Cavalli - Artaserse - Jaroussky - countertenor

[@charlottestedefeder3824]

Auch wenn ich im Moment lieber fröhlichere Musik höre, ist diese Art von Gesang für mich betörend. Ich kann mich dem nicht entziehen 😂❤.

[@fquaranta8093]

È sempre emozionante imbattersi nella voce pura e armoniosa di Jaroussky😍

[@НатальяЧеркасова-г8ъ]

Это чудесно. И да, образец такой музыки, такого исполнения, такой аранжировки хочется назвать шедевром. Спасибо, amorroma!

[@MegaCirse]

Le déploiement de ces mélodies nous délivre un instant de nos chaînes et ravit l'âme en la propulsant dans des antres dionysiaques resplendissants de chaos où les diablotins se rient de la Raison aigrie qui s'en va en maugréant 🧙‍♀🦹‍♀🦸‍♀

[@aaguero]

Simply beautiful. 😇

[@W.ClassicMusic]

Great music today, too love it~~!!!

[@timgibson3754]

I'm digging it

[@Marjorie-yt7pb]

Who is the " signore" , pls?😮

[@dieterpeszat]

Drawing "Portrait of a man"; black and red chalk on beige paper; 18.4 x 13.0 cm; The Metropolitan Museum (art/collection/search/336419), New York. An anonymous work attributed to the Spanish school of the 17th century. It was considered in the 19th century to be the work of Diego Rodríguez de Silva y Velázquez, or Diego Velázquez for short (baptized June 6, 1599, Seville - August 6, 1660, Madrid). It may have been created during a trip to Rome in 1629-1630. Some people assumed that the sitter was the Neapolitan sculptor Gian Lorenzo Bernini (1598 - 1680); possibly a self-portrait or of Ottavio Leoni (1578 - September 4, 1630), a Roman painter. Still in discussion as painters are Giovanni Lanfranco (baptized on January 26, 1582, Terenzo near Parma - November 29, 1647, Rome) and Pietro Martire Neri (1591, Cremona - 1661, Rome). What we most likely see here is Velázquez, who drawn himself based on Bernini's model.

[@Marjorie-yt7pb]

@@dieterpeszat thank you so much ! I'm drawing myself🙂...