Super SHARP Blackmagic URSA Mini Pro 12K

[@mondobytes]

I can’t wait until next week 🔥🔥

[@EuCanProductions]

The crossover I never knew I needed!

[@louisrafaelcom]

When can we see your video? :D looking forward to the comparison!

[@alayejon]

We're waiting for your video...

[@BradyBessette]

Hey there!!! Thank you so much and glad to be a part of this video! Pleasant surprise :)

[@EpicLightMedia]

Hey!!!! Love your stuff

[@jameschen8746]

Congrats on 100k subscribers, one of the best channels on youtube!

[@Zulwind]

Quit listening to the negative comments, I like your personality and your videos they are funny and entertaining and that's all that matters!

[@timfuchs3185]

Him: talking about a 12K Kamera Me: wishing to have the Pocket Cinema Camera 4K🙄

[@timfuchs3185]

@@angeloboshra ohh😶

[@pipopipo6477]

I have the BMPCC4K and for a minute I was really unhappy that I don't have the Ursa 12k. Thanks for reminding me that there was a time when all I wanted was just a Pocket 4K....

[@mantenbrink]

Save up and go for it. I've been working weekends for a year to get the pocket 4k and accessories, just don't underestimate how much money you need for the cage, tripod, (2nd hand) lenses and other accessories

[@wakkowarner8810]

@@mantenbrink it costs me about two or three times the cost of the bmpcc 4k to rig my camera out ... it would cost even more to rig the 12k out

[@stanleymakafui]

I love this channel so *** much. And also, I've been watching Brady a lot these days

[@BradyBessette]

Thank you!

[@alexschwindt2124]

This is seriously useful content. Purchasing these cameras and rigging them out can be such a big investment; knowing what the real-world experience is like with them is just priceless. Thanks to the whole team for this context.

[@geraldbaria]

Camera Conspiracies deserves more subs. Thank you.

[@thetooth]

2010: no pinstripe shirts we don't want moire 2020: NO FABRICS

[@EpicLightMedia]

Sad truth

[@Aaron_Smith_OM]

Glad I pulled my order. That moire is killing me. Instead, I'm just going to save. I think the only major investment I'll do this year is furthering my skillset in writing/storytelling (I mean, that's my number one anyway) and getting the Asus 3090 when they become available. From there... this may be the video that makes me go either RED or ARRI. Thank you so much as always for the honest reviews and tips.

[@alejandromoralesgonz]

Thanks for the Vid, The guys from "media division" in Hamburg are also doing a terrific job and are totally worth a recommendation. Cheers

[@SamLucas26]

Man, this camera rolled out a day or two after I ordered my c300 mark iii and I was really contemplating cancelling my order. But I've had my c300iii for about 2 months with a few projects under my belt with it and I'm so happy I ended up keeping it instead of going for the Ursa 12K. Not that the Ursa is a bad camera, obviously. But I'm just happy I didn't get caught up in the spec marketing that goes on. Because I'm super happy with the c300iii and haven't even started to max out it's potential. Still looking forward to renting this camera at some point though and playing around with it on a project or two. It's a super interesting camera

[@Phonothek]

you guys are so meta, i love it

[@stefanthorndahl1666]

Felicia Smith is a great channel, and so is Zebra Zone and This Guy Edits. Cheers! Definitely gonna check out the Brady channel

[@Myshowbro]

You're a special kind of evil when you leave us on a cliffhanger like that

[@brianbarranteslara]

WOOOW so awesome you recommended Brady! He is such a talented guy....

[@BradyBessette]

Thanks Brian !

[@lovefirst6157]

I second that

[@emilthilsing]

100.000 subscribers! my condolences:(

[@pascaldeshayes5459]

Good content, thanks! I also believe that 1080 is the perfect workflow/quality balance.

[@CalciFrostHV]

That dramatic music at the end... From here I can feel the Black Magic team scrambling

[@Aaron_Smith_OM]

Also, other channels that are dope: YCImaging, Cooper Films, MAKE.ART.NOW., Michael Tobin, Crimson Engine, Indy Mogul, Brittney Janae, Graetzmedia, Danny Gaveritz, just to name a few.

[@Uriel.Cinema]

Imagine a collab with Make art now and Epic Light Media

[@Battlecry45]

Uriel Cinema youtube would just cease to exist

[@apexvisuals6385]

Very unbiased! Love it thanks!

