Djabadary: Georgian Rhapsody, The Melody of the Serpent, Tbilissiana (H.Goraieb, Louis de Froment)

[@classicalmusicreference]

Full Album available // Djabadary: Georgian Rhapsody, Piano Concerto by Louis de Froment & Henri Goraieb 🎧 Qobuz (Hi-Res) cutt.ly/jeNGWqbK Tidal (Hi-Res) cutt.ly/9eNGWoBA 🎧 Apple Music (Lossless) cutt.ly/VeNGWk1C Deezer (Hi-Fi) cutt.ly/9eNGWEWv 🎧 Spotify (mp3) cutt.ly/EeNGWGJ8 KZbin Music (mp4) cutt.ly/0eNGEWBO 🔊 Download our remastered editions (Hi-Res Master - Wav uncompressed / CMRR Website): classicalmusicreference.com/ Héraclius Djabadary (1791-1937) Orchestral Works 00:00 Georgian Rhapsody in G-sharp minor for Piano and Orchestra, Op. 2 (2024 Remastered, Luxembourg 1980) 17:13 The Melody of the Serpent in F minor for Orchestra, Op. 19: Andante (2024 Remastered, Luxembourg 1980) 21:39 Tbilissiana for Orchestra in B-flat minor for Orchestra, Op. 26: Allegro non troppo (2024 Remastered, Luxembourg 1980) Piano: Henri Goraieb Oboe (solo): Norbert Mattern Flute (solo): Daniel Roux RTL Symphony Orchestra Conductor: Louis de Froment Recorded in 1980, at Luxembourg New mastering in 2024 by AB for classicalmusicreference.com/ 🔊 Join us with your phone on our WhatsApp fanpage (our latest album preview): cutt.ly/5eathESK 🔊 Find our entire catalog on Qobuz: cutt.ly/geathMhL 🔊 Discover our playlists on Spotify: cutt.ly/ceatjtlB ❤ Support us on Patreon cutt.ly/ZezaldhI The Georgian Rhapsody, Op. 2, transports listeners to ancient Georgia through its rich oriental colorations, vibrant rhythms, and brilliant orchestration. The music reflects the soul of Georgia, blending its serene beauty, nostalgic longing, and frenzied joy in dance. Unlike traditional rhapsodic forms, this work is not built on folk themes, except for the central theme of the Allegro moderato e marcato. Structurally, it resembles a concerto played without interruption. Composed when Djabadary was just 22, it premiered in Vienna in 1913 with the composer as the soloist. The piece was subsequently performed several times in Paris with major orchestras and has been broadcast by international radio stations since the composer’s death in 1937. It continues to be performed by pianists in Paris and abroad. The Serpent’s Melody for Orchestra in F Minor, Op. 19. This orchestral piece captures the hypnotic and monotonous song of the flute, which lures the serpent from its lair and keeps it entranced until its final surrender. Tiflisiana (or Tbilissiana) for Orchestra in B-flat Minor, Op. 26. A dance of purely Georgian origin, Tiflisiana is built upon a traditional folk theme and celebrates the vibrant cultural heritage of Djabadary’s homeland. Héraclius Djabadary was born in Tbilisi, Georgia, on October 17, 1891. From an early age, he demonstrated remarkable musical talent and began his studies at the conservatory. In 1905, during the revolution, he was sent to the Brussels Conservatory, where he studied theory with August Gévaert and piano with Arthur de Greef, a student of Liszt. In 1909, he moved to Vienna to further his studies in harmony, counterpoint, fugue, and composition under Richard Heuberger, who introduced him to the traditions of Beethoven, Liszt, and Brahms. Simultaneously, Djabadary pursued a career as a pianist, studying with Wolfsohn, who taught him the Leschetizky method. On March 7, 1913, he gave his first concert in Vienna with the Tonkünstler Orchester conducted by Oskar Nedbal. The program included Chopin's E minor and Grieg's A minor concertos, as well as his own Georgian Rhapsody, composed and orchestrated in just a few weeks. The concert was a resounding success, with Ludwig Bösendorfer himself praising him: "You are the only pianist who reminds me of Liszt." Shortly after the concert, Djabadary returned to his homeland, where he wrote articles and gave lectures on Georgian music. However, he left the country in early 1914, never to return. He moved to Paris and then to Switzerland in 1915, where he composed many works, including a dramatic opera in three acts, Goulnara. Upon returning to Vienna in late 1918, he created several works inspired by Hungarian folklore, influenced by his Hungarian wife. Despite financial struggles limiting his career as a pianist, Djabadary continued to compose. In 1923, he moved to Paris, where he gave occasional concerts over the following years, performing his concertos and the Georgian Rhapsody under the batons of Francis Touche (1925), Paul Paray (1927), and Albert Wolff (1930). However, his wife's deteriorating health consumed his time and energy, and her death in 1934 marked a turning point. Struggling with tuberculosis himself, he moved to Nice in the autumn of 1935 for its favorable climate. Despite his illness, he continued to compose, revising the piano part of his First Concerto and completing a symphonic poem. Djabadary passed away in Nice on August 18, 1937. Rare composers playlist (reference recordings): kzbin.info/www/bejne/hpzZoYybgr6AZ5o

