Full video available exclusively on mwtm.org/gw-vocal
@BeardedKingface2 жыл бұрын
This took me years to figure out on my own. The younger generation has no idea how fortunate they are to have this information in their hands
@duragkev2 жыл бұрын
We have a good idea
@DeejayRach02 жыл бұрын
@@duragkev yep
@KevinStCroix3 жыл бұрын
When you make this discovery for yourself, it is awesome.
@AboveEmAllProduction3 жыл бұрын
When you discovered to use fx? Mind-blowing
@ZenMountain2 жыл бұрын
Ok.
@RealJaybeeMusic2 жыл бұрын
As a young producer straight out of high school, this stuff is something I would expect to pay too dollar to learn. Seriously this stuffs a gold mine for me I actually take notes on this stuff so I can improve my mixes on songs
@JohnnyAllan-vj7sj2 ай бұрын
It's only scratching the surface. I recommend every young aspiring producer be a runner (intern) at a recording studio for at least a year. Hearing about it is one thing, but seeing it happen in real life is a whole other... thing
@boomspiritproduction76242 жыл бұрын
This guy is amazing, I love his approach to sound work and his philosophy, I think he's my favorite !
@jeffreydan3 жыл бұрын
I found myself moving my head up and down while watching this video.
@hummarstraful3 жыл бұрын
Any Greg Wells series on MWTM or other platforms are all fantastic. Highly recommend.
@jonathanlafrance8643 Жыл бұрын
I’d like to hear you to do this session with live examples along the way.
@kylehall24702 жыл бұрын
Compressors are also eqs and saturation. As well as levellers.
@pkizzlebeats2 жыл бұрын
Exactly u jus gotta know how to use it but every compressor sounds different
@spookyguavamusic3 жыл бұрын
One day I look forward to working with this legend, im looking into getting his vocal VST, he did an amazing job on vessel by twenty one pilots.
@theonygard56942 жыл бұрын
He worked on vessel?????
@spookyguavamusic2 жыл бұрын
@@theonygard5694 yep!
@MoghulVeyron3 жыл бұрын
Everything he’s saying is something that takes years to land on
@kensmechanicalaffair3 жыл бұрын
Not years.
@CarsonHoy2 жыл бұрын
@@kensmechanicalaffair increments of 12 months
@stephenfogerty93152 жыл бұрын
@@CarsonHoy 🙌
@dreammix94302 жыл бұрын
Wow listening to this and learning at 11 at night before I am about to go to sleep is priceless
@MoreMeRecording2 жыл бұрын
@@kensmechanicalaffair Wrong... 🙄
@mickpedder59903 жыл бұрын
The way Greg articulates his thoughts is always inspiring
@Limit54823 жыл бұрын
Rolling in the deep….darkest mix you ever heard…so good and works so well. Mind blowing
@Incusaudio3 жыл бұрын
Tom Elmhirst mixed that record.
@Limit54823 жыл бұрын
@@Incusaudio really? Oh I guess wells just produced it then? I was under the impression he mixed it as well. 🤔 got to look up more Tom Elmhirst Thanks
@renderartsvfx65973 жыл бұрын
@@Limit5482 Paul epworth produced it.
@guitarz993 жыл бұрын
buddy needs a vocal fry plugin for himself
@autofocus45562 жыл бұрын
He needs that soothe plug-in lol
@pkizzlebeats2 жыл бұрын
🤣🤣🤣 I’m weak asf
@guitarz992 жыл бұрын
@@autofocus4556 🤣
@jerialice Жыл бұрын
😂
@madmuso53 жыл бұрын
I remember having the same experience with vocal fx. A lot of what i thought were completely dry vocals werent, commonly they had some sort of slap delay tucked underneath, a lot of the times mono too so during playback it just becomes a shadow of the vocal which doesnt stand out. Its something that during playback you dont really hear it but if you mute it, you notice something has gone away and the vox loses something.
@harleyel61153 жыл бұрын
I will always be a student, learning from the greats!!!!