[@NatesFilmTutorials]

That moire pattern is looking a like groovy music party

[@niRtywa_starcvnt]

Definitely Felicia Smith, she's amazing and provides real set info, instead of just infomercials (which most 'filmmaking' youtubers are). Also The Media Division, those guys do real in depth technical reviews and tests, not just spec reading.

[@nmbr73]

Wow, 12k x 8.33333333333 subscribers - congrats! Well deserved ... think positiv: could have been a million 🤷🏻‍♂️ And soon only Monsieur Moiré will be left to love your videos.

[@LoveTech]

Great info. Thank you so much!

[@avdcam]

Gaffer & Gear and Meet the Gaffer very good channels!

[@romanzebik253]

I think the noise is due to insanely amount of pixels 80MP on such a small sensor 27.03mm x 14.25mm (Super35) which requires lot of light to make the photosites lit correctly. My photo camera Canon 5Ds has 50.6 MP on 36×24 mm (Full-frame sensor) and is behaving the same. The moiré issues are eliminated by OPLF (low pass) filter I would recommend to use one .You need sharp-clean glass to benefit from 12k resolution and any micro jitters on this 80MP sensor will cause blurry background when shooting wildlife. In regards artifacting at 18:1 B Raw compression, I think is ok to use with lower resolution but 12k is little too much for this compression ratio. This is great camera to work in controlled environment.

[@ProPhotoTips]

You still can`t convince me to unsubscribe to Epic Light Media. The URSA 12K it really seem like a powerful camera, but for most of us, here on KZbin, 4K it`s more than enough. Imagine the space needed to backup 12K footage. Gigantic.

[@egran2150]

i have ordered it now for my live events !!!

[@jonathanblair2283]

I made the switch from premiere pro to Davinci Resolve and my only regret is not switching sooner. I highly recommend switching to Resolve. It takes patience to learn, but once you get it, it makes so much sense.

[@ConflictMedia]

I love the description 😂

[@ErdincMusic]

Even though it's not a channel about film making erdincmusic definitely worth subscribing. Just saying...

[@MaverickMario]

Frame Forge is a pretty good channel about film making and story telling

[@neuromooseman]

Sounds like the best way to get 100k subscribers is to tell people not to subscribe 😂. Congrats on all your hard work and such an amazing accomplishment! I absolutely love your channel and I’ve learned a ton already. Can’t wait to see what you all create with the next 100k 😀

[@britishthought4018]

"See some real 12k footage on your 1080p display!!!" it hurts bit its true. You gained a new subscriber today.

[@aptly6]

I love your content! Please keep doing what you're doing

[@Repz98]

It makes me happy to know that these giant compaines like BlackMagic and Red are working on 12K resolution, hopefully pushing forward ecoding, camera technology etc, I wonder how relevant 12K will be in just 10 years. when Im 32.

[@EpicLightMedia]

10 years ago HD was the gold standard haha and now I would say 4 or 6k is becoming the standard.

[@Repz98]

@@EpicLightMedia all phones have 4K, and with real 5G coming 1-2 years, maybe then they choose to normalize 4K even more, as people will have faster internet speed. Loading 4K takes a while for the average internet users. KZbin compression need to step up, so does the storage industry, the ecoding industry, etc. Really interesting times we live in!

[@tristankay-hards8619]

Congrats on 100k!

[@Nedyroc2]

Chadwin Smith has been crushing it!

[@EpicLightMedia]

Oh yeah he’s my friend!! I should recommend his channel

[@MaiElizabeth]

I have missed 2 of your videos. I have shot couple of videos but still undecided to post or not. Feel like AGAIN unmotivated. After seeing this ... OK. Don't think too much... Your channel is really inspiring me, a tiny insignificant beginner noob filmmaker.

[@EpicLightMedia]

I was a noob 10 years ago!!! You can do it!!

[@publictt4923]

Will blackmagic fix the moire problem ?, and amazing video👏👏👏

[@Chamby]

Saw the the thumbnail and my first reaction was "its the kid from stranger things!"

[@Thesupermanning]

Sounds like you really liked it once you paired it with a good lens and used Davinci Resolve...until you found the moire in post production. Do most cameras do that, or is this one extra bad in that regard? Can it just be fixed with the filter you mentioned?

[@NebulousFilms]

Curious too.

