Dragon Ball Z AMV: Naoki Tate

Remake.
BGM: M742, M1109, M1217, M1309, M1412, M1317B, M1716, M1817, M2015, M2109, M1913.
Twitter: / dbanimators
Dragon Ball, Dragon Ball Z, GT and Super are owned by Funimation, Toei Animation, Fuji TV and Akira Toriyama. All rights reserved.

[@AnimeAjay]

Bae

[@oneish7454]

anime world hd Yeah, he's not. He's amazing.

[@andresolorzano9440]

TATE is excellent,good

[@kas261]

Indeed

[@adddddo]

I can't believe that these scenes was drawn by Naoki Tate. The drawnings of faces, muscles, bodies are pretty similar to drawnings of Naoki Miyahira, Masahiro Shimanuki or Naotoshi Shida back then. That is really hard to distinguish their style (at least for me). His style was much closer to something what i could call "overall excellent DBZ'" style. I like this old style over 9000 times better than Tate's current style of drawnings. In my opinion "old" Tate is one of the best DBZ animators in matter of pure drawnings. When we talk about showing the dynamic, speed, power of the fights, Tate is the king. The way how he demonstrates skills of the warriors... i have no worlds to describe that. Just look at the scene Goku vs Freeza in Nameck village or Buuhan vs Goku and Vegeta. You literaly can feel how painful this punches are. Insamely good work. In DBS Naoki Tate didn't lost this "touch". His scenes are dynamic, fast and furious. But they don't present warrior's power that good as in DBZ times. That is problem of all DBS animators by the way. Best regards to you AnimeAjay. I really like to watch you channel.

[@adddddo]

Edit to last post - Goku vs Freeza in Nameck village isn't him.

[@edgyadam2372]

One thing I love about him is that I can actually FEEL the impact of the punches

[@jasonone8726]

Not anymore though with him.

[@deathglock496]

@@jasonone8726 it still does. Naotoshi shida can't.

[@jasonone8726]

Sonic The hedgehog Funny out of all the animators on DBS, you brought his name up lol You're wrong.

[@deathglock496]

@@jasonone8726 Shida lacks weight and impact and people keep dickriding him when he's just a one trick pony, i can name many animators than him.

[@jasonone8726]

Sonic The hedgehog He's one of the top animators on DB, no way is Naoki Tate better.

[@JsSoReal]

Tate's Art was best in Z But animation and Fluidity was his best in Super

[@geovannyrugama521]

Exactily

[@fpberserk4690]

‘MuricanEagle Idiots like you clearly don't know how animation works.

[@wanilimbe]

JasonOne i prefer dbz by a longshot because of his impact and espeically art. In super i appreciate his work and understand it takes time, but i can’t get over the body parts he draws. It’s too loose for me and flailing. In dbs, his animation is definitely more fluid

[@jasonone8726]

ClassicDBZ Fan Honestly, I thought this video was about Naotoshi Shida when I commented that, I get these guys names mixed up, yeah I know, even though his name's on the screen lol. I definitely agree about his art in Super, he has fluidity, which is what the show really needs, as the problems are always the characters being too stiff, but his artwork looks off a lot of the times, it got better by the end of Super, but I'm still not a big fan of it much. Even in the Broly Movie, his work which was the scene where Goku, Vegeta and Piccolo are talking + Frieza vs Broly, seemed to be the worst out of everything that we got in the movie.

[@TMDemi]

Tbh I think what happened was that Tate wanted to focus more on more fluid animation so he did which cost his art style

[@Xavierthedbzartist]

Unpopular opinion: Z Tate had better impact frames

[@christianmarcotte4068]

Xavi definitely

[@guilhermevianabarbosa803]

Xavi I don't think his impact frames changed that much

[@mechajay3358]

Can't say that's an unpopular opinion

[@nandernugget]

That's just a fact. It's modern Tate's biggest flaw imo. His animation is fluid but the hits just have no weight behind them.

[@deathglock496]

@@nandernugget of course it has weight the reaction, the smears to create impact the physics of the characters getting hit i can agree his art is not the best but saying his hits have no weight is just false.

