Pierre Boulez, sur Incises - Ensemble intercontemporain

[@Lechatchasseur]

Quand on commence à l'écouter,impossible d'arrêter! Sublime!

[@marcellodantedealmeidanune9445]

Mathias Pintscher sempre muito à vontade no univrso contemporâneo. Muito bom.

[@mickdarabuka7778]

Genius composer and master musicians.What a performance. Absolutely brilliant.

[@spushor]

My first experience with Pierre Boulez was in my college years in which my curiosity led me to a purchase of Stravinsky’s Petrushka and the Rite of Spring or Le Sacre du Printemps with the Cleveland Orchestra. I was a wowed by the clarity and force of the CBS Masterworks recording. I listen to that recording to this day, then Bartok’s powerful Miraculous Mandarin recording floored me. From that point on Boulez was my conductor. I then proceeded to check on his own compositions and reading up on modern music. Boulez changed my life and got me going on 20th Century music. His Piano Sonatas #1-3 and Le Marteau Sans Maître, his music was difficult. But after continuous listening it opened my mind and increased my spatial intelligence. Later his compositions Repons and Sur Incises were fantastic. Boulez’s music will live on into the 22nd Century. He will be missed.

[@spushor]

I could listen to sur incises all days, than repons the rest of day, Pierre produced some real master pieces and Ensemble intercontemporain is precise and incredible.

[@tylerknowlton]

Different strokes for different folks. To me it's mostly cerebral music and only mildly enjoyable.

[@MissJessyeNorman]

*masterpieces, it's a single word ;)

[@MIDIPipe]

Me too Maestro. Night and Day.

[@nonenoneonenonenone]

@@tylerknowlton Not even that. It's puzzle-making with sound, not music at all. His conducting is only slightly better. He should have been a mathemetician. He is the ne plus ultra of the opposite of music.

[@jimit.4220]

​@@nonenoneonenonenone how about you let people enjoy the music they want. To me boulez's works are incredibly well made and full of emotion. If you don't like it, just don't listen to it.

[@lotharlamurtra7924]

Beauté à l'etat pur. Une musique qui nourrit l'esprit et ne fatigue jamais.

[@davephillips1263]

Outstanding performance ! sur Incises is a marvelous piece, and the Ensemble is *the* group for it. Vast thanks to all involved !

[@ensembleinter]

Thanks !

[@clarinetjo]

Le passage à 2:50 est tellement magnifique ! Des couleurs sonores irisées tout en délicatesse !

[@michaeltheriault4906]

Utterly beautiful.

[@machida5114]

so good...

[@christophegeoffroy4281]

Still here

[@marcellodantedealmeidanune9445]

Boulez, o mestre maior da contemporaneidade e inspiração de muitos músicos em mais uma peça fantástica. Poucas orquestras ou grupos instrumentais estão aptos a interpretar "sur Incisses".

[@pianomanhere]

Thank you for posting this, which is possibly my favorite Boulez work.

[@doctormock1]

The beauty IS explosive.

[@sharonhall7315]

phenomenal piece of music

[@Augustin59001]

SPLENDIDE! merci.

[@SuperBen421]

The middle pianist is so dramatic. Only one wearing a color besides black he chose bright yellow and white. And is nearly crying at the end. Incredible performance

[@lourensfaul4532]

I really enjoyed this flashback to atonality. In those pre digital days I also dabbled in non tonal composition: Performed at JCE my electronic ballet Paradise Lost for Geoffrey Sutherland's Kinetica dance group drew this comment from Angus Rose in the Sunday times on 26 Augus1973: "Paradise Lost", with choreography by Geoffrey Sutherland , acting out the story against electronic aural complexities devised by Dr Lourens Faul. These ingenious and atmospheric sounds that roar, thunder, rattle, whine, twitter, sigh and very nearly sing are surprisingly apt, especially in the animal coughs and gentle roars. When Heaven, complete with silvery Deity and angels is revealed there is almost echoing harmony of liturgical chanting - and when the action moves to Hades it really sounds like Hell! (And this recording was made using home recorders, some borrowed from neighbours!)" . This was after workshops with Henk Badings at the SABC. I collaged "Doedelmadossies" and "Nou skryf ek malkopwoorde" (Now I'm writing madheadwords ) based on a Boerneef poem. My one effort at dodecaphony was based on Blum's poem "Man wat mal word". ("Man growing mad")At the only understandable stanza: "En dit is die Liefde" (and this love) the row became tonal with a perfect cadence. The final words: "Woknakwyf" had the pianist attacking the piano fff with both arms .

[@BrianJosephMorgan]

Magnificent!

[@9827george]

Je préfère quelque peu cela à la version enrégistré par Boulez sur CD! C'est plus nuancé dans la ligne.

[@yagiz885]

30:30 now I'm feeling it!

[@boonrutsirirattanapan100]

Very Excite. This version.

[@alainemler7453]

"Pas de fuite en avant, s'il vous plaît: une des marques les plus insignes de la déroute. Aller jusqu'à la chair nue de l'émotion, disait Debussy; je dirai: aller jusqu'à la chair nue de l'évidence." Pierre Boulez (1963)

[@luisjackson924]

Sin saber escribir ni leer música, he logrado crear obras similares a estas. Dentro de un estilo mas futurista. Desconocía hasta el día de hoy a este Maestro. Seguiré entonces creando, sabiendo que no soy el único en este estilo que para muchos es locura. Desde Chile un cordial saludo.

[@jacquesderegnaucourt5245]

Question:pourquoi pour une pièce dont la répartition spatiale est si importante l'enregistrement est-il restitué en mono ? Une totale aberration selon moi !!!!