[@matheussouza631]

Most cameras have an optical low pass filter (OLPF) which reduces the effect of moire. For some reason (probably cost), Blackmagic doesn't have an OLPF in their cameras.

[@ArthurMoore]

Dude I love your videos but the last 2 feel Like you’re disrespecting your audience, saying something, and showing something else. if you’re realizing that what your saying is not valid after filming it, a little title in the corner of the video is not gonna fix it. Make a new video.

[@EpicLightMedia]

We had already shot and edited a whole video before shooting this one and couldn’t use it because we discovered new info after being contacted by BM. We were too lazy to make a third.

[@jcobb2073]

@@EpicLightMedia, it shows. First half was fine, but I would have rather had you straight up say that your were too lazy to reshoot and play elevator music for 5 minutes instead of contradicting yourself until the 10 minute mark.

[@TheKidsDaaaaad]

@@jcobb2073 eminem likes elevator music.... he's not a king, he is a GOD... 12K = GOD MODE!

[@chrisetheredge6647]

appreciate the heads up...Camera Settings, Post Settings, lighting, the right recording hardware and compression ratio ALL matter with this camera and all professional cameras for that matter!

[@cali9fiftyone]

Wolfcrow youtube channel is awesome, hes a DP from india and really knows his stuff

[@TheKidsDaaaaad]

Potato Jet is def needing to hit 1 million

[@matthewaitkenfilms9477]

Congratams on 100k

[@rashpalsagoo11]

Great video 🎥🎬 Love your videos and channel I noticed banding on your blue background... I used to get the same, I found by adding grain it fixes the problem 👍👊

[@EpicLightMedia]

Thanks for the tip! KZbin compression is the worst

[@Cinematographer_brenton]

i love the backpedal on the edit so much xD an new OLPF's for rthis guy yet?

[@mythenkanacke2105]

I'm not sure if you guys have heard of slashcam. But they mentioned your video in an article about 12k dynamic range and moire. Essentialy saying that isn't a problem with the camera but with scaling of the footage: "By the way to the topic 4k/8k readout: because there are no lenses that can resolve 12k, the in photosite edges cause cause unsharpness, which has an similar effect to an optical low pass filter. People who record in native 12k don't just have poor rolling shutter and high data rates, but have to run the computing intensice scaling in post. The biggest negative of this concept howver is, that the user needs to understand that. Because if recorded resolution and timeline resolution don't match, you will get artifacts and moire. This is what we expected when we discussed the problem in our forum. Now we can proof it using resolve public beta 17. Because in this beta we can select encoding resolution" "Because these youtubers used premiere pro. We expect it to scale different"(rough translations) Essentialy the premiere braw plugin is busted.

[@rajubhaivyas1450]

So honest review ...❤️👍🙏💐💯 percent

[@AaronFilmsStuff]

Great video! Congratulations on 100k... or not 😜

[@somasungaming9048]

Would you ever do a review on the ZCam company? Curious how you guys might test it out and feel about it. I'm indifferent for a few reasons, but would love to hear your guys' thoughts.

[@karimsaleh7034]

Lol the zoom in after “marketed to professionals”

[@BigBlobProductions]

I can't even tell you how badly I want this camera. And primary because of the color science. I have been waiting for a full RGB camera for years!

[@leeman555]

Please oh please @EpicLightMedia can you do a video on how to achieve a cinematic look in bad wet weather. I live in the UK and are subject to a lot of rain and overcast days and I want to know how to make it look good on camera.. P.S. I don’t have slow mo on my camera for those slow mo rain shots though :/

[@CameronMagee]

Congratulations on 100,000 Subscribers. I'm sorry!

[@tomdchi12]

That's awful! Now I'm totally going to unsubscribe.

[@randomgeocacher]

I’m presuming that similar to RED, Alexa etc, BMD co-design their sensor with a specialist company. Small integrators typically do not have the know-how to implement advanced low level ICs. Likely the sensor is modified from an existing design and then customized to match the pattern BMD has patented and matches their BRAW. So the idea of the sensor clearly is very BMD, but I’d be surprised if BMD suddenly had a huge team of extremely skilled IC designers in house. I believe need to be really big like Sony or Canon to have the entire chain in-house. If any small player get the entire chain in-house that would be interesting and surprising.

