Endlich Allein - scored with Gravity 2

We just finished our Zoom Battle Royal. Big thanks to Kade Jones, 7klang and Anton Levin for joining us. Unfortunately we had a technical problem so the call wasn't recorded, but we will for sure repeat something similar very soon.
Here's my personal attempt on the #EndlichAllein rescore. For obvious reasons I tried to limit myself to Gravity 2, but anyhow took some help from Ascend, Uncharted 88 and Vast :)
Here's the link to our official playlist where you can find all the entries that participated in our little scoring competition.:
• #EndlichAllein
BEST OF LUCK AND LOTS OF FUN TO ALL OF YOU!
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Thanks to Hanno Friedrich for generously making his film available for our competition!
Visit hanno-friedrich.de and follow him on Insta
/ hanno.friedrich
Some information about the film, of which there will be a special competition compilation:
Original title: Endlich allein
Book: Hanno Friedrich
Director: Martin Przyborowski
Production: spacehippies media production & ZENON Produktion
Actors: Saralisa Volm, Hanno Friedrich & Frank Streffing
Released: 2016, Germany
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PS: If you like my content mostly created in nightshifts now you can become even a member of the channel having access to special emoticons for the live chats and I already uploaded the first videos giving you some "behind the scenes" and tipps and tricks about the music business.
PSS: Even coffee is much appreciated:
www.buymeacoffee.com/wahey73
And finally, there is even Patreon. I will upload exclusive content there which you won't find here on KZbin:
www.patreon.com/MartinHeidenr...
A huge THANK YOU goes out to my first Patrons:
Dave Cushing: / @speakofthedavel
Rikki Murillo: / @rikkimurillo9970
Yathan Spark: / @jaythansparksmusic
#filmscoring #scoringcompetition #EndlichAllein #heavyocity #MartinHeidenreichMusic #HannoFriedrich

[@MartinHeidenreichMusic]

If you are interested in a "Behind the Score" let me know in the comments, I might make walkthrough video then

[@AndreasDormannMusic]

An exciting, pulsating score, my friend! ❤ And a sporting battle on Zoom tonight! 🥊It was great that some of our nice participants were there. 👍 I'm already looking forward to seeing the beaming winners on Sunday! 😃

[@MartinHeidenreichMusic]

I really enjoyed the Zoomcall with some members from our community. We should do that more often

[@mondostrat]

Very nice! The Ennio Morricone motif was sure a surprise!

[@MartinHeidenreichMusic]

Thank you. The Good, the bad and the ugly....all in that guy

[@hugochalon4898]

Nice score, Martin ✌️ The piano and percs riffs are smooth (must be great to hear on headphones) and the small distorted synth noises sync well with the transitions. You did a good job using Gravity 2 on this trailer.

[@MartinHeidenreichMusic]

Thank you Hugo. I might make a "Making of" video and talk a little more about Gravity 2 and the other two libraries I used

[@jerrypayne9332]

I didn't see Clint Eastwood in the credits?😆 Fantastic score. I especially liked the percussive elements.

[@MartinHeidenreichMusic]

Thank you and no, he wasn't in the credits. He went on vacation 😂

[@wesboundmusic]

Absolutely excellent, Martin! Love the outro in particular, but really everything is fabulous! I understand your personal additional challenge to limit yourself to Gravity 2, because otherwise I'd have expected some raging wild Damage stoner guitars in the end, haha! And hey, you said no flutes! :-) Just kidding. Really excellent!

[@MartinHeidenreichMusic]

Thank you Wes. Yes, of course wild Damage stoner guitars do sound great but would they have added to the storytelling? or given the right message? Even those are aspects that us film composers always need to keep in mind. PS: the flutes might have been great as a surprising element (as asked for in our rules, but I guess now we'll never know 😂)

[@stefanorossi3480]

You're always good for a surprise 😎

[@MartinHeidenreichMusic]

Thank you my friend! Have fun

[@D20Music]

Excellent work, Martin. Couldn't hear it properly on my iPad during the Zoom call, but on headphones it sounds awesome! Sound design and that bass pulse from G2 are great choices - and the surprise worked well. 🤠

[@MartinHeidenreichMusic]

Thank you so much Kade. I had that "Surprise" in mind the very first moment I saw that scene 😂 The biggest problem with Gravity 2 is choosing the right presets to start with, there are way too many good ones. Once that is out of the way it's just pure joy to use it

[@morianemo]

Wow!!it's superbly well done. Lots of suspense. Bravo👏👏

[@MartinHeidenreichMusic]

Thank you Moria.

[@davidsiddle3700]

Great job Martin, suspenseful without being in your face!

[@MartinHeidenreichMusic]

Thank you David. That's one of those difficult aspects of film music, enhancing the pictures without getting in the foreground (at least most of the times)

[@DarkSideofSynth]

Endlich deine Version ;) Wirklich gut. Und die Morricones Überaschung... TOP!

[@MartinHeidenreichMusic]

Vielen Dank und ich mußte selbst immer wieder lachen

[@sonicstoryteller]

Great cue mart fits the scenes perfect have a great weekend Phil 🙏👍

[@MartinHeidenreichMusic]

Thank you so much Phil. You too have a wonderful weekend

[@atimeofshadows]

Very cool Martin, you showcase Gravity2 splendidly. Awesome work.

[@MartinHeidenreichMusic]

Thank you Paul. It is an amazing library and can be used in many different ways

[@Heavyocitymedia]

Great work here Martin!

[@MartinHeidenreichMusic]

WOW, thanks! Means a lot coming from you