@songlove777710 ай бұрын
I've never had the ears or speakers to hear "colour" from different compressors. Not once the out signal is properly level matched to the input anyway. My technique has evolved into using an L3 - the low latency version (L3-LL) on the individual vocal tracks. I aim to make it so that every syllable hits the limiter. Then I use another L3-LL instance on the bus that the doubled vocal goes to. Then another on the main vocal bus I send all the vocals to. So that's 3 stages of limiting. It always amazed me how much compression a vocal enjoys. Bass too.
@IFeeeeelGood3 жыл бұрын
The compressors actually were invented because the signal degrade over distance in a radio communication so only the loudest part of a speech would have survived a long travel of the radio waves. If you have a consistent louder signal it can survive longer in radio communication, that's all. P. S. I forgot to mention that what i said it's true for AM radio, than with the advent of FM radio this problem was way less important
@phillipemery5723 жыл бұрын
Huh, interesting. Good info!
@HollerAtcherBoi2 жыл бұрын
Ha! That’s super cool to know. Makes sense. Thanks for that!
@themattmcclellan Жыл бұрын
I love GW's dulcet tones
@phillipemery5723 жыл бұрын
2:44 I always thought that limiters were introduced so that the signal output wouldn't spike suddenly and overload the transmitter. I guess this makes some sense too.
@nexusobserve3 жыл бұрын
stop listening to live sound engineers
@Griuofficial Жыл бұрын
What a legend, thanks a lot for the video!
@mitchelking23773 жыл бұрын
I LOVE YOU GREG WELLS
@LesterWayneDobos4 ай бұрын
like even if you do have this information as a beginning mixer or masterer its something to look out for but applying it and developing a solid understanding of it over the course of 2000 songs and twenty years is something young people think they get but won’t actualize until later definitely levels to this no pun intended
@zeneixi2 жыл бұрын
Greg Wells is the love child of Tom Hanks and Bill Murray.
@cornbobrimlove78922 жыл бұрын
He is really Pauly Shore incognito .....
@zanem90222 жыл бұрын
😄
@xanderpills Жыл бұрын
Oh god, you nailed it.
@LawrenceHercules3 жыл бұрын
This is the guy I’ve been looking for. His engineering taste is similar to mine but I didn’t know how to attain it.
@michaelcandido28242 жыл бұрын
I knew about this since the early days, you could get a way with some reverb and delay while making it also sound dry in the mix but it would sit better then none at all.
@kaiulrich61853 жыл бұрын
Since this is a Mix With The Masters video… what is that massive disturbing background noise ?
@paphundekel19263 жыл бұрын
Probably they've been using tape emulation plugin on his mic :-)
@kodykindhart56443 жыл бұрын
It’s not engineered with the masters Just mixed
@traditional853 жыл бұрын
All studios with that much gear in it have background noise like that. Coupled with the gear itself, the cooling needed for all of that is audible.
@Gretsch09973 жыл бұрын
The person doing the interview is not an engineer, go easy man
@kaiulrich61853 жыл бұрын
@@traditional85 Ok, but then there are tons of videos out there with people talking in massive control room setups and it is dead quiet.
@rickdeaguiar-musicreflecti7692 Жыл бұрын
Wow. Excellent information. Thank you for sharing your years of experience, Greg :)
@jorykevinberger70473 жыл бұрын
So funny about CLA and compression. I have seen CLA say so many times say that everyone thinks he compresses so much, and how he really doesn't. Then along comes Greg Wells talking about how CLA loves to compress, and adds a limiter and compresses after that, too. I love me some CLA, but... I think... I believe Greg. lol. Cheers.
@Skkyyyyyyyyyyy3 жыл бұрын
CLA is all over the place with his answers because he purposely doesn’t want to give away his secrets.
@fuzzcityrecords4323 жыл бұрын
I like this guy.
@stephenfogerty93152 жыл бұрын
Doubling the vocals is essential for me, sometimes even triple with an affect on one
@metalheadblues2 жыл бұрын
Drums and bass is the only think I won't double . Vocals and guitar definitely need double
@singtall2 жыл бұрын
0:50 I was kinda let down because I thought he was gonna spill info on how to get that effect.
