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These are what I consider the 5 coolest ways to use the Lossy pedal. Settings below. Stop motion and drone footage by John Marty. Additional drone footage from Best Frenemies.
My album HARD FEELINGS:
distrokid.com/...
The cover songs in this video:
bit.ly/3vZ0yft
Zoom guitar lessons:
forms.gle/nFMV...
Patreon & KZbin memberships:
/ cyberattack
/ @cyberattackworld
SETTINGS:
Pro-Tip #1: Instant Jackpot
Filter: 2 o’clock
Global: maximum
Verb: maximum
Freq: 2 o’clock
Speed: minimum
Loss: 10:30
Slope: center
Packets: center
Mode: right
DIP switches: MISO, Spread
Pro-Tip #2: Permanent Weirdness
Filter: 11:30
Global: almost maximum
Verb: maximum
Freq: 11 o’clock
Speed: minimum
Loss: 1 o’clock
Slope: left
Packets: left
Mode: center
DIP switches: MISO, Spread
Pro-Tip #3: Ultra Hall Reverb
Filter: 11 o’clock
Global: 3 o’clock before activating DIP Switches, then 10 o’clock
Verb: almost maximum
Freq: 11:30
Speed: minimum
Loss: 10 o’clock
Slope: left
Packets: center
Mode: center
DIP switches: Loss, Bounce, MISO, Spread
*Set reverb decay to maximum
Pro-Tip #4: Acoustic Simulator
Filter: 11:30
Global: maximum
Verb: maximum
Freq: 11:30
Speed: minimum
Loss: 12:30
Slope: left
Packets: center
Mode: left
DIP switches: MISO, Spread
*Set reverb decay to minimum
Pro-Tip #5: Total Obliteration
Filter: 11 o’clock
Global: 4 o’clock before activating the DIP switches, then 9 o’clock
Verb: maximum
Freq: 1 o’clock
Speed: minimum
Loss: 3 o’clock
Slope: left
Packets: center
Mode: left
DIP switches: Loss, Bounce, MISO, Spread
TIMESTAMPS:
0:00 Intro
0:20 Pro-Tip #1: Instant Jackpot
0:37 Sound Example
1:36 Pro-Tip #2: Permanent Weirdness
2:41 Sound Example
3:34 Pro-Tip #3: Ultra Hall Reverb
4:36 Sound Example
5:53 Pro-Tip #4: Acoustic Simulator
7:15 Sound Example
7:50 Pro-Tip #5: Total Obliteration
8:30 Sound Example