[@HolyCrepe]

Naoki Tate is my absolute favorite key animator! Just give him enough time and he could produce something with great animation AND art :D Buu vs Basil is a good example

[@yeagerist977]

Kaaro art ??? No please no

[@wandersonvitor3054]

He actually did a good job in Dragon Ball Super: Broly Movie

[@akhil6826]

@@yeagerist977 yes art too, just because he is loose doesn't make him bad

[@jdsv8601]

Some may disagree with me, but I prefer Tate’s work in Z than in Super, although I’m not gonna deny that his current animation style is sick as well

[@jasonone8726]

Many people won't disagree on that.

[@suryatejasanku8013]

2:25 that ssj transformation is so cool.

[@mechajay3358]

Tate's scenes are so dynamic

[@kakarotanime]

Most underrated animator I know

[@danielvasquez3980]

Why does his work in super feel better than z. The animation looks smoother in super

[@ImAlexGoodwin]

Because he got better lol He was heavily inspired by the movies and animators working under Mamoru Hosoda, particularly One Piece movie 6.

[@crazypanda9870]

In super is so much better!

[@mikay7866]

Most Animators definetly Improved I think Tate is the One, who improved the most and I feel Animators got more freedom in Super

[@danielvasquez3980]

I'mAlex that’s cool to know. But they’re still is people in denial thinking Tate is better in z than super

[@matisebas4554]

Kamihector Tv Because he evolved , and now is much bether than before

[@OMNI10001]

Imo his art and impact frames were much better in Z but his animation, in general, is much smoother and stylistic in Super

[@VincentGordon]

Pretty much a mini Hisada and Shimanuki back in Z, I loved the close up smears he would do like in 3:20

[@gastonsantiagoparada6075]

Quiza tenga mejor fluidez en super, pero cada frame de Z se ve espectacular y sin malas proporciones, su mejor escena en super para mi es Vegeta aplastando a black.

[@stevenamaya3075]

Gaston Santiago Parada creo que es porque porque antes había más tiempo

[@Gokussjdensetsuno45]

Quizás si despegaras el dedo del botón de pausa eso pasaría menos a menudo.

[@kevinvelezs.4874]

bro literal todo super la produccion fue acelerada no habia tiempo solo los animadores como yuya eran los que tenian mas tiempo para animar capitulos pero tate estaba en todos los capitulo

[@frankscott9685]

The music with goku vs cell fit in extremely well

[@JRPOGM]

Whatever music that is for the scene of Piccolo against Cell in his first form fits the scene really well.

[@dbanimators]

That's actually one of the two BGMs of that scene: that and M1307.

[@charaaris8166]

Y pensar que el animo algunad de mis escenas favoritas de dragon ball

[@Metalwario64]

In Z, I have trouble identifying the differences between Tate's animation and Hisada's. Z Tate animates very similarly to Hisada, and since his work is usually corrected, it stylistically looks similar to Hisada's as well. I can easily pick out Shimanuki (and of course Takeuchi's stiff and rigid animation), but Tate and Hisada just sort of blend together for me in Z.

[@Arteaga4K]

Metalwario64 Same here

[@halfbreed1426]

With Tate, if find he uses exaggerated, but extremely satisfying swipes and impacts. Exampled well in the Cell Games and Android Sags fight scenes.

[@kennethavelar8901]

Pero también agregar las caras y expresiones que son casi idénticas, me gusta ese estilo que tienen los 2 que cuando hacen golpes los personajes se logra ver unas líneas en las extremidades de los personajes dando entender el gran impacto de los golpes, además de ser tan fluida la animación, no tanto como la de keisuke masunaga pero si es muy fluida, de por lejos Tate y hisada son de mis animadores favoritos en z

[@guilhermevianabarbosa803]

Man, I finished watching FLCL like yesterday or before, I don't really remeber lol, and I loved the animation! (And the series, of course) It reminded me a lot of Tate at some points because of the dynamic camera angles, use of warped/forced perspective, exaggeration and stylized/cartoony expressive hands, you know, usual "Gainax-Trigger" stuff, makes me wonder why some ppl dislike him for applying that to DB.

[@kokutensai]

Because it's Dragon Ball, nowadays giving Dragon Ball any positive light results in a death sentence

[@cliplaze]

Love his animation in super, but his art is pretty mediocre. He isn't as fine as takahashi, so I'll let it slide. His animation is the best though. In dbz his art was really good, so as in gt

[@guilhermevianabarbosa803]

Ashketchup The only difference between his art then and now is that his usual artistic output in Super tends to be rough (wich doesn't make it mediocre btw), it really didn't change much, the anatomy and the proportions are basically the same but he displays a better understanding of gesture, wich is basically the soul of a drawing, now. Back in Z he was corrected a lot, GT had a couple more examples of his true artistic form due to less correction in some scenes and you can actually spot quite a lot of similarities between his style then and his style now.

