This video helped but the menu options are all in the lumitri color panel since the last update not under modify. Update vide may be useful to your followers if you haven't done so already :)
@pre-dawnraid90373 ай бұрын
True yes (under "Settings" in Lumetri Colour). But don't you have to do this for every single clip, instead of batch?
@renevp25 ай бұрын
Today, after years of misunderstanding how to color correct SLOG and obtain horrendous results, I've learned to do it the proper way and I finally understand it. THANKS!
@user-kf3or7nj6k9 ай бұрын
This is exactly what I needed! I watched a lot of videos, but none helped, and after that I found this. Thanks!
@DWPLife8 ай бұрын
Bro, this was a game changer. I can see such a noticeable difference in the quality of my footage. Thank you!
@TomsJurjaks8 ай бұрын
So glad to hear that 🙌
@blastfilmmaking3658Ай бұрын
WOW bro. One of the most usefull tutorials I have seen in years. I tried it. I used to put the lut in Lumetry panel, and the resaults were really good. But now, with this method... wow!! Colors are much more rich!! I dont know why. And the workflow much easier. Thanks mate
@blastfilmmaking3658Ай бұрын
hmmm now playing with this I noticed that it brings up a lot of noise. With the previus workflow from Lumetri I have no noise
@TomsJurjaks28 күн бұрын
Im glad you discovered something new. To deal with your issue, remember to slightly overexpose when shooting slog3 and you still need to correct the footage - for example, decrease the shadows a bit etc and your noise should go away.
@blastfilmmaking365828 күн бұрын
@@TomsJurjaks Hey there! Sorry mate, when I tested your way my settings were not on 10 bit, but 8. Thats why the issue with the noise. In ten bit this way works FANTASTIC! thanks again and sorry for the comment above. My mistake. Keep up the good work!
@TomsJurjaks28 күн бұрын
@@blastfilmmaking3658 no worries at all mate, glad it all worked out well! Cheers!
@EarthDownTo26 күн бұрын
@blastfilmmaking3658 where can I find those 10 bit 8 bit settings in premiere, mate?
@user-ei2ti5hv4w6 ай бұрын
First ever to the point and useful video. You a legend ❤
@AgentesDementes9 ай бұрын
Thanks Man! I was scared of using Slog mode but with this video it was very clear! Thaks
@TomsJurjaks9 ай бұрын
Great to hear that. Cheers 💪
@kristapsvaivods Жыл бұрын
This is a game changer for editing.
@TomsJurjaks Жыл бұрын
100%. So easy
@aronisvisions Жыл бұрын
Thank you so much for the second method bro 🙏
@TomsJurjaks Жыл бұрын
Cheers buddy 💪
@CSPRfilms Жыл бұрын
Great video, right to the point. Provided new information. Thank you for sharing. Lastly, if anyone chooses to do method one, I don't recommend using adjustment layer above the video. Just have the first lumetri incorporate the correction through the input lut for your technical color correction and then use the options below to adjust clipping -> creative lut to use a lut you downloaded -> hsl secondary to correct skin tones.
@Bordsteinpflaster Жыл бұрын
Maybe I misintepret what you wrote, but the 709 transformation lut must be placed at the very end of your pipeline. By putting it in the first lumetri tab under input LUT and adjusting hightlights etc. underneath you are already in rec 709 and not benefinting from your wider vlog or slog color space. You should actully put a second lumetri on the clip and add the transformation lut so all the adjustments are happening BEFORE transforming your footage to rec 709.
@CSPRfilms Жыл бұрын
@@Bordsteinpflaster I think you read my comment right. So you're saying that if you make adjustments after you place the rec709 conversion, you're color grading with less data because it's already converted? So you're no longer (in theory) editing the raw colors/raw footage anymore? I've been doing it first for a long time but everything turns out fine. I will try that way if you are correct and see what results I get, then compare
@Bordsteinpflaster Жыл бұрын
@@CSPRfilms that's what I believe how things work in Premiere, Lumetri and the overall colormanagement is really messy compared to resolve. But, they just recently added a feature that premiere can auto detect the color space your footage is in and automatically transform it. It's in the preference menu under the general tab (auto detect log video...), so I think and hope that we don't have to mess around with lumetri anymore.
@VeganLinked9 ай бұрын
@@Bordsteinpflastercan you do a video on all of this for us?
@BeyondTheEmbrace Жыл бұрын
Straight to the point, no BS… love it. Well done 👏👏👏
@JairusPoppProductions7 ай бұрын
Such a helpful trick - thanks my guy!
