Bad Gear - Elektron Digitakt - Overpriced Mono Drum Sampler???

[@AudioPilz]

Other episodes that almost broke my heart 😢 kzbin.info/www/bejne/gGO9aWyGrb11p8k kzbin.info/www/bejne/mXqZineHgdyrpq8

[@distantcomets]

The Microkorg gets hate proportional to how insanely well it's sold. It's arguably one of the very best selling synths ever and certainly the best selling synth of the last 20 years. That's gonna breed some haters...

[@TheSnowLeopard]

Blasphemy!

[@DetroitMicroSound]

The great thing about your channel to me, is this: Some folks will wake up, discovering it's not the machine that makes or breaks a musician. Great machines are the ones that allow your expression to flow. What's terrible for one, is great for another. Wanna know what one of my favorite machines of all time is? Don't laugh! Promise? -Yamaha SU700. I bought one new, when it came out in 99. I worked in kbds/pro audio at Guitar Center in Roseville Michigan at the time. I made so much music on that weird thing, I literally had to turn one entire large dresser drawer into a 3.5" disk storage. I bought 3.5"'s by the case. Before I went to the SU700, I was on the Akai S900, sequenced by various other machines. 🤪😁 Kero over in Canada has my old SU now. He installed a microSD drive. (I think) 😂

[@mechasartre3694]

Ive owned a micro korg and almost bought another yesterday until I remembered that i hated it

[@distantcomets]

@@mechasartre3694 What did you hate about it? Just curious. I sold mine on eventually, but only because at some point I'd outgrown the sound and those stupid mini keys... but for me it was, and is still an effective 200 bucks (used) worth of synth...

[@RickyTinez]

Couldn't agree more with how dated, yet futuristic this product is haha. Thanks for the shoutout homie! ❤

[@juliansvidal]

love your videos man :)

[@Raysist]

ayyy Ricky, just binged several of your videos

[@adamquek1095]

Ooooh....

[@AudioPilz]

Always a pleasure, nice to have you around!

[@thealmightycommenter]

Uncle Ricky!

[@andrewobuchow]

It’s hard to understate how amazing and high quality the content of this channel is. From the writing, video editing to the music jams - it’s ticking all the boxes ;)

[@AudioPilz]

Thank you so much!

[@mycosys]

'limitation sparks creativity' god am i feeling that atm

[@AudioPilz]

It's true!

[@macalby]

I bought a digitakt because youtube influencers told me to and l will never part with it ❤️ Ready to get triggered while I program trigless trigs

[@AudioPilz]

Conditionally triggered, of course;)

[@ubiquitousreverser]

😆 As Digitakt sales now rise.

[@jaystink]

Your seamless integration of the digitakt into the narration is a testament to how fun it is to play. Bravo.

[@AudioPilz]

Thanks!

[@IvarTryti]

Thank you very much for the shout-out! You're spot on about everything :) Excellent jams, man!

[@AudioPilz]

Hi Ivar, nice to see you around here. Hope I didn't butcher your name ;) Thanks!

[@IvarTryti]

@@AudioPilz You got it just right!

[@rars0n]

I admit, I'm an Elektron virgin. My first purchase was the Model:Samples based on the strength of Stimming's review. There seems to be a special nature to the Elektron workflow and people who know it inside and out seem to love it for what it is. I haven't familiarized myself with the Model:Samples enough yet to know whether I like that workflow, but I'm pretty sure I do. The M:S is an absolutely amazing machine for its (admittedly discounted) price and you cannot go wrong with buying one for $299. I think it's a damn steal. The thing has a way of making me want to play with it and I often find myself fairly shocked at what it can do. If Elekton's more expensive stuff is as good as it seems, then I think they're probably worth buying. It seems like opinions heavily depend upon whether they like the Elektron workflow or not. I rather like it. It's one of the most intuitive instruments I've ever owned.

[@AudioPilz]

True, the M:S is a real bargain

[@justink8156]

YOU'RE THE MADLAD FOR THIS HAHAHA have a good day everyone

[@AudioPilz]

I like to live dangerous...

[@justink8156]

@@AudioPilz Love your channel dude your content is lots of fun and your unique presentation only gets better and better 😁

[@v0Xx60]

'Nukes and Grannies' I died.

[@AudioPilz]

I don't even understand myself anymore ;)

[@vprice509]

That was probably the best yet. It kills me that he is so aware of how English speakers hear his German (Austrian?) accent.