[@michaeltt3232]

Amazing man. After the primal anger went away he spent a bit too much time looking at aquaria. His generosity, doctrinaire curiosity, scrupulous devotion did only good things. But let us remember they were not the only good things to do.

[@gentle_goy23432]

Я думаю , многие моменты отсюда можно назвать чистой музыеой.

[@Tizohip]

PIER BULE

[@richardrickford3028]

Boulez will I think be like Mahler. More known as a conductor when alive but more and more revered as a composer when dead.

[@nonenoneonenonenone]

He will be very quickly forgotten, as with Webern, except in the most abstruse, academic circles, with musicians who cannot play real music.

[@reidwhitton6248]

​@@nonenoneonenonenone Webern hasn't been forgotten. And I suspect he won't be anytime soon.

[@richiebeirach3671]

F---K YOU you are totally wrong ,,you just cant hear it moron @@nonenoneonenonenone

[@kbalfe]

​@@nonenoneonenonenone These musicians definitely can play real music (even if they choose not to sometimes)

[@basourdi]

y'a un accident ?

[@diallobanksmusic]

22:02 23:45

[@didierschein8515]

Une oeuvre abrupte, contrastée; pleine de rythme et de résonnances. Un peu trop longue à mon goût, mais c'est peut-être le problème des works in progress. Et du pur Boulez, qui est toujours resté l'artisan furieux qu'il était au début.

[@benjamincuevaseninde]

-- Du magma en fusion. --

[@stephenjablonsky1941]

What is music supposed to sound like? Or better yet, what is music and what is it supposed to do?

[@gentle_goy23432]

Music is the organization of sounds according to a certain principle of pitch. (I prefer tempered tuning, but some people go beyond it.) Previously, I would have said that music is also characterized by clear form, harmony and melody. But this is not always the case, especially in the last 120 years. Simply put, music is an organization of sounds that cannot be classified as noise. But noise is sometimes used intentionally in music, or to create a feeling of chaos or disorder. The second is purely subjective. Some might say that Richard Strauss's music is noise. Or Boulez’s music is not music at all. And music doesn’t owe anyone anything. Only if a collection of sounds wants to be called music, it must be organized.

[@stephenjablonsky1941]

@@gentle_goy23432 Music is organized sound and beauty is in the ear of the beholder.

[@christophegaudin4179]

Chpouing tougoudoung doung rikikikikiki bambambam

[@macronenpersonne4242]

Je suis infiniment reconnaissant à la musique dite “contemporaine” qui, par sa laideur et son imbécilité, a laissé toute la place au blues, au jazz et au rock pour s’exprimer.

[@SantiagoQuinto]

Stravinsky revisited

[@vicomteraoul3619]

Quelle horreur :-o

[@thierrymercier8695]

votre appreciation subjective nous en apprend davantage sur vos (grandes ) limites que sur l'oeuvre, effectivement destinée à des oreilles ouvertes et curieuses, ayant fait du chemin...

[@vicomteraoul3619]

@@thierrymercier8695 LOL comme ci c'était une question d'ouverture. Ce hors sujet de l'espace :-D

[@thierrymercier8695]

@@vicomteraoul3619 apprenez à lire votre interlocuteur, Vicomte, et à répondre en français : c'est nettement moins long que le chemin indispensable pour appréhender des oeuvres complexes et nouvelles . vous méfier de l'Effet Dunning-Kruger, en outre...

[@vicomteraoul3619]

@@thierrymercier8695 tes vannes de CE2 te font te sentir supérieur. C'est bien. T'as cru ça masquait par magie que t'as 0 argument en faveur de cette bouillie :-) Bah non en fait t'as pas de pouvoir magique. Grandis.

[@rawsmackdownnxtwwe5646]

@@thierrymercier8695 une musique difficile d'accès pour le commun des mortels mais que même un musicien averti n'ira fredonner sous sa douche.

[@dominothewonderdog]

Mieux vaut ça qu'être sourd..? Pas si sûr.. 🤡😂

[@thierrymercier8695]

pitoyable commentaire .

[@solarean]

.

[@Shinobu_Kocho578]

@@thierrymercier8695Je suis d'accord

[@Andrew-rb8kx]

Boring and cliched. Nothing to say about the music itself, only about your limitations.

[@muslit]

the work is much too long

[@mikeg2924]

Nah.

[@diallobanksmusic]

Not long enough

[@9827george]

you are too lazy to listen

[@tailleferrestan]

Oh boy, Morton Feldman's String Quartet No. 2 goes on for around five-and-a-half hours.

[@solarean]

@@tailleferrestan And some of Sorabji goes up to 8+ hours

[@bernardriviere5868]

Symphonie cacophonique pour autistes et dépressifs. J´aimerais savoir ce que Mozart penserait de cette....´´oeuvre´´.😅🤣😂

[@clauderebattet7144]

Boulez est dans la continuité de mozart, un musicien de son temps, du 20 ème siècle, déjà éloigné des compositeurs d'aujourd'hui pour ne pas dire contemporain

[@gentle_goy23432]

I think Mozart would not have liked the music of many composers after him. I think he would call much of Beethoven's 9th symphony or Mahler's 8th symphony noise and cacophony. And by the way, for me this is wonderful music. I was pleasantly surprised to hear this. I'm a degenerate, lol. Well, OK.

[@Andrew-rb8kx]

Such a contemptuous and bigoted response, which tells us only about your lack of character. If you don’t like the music, provide some substantive reasons not insults.