Everything You Need to Know About YouTube Content ID

KZbin Content ID is a simple way for you to make passive income and we go into all the details about it right here!
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KZbin Content ID is a system that matches your beats to videos containing them and then monetizes those videos via ad revenue. We partner with KZbin to provide this service for you because many people do not meet the requirements to monetize their videos directly through their KZbin channel. In this video, we go over how to submit your beats to KZbin Content ID; how to manage, release, and reinstate claims; how payment works; and more!
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Connect with Clint:
Web: www.clintprodu...
IG: / clintmusic
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Connect with Airbit:
IG ➡️ / weareairbit
TW ➡️ / airbit
Discord ➡️ / discord
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[@OrwellianEntertainment]

This Video Too Dope -- Thank You For The Info.👍👍👍

[@ChrissentGhost-lz5ri]

How coul you content id your beats on DSPs (not KZbin) ? I came across Distrolock and I would like to know how would it work with leasing and if there's any other service like this one

[@djline2]

thanks I understand a bit more

[@rincc7005]

You said Songtrust and Airbit can not work together when it comes to content ID. However I was told that Songtrust collects a different portion of royalties called the composition royalties while Airbit only collects the Master recording royalties. In general it is allowed for artists to opt into both services in order to ge the most from content ID. Let me know if this is true or not?

[@davidchoimusic]

collecting publishing royalties and sound recording/master royalties are 2 completely different streams of revenue.

[@OzodbekMirzayevOfficial]

Yes, as you rightly said, **Songtrust** and **Airbit** systems complement each other and differ in the way they collect **other royalties**. 1. **Songtrust** collects **composition royalties** (i.e. royalties on the recording and composition of a piece of music). This mainly includes the income you receive as a songwriter (for example, income from the use of your musical compositions on KZbin or elsewhere). 2. **Airbit** only collects **Master Royalty**. Master royalties are the income you receive from the sale or use of the master copy of the recorded music. If you are selling a beat or instrumental, this is the income you receive from the monetization of your **master recording**. ### Expected Result: If you are selling a beat or instrumental on Airbit, **Airbit** will collect the **master royalty** of that beat. If a song composition (i.e., the lyrics and music) using that beat is registered with **Songtrust**, then **Songtrust** will collect **composition royalties** for that song. **So, yes, you can use both services** - **Airbit** and **Songtrust** operate separately and each collects its own share of revenue. ### Important Note: - **Airbit** is for **master royalties**, i.e. revenue from the use of beats. - **Songtrust** is for **composition royalties**, i.e. revenue from the use of the music composition (lyrics and music). Additionally, if your **beat** is being monetized through Airbit, this works through KZbin's Content ID system. If the **lyrics** and **composition** in a song are registered through Songtrust, then Songtrust collects the composition royalties, but they complement each other and do not harm each other. ### Conclusion: **Airbit** and **Songtrust** do not work against each other, but rather their royalty collection systems complement each other. Both services provide creators with the opportunity to earn additional income because they collect different parts of the royalties (master and composition). If you have any further questions, feel free to ask!

[@seihateng]

Can the owner of the beat clear you from copyright claim on KZbin if you were given permission by them after free download?

[@namegoeshere1]

Free downloads are almost always for non-profit promotional purposes. You'll have to pay if you want them to whitelist you.

[@potatochipappi]

@@namegoeshere1if the person paid can yt content ID be edited for a registered song to allow the flagged video be monetized, that’s the question he asked it think.

[@moneymakingboyz9461]

I have my youtube content id with tunecore, I already linked my personal channel with my tunecore, but can I change my linked channel to a different channel?

[@OzodbekMirzayevOfficial]

You can change the KZbin channel associated with TuneCore, but this process requires synchronization between TuneCore and KZbin. To add a new channel to the Content ID system, you must contact TuneCore and request an update to the channel. There are some time constraints and synchronization requirements when making the change. If you have any further questions or need help, please ask!

[@REALMITTENBABY]

Does this feature come with airbit free with the paid version? the tracking of beats?

[@42isTh3Answ3r]

How much % do you take from content id? I can't find it on your website

[@IHUNTMAINS]

I have a question. If a video is over 8 minutes long and I use content ID to copyright claim that video, would the video run multiple ads? Or does it always just one a single ad? And if so, would multiple copyright claims on a video = multiple ads? Cheers!

[@OzodbekMirzayevOfficial]

Summary: If a video has multiple copyright claims, multiple ads may be shown. Each copyright holder can use their own advertising strategy, and the ad revenue is also shared between them. This means that different types of ads can be present within the video and they can be shown multiple times. However, factors such as video length and ad types also play a role. If you have any additional questions, I'm happy to help!

[@Papou-pk1ii]

How does wildfilmindia can take down other channel content that have 0 content from them? Can you copyright frequency or what.