@russellandrady5 ай бұрын
Great information. I basically compress to keep an instrument or a vocal staying at a position roughly. But I don't wanna here every instrument individually at a single, unique and separated position. Because some times their space blend together and gives a nice naturalism. Hearing natural sounds in nature helps it a lot. But even though I describe it like this, I mostly don't think about these things when I'm mixing. I just keep attention to one single thing. It is just the feeling. The feeling I hope to make for the song. I enjoy the mixing. But when I'm doing it, sometimes I look at my mixing in characteristics wise. Sometimes in free times, I think about my mixing in characteristics wise. Then I could find those characteristics. That's it. So, I would like to tell you, just enhance your feeling. Be honest with you. Then you don't have to believe me or anyone else. You will see when you mixing. OH.. I can see this in my feeling when I'm mixing. I try to do this and this and this. And some of those, you have heard before. Then you will feel like you are at the right position. This is my simple advice. Honesty is the key.
@skilesjasonjames2 жыл бұрын
Exactly. Soooo well said
@donartyone32582 жыл бұрын
He would like my tracks. I mix in a similar mindset. Great tips and advice.
@ronfrancois Жыл бұрын
The level of the noise floor on this clip is insane.
@gabe.digital3 жыл бұрын
Dropping gems my friend 🙏🏽
@froebelpacheco57013 жыл бұрын
How cool, I like using waves breuers motion on the vocals. I remember people didn’t understand why I did it because I had it cranked up to much 😂 but yeah I learned subtly is key
@shabanshabani77213 жыл бұрын
Bro is it weird how I kinda hate very stero vocals. To me I prefer a mono nicely compress vocal but just having little subtle stero from plate verbs
@froebelpacheco57013 жыл бұрын
@@shabanshabani7721 oooo nice I’d like to try that with some breurers motion
@shabanshabani77213 жыл бұрын
@@froebelpacheco5701 yess sir I use that pluggin on melodies and sometimes hihats
@areo4002 жыл бұрын
The way he presents his knowledge kinda reminds me of Finneas. Awesome video, very inspiring engineer
@doctordong80882 жыл бұрын
2:19 What was that high pitch squealing coming from?
@whale_talk3 жыл бұрын
Real gems 💎💎💎💎
@t0mpsy2 жыл бұрын
His favorite reverb is the Capital chambers?? Where can I download that?
@Snufflecat2 жыл бұрын
I think he means literally the basement of capitol records
@mistermusicenterprise31482 жыл бұрын
UAD Platform.
@t0mpsy2 жыл бұрын
My favorite reverb is re-amping in the Grand Canyon
@6randonz2 жыл бұрын
Am I listening to Robert California?
@jeremythornton4333 жыл бұрын
This is great info! Thanks!
@MikeGomeztheDMG2 жыл бұрын
I just found this channel. What have I been doing w/ my life!?
@EricLS2 жыл бұрын
Guy’s a name dropper, he is
@basskeeperofthegroove8842 жыл бұрын
In my research, compressors were designed to help gain ride to score. The old way was to ride the potentiometer or fader volume to control singing amplitude in the lyrics they were singing. In other words bring up the quit and turn down the lows. Think about how much a compressor saves time, and to get professional you will pay professional. So try to pay once and get the machine you want. Yes it is easier said than done, but do the research first.Stay groovy.😎
@AI-Consultant Жыл бұрын
In your research, you've likely come across information about the historical use of compressors for gain riding and controlling the dynamic range of audio signals. Compressors have indeed been used to even out the levels of vocals and other instruments during recording and mixing, allowing for more consistent and controlled sound. Riding faders or potentiometers manually to achieve the desired level changes can be time-consuming and may not provide the same level of precision as using a compressor. Compressors offer automation and precise control over the dynamic range, allowing engineers to shape the sound more efficiently. Moreover, professional-grade compressors often provide additional features and flexibility that allow for more nuanced control over the audio. This includes adjustable attack and release times, ratio settings, sidechain options, and various compression modes. These features make it easier to tailor the compression to specific audio sources and achieve the desired sound. When it comes to investing in professional audio equipment, it's true that paying once for a high-quality compressor can save time and yield better results. Researching different compressor models, their features, and the reputation of the manufacturer can help you make an informed decision and choose the right tool for your needs. Remember, while compressors can be powerful tools, it's essential to use them judiciously and understand their impact on the sound. Each audio source may require different settings and considerations, so experimentation, experience, and attentive listening play vital roles in achieving professional results.