[@cliplaze]

guilherme barbosa thank you man for telling me this

[@guilhermevianabarbosa803]

Ashketchup you're welcome :)

[@Cay9z]

Why cant people acknowledge this. Takahashi was alwayd better and more consistent

[@fonzoro8896]

@@Cay9z No

[@user-sm1jj7lo5i]

歩かせ方好き

[@andresolorzano9440]

naoki tate es uno de mis favoritos animadores ojala vuelva para este 2018 como animador clave o supervisor de animacion.

[@dbanimators]

Le dan tiempo para su episodio. Es bueno para él.

[@dinogt8477]

naoki tate is really good

[@Elfo_Scuro]

01:41 tecnicamente è la stessa musica di quella scena! Uno tra i miei pezzi preferiti, il dettaglio della scarica elettrica data dal Ki: che fluisce nella posa statica delle mani per il Gekiretsukodan è fenomenale. Un vero tocco di classe.

[@beepbeep2446]

The light grenade scene was so good

[@rory6483]

Naoki Tate is so good.

[@TakasuPioliN]

actualmente gano mas frames pero descuido los diseños,lastima que en Super no puede combinar ambas cosas.

[@forcedahen7269]

Y yo te conozco :v

[@weftertfm5311]

Aparte que los diseños de yamamuro son muy saturados y esto hace que el estilo de tate sea mucho mas complicado de hacer, y hace ver al espectador que bajo la calidad de dibujo, en cambio con los diseños de shintani el estilo de tate sera mucho mas disfrutable

[@quiquesacacia8670]

Uno de mis favoritos. Es tan críticado solo por su trabajo en dragon ball super

[@soegte]

LOVE TATE! SPECIALLY IN SUPER!

[@user-wo1rs3uc7n]

SEが無くても伝わると迫力。

[@alasanajammeh6839]

Tranquilos tate esta recuperando el nivel que tenia antes en DBZ lo mejor esta por venir

[@humanointeligentev2771]

Ya de por sí era mejor que en DBZ

[@snoopsbizzard]

literalmente, la animacion de Tate es la mismisima escencia de Dragon Ball Z, sobre todo en la saga de Freezer, tu lo ves, y sabes que esa animacion te dice, este es el estilo DBZ

[@bartek8309]

He animated the Famicom DBZ game adaptation? Cool

[@snex6017]

Title of the soundtrack of 3:30 plsss I like that because I saw that before in Goku vs majin Vegeta japanese

[@edwindavidhernandezlopez6554]

Vaya en sus tiempos de z naoki tate tenia casi el mismo estilo de kazuya hizada y masagiro shimanuki sin mencionar que ellos tres pertenecian al mismo estudio y ellos trabajaban juntos en sus capitulos como correcciones, animaciones clave, capitulos completos, etc.

[@elgrankaio863]

Eran el trío perfecto

[@Toothpaste0000]

In all His modern animation , the characters look all skinny and so smooth It’s still great animation tho But I prefer this

[@jasonone8726]

You mean modern art.

[@Toothpaste0000]

JasonOne yea art but I was also referring to animation being smooth

[@akhil6826]

@@Toothpaste0000 the plasticity of dbs was due to yamamuro's character designs not becoz of Naoki tate

[@crazypanda9870]

Finally

[@04whim]

I feel like his actual animation has improved in his Super work, but the art style is usually looser and less visually appealing, which was a necessary sacrifice with the schedule Super had. Really it just goes to show you can't have it all at once every single time. Also, it might be more of a personal preference but I like his Z era effects work more.

[@gra9]

when was the last episode he supervised or did any key animations on super?

[@ImAlexGoodwin]

gra 9 he last supervised on episode 118. He provided key animation in that episode as well. You can find it on sakugabooru after typing in naoki_tate.

[@gra9]

I'mAlex thanks

[@Eren-fm7po]

I thought he was better in Z than super

[@crazypanda9870]

Too!!hahaha

[@Gokussjdensetsuno45]

Nah son.

