Richard Strauss - Final Scene from Der Rosenkavalier Elīna Garanča (Octavian) Renée Fleming (Marschallin) Erin Morley (Sophie) Markus Brück (Faninal) The Metropolitan Opera, 2017
Пікірлер: 136
@operalover1010 Жыл бұрын
I'll never forget seeing Der Rosenkavalier with these three - May 5, 2017. One of my fondest operatic memories.
@dantefiorentino36123 жыл бұрын
Physically, Garanca is the most convincing Octavian ever! Really handsome! :-)
@Mr.Dziej722 жыл бұрын
And she captures perfectly the physicality of a young man too -- the way a young man would walk, hold and move his body. Pretty incredible. Some serious thought and study has gone into the development of the character.
@elizabethferidobohlin9943 Жыл бұрын
Elena Garanca is one of my most favourite opera singers but speaking of the best Octavian ever, I would point my finger toAnne Sofie von Otter…tall, blonde, aristocratic (a Baroness in real life) who Richard Strauss envisioned for such role. I read somewhere that when Strauss was composing Der Rosenkavalier, he had in mind the Australian-Hungarian Prince Esterhazy. Ms von Otter epitomises those qualities added by her rich mezzo soprano voice. (Just saying…..)
@elizabethferidobohlin9943 Жыл бұрын
Correction: Austro-Hungarian
@peterbond9369 Жыл бұрын
Garanca was also genuinely funny in act II. REMARKABLE SINGING ACTRESS.
@lindseydejesus18773 жыл бұрын
i think 2017 rosenkav was so good because the singers were really feeling their roles: erin is a young singer just beginning the rise of her career, elina is shifting identities from young to more mature, and renee is about to leave a chapter of her life behind forever as she grows older. it's like a coming of age for all three of them...
@barrymorentz51902 жыл бұрын
So well said!!
@windstorm1000 Жыл бұрын
Apt!
@hoodroberts3 жыл бұрын
I weep uncontrollably every time I hear the Final Trio. Every . . . single . . . time. Music that touches the soul. Opera at its finest. The other day I was discussing the Final Trio with a friend and I was tearing up just thinking about it.
@zap77773 жыл бұрын
I can understand that. Another scene where I mostly have to fight with tears is the quintet in Wagners Meistersinger
@beatrizmirandamezzo2 жыл бұрын
Same, it’s just magical ❤️
@barrymorentz51902 жыл бұрын
The final scene of Parsifal does it for me. The Rosenkavalier trio has always been the first piece of music I would play upon returning from a trip
@starlingbird Жыл бұрын
Oh me too.... Especially when you understand that she loves the young man so much to give him to the young girl. Sigh... The most brilliant 3-soprano aria ever! A masterpiece!
@robbiehayes5508 Жыл бұрын
It's magic every time.
@chucknyc1233 жыл бұрын
I can't t watch this without crying. It is absolutely sublime.
@peterschwarzenbacher69045 ай бұрын
Jetzt hätte ich beinahe Renee Fleming nicht erkannt, auch nicht im ersten Singen - wunderschön!
@metacarple3 жыл бұрын
This is the most up- market, luxurious low class inn on the outskirts of Vienna I have ever seen.
@spn10073 жыл бұрын
Actually the TeKanawa and Popp production is almost as lavish!!
@Marcel_Audubon2 жыл бұрын
You need to get out more!
@testdriveguy Жыл бұрын
I had the great fortune to be able to see this live at the Met. It was exquisite. Morley, as always, was perfection. Fleming, of course . . . beyond amazing.
@ericdmoore34324 жыл бұрын
Exquisite production that honored Fleming’s farewell to the Met and Garanca’s final performances as Octavian. The best version on KZbin!
@emjdeckwitz69494 жыл бұрын
one name: Carlos Kleiber.
@josiashamman53183 жыл бұрын
Absolutely macnifficent
@barbaranorthwood3 жыл бұрын
I wholeheartedly agree.
@Tysknaden3 жыл бұрын
Probably the only version you know. Compare it to the Schwarzkopf-Jurinac-Rothenberger video.
@jaykauffman47752 жыл бұрын
Schwarzkopf-Jurinac-Rothenberger = Karajan is better
@edwardtodd9734Ай бұрын
Imagine your first Rosenkavalier, having not heard any of the music or even read the plot. Mine was in 1971 with Jurinac, Fassbender ,Popp.
@edwardtodd9734Ай бұрын
And then this comes
@citadeac50673 жыл бұрын
Floating towards Heaven and never return . The three divas are absolutely fascinating.
@Hailstormand Жыл бұрын
I can't write a single coherent sentence while listening to this trio. Everything that has been expressed before and cannot be expressed since is contained within this capsule.
@coloratura_runs3 жыл бұрын
Oh no, I listened to this on public transport again. "Ma'am, are you okay?" Me, visibly weeping: "I'm FINE".
@cfiszbin2 жыл бұрын
same every single time haha
@GeoSF09264 жыл бұрын
Purely sublime in every way.
