baaaby!" and with but a slight pause, Landowska continued on. At the fourth rest, the sailor shouted again, "I said plaaay Melancholy Baaaaby!" and this time Landowska slammed her arthritic hands down on the keyboard in frustration and anger, KAAHRUUUMM! And replied, "I DO NOT PLAY Melancholy BAABY!!!" To which the sailor replied, "Then show us your TITS!" Some will be offended by this, SOME will understand, and I make no apologies! I was raised listening to Oistrakh, Landowska, Casals, Milstein, Rampal among others. I sat feet from Yo Yo Ma, Rampal and Elaine Comparone and Galway. My respect and love of this music is beyond expression, but a good joke is a GOOD JOKE! To this I will add another "Musician's Tale" apocryphal perhaps and concerning the great Toscanini when he came to the United States. He was rehearsing the symphony for an opera and the Soprano was singing her aria with all the diva's lack of attention to anything, but her own voice and God forbid, the actual music! Finally, after many attempts by the Maestro to correct the Diva's lack of attention to the music, Toscanini stormed up onto the stage in frustration and the tiny man in front of the Valkyrian figure of his Diva, reached up and grabbed both of her ample breasts and cried out, "Oh GOD if these were only brains!"

[@evanofelipe]

Exquisite and imaginatively played here by Jean Rondeau, I loved it this absolutely fantastic performance. Thank you Jean and I completely agree with those who deplore the “childish” and irrelevant comments expressed below. This is entirely about music and an Artist’s interpretation of Bach, not some inane celebrity contestant trying to win over a screaming audience.

[@mscott3918]

Love your comment. We seem to be in a world where it's all about looking good, not being a virtuoso performer. As it happens I think he looks good. I can't understand the comments that his appearance detracts from the music or is disrespectful. If people are so upset perhaps they should just listen, not watch. Or even better, switch off and leave this completely beautiful performance to those who appreciate everything about it.

[@infledermaus]

That is without question the finest version of the Quodlibet I've ever heard. So delicate and beautiful!

[@1930miracle]

This is the ultimate beauty of playing and recording. What kind of being was Bach? I don’t think God can create a better music in heaven.

[@besthillsongworshipsongs48]

If you're reading this with tears in your eyes, know that GOD is speaking directly to your wounded soul through this message. You didn't just happen to stumble across this message.GOD led you to it.He wants you to know that He is making a way for you right now!He is healing that sickness. He is going to give you an opportunity that you've never had.He is going to heal your strained relationships.Stay in faith, bcos your breakthroughs is coming.🕊🕊🕊

[@tonycross5801]

Even after hearing literally dozens of versions of this piece it's possible to be refreshed by a brand new perspective on what has become a lifelong love. Many thanks.

[@philipmicciche2932]

Wonderful on guitar as well.

[@Pavlvs34]

Wow. I've listened to excellent recordings of Andras Schiff and Kimiko Ishizaka playing these. However, I'm pleasantly astounded by Jean's superb rendition on their intended instrument. The colour and expression he produces are incredible. Thank you for your recording!

[@makytondr8607]

Paul Sild I love both Schiff’s and Ishizaka’s piano renditions, both very different but equally pleasing!

[@manuelmanolo7099]

Somehow the harpsichord makes the counterpoint much more obvious. Now I have an even bigger appreciation for the music. I didn't think that was possible

[@markwestphal4437]

I love the idea that this was written as "music to fall asleep to." Imagine.

[@Cybi0]

I tried to understand, for many years, what JS Bach meant with this "Goldberg" suites, listening to many reknonwed artists, left with no clue. Now i found someone who is able to make me understand : his name is Jean Rondeau !

[@praxidisjoaquim7890]

The ones who comment on his hair are hair brained. This man is majestic, his talent unquestionable. Bravo!!

[@soleaguirre100]

Praxidis Joaquim Absolutely agree with your comment! Bravooooo 👏🏼👏🏼👏🏼👏🏼Greetings from Chile

[@renzo6490]

I think it's ''hare brained ".

[@allenmichaelmusic]

I agree, but he could have at least washed it before performing in such grand production! I imagine anyone would be off-put by a soloist entering the stage of Carnegie Hall in a wrinkled set of tails!

[@terryleebo]

He's not just a man. He's Jesus. He plays wonderfully. I don't think his hair affects his tone at all, so why fuss?

[@LaDivinaLover]

Two words: BASIC HYGIENE. That’s not asking too much.

[@PranakashaProductions]

The aria is the most beautifully and intelligently played that I have ever heard. A thousand bravos a Monsieur Jean Rondeau!!!

[@francoisvaillancourt7309]

I never really heard this piece before as I believe Bach would have intended it to be played. Many have attempted it on the piano and organ. However, if the original intent of Bach was to hep with insomnia a more relaxed tempo and minimal changes in registration would by necessity be required. This incredible artist, in my humble opinion , achieves this. Also note worthy is the added ornamentation on the repeats which is only possible on a Harpsichord. Congratulations and most sincere thanks for this great gift.