@TomsJurjaks7 ай бұрын
For sure Jairus 🙌
@jamalali24294 ай бұрын
Finally found what I was looking for. Thank you very much, sir.
@TomsJurjaks4 ай бұрын
Very glad to hear that 👏
@AlexTene5 ай бұрын
This was super helpful! Thanks for such a nice and to the point tutorial on this :)
@TomsJurjaks5 ай бұрын
Glad to hear that! Cheers Alex 🙌
@danzelhill7 ай бұрын
Thanks man, the 2nd method is GOLD. So easy and such great starting base for color grading.
@HeyItsMike98510 ай бұрын
this actually saved a video im working on as we speak... its for a magazine and my 2nd shooter shot in SLog (I obviously dont) and a lot of the shots weren't exposed right for the log
@TomsJurjaks10 ай бұрын
Glad to hear that buddy! Every month Premiere gets smarter and smarter in the “color” area, so watch out for further improvements
@DanielVisuals1997 Жыл бұрын
Even tho i don‘t use premiere pro!! Thanks for the info man!! Can be important in the future 🔥
@TomsJurjaks Жыл бұрын
DaVinchi Resolve actually has this by default if you are using it, but yeah, good thing to know :) Cheers Daniel!
@erickidd787611 ай бұрын
Thank you for sharing. This was the best video I've seen!
@TomsJurjaks11 ай бұрын
Thanks Eric. Much appreciated 👌
@yaakoubiamor7495 Жыл бұрын
Always useful information like usual !! Thanks man I was hoping that you make a video about slogs luts etc because the way you explain it are so simple !!
@TomsJurjaks Жыл бұрын
Thanks a lot. Its still an area that I am exploring myself, so as I learn, I will definitely pass it on in future videos too.
@lukebohemian Жыл бұрын
So so easy when you explain it like that! Legend thank you so much
@TomsJurjaks Жыл бұрын
Thanks for your kind words Luke 🙌
@cloojure2 ай бұрын
Thank you so much!!! :)
@TomsJurjaks2 ай бұрын
You're welcome! :)
@cruizelive2627 Жыл бұрын
wow this is dope thanks man!
@Mousetrvp Жыл бұрын
This is a game changer for sure 🤝🏽
@TomsJurjaks Жыл бұрын
Cheers buddy 👌
@Sand.shootsАй бұрын
In a world of clickbaity titles “Wait till the very end” Ten minutes worth of filler I truly apreciate short videos like these that tell you exactly what you’re looking for
@TomsJurjaksАй бұрын
Thanks a lot for kind words! ✌️
@sergeibaranoff882411 ай бұрын
It works! It is highly useful! Well done! Thank you.
@napakelmo Жыл бұрын
Awesome! Thank you for this useful technique. Looking forward for more. Liked and Subscribed!
@TomsJurjaks Жыл бұрын
Thank you for your support Rennej 🙌
@Jhasbun9 ай бұрын
This is amazing. Saved me so much time
@TomsJurjaks9 ай бұрын
So glad to hear that Jorge 🙏
@LetsGoHelio8 ай бұрын
Dude that totally worked! Thanks!
@TomsJurjaks8 ай бұрын
Ay cheers!
@thidm Жыл бұрын
the Lut is great to have in your monitor just to give you the preview that the gamma assist gives on your camera screen that is not transmitted to the monitor
@CasaFassa5 ай бұрын
It's greyed out under the modification menu. So a nice tip that I can't even use. Thanks, bud
@TomsJurjaks5 ай бұрын
Its been a while since I made this video and Adobe keeps updating/changing things. I think now these settings are under Lumetri Tab when you are in the Color Workspace.
@slambk15 күн бұрын
Thanks a lot Toms, I really appreciate this insightful drive through , tell me can you b able to share your Picture profile settings? like Slog 2 and Slog 3 .thanks
@TomsJurjaks14 күн бұрын
Thanks a lot my friend! Its quite simple actually, I just use the PP (Picture Profile) which has the Slog3 and I don’t change anything else. Im using it as it is
@deniskinderknecht Жыл бұрын
this trick is sick :) made my day!
@ianjannink89935 ай бұрын
Thanks! :)
@TomsJurjaks5 ай бұрын
You are very welcome
@azzamu4 ай бұрын
love you man!!!! Thankyou!
@mohamedalzabti48624 ай бұрын
Super cool
@TomsJurjaks4 ай бұрын
Thank you my friend 🙌
@sravel5576 Жыл бұрын
Thanks man! Big help. Love you🙏
@TomsJurjaks Жыл бұрын
So glad to hear that! Love you all righ back 🙌
@anaruguumur81194 ай бұрын
THANK YOUUU
@TomsJurjaks4 ай бұрын
You're welcome!!