[@humanointeligentev2771]

Nah

[@andresolorzano9440]

naah

[@donjawad42]

Art Z Animation Super

[@butchdeadlift10]

It would be great to play as CHONKY Cell in a DBZ game

[@majidaljaburi7870]

I feel like his animations in z was good compered to dragon ball super in my opinion and I liked his scenes in Z better

[@guilhermevianabarbosa803]

Majid Al jaburi His scenes in Z are quite lacking in comparison to his output in Super, though, he developed a much more refined sense of timing and his knowledge of anatomy and gesture got a lot better

[@striderhyuga8667]

pir ki niki titi inpiri, la verdad no veo tanta diferencia con super, en ambas series su trabajo me gusto

[@kokutensai]

Naoki Tate's animation gave Dragon Ball characters much more expression in emotion and movement during fights which is why I love his work.

[@olimphus26]

Mmm He's changed a bit

[@Rifra99]

Che dio.

[@weftertfm5311]

Era realmente un animador excelente..

[@edgarenriquecuadraticas8869]

Te equivocas men

[@edgarenriquecuadraticas8869]

En Z si lo era pero

[@edgarenriquecuadraticas8869]

En Dragón Ball Súper su animación paso de ser mejor, a ser la más peor, para que te des una idea, el es responsable de la mala animación del capítulo 5 de super y de otros capítulos.

[@elgrankaio863]

@@edgarenriquecuadraticas8869 amigo Tate solo SUPERVISÓ el capítulo mas no lo animó, esas son dos cosas muy distintas

[@Zextorm]

3:23 all Started here...

[@jasonone8726]

What did?

[@andresolorzano9440]

NAOKI TATE>>>>>>>>>>>>>>>>>>>>>>>>>>>>>YAMAMURO ACTUAL.

[@Ztheorias]

Não entendo porquê no Dbs o cara faz várias cenas super bugadas

[@thesakugaguy1111]

Para ter mais fluidez e não é bugado, é só o estilo dele

[@joaoestevan571]

@@thesakugaguy1111 Estilo feio, ele entrega apenas fluidez, porque sua arte é mediocre de detalhes, isso não é estilo.

[@Zextorm]

@@joaoestevan571 Entendo que cada um tem sua opnião, mas vamos concordar que a animação dele é linda, e a arte dele melhorou no torneio do poder

[@miguelrichardstudios7100]

@@Zextorm isso é fato.

[@FilmsMrLittle]

Looks this goku vs vegeta, SOOOOOOOO much better then today, so many impacts, I understand many people like his style today, but he don't have time to make the new style perfectly, so, In my opinion, The old Tate is muuuch better, jus look at 06:04

[@guilhermevianabarbosa803]

M Corsair Pretty bland stuff compared to his work nowadays, he developed a much better sense of timing and is now capable of portraying impact and weight in far more interesting and stronger ways than just "shaky camera/characters followed by good facial expressions". He improved a lot from a technical point of view since his Z days.

[@shogoberik]

M Corsair ah idk about that he makes impact move in such a realistic way now

[@Khuyayn]

This looks very similar to Shimanuki's work

[@ledbygitimate1273]

this should have been the art he implemented in DBS Episode 5.

[@Antonio-jm1tp]

Eso es por qué no tuvo tiempo suficiente para supervisar todo el capítulo

[@anlexaify]

if you dont want to lose braincells dont look at the comment section, please.

[@Arteaga4K]

I really don't know how people can watch this video and say his work in Super is better.

[@guilhermevianabarbosa803]

Well, because it *IS* His work in Super is miles above his old Z/GT stuff, from a technical perspective. Everything from his portrayal of movement and impact, sense of timing, to his understanding of anatomy and gesture drawing got way better overall.

[@jasonone8726]

guilherme barbosa Disagree about the drawing, his art was much better in Z and GT, that's the biggest problem most people have with him now, not his animation.

[@guilhermevianabarbosa803]

@@jasonone8726 His general sense of design didn't change that much from his late Z/GT work, in fact some of his late Z drawings - which were less corrected by his supervisors - look stylistically identical to his characters in Super. The only difference is that his DBS art was commonly rougher due to the show's severe production issues (and the fact he learned to complement his portrayal of motion better with it), which is where the problem lies. Most that criticize his art are usually uneducated on subjects like drawing or animation production, which means they're unaware of how hellish making an anime can be and can't tell the difference between something produced in a hurry from something technically deffective. The former might lead into the latter, but that's not a rule.