[@TechnoBabble]

I've noticed a lot of these cheaper cinema cameras tend to have similar issues with moiré, aliasing, etc. If Blackmagic or someone else in the "budget" cinema camera field could make a camera with a similar sensor but a heavy AA filter that blurs the image between around a 2x2 section of photosites to essentially eliminate moiré and then record at a much lower resolution and give an image with no chroma subsampling. Kinda like a modern version of the striped sensor from the Sony F35.

[@Deaddinoproductions]

Finally started adding Blackmagic cameras to my arsenal a couple months ago (bmpcc 4K) and quickly found myself battling with the moire issue. I’ve been a GH5 user for years and had never dealt with moire as problematic on that camera as what I was seeing on just my 2nd or 3rd shoot with the bmpcc 4K. Very happy with the performance otherwise and it’ll be hard for me to ever go back from the BRAW workflow, but the moire is a considerable problem that Blackmagic needs to address.

[@EpicLightMedia]

Check out the raw lite OLPF’s , they’ve kept us with BM. Also we love working with BRAW as well.

[@mantenbrink]

I am more interested in the 4k and 8k footage, knowing that when I buy this camera I wont shoot 12k anyway, but I will buy it for the downsampled 4k with full sensor, that should destroy all the sensor noise and provide insanely sharp 4k images. Really interested to see what other people owning this camera say about that. The blackmagic raw only is a bummer, I've been having issues with the braw for premiere plugin for ever now and every update seems to fix one thing and make new bugs anyway, it's really frustrating so I've switched to prores on my pocket.

[@RiceCubeTech]

Maybe switch programs then, I’m a premiere user, but every experience I’ve needed DR for (color grading, faster project turn around with faster rendering and it’s just way smoother), has been positive. I’d honestly just switch man. Premiere is a buggy, horrid mess. I have a 12 core 3900x and an rx5700, 32 Gb of 3600mhz ram, and a PCIE 4.0 ssd, and it still runs horrible in premiere. Resolve does not have these issues.

[@mantenbrink]

@@RiceCubeTech I've been trying to but I work at a film company where premiere is standard and everybody has to be able to work in every project. For personal stuff I use DR mainly and I love it even though I'm missing a few things. Once they add my small list of things I really miss from premiere I will personally switch completely

[@sam.oates_]

Spencer Sakarai is much better than epic light media. Also love Brady Bessette, he’s killing it right now!

[@ebindboby6020]

🔥🔥🔥

[@tm9661]

Hi I am passionate of filmmaking and have just started making commercial videos with my iphone 11. Can you please make a video exclusively for filmmakers like who have low budget and would like to start with their mobile phones. Also please suggest all budget gears a person should minimum have to start asking commercial videos, so we can buy these gadgets . I LOVE YOUR Channel

[@EpicLightMedia]

Great idea 💡

[@emmireen]

I love your contents💯💯💯

[@MasonPollock]

even though there is compression on the footage the main benefit to the higher quality is knowing how to use it with noise reduction.

[@JaymesPoudrier]

The pricing is great compared to other cameras and often pros like to pick their own optical low pass filter. When you take into consideration who this is for it makes more sense.

[@BenRaddatz]

yes, please direct me to other channels!!! JK, you earned a sub for that last bit, appreciate the humility

[@enpegee]

I wonder how satellite camera and lens zoom in Edit: like that reverse psychological effect closing

[@Bradum]

Oof. That moire is brutal!

[@PaulMcMullan71]

Have you considered the Magicbooster from Lucadapters yet?

[@mpeg2000]

Love Blackmagic Cameras but this time i'll go with the Komodo... Not a fan of the race for more resolution. Even 4k is a hassle sometimes in post and even my upscaled original bmcc looks great on a 46" 4k tv in normal viewing distance. Only when you sit close to a let's say 32" pc monitor it's where 4k really shines. But that's just for me, none of my clients has such a monitor and i could sell them upscaled 2k footage as 4k all day. Rant aside. You can get rid of moiré in post by tracking the problematic area with a mask and applying the right amount of temporal noise reduction (it depends of the shot how much frames and amount of NR you'll need). Saved tons of shots that way in the past since the original bmcc was so prone to creating moiré.