@Mattspeak8610 ай бұрын
Thank you!! Epic information!!
@TomsJurjaks10 ай бұрын
Cheers Matt! Glad it was helpful
@Jakeko33 Жыл бұрын
Bro thank you, that helped so much!
@TomsJurjaks Жыл бұрын
I’m so glad to hear that Jake!
@alekimanov5885 ай бұрын
Thanks
@tylernightingale6200 Жыл бұрын
Massive help, such a small detail but will speed up my process massively 🙌
@TomsJurjaks Жыл бұрын
That is so nice to hear Tyler! Cheers 🙌
@tylerthecreative Жыл бұрын
Game changer
@videos_bg Жыл бұрын
I don't have Sony Slog3 in the Colour Space Override. How can I add it?
@McPicaldi Жыл бұрын
Thank you for this Video. It helps!!!!!
@TomsJurjaks Жыл бұрын
Very glad to know that 🙏
@TARUNPARASHAR11 ай бұрын
Great help. Thanks.
@TomsJurjaks11 ай бұрын
Glad it helped!
@reallexfilms Жыл бұрын
Really helpful 🔥👏👏😊
@TomsJurjaks Жыл бұрын
Glad to hear that 🙌
@erikpatakcreative3 ай бұрын
Does this apply the conversion before or after other Lumetri effects? Ideally you adjust the log footage and the transform happens at the end, right? I'm confused as to where I should make adjustments. In the past I've applied my CST to the creative LUT option to be able to control exposure, contrast, etc BEFORE the conversion to rec709. Otherwise you're adjusting a rec709 image and you lose all that data you have in the log video.
@Frimpeezzy4 ай бұрын
i dont see the options below the DCDM XYZ. how do i get those
@EmilSebastian9511 күн бұрын
method two I don't have color management option at all? How come?
@RossRadcliffe Жыл бұрын
Amazing, thanks for the tip!
@TomsJurjaks Жыл бұрын
Happy to help!
@hipernet6 ай бұрын
thanks dude!
@TomsJurjaks6 ай бұрын
Cheers!
@Mattbomfim9 ай бұрын
Nice!
@arykn7 ай бұрын
When comparing method 1 with method 2 I see small differences in color and contrast. It must be because one LUT was made by Sony and the other by Adobe, right?
@TomsJurjaks7 ай бұрын
The difference was because I forgot to enable “Auto Tone Map Media” 🤦 its a must and then they will look identical
@shirowolfu8284 Жыл бұрын
Thankyouu very much 🙏
@TomsJurjaks Жыл бұрын
You are very welcome!
@badfrank8339 Жыл бұрын
Hello, thanx for this tip man. My english is crap so i hope you will understand me. Once you interpret your footages, can you insert some effect layers to grade the footages? Like WB, Exp, Sat, skin and so on? thanx a lot
@TomsJurjaks Жыл бұрын
Yes of course! The interpretation is just to get the colors right for rec709 timeline so you dont have to use a LUT for it. After the color correction is done, you can go ahead and do color grading and apply a creative LUT, adjust colors, WP or whatever is needed. Interpreting footage is just the first and basic step.
@3sm125Ай бұрын
I clicked interpret footage but but color management option unavailable. Any help?
@israelgil4 ай бұрын
my color override option is greyed out. How do you turn this on.
@antoniosbarakos4949Ай бұрын
when you videography in slog3 do you use filters? like nd?
@TomsJurjaks28 күн бұрын
Most of the times, yes. Especially outdoors. In these examples, I controlled the light with my studio lights so I didnt use filters. And when filming indoors I usually do the same - control the light with studio lights rather than with filters
@ehabshawki92869 ай бұрын
Hi . can i depend only on sony lut. to get the best results without making the color grading ?
@uphdennyalexander7 ай бұрын
how to download rec709 sir? i click the link but cant find the rec709
@troy962 Жыл бұрын
Question. I follow this second method. And it blows out my whites and highlights like crazy. But I'm rec in the correct Slog 3 settings in PP8. I do expose 1.7-2.0 over. But that's because we are told so, when filming in Slog3
@TomsJurjaks Жыл бұрын
Does it blow out the highlights also when you use the first method? I usually use Zebras not to blow out the highlights when filming and then it works out well. I never follow that +2.0 rule, I rather use histogram and zebras 🦓
@troy962 Жыл бұрын
@@TomsJurjaks No it doesn't blow out the highlights using the first method.