[@OzodbekMirzayevOfficial]

Wildfilmindia may remove content from other channels if they have full rights through a copyright claim or Content ID system. They have the ability to remove content that has been used without permission by filing a manual claim or copyright strike. The concepts of copyright frequency or copyright strikes play an important role in these processes.

[@LIT616]

Can I ask you question. Example i captured other video using screen record, and reupload it is still Detected as Copyrighted?

[@OzodbekMirzayevOfficial]

Using a screen recorder to capture another video and re-upload it without editing it may still infringe copyright. This content may be subject to copyright claims on KZbin or other platforms and may be automatically detected through Content ID. If you are using the video material for fair use purposes, you may use methods such as editing or commenting to demonstrate this. If you have any further questions, please ask!

[@DanarSetyo]

can i use reupload videos like tv shows or sports etc that i add my own beats ?

[@OzodbekMirzayevOfficial]

If you plan to re-upload TV shows or sports videos, you should pay close attention to copyright issues. Unauthorized uploading of copyrighted material on KZbin or other platforms can result in legal consequences.

[@JNelsonTraining]

How much does air bit charge for this service?

[@Combine_Harvester_of_Truth]

But... Not correct. KZbin in its monetisation instructions states that anything loops which are free to use can be built into an original track and Monetised! Example, free loops in GarageBand... Where am I going wrong?

[@OzodbekMirzayevOfficial]

Free music and loops (such as those from GarageBand) can be used for monetization, but you should make sure that the music you are using is royalty-free. When you add music through the Content ID system, the music's copyright owner may automatically be claimed if the music's license or distribution rights are misused. Your video must be modified, creative, or original music and you must properly attribute the source to avoid copyright claims. If you are still unsure about monetizing using GarageBand loops and music, always check the music's license and its status in the Content ID system.

[@TonyRaybeats]

how do avoid claims? last time I did this, there was all kinds of claim issues

[@TonyRaybeats]

because if someone uses one my beats he downloads from my KZbin and puts it on a platform, there going to think I stole the beat from them! when in fact its the other say around!

[@WeAreAirbit]

Claims can be removed at any point from via your Airbit Dashboard, so if there are any you don't want to be active you can remove them. And if you're unsure of any details or actions, drop us an email at [e-mail] and we'll be happy to help

[@OzodbekMirzayevOfficial]

The best way to avoid claims is to use only your own music, choose fully licensed or royalty-free music, and use Content ID properly. If you encounter a false claim or copyright issue, you should always file a dispute and communicate with the platforms. By taking these steps, you can protect your content and succeed in monetizing it.

[@IkambaDeVictoire]

Thwnk you so much! As an artist buying unlimited beats, I was not really CLEARLY understanding KZbin Content ID. Now I understand I dont need to be clicking that on Tunecore because I did not make the beat. On tuncore it says you also can not use content ID even on an exclusive beat if its already been used in the past. Could you explain this part please, and thank you in advance! 🙏🏿😊

[@prod.bypanya]

that one you need to ask tunecore! other distributers might not have that issue

[@OzodbekMirzayevOfficial]

Yes, you understand correctly, and I am ready to explain this part. If you want to register music or beats through **TuneCore**, there are some limitations to using the **Content ID** system in this service. The **Content ID** system is mainly designed to identify content on platforms like KZbin and manage the copyright to it. If you have sold your beat with **exclusive** (sole) rights, that is, if you have sold this beat to only one customer, it is not possible to register this beat with **TuneCore** or any other content ID system. This is because by granting an exclusive license, you have transferred the actual copyright of this beat to another person (your customer), so you cannot monetize this beat in other systems. When using **TuneCore** or other music services, if a beat is sold exclusively, you cannot monetize it by registering it with Content ID. Conversely, if you sell a beat on **non-exclusive** terms (which allow you to sell to multiple customers), you can earn ad revenue from KZbin videos by registering that beat with Content ID. In other words: - If a beat is sold **exclusive**, you cannot monetize that beat through Content ID. - If a beat is sold **non-exclusive**, you can earn revenue through KZbin using Content ID. These rules are designed to help you manage your music rights and prevent unauthorized use. They also help you better understand how to present your creation and your revenue opportunities. If you have any additional questions, I can help!

[@IkambaDeVictoire]

@@OzodbekMirzayevOfficial this was great! Thank you so much for your help! Blessings! 🙏🏿

[@abdelbasetabdelsamad.]

which glasses do you wear?

[@Sekosh]

Could you please explain how to create a license for clients?

[@TheTrailOfTears]

What about Artist with exclusive beats but the producer has it posted on there channel will you get paid from the Producers channel if you bought it exclusively?

