Berlioz: Symphonie fantastique ∙ hr-Sinfonieorchester ∙ Andrés Orozco-Estrada

Hector Berlioz:
Symphonie fantastique ∙
I. Rêveries - Passions (Träume - Leidenschaften) 00:00 ∙
II. Un bal (Ein Ball) 16:34 ∙
III. Scène aux champs (Szene auf dem Lande) 23:40 ∙
IV. Marche au supplice (Gang zum Richtplatz) 41:09 ∙
V. Songe d'une nuit du sabbat (Traum einer Sabbatnacht) 47:34 ∙
hr-Sinfonieorchester - Frankfurt Radio Symphony ∙
Andrés Orozco-Estrada, Dirigent ∙
Rheingau Musik Festival 2017 ∙
Eröffnungskonzert ∙
Kloster Eberbach, 24. Juni 2017 ∙
Website: www.hr-sinfonie...
Facebook: / hrsinfonieorchester

[@qwj68boots]

Kudos to hr-Sinfonieorchester - Frankfurt Radio Symphony ∙ Andrés Orozco-Estrada! They never cease to thrill & amaze.

[@35368116]

I am listening to Frankfurt Radio Symphony almost every day and I am more and more impressed each time. To me, they are every bit as good as Berlin!

[@luukashiltunen-musician]

Written in 1830, only three years after Beethoven’s death (in 1827)! Such a cinematic, imaginary brilliant work, masterfully orchestrated. Splendid performance by Andres and Hr-Sinfonieorchester and additionally superbly recorded! Thanks a lot!

[@alvarogarciabarbosa3199]

Outstanding performance as usual with HR Frankfurt Sinfonie, with all great musicians, strings, wood winds, brass and percussion, conducted by Andrés Orozco Estrada. Bravissimo!!!

[@professordodo1]

Splendid performance of this "fantastic" work by one of the very great masters of orchestral composition. This orchestra is superb in all sections and Andres in full control at every point. Una maravilla!!

[@ultradmann2367]

The last chord and the release of it is something special. That's a worthwhile performance

[@lilalola33]

Tausend Dank FRS dass wir bei Euch sein dürfen !!

[@joselopes2293]

This masterpiece is magnificent not only for the musical strength but also for its incredible harmony, sensitivity that touches us deeply emotionally. The lyricism of some parts of the work is sublime and with great elegance.Berlioz was an amazing composer and particularly in this fabulous composition, where he demonstrate his fantastic talent and audacity . The orchestra performance and direction are superb. Thanks for this notable and remarkable recording.The Symphony is really Fantastic.

[@charlie73598]

I. Rêveries - Passions (Reveries - Passions) - 0:05 II. Un bal (A Ball) - 16:34 III. Scène aux champs (Scene in the Fields) - 23:40 IV. Marche au supplice (March to the Scaffold) - 41:09 V. Songe d'une nuit du sabbat (Dream of the Night of the Sabbath) - 47:34

[@allenhouston9933]

you all prolly dont care at all but does any of you know a trick to log back into an instagram account..? I somehow forgot my password. I would appreciate any tricks you can offer me!

[@felixjoseph8815]

@Allen Houston instablaster ;)

[@rossini9mozart10]

One of the most emblematic interpretation.. Almost all the details are here, the timbres are so truly expressive and totally appropriate. I haved watch so many performance of this orchestra and I swear, it's one the top 5 orchestra in the world, almost all the musicians inside are so passionate and energic. Thanks a lot really ! :)

[@user-uh4jr1tg5g]

ㅣ😅😅😅😅😅

[@TroelsMKrogh]

I saw the concert when it was broadcast live, here on KZbin. A very nice concert! 😊

[@MegaCirse]

To listen to this composer is to abolish the surge of everyday noises and images to half-open the space of an elsewhere where contingency and representation give way to the immateriality of the sensitive. Once the door is closed on the agitation of the world, an underlying silence sets in, a slowness seizes, preludes to a dilation of perception and consciousness. The expressive power of sound architecture breaks with any form of transcription of reality to focus on the expression of a fabulous universe where color and rhythm constitute an expiration that gives voice to exaltation !!!!

