Carl Vine - The Anne Landa Preludes (Harvey)

Michael Harvey, piano
🇦🇺 Carl Vine
0:00 No.1 Short Story
2:57 No.2 Filgree
4:13 No.3 Thumper
6:05 No.4 Ever After Ever
7:55 No.5 Two Fifths
9:38 No.6 Milk for Swami Li
11:23 No.7 Divertissement
13:04 No.8 Sweetsour
15:12 No.9 Tarantella
16:38 No.10 Romance
19:38 No.11 Fughetta
21:36 No.12 Chorale
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[@da__lang]

Beautiful little gems that express Vine's genius so succinctly. Thanks for posting.

[@craigcrawford5894]

love this style. lots of personality in the rhythm and harmony. also love love love the juxtaposition between the second to last piece and the final. And excellent performer too!

[@timothycarter1568]

Breathtaking. So love this. ❤

[@YUYANG_music]

Love the choral so much

[@MarcPlaysPiano]

Thumper (No. 3) was really quite funny.

[@f52_yeevy]

PERFORMANCE NOTES 1. Short Story This prelude contains a story. But the drama emerges through its own internal logic rather than from a specific series of predetermined events. 2. Filigree One problem with pianos is that their keyboards are straight while our bodies are not. Interesting compensatory techniques have evolved so that our organically radial appendages may move more rapidly around these unyielding contraptions. 3. Thumper My first piano teacher often reprimanded me for "thumping" the keyboard. She was so stern that it took years to discover that playing loudly might also arise from good musicianship. Here is an open invitation to "thump", although finesse is still advised. 4. Ever After Ever Only impermanence lasts for ever - everything else permanently changes. Our personal "ever after" is only as much of the ever remaining to us from now on. Living happily in that ever after is no simple matter. Even if you accept that impermanence is everlasting. 5. Two Fifths Two fifths are not always forty percent. In this case two series of fifths mutate playfully into sixths and fourths and the occasional third. (Footnote: This prelude was originally known as "The Goblin's Cakewalk", but the teddy bears finished the cake at a picnic. It was then a "Goblin's Gavotte" until the fairies won a demarcation dispute against the Federation of Garden Bottoms. The final attempt to invoke fairy-tale creatures failed after accusations of racial profiling were upheld in favour of the golliwogs). 6. Milk for Swami Li Swami Li, of course, does not exist. If, however, he were ever to materialise in our reality, this music is the sustenance I would offer him. 7. Divertissement Perhaps the trajectory of our lives is so oppressive that we need constant diversion to cope. Or else our lives have no real trajectory but consist entirely of unrelated diversions, some of which appear weighty. But then no primary path can exist from which to divert, and so there can be no such thing as a diversion. What appears diversionary turns out to be the primary trajectory of our lives. What to do then, if it gets boring? 8. Sweetsour Chinese cuisine views taste as the combined effect of five fundamental qualities: sweet, sour, salty, bitter and hot. The English view of "sweet" and "sour" as simple polar opposites doesn't quite do justice to properties more at home on a continuous spectrum. This prelude is neither simply sweet with bitter undertones nor sad with saccharine overtones, but something more integrated. 9. Tarantella A tarantella is a dance, generally in triple time, connected in some way to spiders. The terpsichorean arachnids in this case are Ariadne and her brother Trevor, who are perversely quintupeds instead of the usual eight-legged variety. Like most siblings they argue often, but have been brought up believing that it is unlucky to dance the tarantella alone. 10. Romance Somewhere through the last century the word "romance" lost the remainder of its mystery, excitement, intrigue and passion. It lost, in short, its romance, leaving behind a sullen husk of sentimentality and dog-eared novellas. Which is a pity since love must still elicit some range of feeling beyond the enticing rush of hormones - some generically noble background to simple animal necessity. Or perhaps I'm just a romantic. 11. Fughetta Identifying the sequence of pitch intervals within a melody as the source of its unifying power was a critical development in music of the Baroque. This is nowhere more apparent than in the magnificent fugues of the period. To avoid too close a comparison with those marvels of musical architecture, I offer here just a "small" sample. 12. Chorale Not every chorale needs to be religious, nor necessarily to be sung. References to this essentially liturgical form still seem to end up invoking a sense of pensiveness.

[@KunalKumarMoorjani]

Not enough credit for the pianist who treats these "small" pieces with the utmost care, musicality, and virtuosity!

[@haiqiaowang3979]

Thank you for your video! If it’s possible, could I ask for the score of it?

[@da__lang]

It's published by Faber.