Errol Morris on The Pigeon Tunnel | NYFF61

Director Errol Morris discusses The Pigeon Tunnel, a Spotlight selection of this year’s festival, with NYFF Main Slate committee member Rachel Rosen.
Pioneering documentarian Errol Morris applies his signature aesthetic to a riveting portrait of John le Carré, whose novels such as The Spy Who Came in from the Cold and Tinker, Tailor, Soldier, Spy forever changed the way we perceive espionage in popular culture and the world. Adapting le Carré’s 2016 nonfiction memoir of the same name, The Pigeon Tunnel-named for the cement paddock where the birds are kept before being released as shooting targets for sportsmen-traces with thriller-like precision the fascinating life of the British-Irish author, born David Cornwell, from a motherless childhood overseen by a con-man father to his travels to Berlin and his eventual fame as the 20th century’s preeminent writer of existential, intricately detailed spy stories that were realist, politically acute alternatives to James Bond. At the center of the film, however, is the relationship between the main interview subject, recorded not long before his death in 2020, and his interrogator: for le Carré, submitting to Morris’s camera becomes a willful act of “self-examination,” a chance to question the nature of truth and what can-or refuses to-be revealed behind a placid outward exterior. An Apple Films release.
All NYFF61 feature documentaries are presented by HBO.
To learn more and get tickets for this year's NYFF, taking place through October 15 throughout NYC, visit www.filmlinc.org/nyff
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[@richardlewis125]

She got him a bit prickly and this sparked him to give some really interesting answers. And she allowed him to talk. excellent!

[@SadCaseFilms]

It was fascinating to hear him speak about le Carre. It would be nice to hear more in a longer, more focused interview.

[@raleighsmalls4653]

Oh, boy, O' boy...Erroll is going to do a Rudolph Hess doc/drama !

[@thewickedchicken82]

This is one of the weakest interviews I've ever watched. I felt bad for Errol because it was put on his shoulders. Fortunately he did a good job of carrying it. A good interviewer not only asks good questions, but also engages with the guest. She did neither. Maybe she was a bit nervous. Perhaps I shouldn't judge. Either way, I always enjoy watching Errol talking about his craft. He is simply the best at what he does.

[@birddogfreemann]

Why is Rachel Rosen qualified to interview?