Twenty years ago, I thought Rousset lacked stamina as a player, but I've since grown up. I particularly enjoy how he opens up these bars of music as if they say the light of day for the first time. This was a skill of Leonhardt and Gilbert as well.
@hugoclarke32843 жыл бұрын
I think he feels how the music is supposed to be played and strikes the right balance between punctual precision and flowing elegance.
@VERITS99 Жыл бұрын
I agree. When I first listened to him playing with Hogwood, I thought he was banal. But he has changed (or is it I who changed?) His style reminds me of Kenneth Gilbert (especially his use of the French chamber pitch A= 392Hz.)
@mtv5654 жыл бұрын
Excellent playing! The tone of this harpsichord is also sublime and beautiful! Not too harsh or dull.
@herrickinman93033 жыл бұрын
What you attribute to "the tone of this harpsichord" is largely the result of the lively room acoustics (like an echo chamber) and, to a lesser extent, the result of the harpsichordist holding notes over.
@danyiluska6 жыл бұрын
Monsieur Rousset is fantastic!!! Excellent playing and ornaments. Guys, the fantastic sound is largely depends on the recording too (placing of mics)!
@alexanderbrown195410 жыл бұрын
Beautiful, stylish playing! The sound of this harpsichord is simply gorgeous!
@harpsichordval46149 жыл бұрын
Alexander Brown You are always welcome, Alexander !
@jonahreynolds74587 жыл бұрын
That sounds like the opposite of you.
@mtv5654 жыл бұрын
Agreed. The tone of this harpsichord is sublime and beautiful! Not too harsh or dull.
Alessandro Colagrossi Thank you very much, Alessandro !
@alessandrocolagrossi95719 жыл бұрын
HarpsichordM i love bach music's
@harpsichordval46149 жыл бұрын
Alessandro Colagrossi Thank you very much Alessandro !
@haanashim6 жыл бұрын
THANK YOU!!!
@arturozeballos19 жыл бұрын
In several respects, Christophe Rousset gives a well-balanced performance of Bach's French Suites. He finds a balance between a straightforward, technical reading and a more expressive one that takes liberties with timing and ornamentation. He brings out themes with a lyric sensibility, and he acknowledges the importance of countermelodies and the interaction of musical lines. The Sarabande of the Suite No. 6 is full of ornamentation, yet Rousset can still bring out a melody with a sense of forward direction that isn't interrupted by the ornaments. The Gigue of the Suite No. 5 is technically brilliant and musically delightful as all of the various parts come together in a lively manner. The instrument is a restored eighteenth century one with a sound that is not harshly brassy, but it is also not so delicate that livelier movements become wilted versions of what they should be. It has a resonance that helps Rousset make melodies sing. The sound of the recording adds to the quality of the performance. It is close, rich, and loud enough that the volume does not have to be way up in order for the instrument to be heard clearly.
@jonahreynolds74587 жыл бұрын
#nerd
@chrisbrown35496 жыл бұрын
arturo zeballos oh. Well i thought it sounded well myself.
@herrickinman93033 жыл бұрын
@@chrisbrown3549 "It sounded good," not "it sounded well." "Sounded" is a linking verb. You're describing the performance ("it"), so an adjective ("good") is required.
@hugoclarke32843 жыл бұрын
Great review
@samanpeiro90602 ай бұрын
Thank you, Excellent.
@josephnicholson57803 жыл бұрын
I would have to agree with what several previous commentators have alluded to. The playing and sound are both superb. I know little about christoph russet, but he is clearly a gifted harpsichordist. He is , as another critic remarked, a " modern day Gustav leonhardt."
@felixnauta7 жыл бұрын
Thank you very much for uploading these magical pieces of music!
@jonahreynolds74587 жыл бұрын
Oh yeah sorry to refresh you magic isn't real.
@vilebrequin69238 ай бұрын
@jonahreynolds7458 open your ears!
@viewernum723 ай бұрын
Love this.