[@fiandrhi]

I don't know how I've not heard of Jean Rondeau. I appreciate his very human, non-virtuosic approach to tempo, which fluctuates and breathes very naturally and gives the music so much charm. He reminds me of Leonhardt in that respect. Thanks to NBS for making this remarkable performance available.

[@jellyphish2112]

Here I am at 2:30am, readying for bed, only to find this and now...oh, wait, here is another variation...oh here is another one, oh I like this one. :)

[@gerdmichaelkleinert9416]

Klänge so wunderbar, wie nicht von dieser Welt....

[@Hilde_von_Derp]

The amazing thing about the Goldberg Variations is…the variations. One piece, interpreted across so many centuries, so many instruments, so many performers. What a tribute to Bach. Thank you Netherlands Bach Society and Jean Rondeau for this marvellous work.

[@antoinemozart243]

Yes...the variations are out of this world.....on.heroin !

[@dominichebler5515]

The independence of his hands is wonderful. Every voice gets the right amount of attention. Thank you for this great recording.

[@DvCM]

Oh, my word! The near-perfection of this performance is remarkable, as many have already noted, but the SOUND -- even on my crappy old (but good!) speakers -- is astounding. The resonance in that room rounds the voice and softens the percussive edge of the harpsichord. This recording unites the excellence of both instrument and musician in an ideal music box!

[@AngelAlvaradoGranulumMusicBlog]

I love Jean Rondeau not only because his obviously and amazing talent, but because his vibe, his style....The Barricades album that he recorded along with Thomas Dunford is something else. Amazing concert!!!

[@lisztsistr]

That is a truly wonderful album - I loved specially their interpretation of Sans frayeur dans ce bois from Charpentier; with Lea Desandre's voice it is just perfect

[@IDEEINDIGO]

UNE NOUVELLE REFERENCE ABSOLUE ET INCONTOURNABLE des "Variations Goldberg". J'en suis sonné ! De la première note, jusqu'aux dernier ornements libres du retour du thème, cet enregistrement, cette interprétation sont hors-norme. Un PRODIGE. Une très haute vision et une maîtrise inouïe du contrepoint, de l'harmonie, du phrasé... Une compréhension profonde et visionnaire... UN TRÉSOR ! Toute mon admiration et ma gratitude d'auditeur passionné à M. Jean Rondeau... Je me tais.🙏

[@tbarrelier]

This performance is a treasure. The harpsichord's sound brings out something in the music a piano can't. Amazing!

[@sabinedalincourt2735]

Agreed! By the way, I kindly recommend the appreciation of the work of a living classical composer dedicated mostly to sacred music. I feel myself like a sort of non-official ambassador for his music - and, effectively, also one of his few supporters. He is very, very talented. You won't be disappointed. kzbin.info

[@Mase251]

Once you’re hooked on the gravicembalo you can never go back to a piano

[@dopecello8670]

The way he times the notes in between each other is unlike anything I’ve ever heard before. So good

[@bodilskumsrud520]

Exactly my thinking too!! It’s wonderful...The music are often between the notes...something this is an example of!

[@mis4241]

Timing between the notes minds me of Gould

[@Carim700]

Jean Rondeau es un virtuoso, un muy joven talento musical fuera de serie. Para mí, él es el mejor clavecinista en la actualidad, que vive y nos deleita con sus interpretaciones en este tiempo duro y difícil para la humanidad. Su ejecución es de una técnica perfecta mezclada con una enorme sensibilidad que le permite transmitirnos sus sentimientos junto con la música. No me canso de escucharlo y al hacerlo no puedo evitar pensar que él seguramente es la reencarnación de un genio de la música barroca. El clavicordio lo cautivó desde que él tenía 5 años y desde los 6 años lo empezó a estudiar. Su maestría y su arte provienen también de haber sido un gran músico en otras vidas. Eso es lo que siento y percibo a nivel intuitivo. Mil gracias a la Netherlands Bach Society por este tesoro de incalculable valor. Gracias de verdad.

[@sacredkinetics.lns.8352]

Arpicordio.

[@alain21301]

Quelle sensibilité! Il est le SEUL claveciniste qui me donne autant de BONHEUR à entendre!

[@markware1955]

I love the changes in ornamentation in every repeat. It’s like the same palatial mansion but with a different trim.

[@willinwoods]

Absolutely marvellous. Peak Bach, a deep tissue massage for the soul. Thank you!

[@powerliftingcentaur]

Tommy Vaske Well said.

[@pepperco100]

Spirito-intellectual nourishment!

[@MinorityMans]

Extremely rarely does one both understand the spiritual meaning of Bach’s music and have the genius and meticulousness of expression to carry it through. This is one of them.