[@saschaz483]

oh man... nooks and crannies ! as a [t'schörman inglisch spieker] myself, this took me waaay too long to get it, hahaha! added to my vocab list.

[@tdzucker]

Can we talk about Zoe or Zelda with Nixon Reagan I mean how tf does he even think of this

[@vprice509]

@@saschaz483 LOL [t'schörman inglisch spieker] ... Americaner hier. Ick can ine bishunn Doych Sprecken.

[@ksgant]

Thanks for this video. I was on the fence about getting the Digitakt, but after watching this video, I'm ABSOLUTELY getting one now. I just ordered it. Thanks!

[@AudioPilz]

Thanks for watching!

[@MegaCadr]

“How to listen to dawless jams” nearly made me spit out my coffee.

[@AudioPilz]

Chech out "Synth Memes" on FB. Pure gold!

[@jonpatchmodular]

@Shocks From Beyond I think you don't get it

[@DeeJay003]

@Shocks From Beyond I think it's more a case of that you know what really good techno sounds like, unlike the majority - who didn't experience the really excellent underground techno of the 90's.

[@mechasartre3694]

Said every old man to every young person ever

[@TM-sw2uw]

@@mechasartre3694 Ironic that most of the retail addict synth collectors farting out these nonsense, shitty "jams" are middle aged divorcees.

[@marcoabyss]

memes/rumors/jokes that AudioPliz is secretly a vaporwave producer is shut down by a Cold As Ice Nordic Understatement Maximinimal Fibonaccitech jam.

[@AudioPilz]

I'm more into ItaloDisco ;)

[@DerekPower]

@@AudioPilz So what you are saying is you are really with The Chromatics 😁

[@MoraFermi]

@@AudioPilz As long as it's not Disco Polo...

[@ubiquitousreverser]

@@AudioPilz Love that little groove by the way. I try and get my wife involved in jams and she was digging it, so I will be recreating it with her tonight for some fun! ❤️ Love your show by the way, is the OT going to come under the chopping block now too?

[@littlegeorge69]

@@MoraFermi hey you leave disco polo out of this!

[@boazeilander3617]

Controversial episode this time XD

[@AudioPilz]

I like to live dangerous ;)

[@ropeburn6684]

"This time"... XD

[@raum3354]

Thin ICE

[@Jhgkgfghk7]

I thought I was a DT wizard until I saw you pull up a menu that I swear I never saw before 😂. Encapsulates how wonderful and yet onerous it is to truly leverage this beautiful machine. 👏

[@AudioPilz]

Yeah, that one keeps you excited

[@quantrox8191]

Did you RTFM? :)

[@conradtm]

Who the hell commented “Shoddy build quality” in the text wall? I’ve got my own issues with the Digitakt but I could probably hurl that thing under a steamroller and it feels like it would still come out ok.

[@ruslanr.6171]

rumors say he spends couple of days composing those.

[@AudioPilz]

It referred to the jack ins/outs and I would agree that there is room for improvement (not enclosure-mounted)

[@KRAFTWERK2K6]

yeah shoddy build quality is not rally somethin that is typical for Elektron gear. Maybe some sharp edges of the metal but that's about t.

[@goodboid]

Apart from sticky keys, I agree with you

[@fallanification]

The most entertaining channel on KZbin. And I love the Digitakt too but that doesn't mean it shouldn't have to go through the bad gear-treatment. Excellent!

[@AudioPilz]

Thank you so much!!!

[@djlocodoc]

Dude....Those demos are straight fire!!!!! Bad gear is becoming my favorite on KZbin! Well done!

[@AudioPilz]

Thank you so much!

[@tedkritzler8970]

AudioPilz, you rock. All the little video subreferences just tickle my funnybone. I've watched several of your videos, but this one made me subscribe. It will probably also make me buy a digitakt ( Ricky Tinez laid the groundwork, but you really sold it ).

[@AudioPilz]

Thank you so much!

[@kvancgerek8656]

OP1 next please! Anyways glad to see somebody approaching it with a critical style rather than only trying to justify the massive price. When you can for example buy a midi controller and an ipad and apps that turn it to a music making beast that can do more than a digitakt or op1 and for about half their price you really start to question... Sure these devices have that tactile feel and the aesthetics are on point but these are all computers at the end of the day and a pc/ipad can do everything a digitakt does better for a better price with the right software and midi controllers also you get a device that you can do other stuff besides music! But I also understand why elektron/teenage engineering devices are overpriced after all they appeal to a much smaller audience compared to general computers so if they wanna make money the profit has to be high per unit too.