@therockhour13862 жыл бұрын
Love this thank you
@ayominor38942 жыл бұрын
"I never want to notice the FX on the lead vocal"
@foketesz2 жыл бұрын
Actually his signature vocal processor from Waves is right on the money in terms of offering more than a taste of what he's talking about here.
@Yahoomediaclub3 жыл бұрын
Awesome information ⭐️⭐️⭐️⭐️⭐️
@therockhour13862 жыл бұрын
You hear that in those CLA tracks... where theres something compressed heavily... and then its bouncing around inside a limiter lol
@Skkyyyyyyyyyyy3 жыл бұрын
“CLA is quite a big fan of using gain reduction” 😂😂😂😂😂
@lukeskywalkergooner47753 жыл бұрын
This guys looks like a mix between Mathew Perry and Mathew Mcconaughey
@legogeek663 жыл бұрын
holy shit
@thestampcollector3 жыл бұрын
I was like: pauly shore is doing music now?
@GuiSchwertner2 жыл бұрын
His voice is so low that the compressor brought up all the static in the room
@rome8180 Жыл бұрын
Controlling dynamics is actually the worst use for compression, in my opinion. If I want to control dynamics, I'd rather just use a limiter or gain automation. Both are more transparent than compression, and both do a better job of controlling levels. A compressor can change the entire feel of an instrument. It can emphasize or de-emphasize attack. It can increase sustain. It can even change the EQ curve of an instrument by clamping down harder on certain frequencies than others. Too many people just slap compression on everything without knowing why they're doing it.
@AI-Consultant Жыл бұрын
Your opinion on the use of compression in controlling dynamics is subjective, and different audio engineers and producers may have varying perspectives on this matter. However, I can provide some insights and considerations to broaden the discussion. While it's true that a limiter or gain automation can be effective tools for controlling levels and dynamics, compression offers a unique set of capabilities that can be valuable in certain contexts. Here are a few points to consider: 1. Transparency vs. Character: Compressors can introduce a particular character or coloration to the sound, which can be desirable in some cases. The analog warmth and saturation generated by certain compressors can enhance the overall texture and vibe of an instrument or a mix. This can contribute to a more cohesive and polished sound, especially in genres like rock, pop, or hip-hop. 2. Shaping Attack and Sustain: Compressors allow for precise control over the attack and sustain characteristics of an instrument. By adjusting the attack time, you can emphasize or de-emphasize the initial transient of a sound, affecting its perceived impact. The release time can shape the sustain, creating a more even or controlled decay. These capabilities can help in achieving a desired tonal balance and shaping the musicality of the instrument. 3. Frequency Emphasis: Some compressors, particularly those with sidechain or multiband functionality, can selectively apply compression to specific frequency ranges. This enables you to address frequency imbalances or unevenness in the mix, effectively altering the EQ curve of an instrument by controlling different frequency bands independently. It can be useful in taming harshness, managing resonant frequencies, or addressing tonal imbalances. 4. Dynamic Control Beyond Volume: Compression can also be used creatively to manipulate the dynamics of a sound beyond just volume control. Techniques like parallel compression, New York compression, or "pumping" effects can add excitement, energy, or a unique character to a mix. These approaches are often employed in genres like EDM, electronic music, or certain styles of rock. Ultimately, the key is to use compression intentionally and with a clear understanding of its impact on the sound. It's important to consider the context, artistic intent, and the desired sonic outcome when deciding whether and how to apply compression. A thoughtful and purposeful approach can help avoid the misuse or overuse of compression that you rightly mentioned.
@AlessandroRorato3 жыл бұрын
I never noticed that CLA was a fan of gain reduction... all his records sound so natural... 🤥
@andyindicator29473 жыл бұрын
He compresses the shit out of sound but with a low ratio. 2:1 he uses a lot.
@jermaineinoue49193 жыл бұрын
Being stoned will compress your voice like his.
@TylerSwift-v7d9 ай бұрын
Do you think Adele would be interested in my song Angel in the Night?
@zionherbert3 жыл бұрын
🔥🔥
@connorm.62532 жыл бұрын
I don’t think anyone could have said this better. I like a lot coming at me too musically and the vocal needs to stay natural sounding. These days vocals are typically buried in reverb.
