Camera and lens choices for stop-motion || Dave-Alex Riddett || Spotlight

Dave-Alex Riddett discusses Aardman's conversion from film to Digital and the decisions behind how they chose their equipment.
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Cooke Optics TV
www.cookeoptics.tv
Thank you to the British Society of Cinematographers (BSC). www.bscine.com/
Filmed with a Sony FS5 and Cooke Mini S4/i Lenses.
Produced by ImageNova. www.imagenova.co.uk.
Email [e-mail] for enquires or leave a comment!

[@RyonRykal]

Great interview! I find the fact that he is talking about lenses other than Cooke's own ones quite likable. Greetings from Germany (still remaining a Cooke fan).

[@SanczykLucas]

Truth! Is one of the things that we all love about this channel.

[@geoffreybassett6741]

Fascinating interview, perfect example of finding the right tools for the job at hand.

[@ChonnyVision]

Brilliant

[@dullboy475]

Amazing

[@denialhakimi3609]

Awesome👍😁

[@marcoantoniorezende5087]

Nice to realize not a bit of jealousy from Cooke. I'm a Nikon lens fan but for sure Cooke are other step. Right tool for the right job.

[@florinnolan1389]

Its amazing I would love to do that for my clay caricatures. I clay animation

[@feinsteinfilms]

I had no idea the bricksinmotion camera/lens meta was the same as as Aardman's

[@sandeepadikkumbura]

interesting