[@humanointeligentev2771]

Me agrada más su nuevo estilo en Super gracias al extremo dinamismo y fluidez de sus animaciónes, talvez su arte haya decaído, pero realmente no me importa. Personalmente prefiero animaciones fluidez con arte cuestionable en lugar de animaciones toscas y con poca creatividad solamente "salvable" por diseños On-Model *(cofcofYamamurocofcof)*

[@tomcrugel9135]

Pues desgraciadamente por culpa de su "arte" dbs perdió muchos seguidores :/

[@6YaZz9]

@@tomcrugel9135 nel

[@6YaZz9]

@@tomcrugel9135 tate ahora es unos de los animadores claves en DBS

[@tomcrugel9135]

@@6YaZz9 JAJAJAJAJA, por eso lo consideran como un anime con animación bipolar, a veces buena y a veces pésima (por Tate y shintani)

[@6YaZz9]

@@tomcrugel9135 anime bipolar xD

[@baba_treesh]

He should’ve animated all of db dbz dbgt and db super along with all the movies

[@jasonone8726]

No lol

[@elgrankaio863]

That's fucking impossible

[@jiyaoo]

as much as i LOVE his animation i'm not really a big fan of his art @_@

[@jasonone8726]

His art looked fine in Z though.

[@sylasexd]

@@jasonone8726 he was correected most of the time.

[@jasonone8726]

@@sylasexd Yeah, I later realised that.

[@fryer.studios100]

His animation got better in dbs but his shading and and on model drawing aren’t as good

[@akhil6826]

Its not as good if he's not given time

[@unknownxyz7]

Isso aí ta mais pro Hisada.

[@guilhermevianabarbosa803]

green circle Tate aprendeu bastante do Hisada e do Shimanuki quando trabalhou com eles na Seigasha

[@danielavisalon3076]

Naoki tate's style is identical to shimanuki's style Just look!!

[@guilhermevianabarbosa803]

He took a lot from Hisada and Shimanuki while he was working under them!

[@sydneyowusu3750]

​@@guilhermevianabarbosa803uhh no... He was just corrected.

[@Truescourge200]

Wait i thought this was hisadas work?

[@katakuri_chan9390]

Sometimes tate got corrected by hisada that's why his art style was like this

[@Truescourge200]

@@katakuri_chan9390 true

[@bartek8309]

03:57 Goten : got em Trunks : Goten buddy, this is sounding extermply gay.......not if everything's wrong with that

[@MazingerDestro]

Mini Simanuki-Tate was the best

[@Shy_Flames]

MazingerDestroXtreme nah Tate is more of a mini hisada

[@poorboi8093]

5:44 5:46

[@bacon5869]

He was so good and when you think he animated episode 5 of Dragon Ball Super omg.

[@guilhermevianabarbosa803]

Derek Stickman Ep 5 was a production mess, Tate and a lot of other animators were tied up to the production of ep 2, wich resulted in the production being very rushed. He had a 3 weeks schedule to provide a large amount of key animation and supervision for the ep, despite that, his scenes, the SSJ3 portions alongside Ken Otsuka's, were fine, he didn't animate the bad parts of the ep nor was responsible for it's terrible production conditions.

[@eirexr2001]

Si estilo de animación es mejor en z que es súper porque??

[@fernandoaltuve3178]

Su animación en Súper es mejor que en Z.

[@eirexr2001]

Conderete Conderete solo mira el capítulo 123 y una parte el lo anima y se ve indecente

[@fernandoaltuve3178]

+EC Danex YT Eso es cierto pero fue porque es pequeña escena que él animo fue hecha a las apuradas y no se le dio el tiempo suficiente para hacer su trabajo.

[@dbanimators]

Fue un accidente. Parece que las celebraciones hacen daño a la produccion de Super. La escena de Tate parece apresurada por problemas de tiempo. La falta de talento y dinero son tonterias. Asì que, aunque hizo escenas increibles hace algunos meses, ¿tenemos que olvidarlo solo por esto?

[@baryonyx5310]

Su animacion es Super es mejor pero en Z tenia unos buenos no como en super que lo hacian a lo apresurado

[@tastedivinefury2198]

Songs? Nvm

[@dbanimators]

Descrption.