@maryfauque86116 ай бұрын
Salut Ria!❤
@123Albert19647 жыл бұрын
Amazing performance !!! I am delighted!!!
@alvarogarciabarbosa31993 жыл бұрын
Music, real Music in the Castle of Heaven: Sir J.E. Gardiner dixit. No doubt at all.
@isezakicho6610 жыл бұрын
Great!!!!
@harpsichordval461410 жыл бұрын
You are always welcome, Ise !
@CyprienDisperati9 жыл бұрын
Merci pour cette interprétation! :)
@Alaedious4 жыл бұрын
Extraordinary! 😍😍😍
@snowcarriagechengcheng-hun34548 жыл бұрын
Thanks for uploading!
@meowzer9997 жыл бұрын
Luminous, lovely
@jonahreynolds74587 жыл бұрын
Just like the moon.
@michaelmiller12153 жыл бұрын
Glorious
@khoojlyn8 жыл бұрын
thank you!
@tomfurgas28444 жыл бұрын
Bravo!
@gordon55334 жыл бұрын
Gracias Bach.
@Alaedious4 жыл бұрын
I actually like this allemande even more in C- minor! 😍😍😍
@taylordiclemente51634 жыл бұрын
It's tuned to a lower reference pitch than the modern standard.
@herrickinman93033 жыл бұрын
It's being played in D minor at "French chamber pitch" aka "deep chamber pitch." (a=~392Hz) That was the pitch standard in French and German courts in Bach's time. French chamber pitch was the result of new wind instrument designs from the late 17th century. No one is born with ears tuned to A440. A440 did not become a standard until the 1950s, and then only after decades of lobbying by American wind instrument builders.
@PP-hh5rh4 жыл бұрын
Grazie!
@herrickinman93033 жыл бұрын
Why does this recording sound like the harpsichord has a sustaining pedal that the performer never releases? Maybe the mic is so close to the instrument that it's picking up sympathetic vibrations from strings that are not even being played.
@SrPeemeele2 жыл бұрын
AN excellent interpretation. It is curios but I feel this allemande with a nostalgic feeling and a little erotic touch.
@ferdinangenius8 жыл бұрын
this is high maths of the uttermost beauty
@jonahreynolds74587 жыл бұрын
You have the biggliest of words. #Donald Trump Quote
@alessandrocolagrossi95719 жыл бұрын
c minor? why?
@jawadhamadani86477 жыл бұрын
Alessandro Colagrossi cuz back in the baroque era the tuning was different, so usually harpsichords are traditionaly tuned in the same way.
@stephaniechen65985 жыл бұрын
Jawad Hamadani thanks
@herrickinman93033 жыл бұрын
It's being played in D minor at "French chamber pitch" aka "deep chamber pitch." (a=~392Hz) That was a common pitch standard in French and German courts in the Late Baroque. French chamber pitch was the result of new wind instrument designs that originated in the late 17th century. No one is born with ears tuned to A440. A440 didn't become a standard until the 1950s, and then only after decades of lobbying by American wind instrument builders.
@philipkimber44034 жыл бұрын
I would prefer some inégalité in the Allemande. The music just cries out for a slight lilt!
@panutalus4 жыл бұрын
doesn't this use different tuning than 440hz? It sounds a lot better.
@taylordiclemente51634 жыл бұрын
Yes, it's tuned lower, and more importantly it is tempered slightly unequally, meaning the intervals between consecutive semitones are not all the same.
@gergokovacs33323 жыл бұрын
to be precise tuning is called well temperament. this means that each key has its own color, in contrast to equal tempetament where all key has the same tone color. Trevor Stephenson has a fantastic video about how to tune Bach age temperament.
@herrickinman93033 жыл бұрын
@@gergokovacs3332"Well temperament" is a general term for various keyboard temperaments that became popular in Bach's time and replaced meantone temperaments. A temperament is any tuning system that slightly compromises the pure intervals of just intonation in order to satisfy other aesthetic requirements. Temperament has nothing to do with reference pitch. You could have a well-tempered keyboard tuned to A465, A440, A415, A392 or any other reference pitch.