[@AudioPilz]

OP1 came up quite a few times. Thanks for the input!

[@synthoelectro]

Finally someone agrees with me on the crazy piece of those things!

[@jessymina]

I saw the thumbnail and thought "oh NOOOOO he's gonna get fired from humanity by the general public". Great episode as always!! That last Fibonaccitech jam ended too soon. :,(

[@AudioPilz]

Thanks! Still in office ;)

[@semyonboyk0]

I love your production style so much. Great job.

[@AudioPilz]

Thanks!

[@hydorah]

You looked pretty fleet of fingers zipping around that UI. Looked terrifying to me. I love immediacy, learning curves are not really my bag. It didn't sound to me like anything in that box was particularly special and worth the effort, but I'm always amazed by what you are able to coax out equipment in the music you create for your show. Another great vid!

[@AudioPilz]

Thanks! The UI really becomes second nature after a while

[@elistafford]

This video definitely needed to be made! You never truly understand a piece of gear until you understand it’s flaws. Then the creative process kicks in and you start to figure out ways around those flaws. We need a Bad Gear video now on the Octotrac.

[@AudioPilz]

Thanks!

[@ThinkerThunker]

"Nukes and grannies" :) And yeah, after wanting one since they first came out, I bought a used Elektron Analog Four. Wobbly knobs, flat sound, clumsy work-flow etc .... I was expecting a 10 out of Elektron, but now that I've owned one (and sold it,) I would give them a four.

[@AudioPilz]

Great input, thanks!

[@simon4815]

This episode is LEGENDARY, and so are your jams! I'm loving how divided the comments are :D There's only one place left to go after the MicroKORG and Digitakt -- the teenage engineering OP-1??

[@AudioPilz]

Thanks! I will have to get a bodyguard before I do the OP ;)

[@t3hjnz]

@@AudioPilz I'll chip in for bodyguards, because [glances around furtively] I hate the OP-1 .

[@illustriouschin]

I also vote OP-1 if you can get one without giving TE the blood money.

[@illford]

@@t3hjnz I think it'd nice but holy hell is it overpriced. Considering making a synth gets cheaper and cheaper even with high quality as the Hydrasynth proves I don't see why they're allowed to make me into a Zimbabwean peasent

[@t3hjnz]

@@illford only if you give them your money. PS I hope you're officially Illford photography supplies because (1) I'm a huge fan; and (2) the crossover here is impressively weird.

[@donaldpriola1807]

The Elektron workflow will always have its critics, for sure. Their instruments require a bit of patience, but once you get there, it's awesome. I find I don't mind the mono samples, because of the ability to change panning per step (and any setting per step). It beats other samplers hands down with its modulation and trig conditions. Given what some other companies charge for grooveboxes, its price is reasonable, given the quality of the device. I get the hate over the learning curve, and surprising limitations, but frankly they couldn't do everything. It's jumping over to the Elektron way of thinking that leads to "bad gear" quotes. Nice episode!

[@AudioPilz]

Thanks!

[@greatheightsu]

All of the complaints on the BAD GEAR check seemed the same, but "this was like programming a Commodore 64 with boxing gloves on." was a unique lol. Complaints aside, all my favourite youtubers love this thing, so by transitive property, I love this thing.

[@AudioPilz]

'I'm having a much more fun time with a broken shoe lace' was my fav, tbh ;)

[@DeepDoseMusic]

Instant follow. Love my Digitakt and really didn't know what to expect but that was one of the most unique and slick presentations I've seen.

[@AudioPilz]

Thank you!!!

[@DeepDoseMusic]

@@AudioPilz the new update made it even more bad. The baddest

[@FormatWarsBand]

Very excited to see this make Bad Gear. I sold my MPC1000 for one of these and regretted the lost functionality....but really enjoyed the sound quality. It has a very finished, ready to release kind of sound. Respect. But I really wasn't having fun with it and needed to move on. Clicky buttons are also bad if you play in a band

[@AudioPilz]

Yeah, these buttons are on all microphones when recording

[@bike.krueger]

Just came here to reassure myself, that I won't need a Digitakt for boom bap beats. Now I have to go to overthinking and overresearching mode again ;) As always: top notch video, sound and humor!

[@AudioPilz]

Thank you!!!

[@VincentsVideoVisions]

The Digitakt is a great machine but I sold mine. Actually, I've bought and sold two. It's not because it's a bad machine, it's because in my setup it was too redundant. I have a MPC One and a TR8s and the Digitakt just wasn't needed. Also, the MPC One can do a lot of stuff that the DT can't. My main gripe about the DT is the lack of timestretch. That said, the DT is an excellent machine and I think the form factor is just about perfect. It's also a hell of a lot easier to learn and use than the Octatrack.