[@musicbyshooty]

The producer always retain the ownership. To sell that is actually against the law, though some do. Every exclusive agreement should have a notice of outstanding client, which clearly state the whose that have bought the same beat on a lease agreement before, will not have their agreement affected from this exclusive agreement. About the youtube channel: when your content is matched via ID database you have 3 options. Take down, monetise, see analytics. I haven’t had the luck to be in such a developed situation yet, but is easy to see that money from royalties can be kept and I believe likely split according to your agreement. One thing I forgot to mention: ID content are actual royalties for the sound recording, so master royalties. Although when your work is placed i.e. in an Advertising, that become a sync, as in music synchronised with visuals and that is collected from a PRO (same for movies, videogames, tv shows, tv broadcasts, theatrical visuals with music, etc.). Sync are both found in the master and songwriting copyrights, but the PROs collect the composition side of music rights. Here I paste what ASCAP says about it the ID content topic: “Digital has transformed the way we listen to music, and it’s more important than ever to have your music available on KZbin. Fortunately, ASCAP can pay royalties for many different types of KZbin performances. Let’s take a look at how ASCAP royalties work for KZbin performances, and the steps you should take to get paid. KZbin's Content ID System There are literally billions of videos on KZbin, with 500 hours of new videos uploaded every minute. Locating performances can be like finding a few needles in a massive digital haystack. To make the search a little easier, KZbin uses a detection system called Content ID. Content ID makes digital "fingerprints" of sound recordings - and to be clear, that's the actual recording, not the underlying work. KZbin searches for fingerprinted music in videos uploaded by you or anyone else. It can also identify cover songs, even when the video doesn't include the original fingerprinted sound recording. KZbin’s algorithm detects melodies that are similar to the reference track in Content ID. When a match is detected, a claim is automatically made on behalf of the copyright owners that KZbin knows about-typically record labels and music publishers, or their designated agents (including PROs like ASCAP). Find out more about how KZbin’s Content ID works Getting Your Music into Content ID Content ID is the basis of how ASCAP gets you paid for KZbin performances of your music, so it’s super-important to make sure that recordings of music that you wrote make their way into the system. There are two main ways to do that: If you work with a record label, your label should be supplying your recordings directly to KZbin. The same goes for other artists’ recordings of your music - the label or master owner can supply the files to KZbin. If you don’t work with a label, an approved distributor can also submit music to KZbin for Content ID. Once your audio files are ingested by Content ID, KZbin uses them as reference tracks to identify performances of your music across the platform. From KZbin Data to ASCAP Royalties KZbin sends us regular data about the videos that feature music identified by Content ID. According to the terms of our multi-year agreement with KZbin, ASCAP then compares KZbin’s data with registrations in our system, and sends any matches back to KZbin as “claims” on behalf of our writer and publisher members. Based on those claims, KZbin will send us license fees. ASCAP then distributes them as royalties to our members according to our standard distribution schedule. TO-DO LIST Register your titles with ASCAP by logging into Member Access Upload videos that feature your music to KZbin Make sure your label or distributor sends recordings of your music to KZbin to ingest into their Content ID system If your music is featured in films & TV shows, make sure ASCAP has the proper cue sheets on file Share and promote your videos to increase your revenue Music in A/V Programs For music in A/V content available on KZbin’s video-on-demand services, ASCAP gets a data file from KZbin that indicates the program titles, rental price point and number of transactions that took place. We will compare that data with cue sheets we have on file, and when we match it to a program with ASCAP music in it, we’ll distribute royalties per our normal payment rules. For films, TV series and other A/V content not included in KZbin’s video-on-demand services, KZbin is unable to provide us with specific performance information. Instead, we use previously matched broadcast TV, cable TV and A/V streaming performances that earned Audio-Visual Premiums from the performance period prior to the distribution in question as a proxy. A Note About Territories Keep in mind, the data we get from KZbin only reflects performances that take place inside the US and US territories. That means that your domestic ASCAP statements may not reflect the total number of viewers that have seen videos containing your music. That said, most PROs around the world have similar types of deals with KZbin. So if your videos receive views outside the US, you may see additional KZbin performances reflected in your ASCAP international statements, as well. By taking the steps above, you’re setting yourself up to maximize the ASCAP performance royalties you’re earning from KZbin views. Happy creating!” On a personal recommendation: the book “all you need to know about the music business” from Donald Passman is great. There is the 11th edition available now and was released just about a year ago. I have the 10th and it is a great investment (30-40) for your career

[@OzodbekMirzayevOfficial]

If you have purchased an exclusive beat and used it in your music, you should be eligible to receive monetization for your video. If the beat is non-exclusive, the producer may also be eligible to receive monetization on their channel. However, it is important to verify all copyright claims through the Content ID system, as this system controls your and the producer's monetization options based on the copyright owner. If you want more specific guidance, it is helpful to review the beat's terms or seek legal advice.

[@tuneage]

I made a remix of a michael jackson song with his lyrics/ edited original video but used my beats and youtube found no content id copyright - when I try to monetize wionder if I will get nixed?