@AG6NC4 жыл бұрын
When I listen to this wonderful final scene I think that at one time, in another life, that I was at its first performance with a lady who I deeply loved
@chocolatesouljah3 жыл бұрын
Isn't opera, music transformative that way. Encouraging us to imagine other worlds and lifetimes! 🙌🏾
@damon48022 жыл бұрын
Whether you love 'em or hate 'em, a fitting farewell to two of the great voices of the era.
@cinziavidali4113 жыл бұрын
L'opera più bella di Strauss in un allestimento prestigioso
@Jaaric3 жыл бұрын
Fleming's "In gotters namen" is really wonderfully emotional, as is Garanca's "die Frag." Thanks for the upload!
@pega17pl3 жыл бұрын
Wie Kiri Te Kanawa ist Renée Fleming eine Traumbesetzung für die Marschallin im Rosemkavalier. Man kann als Opernliebhaber den beiden Damen nicht genug danken, was sie für das German Fach großartiges weltweit geleistet haben. - Grüße, Heinz
@windstorm1000 Жыл бұрын
Its an immortal trio-- touches the heart Depending on the character of letting go or finding oneself-or both. Its life and passages we go thru of grace and acceptance or new love...
@claudiajack19862 жыл бұрын
Bellisimo !! Una delicia las voces e interpretaciones de Elina, Renée, Erin ...
@raymondsmyth21692 жыл бұрын
Simply sublime thank you.
@Wolfsky93 жыл бұрын
Even an opera novice like myself -----------can love this music & the 3 amazing voices.
@pattiamstutz49183 жыл бұрын
OMG it is so beautiful.!!!!
@adriannoe98413 жыл бұрын
Que maravilla Elina !!!!!
@brynjarhoff-lr6hw8 ай бұрын
Great-Great singing…thank you ladyes!
@hermesnoelthefourthway2 жыл бұрын
Truly divine. Far beyond music
@nevillemignot168111 ай бұрын
Perhaps the final scene here is the best of performances of this Opera, and the best example of this example of all of this art form?
@rosy33854 жыл бұрын
Une très belle production du MET !
@leonardogiacobbe54222 жыл бұрын
Adoro Renee Fleming❤️❤️❤️
@berndhuebel56653 ай бұрын
A wonderful final with the Divas! I m impressed! In Gottes Namen! Wie schön! Viele Grüße from the Münsterland in Northwestern Germany, Bernd.
@11sesquialtera2 жыл бұрын
tears always
@MANUELGARCIAGARCIA-bx5wq Жыл бұрын
magnifica puesta en escena y mejores voces. ALINA enorme , y Fleming grande como siempre
@pierrefoul59602 жыл бұрын
Sachez que parmi les milliers d'espèces qui pullulent dans l'univers , nous sommes la seule ayant ce don ... jusqu'à ce jour on n'en a pas découvert d'autres
@leilasiebert90823 жыл бұрын
Thank you very much for this video!
@MrOlogramma3 жыл бұрын
Tears tears and tears
@Dylonely42 Жыл бұрын
One of the best finales in my opinion.
@charlescoleman55093 жыл бұрын
As partial as I am to the previous Met production by Nathaniel Merrill, this is a good one.
@jordipanadesribera68902 жыл бұрын
Spirit of ecstasy.
@alixxu54174 жыл бұрын
les charmantes !
@eduardocifuentesayucar7500 Жыл бұрын
Quiza,sobra un poco de besuqueo de mas por por parte de Naranća. La escena esta recargada de besos. Lo demás magistral.
@kathrynschwarz2627 Жыл бұрын
envidioso
@wilfriedfriedrich37302 жыл бұрын
Great Art ❤️🌹🙏
@renzo64902 жыл бұрын
Just listen....
@CvS2016 Жыл бұрын
Just fantastic. But tempo here is a bit to slow for me.
@johannesbrahms7414 Жыл бұрын
For me it's never "RAPTUROUSLY SLOW ENOUGH !!!!
@jaykauffman47752 жыл бұрын
The scene is SUPPOSED to be in a rather seedy inn. I far preferred the previous MET production. Singing here quite good
@Marcel_Audubon2 жыл бұрын
seedy is in the eye of the fornicator
@rominn21842 жыл бұрын
Agreed. Short of the Hapsburg period at the turn of the century (around the time this opera was composed) setting being perfectly logical and fitting, I did not like this production. There are simply things that are completely out of place and make no sense - like the Ancient Greek art motifs in the Fanninal manor, and the falling down little dance those figures in the dark do at the very end of the opera right as the last notes are played before the curtain falls. Just completely arbitrary, random, and distracting.
@pierrefoul59602 жыл бұрын
Sommet de l'art lyrique
@andrewbreslin82983 жыл бұрын
A bit good, supposed to show off your superior culture by making 1 complaint and saying x was soo much better but you can't.
@cufflink44Ай бұрын
If there were a Heaven, this is what it would sound like.
@johnmanno20523 жыл бұрын
Octavian finally looks like a guy and not like a woman in drag
@annagunthernestrahl84443 жыл бұрын
Elina Garanca was fantastic as Octavian.