[@AudioPilz]

Yeah, there's quite some competition

[@ThatJerseyBloke]

I'm along the same lines. I'm selling my Digitakt because I'm just more comfortable with Impact XT in Studio One with a Presonus ATOM controller. More immediate too as I constantly end up fiddling with the Digitakt to get the sounds I'm after and tend to just lose my creative vision with the song I'm working on because of it.

[@christdolphin69]

once again proof that only people too stupid to learn the complexity of these machines are the ones who criticize it. maybe the problem is you. the elektron boxes are much more powerful than you will ever realize

[@VincentsVideoVisions]

@@christdolphin69 I've had a md, mkii is, mnm, a4, ot, rytm, digitakt. Etc. Basically everything. So yeah shove that ignorant comment back up your ass

[@jetbreak]

I appreciate this comment. I too have an MPC One and a TR8S as was intrigued by the Digitakt but like you say, there's not a whole lot it can do that the gear I already have can't. Thanks for saving me $800 ;)

[@warrennate9]

Wrote a comment about making vid on Digitakt two weeks ago and... such a surprise! U rly did it!

[@AudioPilz]

Thanks for the inspiration!

[@kcosminhz7988]

can you do a bad gear episode on my life?

[@AudioPilz]

That one had me rofling. Thanks!

[@latontolog]

"At first sight, your life checks all the boxes.."

[@dogphoe]

Editing on this vid is great, love it bro!!

[@AudioPilz]

THANKS!!!

[@lakebergr]

Great Job! It's without question my favorite instrument in my setup. It just has to be placed in the correct context. Its a sampling drum machine, with an incredible sequencer attached. Don't bother trying to do anything else with it other than maybe sequencing a mono synth. Sample into a daw or an mpc, edit your samples there, and then import them. Its entirely worth the effort. I wish it had some extra effects built in, but that's my only gripe.

[@AudioPilz]

True! It really speeds up the workflow

[@GuitarsAndSynths]

Octatrack is way better :-)

[@HexagonAnon]

The newest OS update gives the DT song mode and time stretching so…

[@romantercero4436]

Best Bad Gear video so far. Loved it!

[@Scyber_Official]

Never been this early and my digitakt is sitting right next to me.

[@AudioPilz]

Same here!

[@WingHouseCup]

Same. Lovingly stroking its clicky buttons right now. :D

[@Davemech]

Great and funny video as usual :) and thanks for the mention 🙌🏻

[@AudioPilz]

Hi Dave, happy to have you around. Thanks!

[@alvaroapablaza5471]

Thank you for this, I was truly considering getting one earlier this week and this may not be for me, especially now that Audiopilz spiked the price up worldwide. Great video and tracks as usual 👌🏽

[@AudioPilz]

Thank you so much!

[@benh.2893]

I see this in my feed as I'm loading samples onto my Digitakt. Phenomenal timing.

[@AudioPilz]

Google knows ;)

[@RayTheProducer]

Enjoyable as usual. And of course, Pilz can make an old Nokia sound like an Access Virus. Crazy talent. Thank you for doing this. Now...the Digitakt. I bought it in 2018, with a lot of love and excitement in my heart. It was finally going to be my 'go anywhere, ditch the laptop, MY sampler'. Nope. Couldn't get into it. Could barely get it to make a sound. And I've been making electronic music for over two decades. Watched some videos, read the manual, decided to just dive into it, and nothing. At some point, the Digitakt started to piss me off. Sort of like a malcontented ex: no matter how much attention you pay her/him, it's never enough. Eventually, I returned it to the retailer, even though it actually cost me shipping. Boo. I've since thought about getting it again, but each time I look lovingly at my all software studio, my Akai APC 40 MKII and my classic Roland A-49 controller, and think: oh Digitakt, there is no room for you here. Sad, because the demo tune at 6:05 is a thing of beauty. Excellent video.

[@AudioPilz]

Thanks!

[@funkdefied1]

This show just reminds me that it’s Friday and I like it a lot. Glad to see you breaking away from 80’s mindwreckers.

[@AudioPilz]

Thanks!

[@BuddhaPhi]

I enjoyed your thoughts on this. This is maybe the 10th item I own that you've covered. lol. The Digitakt was my third Elektron box after the Analog 4 and Analog Rytm (both Mk 1). I have zero regrets about buying it even though I would have been fine to just stick with the Rytm. I had several years with the Elektron workflow so it was easy to jump onboard with the Digitakt. It's actually a lot of fun to play both drum boxes together.