[@Edubarca46]

It is really amazing how the audience is so cold. They almost gave no applause to an absolutely fantastic performance by Colombian conductor Andrés Orozco-Estrada. Incredible.

[@tortysoft]

I agree ! a dreadful reaction ! It could be that all the detail was lost in the corridor of the Nave. Only the front few rows could have really heard it, but I don't think they were listening ! If the Frankfurt come to the Henry Wood Proms they will get a propper reception !

[@rodrigoorrego7866]

Amazing music, orchestra and conductor.

[@SpeedFreaK79x]

such a great piece of music, thanks FRS

[@ostwestexpress2709]

Für solche Orchester zahle ich gerne meine GEZ Gebühren sowie auch meine Kirchensteuer. Wunderbare Darbietung und Klang ! Die Symphonie trägt den Beinamen: "De la vie d'un artiste"

[@juancgolu]

Amazing orchestra!

[@voltaire1377]

Berlioz was a real Genius!.. i mean he was crazy!.. i wonder what looked like the face of the first auditors when they listened to this , them who were used to Boieldieu music!

[@AlexandreBeyeler]

Bravo, superbe.

[@derbywinner6316]

Beautifully executed.👏👏👏

[@herol64700]

exceptional performance. like the tempo of the "march", the enthusiasm of the finale and the jolly cellist

[@timr2007]

Is the "jolly cellist" a bit of sarcasm? He looks rather grumpy to me. ok -- middle of mvt 3 he starts smiling like he is having a good time.

[@user-ey5dl7qd3j]

동감합나다

[@kengwahgoldstein9637]

Thanks.

[@esdrassantos2341]

Mein Traum ist es in diesem Orchester spielen !!

[@AndreEssen]

eine meiner absoluten Lieblingssymphonien, die ich das erste Mal in Carcassonne beim Sommerfestival im ersten Festungsring hinter dem Teatre comtal bei sommerlichen Temperaturen gehört habe. Immer wieder erstaunt mich die Auswahl der Adjektive, die hier für eine Aufführung gewählt werden und auch ich bin überrascht , wie schlank das Spiel herüber kommt, wenn man bedenkt dass dies eine Aufnahme in einer Kirche ist. Oft klafft auch bei mir die Spanne zwischen Aufnahme und Realität auseinander. Weil die Instrumente beim Zuhören sich nicht so leicht mischen wie bereits bei einer abgemischten Aufnahme. Berlioz Musik ist dabei eine Ausnahme, da sich seine Orchestrierung geschmeidig durch alle Register zieht und selbst bei der unterbrochenen

[@nlj881]

Brilliant Performance!

[@froehlicherelter]

Estraordinary performance: Every detail has been marvelously played . . . At my taste, at the "Marche au supplice" I would have chosen a more slow introduction of the Clarinete and used a more "claustrophobic" bell at the introduction of the Scaffold . . . Wonderfull accellerato at the end BRAVO !

[@user-kb3zl1wt9b]

Чудесная музыка! Большое спасибо Франкфуртскому оркестру за концерт! Послушаю Берлиоза, может быть пойму зачем Булгаков так назвал своего героя.

[@tortysoft]

Glorious. Magical. For some reason the audience didn't get it - fools ! This would have got Prommers cheering for twenty minutes! I have heard just one even more splendid performance - Simon Rattel let his percussionist really reproduce the natural sound of thunder at a performance in Nottingham over thirty years go.Other than that - this was perfect - such ensemble playing, the accuracy was stunning. I hope to hear this orchestra and conducter at the RAH !

[@xYonowaaru]

It's a german audience. That's already pretty close to the peak of excitement you can get.

[@gregoriokuhn9146]

Notable y emotiva versión. Bravo 💪

[@aurelianojosemonteiro1398]

Obrigado amigos e amigas musicistas!