@AI-Consultant Жыл бұрын
Avoiding reverb on low-frequency sustained instruments can prevent muddiness in the mix. High-pass filtering can be used to tailor the reverb effect on such instruments. The decay time of the reverb can be related to the tempo of the piece, but there are no strict rules. Faster tempos often call for shorter reverb decays to maintain clarity and prevent muddiness. Predelay can help add depth and definition to an instrument by simulating the perception of space and distance. Adjusting predelay based on desired spatial effects is a useful technique. Concert halls are often characterized by a softer, rolled-off reverb, so EQing the digital reverb to be a little softer can enhance the naturalness of the effect. In dense mixes, shorter reverb times can contribute to clarity and dimension, particularly with percussive instruments. Historical recording practices and the characteristics of different eras can be considered when selecting reverb types. Each era had its own distinctive reverb characteristics. Combining delay with reverb, particularly by adding the delay effect to the reverb rather than the source itself, can create atmospheric and immersive effects, especially on vocals and guitars. Using different reverb lengths, including a quick reverb for room tone and a longer reverb for effect, can help simulate different spatial environments. It's important to approach reverb application with a clear understanding of the desired artistic intent and the sonic atmosphere you want to create.
@stephenfogerty93152 жыл бұрын
Man this guy's voice is MELLOW I want what he's smoking
@bmtguitar283 жыл бұрын
(Hits blunt)
@beeftheheat3 жыл бұрын
Knowledge.
@needshelp98573 жыл бұрын
I thought compressors were invented to prevent the signals from overloading the systems in radio stations and frying their equipment… maybe the compressor just appeared one day and no one actually knows how it got here.
@OtisF963 жыл бұрын
I like Greg's mixes a lot, in general, but the mixing on The Greatest Showman is questionable at best, particularly with the opening song. It sounded fine in the theatre screening but on TV/laptop/phone it ain't so good.
@mrblobifier3 жыл бұрын
Yeah they compressed and autotuned the heck out of the vocals. Sounded really bad and my family kept trying to debate me hahaha
@OtisF963 жыл бұрын
@@mrblobifier Exactly! Such a shame because Hugh Jackman has such great range and it all felt a little squashed.
@blazing6string3 жыл бұрын
I’ve always hated how low the vocal on the greatest show comes in after the big huge BAAA BAAA BABA BAAAAAA! (Tiny) ladies and gents this is the moment you waited for
@joreimescribano2262 жыл бұрын
This is all a matter of taste and depends on the type of song and genre. Not everyone is looking for everything to be so clean. I dont like when things are drowning in effects or have too many artifacts but as a producer and musician, vocal effects are like an instrument. Its sometimes like a wawa peddle on a guitar, or distortion on a guitar. Delay and reverb when used right can compliment the sounds in the music. At least in my style, and a little artifacts in the tuning I like too, not on every song but if the song is kind of trippy or futuristic sounding then it fits.
@JohnnyAllan-vj7sj2 ай бұрын
I like to put a reverse delay on my vocals and the snare. It has a weird suction effect that almost feels like yo-yo. It sounds like shit and I don't recommend it, but I like it lol
@freddycaye33676 ай бұрын
Vocal compression came form the Military... holy fuck
@carlosa.chacon9853 жыл бұрын
He reminds me of Tom Hanks a little
@UsTheMusicTVOfficial3 жыл бұрын
Wow, this dude thinks like me. Or, vice verse perhaps. I gotta start taking notes!
@coleheavilin23423 жыл бұрын
Funny how he’s talking so much about compression, and the audio in this interview might be the most compressed interview audio I’ve ever heard. Lol listen when he scratches his face… or the air in the room… STRONG compression haha
@midas4t43 жыл бұрын
A tape emulation might be on the mic too
@kensmechanicalaffair3 жыл бұрын
But is it terrible?
@AlchemicalAudio2 жыл бұрын
@@kensmechanicalaffair I would honestly say, yes it is… as it takes away from it sounding natural. Essentially pushing his vocal fry and swallowing sounds to the forefront where it ends up competing with the amazing content he is providing.
@vicesquadpunk2 жыл бұрын
This subject is genre dependent. With fast Punk and Rock stuff the minutiae of reverb and delay isn’t as important. Compression is more important in fast, aggressive music, I personally use Capitol Chambers sparingly reverb on fast songs as the rooms can be set to be short and hard.