[@titosicraft5544]

Todo el estudio seigasha animaba igual

[@thechildofprophecy99]

His art was so good back then

[@guilhermevianabarbosa803]

Peaky Blinder It got way better now, though, but it's a shame his usual delivery for Super is rough

[@saulgoodman9278]

So in another words he has gotten better while at the same time done bad animations for dbs...why do people like tiptoe around the obvious just because its from a good animator? Stop being wussies and just accept the fact that he has done bad or "rough" animation in his more recent work (Not all but it does exist). And no its not subjective since everyone is ok with dissing the other animators who are known for doing bad animation...just because its apparently ok to do so...yet at the same time you can't criticise an animator who has technically done good animation...

[@guilhermevianabarbosa803]

Look at my face He hasn't really delivered any badly animated cut for Super, though

[@thechildofprophecy99]

guilherme barbosa poor faces imo.

[@akhil6826]

@@thechildofprophecy99 just tell me why his faces are poor

[@MissNorington]

3:27 There is that Goku face I remember from Super Episode 5, but in DBZ!

[@Pepitasdbz]

Are you sure is Naoki Tate in Z? Cause it has nothing to do with super. It really looks like Shimanuki to me

[@solaranimations9062]

Pepitasdbz yes this is Naoki Tate. This is how he started out and went on to improve with super.

[@Pepitasdbz]

@@solaranimations9062 never thought, the difference is huge despite preferring the old style. Thank you

[@jasonone8726]

Solar animations His art was better in Z.

[@user-ge1vv6wi1j]

Zの時は描くの上手かったのになぜ超だとあそこまで劣化してしまったのだろうか……

[@user-gd8wv3em9y]

別に描き方を変えただけで劣化とは違う。

[@crazypanda9870]

3:39 WHAT THE FUCK IS THAT!!!!

[@mrdoggo3569]

Ahh, his last good scene is ribrianne, unfortunately. ( of course is in my opinion )

[@dbanimators]

He's made a lot of good scenes.

[@mrdoggo3569]

why u always disagree with me :c

[@dbanimators]

Because he doesn't deserve that sort of hate. He evolved and took some risks, unlike someone else.

[@ramenthesaiyan4291]

Dogeishereforyou noo dude tht was Ryo Onishi lol I can see y u would think dat tho

[@mrdoggo3569]

No dude, Im talking about his ribrianne transformation.

[@geovannyrugama521]

"Naoki Tate es el segundo peor animador de DBZ y Super" Purachilena(2017)

[@Choreza]

Es uno de los mejores en dbz, pero en súper su trabajo en algo mediocre

[@titosicraft5544]

@@Choreza La verdad su trabajo es super es muy fluido y dinamico

[@Antonio-jm1tp]

@@Choreza Son otros tiempos, nuevos dibujos, además todos seguís rencorosos por el desastroso capítulo 5, dejar de llorar, en ese capítulo no fue supervisado por tate por la presión de presentar un capítulo cada semana no dándole tiempo a los animadores hacer su trabajo

[@Antonio-jm1tp]

@@Choreza además ya quieses hacer una animación de tate de super

[@Multi.nucleas-]

Is this Same one who animated the episode 5 DBS

[@dbanimators]

He supervised it. But it wasn't definitely his fault.

[@gotanjuu5791]

Truth is that the animators were supposed to have 6 weeks to make an episode, on episode 5 of super they onlh had 4 weeks, so the episode was heavily rushed. So that's why Tate was bashed on for something that wasn't even his fault.

[@eirexr2001]

corrijo, su estilo de dibujo era mejor en z que super pero su animacion es mejor en super que z

[@dbanimators]

Cuantas veces leì este tipo de comentarios. Ya no puedo màs...

[@eirexr2001]

@@dbanimators amigo y si en vez de quejarte me iluminas?

[@nandernugget]

Tate animates better now but he lacks impact like here honestly.

[@jazzmazz9214]

I would argue otherwise, that his sense of impact and timing only advanced as he grew as an animator.

[@Nate-ll4do]

Jazz Mazz His shot of Goku vs Golden Freeza is a perfect example of this.

[@jackthegreek6092]

He never seems to do scenes where the characters are equal.

[@Rwq9923]

sad what happened to him in super

[@jasonone8726]

A lot of his work on Z was corrected.

[@Rwq9923]

@@jasonone8726 so you're saying that everything that was shown in this video was corrected by the same person? because everything in this video looks like the same style

[@jasonone8726]

@@Rwq9923 It's definitely not the same style by the Cell Saga.

[@Rwq9923]

@@jasonone8726 by the same style I mean the traits that make his style recognizable, you know it's him by looking at this, I wouldn't doubt he got corrected, but everything he did in Z or shown in this video? nah

[@saniquinho10]

DBZ: Beautifle Graphics DBS: WORST ANIMATION EVER!!