[@gastypm]

I think you should recommend Tommy Callaway

[@Bast6]

Quick note : not "all other manufacturers" use off the shelves sensors. Namely : Arri, RED, Canon and Sony. They all custom made their sensors (even of they are made in someone else's factory, as it's the case with the URSA 12K sensor [Blackmagic doesn't manufacture sensors it's just the first time they are not using an off the shelves product]). And as for Sony, CineAlta cameras (Venice, F55 or F65) don't use Sony Semicon chips but custom and exclusive sensors. Great review nonetheless but I am very nerdy about those sort of things ;-( EDIT : oh and no you are not shooting "Imax". It is NOT a 65mm camera. And as of today it has not been certified by Imax as a digital camera suited for digital Imax delivery (which some call "liemax" because... Imax is equivament to 18K [ok 12 to 13 in 2.40 aspect ratio, I'll give you that)

[@RiceCubeTech]

Ironically Sony makes custom sensors for themselves and everyone buys their leftovers lol

[@Bast6]

@@RiceCubeTech Yeah, I should have specified Sony CineAlta at the begining instead of just "Sony" because as you said Sony Semicon makes sensors for Sony's other lines of cameras and for "everyone else" (Panasonic GH series, Blackmagic's Pocket series, Kinefinity, Nikon... Just to name a few)

[@RunningOhioWithBlake]

10 minutes my ass. For that, subscribed.

[@TylerEdwards]

Glad I went with the G2 :) wait what?! Also love Brady’s channel!! I wouldn’t recommend mine. It’s awful.

[@ХЕЙТЕРЫ-ы2б]

BMD has to fix this deal breaker moire.

[@pawelachtelacs2488]

This can be easily done. But, since the Moire appears at relatively small spatial frequency (visible even at 1000lp/pw), you would effectively end up with a 2k camera. Anyway, this camera doesn't resolve detail past about 3.5K (or 1,750 lp/pw). Yes, I measured it in controlled conditions. Get over it, it is a $10K camera :)

[@YakAlmighty]

I feel like if they were to put the 12k resolution on a large format sensor or even full frame sensor it would had worked out better but cramming all those pixels in to a super 35 sensor is bound to cause problems.

[@terrysahaidak]

Potato Jet is worth subscription

[@FlyingJackalope]

Not, which channels “are” better? Which channels “aren’t” better?

[@CINENIMUS]

“Is this camera worth 10k?” - no now its 6k 🤣✌️

[@stephendevore3902]

Black magic was not ready for prime time. With all it Grand Promotion. The higher level of Quality bring glitches with pushing hardware the software and marrying the 2 . Yes they need counseling 🤣🤣🤣 Take a poem that was in 1970s Starlog Magazine about the Bionic Woman. There Once Was A Woman Who Was Bionic.Who's Story Is Ironic.When Her Counterpart Kissed Her.She Blew A Transistor And Now Their Relationship Is Strictly Platonic.🤪 Unexpected Consequences with such a new level of definition and again pushing the hardware and software to far as they are.Good Video 🙂

[@zackhpittman]

That kids looks like a grown version of the kids from Stranger Things

[@eladbari]

@7:59 - THANK YOU for noting that HD is all you need, really. Now, realize that there was almost zero meaningful progress in camera technology in the last 3-5 years. No global shutter, no better dynamic range. Just bigger res. Which is like empty calories. Not so nutritious to your final image.

[@eladbari]

Yet, the manufacturers create this craze within customers who really think they're upgrading, while they're not. Truth is, these manufacturers have nothing new to offer to us, but they have to keep selling, so they use resolution as key marketing. It's all bull, man :\

[@RiceCubeTech]

Bigger res is important for VFX, tracking, and certain other technologies. Also, DR has gotten better, in cheaper cameras. 50 thousand dollar reds and arris already had 16 stops years ago, but they’re huge cameras but now smaller cameras are hitting 14 useable stops. Some cameras have global shutters, even in the mirrorless world. It’s just that for many things a rolling shutter is more efficient and cheaper. The tech is there, the demand is just not. Global shutter only matters for people creating high end content (movies and commercials for big companies). The average person won’t notice the difference. HD is horrid when watching on a big screen. I’d rather have decent 4K than amazing hd. And by decent I mean 13 stops DR minimum, and a solid codec behind it. If the tech allows it, why not have more resolution? Arri is king still in the pro market, but there’s zero reason for them to not add more resolution. Sensor tech has evolved and shooting 4K comes with very little drawbacks when the camera has enough in the budget to fix the issues. There’s only really issues when you’re cramming into a sub 10k budget. A 50-80 thousand dollar camera shouldn’t have issues. There are pro cameras that I think are better than the arri. I vastly prefer the Full frame Sony Venus 8k image. It looks sharper, I prefer the color science and I think the DR is on par.