@markross24263 жыл бұрын
👍🏻
@msb80133 жыл бұрын
The breath gives away the auto tuning Everytime. I've never produced with autotune but I image you would have to increase your focus on every other part of the voice. There are lots of garbled and unnatural robotic glitch sounds coming with bad autotune production.
@pedrosilvaproductions3 жыл бұрын
That usually is the case if the singer is really really bad. Personally if the singer for me is almost a half step out of the note, might as well to a better take. I think pitch correcting should only be minor and just a way to give it a little bit more blend with the rest of the instruments
@msb80133 жыл бұрын
@@pedrosilvaproductions well said. Half step off is a new take. That is certainly a good rule.
@NickLAnderson2 жыл бұрын
💖🌟🎶🎶🎶🙌💯✨🙏
@101kendama3 жыл бұрын
hayden if u see this ily
@JulianFernandez3 жыл бұрын
Yada yada. No examples. His Egocentric plugin is dope tho
@kensmechanicalaffair3 жыл бұрын
Lol, most videos.
@billesposito21122 жыл бұрын
Not crazy about the delay on it . Wish you could change the time on it . That one dosen't seem to work on a lot of tunes. Like he says something sort of dreamy which I like the thought of that but the delay on his plug in dosen't strike me as dreamy. I've only had it maybe a month but haven't been able to use it on anything yet.
@erniegАй бұрын
Why do I always think this guy is paully shore ? 😂
@DVNACTN Жыл бұрын
Did this man like and then not like what he liked only to like it after? This man’s a military compressor himself nevermind lmao
@viktorkoning14423 жыл бұрын
really talkes bout his delays like he used to have an addiction of some sort. Find someone who loves you like Greg loves his reverbs..
@tobyooj26832 жыл бұрын
This guy smokes a lot of weed
@nobodynoone25003 жыл бұрын
Over-tuned vocals are awful. I know all music is auto-tuned now, but I don't waqnt to hear it unless it's used as an effect. It totally tears me out of the human moment.
@joeboonmusic40043 жыл бұрын
Not all music is nowadays... Thousands of musicians all over the world would rather track live/with beautiful gear and as little getting in the way of the performance as possible... Autotune/Melodyne is by no means on everything.
@karnsandhu3 жыл бұрын
Then technically drawing midi on computer instead of playing yourself would be the same thing as autotune.man just enjoy the music,at the end, what matters is the song that you can enjoy,not the process
@dijonstreak2 жыл бұрын
...OH !!...you mwan like what they did with David Bowie's. " China Girl "...??!! my God. !!....a taD OVERDONE ARE WE.......
@darknightfawkes10282 жыл бұрын
I wonder what he was trying to swallow the whole time of this video
@lllCiTYlll3 жыл бұрын
Why does this guy keep swallowing
@bluematrix50012 жыл бұрын
Good points but he is such an actor :P
@FursAndMasksMusic2 жыл бұрын
Needs to work on his own vocal. That vocal fry affectation is like sandpaper to me. 😒
@TheGuy-lt6lm3 жыл бұрын
Rather ironic that his own vocal fry is irritating af.
@BrofUJu3 жыл бұрын
How is that ironic lol get lost
@RTCLR1233 жыл бұрын
They pulled the recording thru tape, cranked it for the hiss too. Good stuff
@grant56033 жыл бұрын
He got something stuck in his throat or what?
@Rhuggins Жыл бұрын
Insta click-
@MrMikomi2 жыл бұрын
But if your song is shit, or mediocre, and most are, none of this matters.
@sea-ferring2 жыл бұрын
Pitch correction should be a last resort thing and not part of a regular mixing workflow.
@milanehr2 жыл бұрын
Talk a bit slower please
@markalexwhite2 жыл бұрын
This guy has the worst vocal fry in his voice - and it sounds deliberate!
@Raquelsbells6 ай бұрын
pretentious glasses
@AboveEmAllProduction3 жыл бұрын
So... Use fx. Lol. Great tips there genius
@johnd96762 жыл бұрын
this guy has done way too many drugs to be useful...he says one thing and then immediately follows it with the exact opposite...useless
@arsirey2 жыл бұрын
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