[@Mister_Tibbs]

15:10-16:05 Those resolving chords at the end of the first movement are so satisfying and very well executed. Fantastic performance.

[@peterwhyte317]

Magic!

[@moviebuffful]

brilliant performance great location i thought audience bit slow starting applause

[@tedwilks]

There is often a marked difference in audience response at the end of a piece between European and American audiences. European audiences are usually much more sensitive to a conductor than U.S. audiences. European audiences frequently wait to applaud until the conductor's baton is lowered, or the conductor indicates in some way that the "magic of the moment" must not be dispelled by an insensitive audience. Thus Claudio Abbado's peerless performance of Mahler's 9th in Lucerne in 2010 was followed by 2 mins. 15 secs. of silence before the applause began. Abbado appeared to be in a trance; it was surely a unique occasion. This is in strong contrast to the behaviour of U.S. concert-goers, who almost always begin immediately to applaud wildly, leap up, and frequently utter whistles, shrieks, hoots, or other offensive noises intended to convey appreciation but are (in my opinion) inappropriate and certainly undignified. Russian audiences sometimes begin rhythmical clapping, which I find especially irritating.

[@robertfrankgill5962]

tedwilks How about the thing some people have about clapping their hands way above their heads as if to say... well you can imagine. Perhaps "me no fuddy-duddy, howay the lads."

[@stephenmessick865]

Your post was also especially irritating. The comment on Abbado's Mahler 9 was spot on however. It indeed was a unique moment.

[@jauscielinginclusive3873]

BRAVO

[@znotch87]

43:10 Chief O´Brien is going nicely on his cello.....

[@RickB500]

Thought so too, and here too: 14:46

[@notaire2]

Sehr saubere Aufführung dieser einzigartigen Sinfonie fast ohne überflüssige Romantik. Das gefällt mir!

[@richardnewnham1417]

Darf man sagen es klingt "deutsch"?

[@notaire2]

@@richardnewnham1417 Ja, deutsch, nie lateinamerikanisch, trotz des Namens dieses intelligenten und genialen Dirigenten.

[@henriqueplat8787]

SHALOM

[@hakunaseitata2880]

Eine schöne Version ohne überflüssigen Schnickschnack.

[@BS-cu2hg]

👌👌👌

[@silviagarciario3566]

Que buena música incomparable

[@TheMajortanner]

What hasn't Estrada conducted on youtube?

[@danybur]

Notable, estremecedora versión

[@celloplaysmusic7330]

56:13 if you're here looking for wood

[@philippedesaint-martin4815]

Très bonne version cependant j'estime que la reprise dans la marche au supplice est inutile car elle casse la dynamique du mouvement.

[@energiger]

립씽크같아요.

[@aimebeur]

une des plus mauvaises interprètations -insipide et sans âme- à certains moments on doit tendre l'oreille et il n'y a pas cette passion , ce lyrisme propre à Berlioz- même les musiciens ne vivent pas la musique contrairement à d'autres orchestres (Hambourg pour rester en Allemagne- ceci explique sans doute la timidité des applaudissements tardifs là où d'autres récoltent des "standing ovations"

[@albertoaguiardacruz7047]

ESSA SINFONIA SÓ É FANTÁSTICA ATÉ CERTO PONTO. POR EXEMPLO: COM ELA, BERLIOZ RESOLVEU O IMPASSE CRIADO POR BEETHOVEN COM SUAS NOVE SINFONIAS. BERLIOS CRIOU ENTÃO, A SINFONIA PROGRAMÁTICA; OU SEJA ELA TEM UM PROGRAMA PRÉ-DETERMINADO. CRIOU A IDÉIA FIXA QUE CARACTERIZA UM PERSONAGEM DO PROGRAMA. WAGNER ROUBOU ESSA IDÉIA DE BERLIOZ E A COLOCOU EM SEUS DRAMAS MUSICAIS. MAS A MÚSICA DESSA SINFONIA É FEIA E NÃO TEM SENTIMENTOS DE AMOR ROMÂNTICO.