Everyone EATS SH*T on THIS Bar of The Blues

[@danielross51086]

I don't know what's going on, but I know skill when I see it. Not just a guitar player, but a musician that happens to play the guitar. KZbin is lucky to have you.

[@ivangarnicamusic]

That's huge for me. Thank you for th straight-to-the-point lesson!

[@jasonkeaton5140]

Good stuff. I like thinking of the barr6 harris "playing eith the family% on the diminished. It never really occurred to me so thank you 😊

[@jbowerman50]

Also, the walk down, can be done in augmented as long as you outline the dominant when you get back to the 1 - you'll be suprised at how smooth it sounds.

[@stevengrinold3203]

Love when you show us stuff that applies to blues! But of course I love everything you give us

[@pete_cornell]

Very cool approach to the diminished chord. 🙌

[@andrewnicon]

There's some great melodic stuff here to get me out of my boring blues rut, awesome.

[@grgwashnton23]

f#cing genius is all i can say about this lesson! though this may look simple stuff to somebody, this definitely is a secret a pro would never ever reveal to even his best his students! you sir should be showered with a billion subscribers for this lesson alone!

[@adamtaylor2142]

This is brilliant.

[@MegaJaldir]

Best Guitar Teacher

[@stevengrinold3203]

Nice tip, thanks Dani

[@j.r.goldman3279]

you taught me that . I used it now always

[@TypingHazard]

Man i always heard it as a time to play D7 language but you're right, B7 of course would work there too

[@Sascha_Franck]

Excellent!

[@AManCalledAidan]

Very cool, really helps with call and response options. Feels like someone asks a question and instead of the answer you expected you got a "well I don't know, what about this" kind of reply. Thanks for this nice idea - is it a bit Barry Harris-esque? Could also see the whole F#dim as a sub for Fdom7 and then, in the same way as the second idea you explained, its a tri tone from that. And / or whole-half tone idea over the dim chord? I am always a bit muddled up on the whole-half, half-whole thing and probably don't know of what I speak there.

[@azerreza4770]

F#dim (fa#, do, mib, la) same notes in Do dim (do, mib, la fa#) There are two modes depending on whether we start to play with the whole tone, in that case we will call it "fully diminished scale" (also called Whole-half diminished), or with the half-tone, called " dominant diminished scale " (or Half-whole diminished). These modes are based on an equal division of the octave into four (minor thirds divisions). They are often confused yet it is very simple, one must be played over diminished seventh chords (dim7) and the other one over dominant seventh chords (7th). On F#dim you can play F# G# A B C D Eb F 🙂

[@sylwestersosniak220]

👌

[@jeremyversusjazz]

Killin shit dude. Thnk u

[@fortisch]

To my ears, thats still way more jazz than blues^^

[@Xirrious]

Nom noms

[@randyhetlage9202]

❤️👍❤️😁

[@kylanmcnichols6525]

Love the channel but wish you guys would use a looper or accompaniment instead of having the listener have to imply the harmony underneath.

[@marbinmusic]

It’s good for you

[@rabinserious1]

יפה!

[@scottpresley1871]

(speaking in a very low whisper so maybe no hears me even though I kind of want them to) How much of a basic bitch am I since I didn't realize there even WAS a blues progression that had a frickin' diminished chord in it? What is that full progression?

[@adamtaylor2142]

JAZZZZZZ

[@TerebiJoke]

The "jazz blues" can be thought of as its own progression, which is slightly modified from the blues scale that you're probably familiar with

[@Jay-lr3me]

Wouldn't say ur a basic bitch this make me think of a jazz blues

[@yakovest]

You missed half diminished in last bit of bar 4😂