Effective Middlegame Training: Queen's gambit exchange variation

[@josephkelly7278]

First game it's the Pawn Duo. The hanging duo in the center of the board is very dynamic and place serious pressure on whites positions. See Bertok vs. Fischer Stockholm 1962 Fischer vs. Spassky 1972 Timman vs.Geller Hilversum, 1973

[@Mr.Checkmate-cy4lw]

@@josephkelly7278 thank you for your suggestion! I'll look for those games and make a video to share the ideas you just mentioned.

[@josephkelly7278]

@@Mr.Checkmate-cy4lw the position in the games I suggested are similar, but come from the Tartakower Defense of the Queens Gambit. The Fischer game is game six of the 1972 World Championship match against Spassky.

[@Yornek1]

Recently found your channel…. Keep up the good work. Will you have 2D digital diagrams soon? Just an idea… thanks for your job here again.

[@Mr.Checkmate-cy4lw]

@@Yornek1 first of all thank you for following my channel and take the time to give me some feedback. I'd like to share with you what made me do this channel. I'm about the pleasures we have lost. The digital world promised to give us chess, but what it gave us is cheating, people who cannot evaluate a position without an engine, and total lack of feelings. When I replay a game over the board I feel the wood, heavy, the warmth, the difficulty to reach some squares, even the difficulty to read and move the pieces. The descriptive notation is something alien, but Fischer even wrote his games in descriptive! I'm not against computers. In fact I just installed the new Chessbase 18, and I'll do some videos about it. But I have something like 50 chess sets and I'd like to show them all. Some are historical. I'd like some help to improve the graphic. I'd like to find a camera which reproduces the real color of the chess sets. Some wood like padauk is amazing but I don't see it in the videos. What about you. Tell me more about your chess. What do you look for in chess.

[@adrianpolak8296]

@@Mr.Checkmate-cy4lw I love watching chess on a real board. I think it is unnecessary to say which squares a piece moves to when you move a piece. Everyone does it, but we are not blind. You can point with your finger, say what the piece is attacking, where the threat is.