[@smashissocool65]

This is something that Dave Hurwitz would enjoy.

[@hospitality5522]

Wonderful to listen Henri Goraieb whose the great erudition about past interpreters enlightened the Sunday evening of french radio listeners.

[@classicalmusicreference]

The Georgian Rhapsody, Op. 2, transports listeners to ancient Georgia through its rich oriental colorations, vibrant rhythms, and brilliant orchestration. The music reflects the soul of Georgia, blending its serene beauty, nostalgic longing, and frenzied joy in dance (16:13). Unlike traditional rhapsodic forms, this work is not built on folk themes, except for the central theme of the Allegro moderato e marcato. Structurally, it resembles a concerto played without interruption. Composed when Djabadary was just 22, it premiered in Vienna in 1913 with the composer as the soloist. The piece was subsequently performed several times in Paris with major orchestras and has been broadcast by international radio stations since the composer’s death in 1937. It continues to be performed by pianists in Paris and abroad. The Serpent’s Melody for Orchestra in F Minor, Op. 19. This orchestral piece captures the hypnotic and monotonous song of the flute, which lures the serpent from its lair and keeps it entranced until its final surrender. Tiflisiana (or Tbilissiana) for Orchestra in B-flat Minor, Op. 26. A dance of purely Georgian origin, Tiflisiana is built upon a traditional folk theme and celebrates the vibrant cultural heritage of Djabadary’s homeland. Héraclius Djabadary was born in Tbilisi, Georgia, on October 17, 1891. From an early age, he demonstrated remarkable musical talent and began his studies at the conservatory. In 1905, during the revolution, he was sent to the Brussels Conservatory, where he studied theory with August Gévaert and piano with Arthur de Greef, a student of Liszt. In 1909, he moved to Vienna to further his studies in harmony, counterpoint, fugue, and composition under Richard Heuberger, who introduced him to the traditions of Beethoven, Liszt, and Brahms. Simultaneously, Djabadary pursued a career as a pianist, studying with Wolfsohn, who taught him the Leschetizky method. On March 7, 1913, he gave his first concert in Vienna with the Tonkünstler Orchester conducted by Oskar Nedbal. The program included Chopin's E minor and Grieg's A minor concertos, as well as his own Georgian Rhapsody, composed and orchestrated in just a few weeks. The concert was a resounding success, with Ludwig Bösendorfer himself praising him: "You are the only pianist who reminds me of Liszt." Shortly after the concert, Djabadary returned to his homeland, where he wrote articles and gave lectures on Georgian music. However, he left the country in early 1914, never to return. He moved to Paris and then to Switzerland in 1915, where he composed many works, including a dramatic opera in three acts, Goulnara. Upon returning to Vienna in late 1918, he created several works inspired by Hungarian folklore, influenced by his Hungarian wife. Despite financial struggles limiting his career as a pianist, Djabadary continued to compose. In 1923, he moved to Paris, where he gave occasional concerts over the following years, performing his concertos and the Georgian Rhapsody under the batons of Francis Touche (1925), Paul Paray (1927), and Albert Wolff (1930). However, his wife's deteriorating health consumed his time and energy, and her death in 1934 marked a turning point. Struggling with tuberculosis himself, he moved to Nice in the autumn of 1935 for its favorable climate. Despite his illness, he continued to compose, revising the piano part of his First Concerto and completing a symphonic poem. Djabadary passed away in Nice on August 18, 1937. Rare composers playlist (reference recordings): kzbin.info/www/bejne/hpzZoYybgr6AZ5o

[@Aestheticaye]

This is wonderful!!!

[@Dumballa]

Lovely. Nice one, CMR.

[@johnwatson8323]

👍👍👍👍👍 ♥️♥️♥️👏👏👏👏👏

[@eduardosantos6656]

I would like you to bring Schubert's piano sonatas and string quartet in their entirety. Congratulations on the excellent sound quality. Success always.

[@bahmannamazi239]

perfect...

[@clydeblair9622]

A Georgian Enescu.