[@AudioPilz]

True, the workflow is truly intuitive (at least for us two;)

[@ChumpyDumps]

Ohhhh daaaammmmmn. Didnt think you'd get there lol. Now I'm afraid you'll tackle the Octatrack which is far more more convoluted for people lol. But Octatrack definitely doesn't feel constrained the way the Digitakt does.

[@AudioPilz]

I'll certainly have to take a closer look at the OT

[@censoredialogue]

would love to see this revisited after update 1.50

[@AudioPilz]

Great idea, thanks!!!

[@mymockumentary9716]

ok, you got me! I've warmed to the intro jingle. It would make a cool ringtone

[@AudioPilz]

Happy to hear that!

[@Yuzuki1337]

What MIDI channel can we trigger you on? Love your thumbnails as always my dude. 🤣

[@AudioPilz]

I'm omni ;)

[@robarkskillie960]

Super well put together... (slice in Jon Stewart) Hats off to you sir.

[@AudioPilz]

Thank you! Jon Steward is a treasure!

[@SilentPity]

You should check out the Model:Cycles. It's a dumbed down Digitone that has a distinct and very limited audio palette. I still struggle to get it to sound good in my setups.

[@AudioPilz]

Always thought that this was awesome...

[@christdolphin69]

the cycles rules. it is actually incredibly cheap for it's complex sequencing and performance abilities and the interface is extremely intuitive. you can produce percussion sounds that aren't possible with other drum machines and it's not so limited once you learn how to properly utilize synthesis and sound design techniques, especially once you understand the power of elektron machines is in combining the internal modular capabilities (modulation/p locking/sound locks/retrigs/ctrl all/pattern reload) with the sound sources. the only people that criticize elektron are the people that didnt take the time to properly get to know what they are capable of

[@NathanChisholm041]

I've got Cycles but its very limited...

[@briancassidy6678]

Always a pleasure listening to your compositions.

[@AudioPilz]

Thank you!

[@Breisler]

Saw this and expected to hate it, but it's very well done all around. I'm really excited to get my Digitakt regardless of it's flaws. I love the Elektron workflow, despite its massive learning curve lol.

[@AudioPilz]

Highly recommended, one of my go to instruments!

[@forcefieldsound]

the cold as ice nordic understatement maximinimal beat at 7:00 is straight 🔥🔥🔥 i want a whole album of that

[@AudioPilz]

Thank you so much!!!

[@LouisSerieusement]

Great episode ! We use the Takt as main sequencer for our live show, it also provides additional sounds, mostly FX ; the great thing about it is the small size and light weight, makes it easy to carry :)

[@AudioPilz]

Agreed! How are you dealing with the no song mode - limitation?

[@MrTelleh]

​@@AudioPilzyou tell me ;) I updated mine

[@System.10]

Awesome video as usual! I especially love that track at the end!

[@AudioPilz]

Thank you so much!

[@MarneusAndMilkyBlood]

Hu ho, what's up with that little peek of the volca at the end? A sequel hook for the AudioPilz cinematic universe? Amazing video by the way!

[@AudioPilz]

Thanks! Well, just a little stab as the DT only has a +/-24 pitch range

[@benjaminbrand3714]

I was just thinking today that the Digitone may make a good candidate. I never imagined this would! Great video regardless

[@AudioPilz]

Thank you!

[@council_juice]

I'm always considering selling my digitakt when i look at it on paper and how limited it is. But then i load it up and start jamming with it & quickly forget others opinions. It's FUN FUN FUN! the most fun piece of gear I own.

[@AudioPilz]

Agreed! Sounds great too!

[@baroufess]

As always outstanding video.Here are some ideas for future videos.Bad Daws,,bad music-audio software and bad vst.

[@AudioPilz]

Thanks! Great input!

[@beaticulous]

I feel a line has been crossed with this episode. I don't even care about the Digitakt but so many do. Now, every machine is free game as the haters start to gather fresh victims to the sacrificial altar of Bad Gear. Even my sacred Rhythm Wolf is howling in terror. What if the sound of non-special audio equipment overflow the ether. ;)

[@AudioPilz]

Amen!

[@smburke1]

I Watched till the end. I see you Volca Sample. Is that next on bad gear or better gear??? Keep up the good work!

