CHANT Tutorial: Examples & Demonstrations

[@znameno]

Great from Russia from orthodox mans) I learn byzantic and russian znameny chants. The byzantics psalts use the hand-hit by table (for example) Its userful for rhythmic understanding. And they use paralagy (fa-sol-la...ga-di-ke) it realy good for study process. Thebks a lot With best wishes❤

[@cristero3616]

You are awessome brother. Thank you.

[@stevekdaniel]

Best gregorian chant youtube channel

[@milagrosdeflores2481]

Great site! Thank you so much!

[@prototropo]

I really appreciate the demonstration of intonation with repercussion at 12:45. Beautiful. And in general, your narration is logical, articulate and eloquent. I’m grateful and will send a donation when I’m able.

[@richardambrose210]

Really nice video, very helpful

[@juanadrianhernandez3364]

It was very useful. Thank you. I’ve been trying to find a good course of Gregorian chant because I didn’t know how to even read it. With the help of your vídeo, in less than one hour I cannot only read, but even sing the notes! Please continue making such useful content. It will be good if you can make repetitive notes (if you can sing it at least 4 times, you know, for muscle memory)

[@rosemariegabriel4456]

Juan Adrian, you could visit Floriani here on yt.

[@hereisdiana]

Great explanation and demonstration! Thank you

[@GregorianChantAcademy]

Glad you enjoyed it!

[@gigilam69]

Thankyou so much

[@Juan-Hdez]

Very useful. Thank you!

[@denismorissette7318]

It's finally making sense to me. All the videos I have watched don't help much. You have someone talking and talking but no demonstration. I learn more by demonstration than by some bhla-bhla-bhla.

[@ArmenChakmakian]

Same with me.

[@gregoriomagno17]

Thanks this is very helpful. One other thing I would like to understand are the different modes of chant (1-8). I see them, but wonder how they make the notes sound any different.

[@backtoschool1611]

The big key to the modes is understanding where "do" and "fa" are in the mode, right below these pitches is a semi tone. Re mi^fa sol la ti^do re is going to sound differand than Sol la ti^Do re mi^fa sol. Obviously when "ti" is fkat there is a semitone between la^ti (te or ta as others call it) If you sing chant, you will hear the qualities of each mode.

[@DancingPony1966-kp1zr]

Could you examine the hexachordal approach to these solmizations? I’ve been researching it lately.

[@znameno]

And one question please... How to study unlines (lineless) notation. I was see scripts and red neumas higher by text...( like greek neumas ) Will you get this to subscribers ?

[@UENGADDALAKARTHIK]

can you send the link of the ave maria that comes in the beginning of the video

[@GregorianChantAcademy]

it is the second track on this album from the Monks of Norcia: www.amazon.com/BENEDICTA-Marian-Chant-Norcia-Monks/dp/B00V66GNMQ

[@yvonneagnes222]

It is better to explain leaving the notes on the screen and not to look at the speaker. The changes of scene were a bit disturbing.

[@victorkantee7623]

Relative pitch always a nuisance to translate to modern notation. Questuon what key on the piano/keyboard

[@DancingPony1966-kp1zr]

Any note you want, I imagine. Same as a singer.

[@redequal7457]

You should not be using vibrato. No, not at all, if one can help it. You should be stressing this in your videos.