[@eladbari]

@@RiceCubeTech What do you mean by "Rolling shutter is more efficient" ? For the manufacturer? Yes, but for the user? Not sure. As someone who is inspired by film, wanting to get as close as possible to it- that jello effect jusr ruins everything. A camera such as the experimental Digital Bolex- might have less resolution, yet the dynamic range and it's global shutter are so useful in reaching that filmy look. You love the sharper, high-tech kinda look. That's your style, I guess. This look only distances me from what I watch. I wanna see things being organic on screen. That means not having super sharp image. And I believe hollywood also doesn't chase sharpness. The soften their images [especially for the actresses]. And I also think there's this undefined feel to each camera. It won't show on the specs sheet, but you can just feel it. It's how objects & people move in the frame. How the camera captures movement. Blackmagic/Panasonic feel fitting mostly for documentary look (in my eyes). RED/Arri/Canon feels more filmy. I can be subjective, but that's my take on it.

[@morucek]

There is a reason bc Hollywood is shooting on Alexa.

[@RiceCubeTech]

@@eladbari yes that’s what I meant, for the manufacturer. They aren’t going to put global shutters in a consumer camera being sold for less than 5 grand. It’s just not feasible to include with the current state of tech. Beyond that, the red Komodo has a global shutter and the arri Alexa mini doesn’t, but I’d rise the arri over the Komodo every day of the week. A global shutter doesn’t always mean it’s going to be noticeably better than a rolling shutter. Look at the a7siii, it’s a rolling shutter but it’s very slight and hardly noticeable. Rolling shutters can get close to global, just not 100 percent. And they’re way cheaper to produce

[@samuelt7961]

Now this is interesting

[@Justin_Allen]

When you talked to Blackmagic did they say they were able to recreate these issues? It seems your camera has found issues that others have not reported and it would be interesting to see why.

[@banthafood]

Hi I love your videos! They aren't only informing but also fun to watch. But in the last video you said, that you have so many Davinci Resolve Studio codes lying around. Why don't you do a giveaway?

[@picattiu4813]

Here is a underrated to subscribe to, media division.

[@ben.fulfillm]

Do you feel like this stuff will be fixed in firmware updates?

[@michaelashcraft9098]

I’m sure it won’t be long till bmd is making lenses in house too lol

[@awj03130]

@Epic Light Media I've been considering the bmpcc 4k to add a raw option for certain shoots. Do you feel like you've had the same level of frustration with the pocket cinema that you have had with your Ursa 12k?

[@ara2106]

You don't need noise reduction that often. shoot ETTR (exposing to the right) and bring down exposure in post, this will eliminate the noise greatly

[@IvanSinghIG]

When is the video with Armando coming?

[@Nick-yo1te]

Moire fix... Mask+ gaussian blur. But yeah, it's annoying. How do you feel about this camera compared to ursa mini g2?

[@EpicLightMedia]

It’s sharper than the G2 and has higher frame rates that’s about it

[@rashpalsagoo11]

Also... Which lens are you using 👌

[@EpicLightMedia]

Sigma 40mm and 18-35

[@AdamSzarmack]

Interested in learning more about your experience with the OLPF filter you mentioned. I'm getting moire on my G2 in just about every shoot. I wasn't aware of the issue prior to purchasing. You said it's solved the issue for you? Any tradeoffs? And if you don't respond, I'll start telling everyone I know to like and subscribe to your loser channel! Thanks!

[@EpicLightMedia]

Yes the Olpf was is great!! It doesn’t soften the image but it totally illuminated the moire and it gives the image an Alexa creaminess

[@Veptis]

It's not meant to be cropped into 12x you are supposed to shoot 8K or 4K with it. And than its the best camera out there. Listen to Captain Hook

[@michaelwalsh3462]

This camera is not about a12K sensor. It is about a new color science based on a non- bayer encoded matrix. Think of it as a prototype. And, FYI, the last press release I saw said there was no OLPF inside. So...

[@BP-qi3dt]

6:08 - Bro look at the before/after CNR “denoised”. “That strange noise structure is now gone” I don’t think so.