[@AudioPilz]

Thanks! the Volca Sample has the larger pitch range (DT is limited to +/-24)

[@PaulSalamoneComedy]

hahaha I love my DT but I was perversely hoping for a more cutting hatchet job, you nail all the problems in the first 2 minutes and then you're fairly kind >:)

[@AudioPilz]

My DT-fanboying aside: it is what it is

[@kevinwarsaw1793]

Your editing is off the charts. Wow.

[@AudioPilz]

Thank you so much!

[@VRMS_VRMS_VRMS]

OOFTA. Yep... Digitakt is what revived my enjoyment of doing music at all after a long, deep, dark DAW-hole.

[@AudioPilz]

It was quite liberating for me, too

[@ralphhayward4713]

@@AudioPilz endless source of inspiration worth every penny!

[@ralphhayward4713]

went from renoise...then found they have many similarities

[@ralphhayward4713]

now i use takt techniques in renoise sampler and LFOs

[@keso.mp3]

no matter how much i come back to this video. I can't avoid "needing" a digitakt.

[@AudioPilz]

Yeah, one of the mainstays of my setup

[@DopamineOverload]

First off-- that boombap beat you threw together is dope as hell. Secondly.. I feel like the Digitakt is insanely overpriced, for what it does/can do. It's now $60 more than the Akai MPC One. It used to be about the same price until everything went up. Digitakt: - audio tracks are monophonic - midi tracks are polyphonic, but you need external hardware (and only 4 notes per track) - basically a "9-track sequencer" if you think about it-- the audio track (8 sounds, with sample locks, etc), plus 8 four-note midi tracks - Chance / Probability (HUGE plus) - mildly confusing screen - no touch-sensitive pads (same-feel step buttons, as function buttons) - step / chromatic layout (a little confusing for some) - no timestretch - 64mb of sample storage (per project) - 128 total patterns (per project) - sampling directly into it - great effects - 64-step sequencer MPC One: - way more than 64-step sequencer - drumkits alone, are essentially 128 audio tracks (polyphonic, if you want) - 128 MIDI tracks (per Sequence / Project) - 8 linear audio tracks (per Sequence / Project) - detailed, full-color screen (touch if you want... you don't need to touch it, most of the time) - touch-sensitive pads (classic 4x4 grid) - polyphonic sequencing (internally or externally), more than 4 notes - monophonic sequencing (internally / externally) - timestretch / looping mode - 2GB of onboard RAM - SD card storage (up to 512GB, I think, maybe more) - sampling directly into it - built-in plugins (quite nice-sounding!) - great effects - configurable XY fx (with touchscreen) - scale mode for melodic instruments or plugins - chord mode (plus, input your own chord sets!) - step-sequencing (not as intuitive as Elektron's, of course) I like Elektron stuff a lot. I own a Model:Samples, which satisfies my cravings for chance/probability sequencing. It has two less tracks than the Digitakt, and no sampling... but, it's only $300. Transferring samples is pretty easy, via a computer. And while I wish the font was a LOT smaller when browsing for samples... (hello Elektron??), it truly does a great job. If you're craving a Digitakt... go straight for the MPC One and save yourself a few bucks. It's totally worth it. And this is coming from a longtime Akai hater. I LOVE my One. Every time I watch videos on the Digitakt, I just don't find it worth the insanely high asking price. It should be $500, not $860. And what it does, it does well.... but... I don't know. It needs some more firmware updates to make it worth the asking price.

[@AudioPilz]

I think it's just Swedish prices;)

[@bike.krueger]

+1 props for your boom bap banger!

[@Antanas808]

On point as always. Love the editing. And the cold as ice track was really nice

[@AudioPilz]

Thanks!

[@localhost4460]

I don't understand the thought process behind a modern sampler without time stretch :/. Why!? Great video!

[@johnruschulte2593]

The thought process is don’t compete with your own flagship product that costs twice as much I reckon.

[@AudioPilz]

Thanks!

[@KRAFTWERK2K6]

Not only that but only 64mb RAM? lol seriously?

[@bolttracks]

woah certainly didn't expect this one

[@AudioPilz]

Expect the unexpected ;)

[@OscillatorSink]

Oh cool. Now we have to start KZbin drama.

[@cp99music]

Oscillator Sink diss track incoming

[@OscillatorSink]

@@cp99music yeah, I'm gonna spit some real truth... Then slow it down 80x and pop it over some heavy drone.

[@AudioPilz]

I'm in!

[@MarkBayfieldvillageidiot]

😂👍

[@sebp400]

@@OscillatorSink _Paulstretch has entered the chat..._

[@simonbecker748]

Now that trance jam was something else.. I would love to hear an extended edition!