@troy962 Жыл бұрын
@@TomsJurjaks Solved! So in the sequence settings the Working color space Auto Tone Map Media check box had to be checked. It toned down all the whites after I checked it.
@TomsJurjaks Жыл бұрын
Awesome @@troy962 so good to know! Thanks for sharing
@jbpasion071 Жыл бұрын
@@troy962 Yass! Thank you for sharing this solution!
@WarzoneWarzone-ji2gm4 ай бұрын
In my case what should l do ,l habe a ronin 4 d D log und in the settings not appear from log to rec 709 ?.
@TomsJurjaks4 ай бұрын
For DJI products you still need to use the “old method” unfortunately where you gotta apply the conversion LUT. Not ideal but it is what it is. Hopefully Adobe will include their D Log in the list soon as they are constantly improving the product
@fram1051 Жыл бұрын
dont have sony s-log in the list "color space overrode", the last in list "DCIDM XYZ". Do u know how fix it? or download smth? (UPD: PR 2022 20.4.0 ver 57, do u have higher ver? )
@TomsJurjaks Жыл бұрын
Its a fairly new feature so I think its a must that you have the latest version installed. I have Version 23.1.0 (2023)
@nicolapascucci6605 Жыл бұрын
Very nice man… I always thought that color management was something exclusively about davinci… but what about export settings? Are the exported video colors going to be washed out as it always happens on the Mac?
@TomsJurjaks Жыл бұрын
I’ve seen couple of videos regarding that issue but to be honest I’ve never noticed any difference 🤷♂️ worth a try
@jimenezvisuals57079 ай бұрын
Yes, it does still lift your shadows and midtones the colors on export. Its all because of the color sync on new macs. You have to use the Adobe Gamma Correction LUT but then videos look darker on non Mac screen LOL.
@petertoilolo52537 ай бұрын
man wish you could do this for Final Cut Pro....
@TomsJurjaks7 ай бұрын
Oh sorry buddy, never used FCP so don't know how it works, but should be quite similar
@williamsuen18317 ай бұрын
Hello, thanks for the tip. How do I include Apple Log to the override color space?
@slambk15 күн бұрын
there's a place where it says add lut
@filmzfilmz Жыл бұрын
🔥🔥🔥🔥🔥
@emoryjaymz Жыл бұрын
Is anyone noticing this option is now greyed out?
@TomsJurjaks Жыл бұрын
Dis you figure it out Emory? I see more people are commenting the same thing. It shows up well on my Premiere so I cant help
@emoryjaymz Жыл бұрын
@@TomsJurjaks no fix my end yet 🤷🏾♂️
@mrvaking595010 ай бұрын
Is work with SLog2 ? Because I have the Sony A7 III
@TomsJurjaks10 ай бұрын
Not sure, but I would not recommend using Slog2 on A7III because its an 8-bit camera and they work poorly with slog profiles. One of HLG profiles is a better option for you.
@MobEdits2425 күн бұрын
I don't have color management below the alpha channel
@slambk15 күн бұрын
u have the recent version.look for it under color settings ....
@williamdaube798711 ай бұрын
Does anyone have a recommendation for log profiles on Sony A7iii
@zagabry7 Жыл бұрын
What version of Premiere do you use? 'Cause my "interpret footage" doesn't show any color management option
@TomsJurjaks Жыл бұрын
23.2.0 (Build 69) 2023 - it is important to keep the program up to date.
@Stricknines5 ай бұрын
For some reason when I load slog 3 footage it’s automatically converted on the time line to 709. I can only see the original log in the source window 🤷🏻♂️ very frustrating
@TomsJurjaks5 ай бұрын
Technically its the preferred behavior for most, because you wanna work with rec709 in a most non-destructive way. However if for some reason you wanna disable this “auto conversion” you can do it in the project settings/color management tab (now i think its under Lumetri.
@Stricknines5 ай бұрын
@@TomsJurjaks hey thanks! just saw this. but I just accepted it and started working with it that way ha-ha. I tried manually doing it and it just ended up looking very similar. my problem was I'm new to s-log and my fx30 so I was shooting it in cameras wrong. little research and I'm on track! thank you for the tip though!
@Camdontstopfilms Жыл бұрын
After I use this method and export, my whole color grade is messed up. Do you know why?