@herrickinman93033 жыл бұрын
The instrument is tuned to French chamber pitch aka deep chamber pitch. This is a half tone lower than chamber pitch, and a minor 3rd lower than choir pitch aka organ pitch. All these pitch standards were used in Bach's time. French chamber pitch was prevalent in noble and royal courts in France and Germany in the Late Baroque.
@wcsxwcsx9 жыл бұрын
Was that gigue really a gigue? Something doesn't sound right.
@harpsichordval46149 жыл бұрын
wcsxwcsx Yes it is gigue !!!!! Try to listen to another performers: Andras Schiff, Zuzana Ruzickova, etc.........
@kenbusch21399 жыл бұрын
+wcsxwcsx A reasonable question. Rousset takes this at a somewhat slow speed and Bach notates this movement in 4/4 rather than the usual 6/8. The dotted rhythms make it like other, more conventionally notated gigues. (There've been debates, too, about what exactly dotted notes mean for Bach. Are they sometimes like triplets? Are they sometimes to be double-dotted?) It also has a quasi fugal character (again like other gigues) where it begins with one voice and then other voices enter. A final marker is that the theme is turned upside down at the double bar. Bach does this in every gigue I can think of from the Partitas, French Suites, and English Suites, and doesn't in the other movements in his suites.
@tomfurgas28448 жыл бұрын
+wcsxwcsx It's a rare slow-moving form, heavy on the dotted rhythms. Almost all other gigues are in 6/8, 12/8, or other triple rhythm. This kind is in 4/4. I don't think Bach used this form of gigue anywhere else.
@renematei7088 жыл бұрын
It is allabreve though... so it should be fast
@tomfurgas28444 жыл бұрын
@@renematei708 As with many other keyboard works of Bach, the florid figuration, usually in the latter part of each section, acts as a caution to keep the tempo moderate. Otherwise the figuration or ornamentation will sound blurred or "tossed off". Many modern players perform Bach at much too lively tempi. Bach always stressed the "singing style" of playing. One cannot "sing" properly if the tempi are rushed.
@bouyhos7 жыл бұрын
11:37
@VERITS999 жыл бұрын
Is he playing with A = 392 Hz?
@violaoale9 жыл бұрын
VERITS99 how did you come to that?
@VERITS999 жыл бұрын
violaoale Well, because the instrument sounds a half tone lower than the usual Baroque pitch (A = 415 Hz,) i.e., a full tone lower than the modern pitch (A = 440 Hz.)
@violaoale9 жыл бұрын
VERITS99 yeah. i see.
@jonahreynolds74587 жыл бұрын
What are those.
@herrickinman93033 жыл бұрын
Yes. The instrument is tuned to French chamber pitch aka "deep chamber pitch," which was prevalent in the noble and royal courts of France and Germany in the Late Baroque.
@chrisbrown35496 жыл бұрын
Im craving wine and a fine lady...any takers ?😉
@陽天-g8g3 жыл бұрын
上手ない。
@jonahreynolds74587 жыл бұрын
This is what I call boring crap that I am only listening to because my piano teacher forced me to.
@ReubenLL287 жыл бұрын
Why are you publically announcing the fact that you're uncultured?
@jawadhamadani86477 жыл бұрын
ReubenLL28 thank you
@richardcleveland85495 жыл бұрын
Well, there's always hope: Mark Twain observed, "When I was 18, I was appalled by my father's stupidity, but when I reached the age of 21, I was astonished at how smart the old man had grown in just three years!" So, perhaps over time the reluctant student will learn not only to like Bach, but to play his works.
@stephaniechen65985 жыл бұрын
Lol same
@Coco_EC5 жыл бұрын
Listen, we don't care, so stop being stupid commenting shit everywhere