[@jasonone8726]

I mean, to be fair, Super had a very rushed schedule. His animation was fine. His art was the problem.

[@Vitioche]

Does it matter having that fluidity with such a bad art? At least in Z movies he looks just perfect don't care if its corrected or not.

[@deathglock496]

It's not bad just exaggerated there's a difference.

[@Vitioche]

@@deathglock496 no, it's bad art, i know the difference

[@deathglock496]

@@Vitioche no it's not. Sure resurrection of F art was shitty no argument with you can't really blame the guy when they had about 4 fucking weeks to finish the arc!!! But he has improved thanks to filler.

[@Vitioche]

@@deathglock496 yeah, he had no time, so his art was bs, but u can see his bad art even at the tournament of power, so yeah his art is still bs

[@deathglock496]

@@Vitioche it's more of exaggerated than bad.

[@proudkiwi7641]

What happened to his art, man. It defined DBZ but in Super it's a disgrace

[@akhil6826]

Its not a disgrace he just didn't have enough time to polish his art

[@SaperBossTv]

To my knowledge In dbz most of his work was corrected, by the time gt and super came around they were corrected less

[@betterthnyou2]

he sucks so bad in super but in z he's good

[@guilhermevianabarbosa803]

ultimate trespassing hero It's actually the opposite, though

[@jazzmazz9214]

+ultimate trespassing hero In Super, literally every aspect of his animation had improved dramatically from his work on Z.

[@jesuscoronell5974]

Le paso lo mismo que Yamamuro, con el tiempo perdio la magia, en DBZ lo hizo demasiado bien en super pues le doy un 7

[@66bash]

is that guy really that guy who make dbs ep 5 shitty animation?

[@guilhermevianabarbosa803]

CGN No, he supervised ep 5 and animated a portion of the "SSJ3 Goku Vs Beerus" fight, alongside Ken Otsuka; his scenes in the ep were actually pretty nice, despite looking rough, he didn't animate the bad parts.

[@genejustine569]

Pause a 3:32

[@grroma7671]

ese no es naoki tate es masahiro shimanuki

[@elgrankaio863]

Sí lo es solo que en z trabajaba en el mismo estudio que Shimanuki y intentaba replicar el estilo de él y sus otros colegas

[@joaoestevan571]

One of the best in DBZ, unfortunately in Super he only delivered fluidity, his art is mediocre, this was more proven in DBS Broly.

[@androdubs5698]

Naoki tate in dbs is very bad characters drawing :(

[@Paul.IanChrist]

AndroPlays TM fix your grammar

[@androdubs5698]

@@Paul.IanChrist ???

[@Paul.IanChrist]

AndroPlays TM i hope your joking

[@jasonone8726]

PaCr ROa Well it is.

[@akhil6826]

@@jasonone8726 no ,it's not ,tell me how it is worse in super

[@nikoladujmovic847]

None of these look like Naoki Tate. If it is, why is he so garbage in super? I mean the art style.

[@dbanimators]

Again, it's subjective.

[@nikoladujmovic847]

kzbin.info/www/bejne/fHikhIGerKZ7aNk

[@guilhermevianabarbosa803]

Ashkandi His art style in Super is nowhere near "garbage", it is usually rough, wich is a different thing, not necessarily related to being "bad". It's like that because Super's production schedule normally makes him rushed and after he's done with the movements, wich are his primary concern, there's little time left to polish it. That being said, his standard artistic delivery for DBS is perfectly acceptable from an objective optic, and his art style didn't change so much since then, his anatomy design and proportions remained almost unchanged, but now he demonstrates a more complete understanding of muscles and gesture.

[@jazzmazz9214]

+Ashkandi The video you linked has all the animation highlights of the series. Now I can use it as reference to show Super does have good animation. :)

[@Jeremy-mk1en]

Ok why did his animation used to be good but now it's awful

[@guilhermevianabarbosa803]

It's the exact opposite, actually, his scenes back then were pretty average, with not many particularly notable cuts. His current output displays a lot better understanding and application of the principles of animation, his drawings also present a more refined, expressive sense of gesture and anatomy, which go hand in hand to create competent cuts that totally outclass his past contributions.

[@akhil6826]

@@guilhermevianabarbosa803 how are u everywhere in this comment section? At least u understand tates style