@laurencel6 Жыл бұрын
If you are grading then do this step half way through the footage you are grading from will be different from when you started grading. You need to do this step first before you start any colour correction, not half way through. :)
@vgfstillsandmotions5 ай бұрын
Why I cant download the sony convertion LUT? :/
@TomsJurjaks5 ай бұрын
But you don't need to download it. Thats the beauty. Just shoot in Slog3 for example and Premiere will do the rest automatically (if you set everything correctly in the settings)
@Panekaprod9 ай бұрын
Hey ! Thanks for your video ! Unfortunately, i still have a problem : i can't change the color managment… the button is grey :( Do you have a solution ? Thanks ! I work with log from Canon C200
@shawn-walls7 ай бұрын
did you select "override media colorspace"? that might be your issue, hope that helps!
@garthify93065 ай бұрын
@@shawn-wallsthat’s also grayed out
@RigittyRoo Жыл бұрын
No way this works properly. Image does not respond correctly in Lumetri. Highlights are terribly blown out beyond recovery. Looks like you have the same problem in this video too. Highlights are completely molten on your face. Thanks for putting the time in to educate about the features in Premiere, but I would advise against this method.
@TomsJurjaks Жыл бұрын
It actually does work properly. What you forgot to do is go to Sequence Settings and mark a checkbox next to “Auto Tone Map Media”. It should be on by default, but for some users its off. It fixes many problems, especially HDR footage and if you shoot in HLG format, so yes it does work, I even made another video going bit more in detail with this, you are welcome to check if you are not too convinced 😉
@chiorpheus11 ай бұрын
Thanks! I realized if you use curves to tweak highlights after overriding the color space, you can see the detail that was preserved re-emerge in the scope as you pull them down. Very cool!
@11Augusts Жыл бұрын
I don’t have that option in color space override, there’s no slog option how do I add ?
@TomsJurjaks Жыл бұрын
It should be there by default. First ensure that you have the LATEST Premiere Pro version and second, that you shot in Slog
@11Augusts Жыл бұрын
@@TomsJurjaks must be because it’s not latest version. Can’t update to latest cause I have iMac late 2013…
@michalbartkowiak67282 ай бұрын
You are my private Jesus from this day.
@TomsJurjaks2 ай бұрын
haha cheers to that 🙌
@khirobenglia7764 Жыл бұрын
hello man i dont have the color managment option in modify
@TomsJurjaks Жыл бұрын
Are you using the latest version of Adobe Premiere Pro? Because they introduced it only recently
@1990Redline6 ай бұрын
Doesn't work, the option isn't even there. And I'm on the newest pp version.
@TomsJurjaks6 ай бұрын
I think Adobe recently moved this under the Lumetri tab when you choose "color" layout. They keep moving things around all the time.
@1990Redline6 ай бұрын
@@TomsJurjaks thanks, I look into it. ✌️
@Kuljeetbhullarfilmz Жыл бұрын
i use 2022 softwere version. my softwere dont show camra log. only rec 709 and rec2020. tell me bro how can do it
@TomsJurjaks Жыл бұрын
Please update to the newest version. I am using V23.5. Its possible that in your version there is no such feature.
@Kuljeetbhullarfilmz Жыл бұрын
@@TomsJurjaks ok bro. thanku
@BrosNecessaryVideosOfficial Жыл бұрын
Why are the options greyed out?
@TomsJurjaks Жыл бұрын
Do you have the latest version of Premiere?
@paulherter-animation Жыл бұрын
This actually breaks my image completely idk how u can do that
@TomsJurjaks Жыл бұрын
You need to make sure you select the right profile (same as you have in the camera). If you select the wrong one, the footage will look horrible. Also make sure your timeline is in e.g Rec709
@mr.raguzzini Жыл бұрын
I followed your steps, but when I go to overwrite the color space, I can't find the list you provided, so I can't select "Sony S-Log 3/S-Gamut3.cine." How can I get this list?
@TomsJurjaks Жыл бұрын
Hmm, not sure. Do you have the latest version of Adobe Premiere Pro?
@pikuvideo5273 Жыл бұрын
PLEASE DO NOT DO THAT TO YOUR FOOTAGE, if you interpret your footage you DO destroy it, I have test this and with slog3 exposed to the right, when you apply this conversión it wil cut off the highlights and you´ll not tbe able to recover them as you can when you apply it as an adjustment layer or in creative part of the lumetri effect. THIS METHOD WORKS LIKE A DESTRUCTIVE LUT.
@TomsJurjaks Жыл бұрын
It destroys if you have not selected “Auto Tone Map Media” in Sequence settings. Mark the checkbox and watch for magic to happen 😎
@joelrivera39646 ай бұрын
Grat video!!
@TomsJurjaks6 ай бұрын
Thanks!
@kurosakimika60796 ай бұрын
why is the color management greyed out on mine? thank you