[@AudioPilz]

There is indeed a longer jam of that!

[@darylw-m9549]

@@AudioPilz where can we find it?

[@chrixtopherjane]

First of all, the Fibonaccitech was perfection. One of your best yet. Secondly, you could fill a screen of gear nerds complaining about a Fender Strat, so if that's the only benchmark for "bad", then I feel like almost anything can make it into the series.

[@AudioPilz]

Thanks! The popular should be no problem but the more niche instruments don't fulfil that criterion in many cases

[@rhill109]

I've been very curious about Elektron gear but after watching many videos, they aren't for me. But to everyone that loves them, good for you.

[@AudioPilz]

So much gear, good that not everybody has to use the same stuff

[@Gaiadarko]

What's with the volca sample aftercredits scene? Did I miss something?

[@AudioPilz]

The pitch range of the DT is limited to 24 steps in each direction. WTF

[@Scyber_Official]

@@AudioPilz Did you know that the tempo on the Volca Sample can be set to 10bpm to 600bpm. Korg puts little Easter eggs into each all their gear - it's just a matter of pressing the correct buttons together before powering on.

[@reinierweerts6923]

I recently bought an MPC One for about the same price it seems. Really glad I did, it really is a DAW replacement and it's great to record bass, guitar and keys with it, use the drum synth and build (acoustic or electronic or both) songs with it, computer off. I have no experience with the Digitakt, so what does it do that the MPC One can't? It seems a lot more limited to me. Most commonly used parameters and actions are easily reachable on the Akai too. Buttons, knobs, muscle memory, great video, looking forward to the next one!

[@VincentsVideoVisions]

I have a MPC One, TR8s and just sold my Digitakt. The Digitakt is awesome but only if you plan on doing really intricate and crazy sample mangling on the fly. It's an awesome machine but personally I'd rather have a MPC One any day. It's stereo, has velocity sensitive pads, a huge nice touch screen, CV outs, etc. There's some things the DT can do that the MPC One can't, but there's a lot more than the MPC One can do that the DT can't.

[@peterjessop1878]

Yep totally agree

[@AudioPilz]

Thanks! It's almost an ideological question ;)

[@matstjean]

IMO, you cant compare those machines.... you did not want to remplace your DAW, dont want a touch screen, dont finger drumming, dont want it to crash if you have a Digitakt. I had loved my MPC one but sold it because, at this price point, better get a MPC live

[@reinierweerts6923]

@@matstjean They're samplers first and about the same price. The Live however is 60% more expensive and I prefer the extra buttons of the One. I have 24 I/O via FireWire interfaces and 8 I/O that connect to both my DAW and the One, so the extra ports on the Live don't make sense for me.

[@blackduck65]

Its impressive as hell you managed to point literally every negative aspect without saying once that its overpriced; only in the title.

[@AudioPilz]

The price point is addressed briefly, not the most exciting aspect about the 'takt ;)

[@alexanderfrei9712]

Just a couple days after I put mine on willhaben haha Perfect timing and great video!

[@AudioPilz]

lol, I'll keep mine ;)

[@alexanderfrei9712]

@@AudioPilz Hit me up if you want a second 😉

[@harryefellows]

I can't say for sure but I do believe that not everybody will be happy about this one

[@AudioPilz]

No death threats yet ;)

[@KRAFTWERK2K6]

Let the haters hate xD

[@brennfett487]

Love the concept of this format

[@AudioPilz]

Thanks!

[@jackjones513]

As always best music show on youtube :)

[@AudioPilz]

Thank you so much!

[@Tape_Echo_Player]

Yesss. I’ve been waiting for this.

[@AudioPilz]

It had to happen!

[@Individual_two]

This has been a great episode! The "Eyes Wide Shut" clip. The subject, which is the controversial, Elektron Digitakt. The demonstration that shows that this thing sounds bad-ass. Sure, you have to commit to learning how to operate this magic machine, but that is part of the fun. I don't have one of my own yet, but it is just a matter of time and someone will be needing quick cash on Reverb to get me ordering...

[@AudioPilz]

Thanks!

[@vprice509]

Learning to operate the Digitakt is not part of the fun.

[@ryanhom3006]

@@vprice509 right? At least it's not as bad as the octa

[@mishpult]

After the last transfer update, you can backup everything - project, patterns and samples

[@AudioPilz]

I still haven't tried the update, thanks for the heads up!