[@WeAreAirbit]

Remixes/remakes or any similar content can't be monetized with Content ID, even if made with your own instrumental

[@OzodbekMirzayevOfficial]

If your remix uses Michael Jackson's lyrics or melody, even in a modified form, there may be copyright issues. Even if KZbin's Content ID system does not identify your remix, this does not always help resolve copyright issues. It is important to be careful when monetizing, and it is good practice to obtain permission or a license. If you are concerned about copyright concerns, it is recommended that you seek professional legal advice.

[@edmnd760]

What mean KZbin Content ID I mean I have a channel called:EDMND but I can't access by myself but when I use this music distribution is upload there music but I don't know how to take money from that ... I need help I have 68k views there and is money but I don't know how to take them

[@OzodbekMirzayevOfficial]

If your EDMND channel has 68,000 views, you still don't meet the minimum requirements for KZbin monetization (4,000 hours and 1,000 subscribers), but you can link an AdSense account and use Content ID to earn revenue. If you're earning ad revenue from your music distributed through Content ID, you'll need to set up your AdSense account properly to receive this revenue.

[@mantu777]

Tunecore is best for content-id it delivered my tracks within just 4 hours into content id

[@qodeshimmusic777]

Great Info

[@dafingaz]

Nice!

[@BugzeeProductions]

Yo! #Clint, Happy Birthday To You! (Radio Remix) From Ivanhoe & Friends #BirthdaysCelebrateLife Enjoy!

[@damnson123]

Your content ID claims service has been not working since October 2023 with no fixes in sight yet you still advertise this service on your website

[@prodbyalias]

Really? Is that true?

[@thiennnnn]

Is that true? Can you confirm that? I'm planning to upgrade to Airbit Premium

[@TonyRaybeats]

but what if I upload it to airbit, then I upload it to my own KZbin channel!?!? I run ads on my KZbin so won't that make airbag put a claim on it? then in turn that makes KZbin not be able to monetize it... that's what happen to me

[@WeAreAirbit]

You can contact us to whitelist your channel, which will stop your videos being claimed by us. If any claims are made before you've whitelisted, you can remove these via your Airbit Dashboard or by contacting us

[@TonyRaybeats]

@@WeAreAirbit yeah that's what I was told by a rep. but after I whitelisted it was still showing claim, but maybe it will not anymore? also so if I have a couple videos that do good on KZbin with ad revenue, will I also make some money with airbit too from those ads on those videos if I use the ID feature?

[@nicolas2226]

@@TonyRaybeats they answer you?

[@TonyRaybeats]

@@nicolas2226 hell nah

[@TonyRaybeats]

@@WeAreAirbit so what's the point of doing this if I cant make no money from it?

[@CityBoyCountryLiving]

Honestly if you are going to take a beat give the man credits 🤷🏾‍♂️

[@MS-nj9le]

Do not enable content id under any circumstance. It will screw you inbthe long run. You'll never get paid a dime and you'll lose control of your own content.

[@RRAREBEAR]

What?

[@jonardmontecinovlog]

Content ID from Manila Philippines

[@Freddy_Tiffany]

What does it mean for a content creator?

[@Unlockerz]

They need to give music copyright freedom for real and get rid of that stupid content ID cause every other person uploads tv shows, music and cartoons and get away with it. It’s not fair to users like me and you to get hit by false claims.

[@potatochipappi]

The paid to use those sound on tv I think. or gave the revenue to the original publisher of the flagged content

[@OzodbekMirzayevOfficial]

While there is a problem with false claims, they are often caused by copyright infringement or bugs in the Content ID system. All of these situations need to be improved to give users a fair and legal way to deal with them. Users can protect their rights through appeals, but more needs to be done by platforms to improve this system and reduce unfair claims.

[@lifeunleashed]

you may want to discuss warning your customers to STOP making BOGUS claims on a video that has music not re.lated to theirs. I use music legitimately and greedy folks who just want to steal my reveenues -- and same for other channels -- make all sorts of claims not even close to a match, except for maybe 2-3 notes out of aan hour video. ALL the claims made against me are BOGUS and many even fraudulent and not only will I contest, I have won every time. STOP making absurd claims! With content ID, I will guess maybe 5% are legit claims.

[@OzodbekMirzayevOfficial]

If your music is falsely claimed, it can lead to infringement of your rights and theft of your income. Disputing fraudulent claims through KZbin's Content ID system may be enough to get them removed, but these claims can often be defeated if you have legal rights. Also, legal use of music helps prevent fraudulent claims.

[@sibilkhan2977]

U stretched a 2 min video to 12 mind

[@Playos-ok1dc]

I really want content ID removed and disbanded FOREVER!!!!!!!

[@Corzal]

Cause you can't steal anymore?