@levieuxpiano6 ай бұрын
Les trois sont au sommet.
@iraismedrano2645 Жыл бұрын
es de otra galatziaaaaa 😱😱😱😱
@CvS2016 Жыл бұрын
Also reminds what a genius hoffmansthal was.
@donalddouce84112 ай бұрын
This should only be staged in an 18th century setting. the story is formed around that specific society and period. Why does it have to be changed? It is a major artistic mistake
@MrsSedley Жыл бұрын
Conductor? Not only is it way too slow, Fleming milks the opening, though sings it so well. It's moving enough as it is.
@talmagebandy6673 жыл бұрын
The best ever.
@Dylonely42 Жыл бұрын
5:37
@frederickthompson26972 жыл бұрын
NO!!!! Not at all what Strauss intended for the ended!!!! SHAME....F.
@juanitoalimana31312 жыл бұрын
Qué simpático, han convertido al criado negrito en un niño judío
@pennytravers59912 жыл бұрын
Yes. A fabulous love story opera ruined by that tedious scene in the tavern. Should have been rewritten.
@partituravid2 жыл бұрын
Too, too, too slow. All sense of 3/4 is lost in the first phrase. And the ensemble between the 3 voices in insensitive to the harmony.
@remomazzetti87573 жыл бұрын
Great singing, typically horrible updated production. The Met's a disgrace for so many reasons. Get rid of Peter Gelb before he completely destroys the institution!
@humorya3 жыл бұрын
Is this have homoerotism or not?
@charmeueueur3 жыл бұрын
It is nice to explore new music around. Please make sure before you make a comment, that at least you have read a wikipedia article or something. Have no time for this.
@robertyoung70523 жыл бұрын
See no evil, hear no evil
@tomhase70073 жыл бұрын
@@charmeueueur What are you talking about? Of course, the homoerotic aspect is fully intended by the authors.and discussed at length in the letters between Strauss and Hoffmannsthal. So I think that Mrs. Karamzina has understood more about the piece than whoever wrote that Wikipedia article.
@charmeueueur3 жыл бұрын
@@tomhase7007 the only think that I am going to say is that if you think my reference is a Wikipedia article and this is what my comment was about, you are very welcome.
@raffaelepianese93283 жыл бұрын
@@tomhase7007 That's why Strauss wanted a mezzo en travestì. If he wanted, along with Hoffmannsthal, to be clear about the fact that was a straight relationship he could've easily chosen a tenor. But, as you say, their intention was clear in their letters. Of course Wikipedia wanna-be music critics or "historians" often, if not always, impose some casual erasure of homosexuality in music and in history.
@ransomcoates5463 жыл бұрын
If there was ever operatic music that demanded the singers to stand in one place and sing this is it. More stupid staging. (Fleming’s slurpy mewing doesn’t help either.)
@crazyorganist16093 жыл бұрын
Of course. She's not suitable for the role
@ssballs3 жыл бұрын
Slurpy mewing....lol. Well. She's done.
@bobkurland1864 жыл бұрын
a disaster, compared to historical versions--not musically but in action. Why do the two lovers stay in bed, and why did not the blackamoor page come in at the very end to pick up the Marschalin's hankerchief? Concessions to popular and politically correct taste? Bah!!!
@hugonino28243 жыл бұрын
If they does the Mohammed as a black servant during this tieme in 2020 there would be a riot outside of the MET protesting, and I personally consider this a better ending, where Marschallin keeps her dignity and gets redemption.
@Bumblebeebeebee3 жыл бұрын
Stupid comment.
@drbarbarabaker3 жыл бұрын
Stop at the end of the trio.
@bobkurland1863 жыл бұрын
@@drbarbarabaker because the page coming in to pick up the hankerchief is an integral part of the ending of the opera, musically and thematically
@drbarbarabaker3 жыл бұрын
@@bobkurland186 I know. I hate the whole ending in this version.
@crazyorganist16093 жыл бұрын
Christa Ludwig and Elizabeth Schwarzkopf still own these roles. Renee Fleming looks like a drag queen. Garanca is ok but still lacks emotion and depth Christa Ludwig had. Schwarzkopf powered through this. Fleming is clearly struggling with the demands of the role
@Darwin-28473 жыл бұрын
Renee Fleming is not struggling, but she is past her prime here. Look at the recording of this from 2010, she sounds amazing.
@zap77773 жыл бұрын
Christa Ludwig and Elizabeth Schwarzkopf were phantastic - but - no one owns these roles. If you like thme so much just don't listen to others. But stop making other singers bad.
@crazyorganist16093 жыл бұрын
@@zap7777 Fleming is struggling. Shes bot suited to this repetoire
@ssballs3 жыл бұрын
I'll take the Crespin. A touch of French elegance and lightness over Fleming, anytime/ any day.
@kurbiscremesuppe2 жыл бұрын
The problem with Fleming is not her beautiful voice and appearance, but the fact that her German is not good. I don't understand her words.
@jct35jАй бұрын
They should have all stopped singing a long time ago.