[@kimwjustice]

0, 1, 1, 2, 3, 5, 8, 13, 21, 34, 55… I'm feeling it!

[@AudioPilz]

Yeah, I'm spiralling;)

[@robbiewabisabi]

I have long admired Elektron as well, and I have many friends that stand by this piece of kit, but it can be somewhat daunting if you a) don't know the "elektron way." and b) don't use hardware sequencers. It seems like you are treading on dangerous turf, Florian, but you (as always) handled it with grace. Danke!

[@AudioPilz]

Thanks! No risk, no fun ;)

[@JobimSynthMusic]

I love my digitakt but it does take a long time , very long time, to master. I have been using only basic functions so far. and it's really good for sequencing vintage gear. the biggest issue for me now is the rubber coating on the buttons that is starting to degrade and become sticky.

[@AudioPilz]

Agreed! Haven't experienced the rubber coating issue (yet). Thanks for posting!

[@JobimSynthMusic]

Update! Water and baking soda solution worked wonders. Brush all buttons with an old toothbrush. That got rid of the external gooey degraded rubber layer, the buttons still feel good (the rubber is still mostly preserved) but now they're dry and feel like new.

[@oz2226]

Your videos are always such a joy to watch

[@AudioPilz]

Thank you!!!

[@kaustik185]

The level of spicy memes is at an all time high here

[@AudioPilz]

Thanks!

[@2.7petabytes]

I could never get the hang of this piece of gear! But, everyone has their love/hate situations when it comes to gear. Great video as usual!

[@AudioPilz]

Thanks!

[@Taschenschieber]

This pandemic is really screwing up my sense of time. I didn't think it was April 1st already.

[@AudioPilz]

Even Ricky Tinez dared to critizise the DT ;)

[@sawtooth808]

@@AudioPilz And he had some valid complaints about it.

[@kevteop]

So pleased you didn't slate one of my favourite pieces of hardware! 😁 I struggle to explain to people who I think it's so good, but it's so good!

[@AudioPilz]

Always a pleasure;)

[@tedpedersen123]

I thought the Sid Station would make an appearance before the takt! Shocked!

[@AudioPilz]

That one's almost impossible to acquire

[@fisk0]

if you want a truly awful alternative to the Sid Station, check out Mode Machines SID from 2013.

[@ezmyrelda]

@@AudioPilz It's literally the only elektron gear I've ever wanted. ofc it's impossible to find..

[@Crabby303]

Nice vid, thanks - kind of tempted to buy one now! Here's one for a future vid, perhaps: MPC5000...it promises sooo much on paper and yet....plenty of complaints online about it: poorly written/unfinished OS, software bugs, terrible storage logic, random midi glitches, and lots more! Although if you obtain one for the show it will of course work perfectly! ;)

[@AudioPilz]

Great input, I'll do some research!

[@Arehexes]

Saw the UI and was like, oh will the digitone be next? This will be a good watch for sure 👍

[@AudioPilz]

Thanks for watching!

[@PingPong85]

Man, youre making my Roland MV8000 give me 'I told you so' for considering getting a Digitakt.

[@AudioPilz]

These old Roland workstations are really nice!

[@marcohuerta510]

Great episode! And yeah I think all of my gear is bad... it's definitely not me.

[@AudioPilz]

Of course not ;)

[@nunce3813]

This machine is wonderful and I will never sell it but FU** ELEKTRON WHERE IS THE BAND-PASS FILTER ?

[@AudioPilz]

Goddammit, we need that BPF!!!

[@vidalgarciapoblador2088]

Finally. THANK YOU

[@LukezyM]

Second filter(base width) like the Digitone has, please!

[@naught101]

In there now, in V1.30 :)

[@BranoMacko]

Great episode, as usual :) I would love to hear you opinions on Gameboy LSDJ!

[@AudioPilz]

Thanks! Never tried one of these, I'll take a closer look

[@BranoMacko]

@@AudioPilz its surprisingly versatile (even has a primitive speech generator). if you dont mind 8bit drums (of which there are even PCM samples!), you could produce a whole song/performance there. it has a learning curve but the UX isn't nearly as bad as you'd expect.

[@reggiep75]

Meme game: ON with no OFF switch to note. As for this device, I didn't know about it when people first hated it but it does seem a careful mix of some utterly terrible cr4p and yet some nice touches.

[@AudioPilz]

Certainly a controversial piece of gear

[@saschaz483]

Thinking of departing from my screen protector... 😉 what a smart video, love it! Soooo funny :)

[@AudioPilz]

Thanks!