Francesco Tamagno & Antonio Cotogni?

[@Чаплинский]

Истинное Бельканто...🎉

[@joseleobardoromeroperez3898]

Grandiosas voces de un siglo para la ópera Voces limpias y naturales. Del monaco y franco corelli la escepcion.

[@josemariadasilveirajunior4786]

É uma maravilha ter um registro da voz de Antonio Cotogni!

[@natise5457]

Thank you very much for this recording. It was especially interesting because of Cotogni, because there was only two recordings published from his performances.

[@dariobussolino1384]

Ascoltando Tamagno in questa ed altre registrazioni di inizio secolo!!!abbiamo avuto una serie impressionante di passaggi vocali raramente ascoltati e magnifici. Visitando nel CIMITERO di Torino la tomba mausoleo di FRANCESCO TAMAGNO NON SI PUÒ NON ACCOSTARE QUESTA GRANDIOSITÀ AI FASTI DELLA SUA PRODIGIOSA VOCE!! i

[@umbertolazazzara1897]

credo che sia del 1890 la registrazione!

[@ALAINWILLIAM06]

Cotogni was born in 1831 so he was about 75 at the time of this recording

[@johnfalstaff2270]

Now, the question is, if a man of 72 (not 75) was capable to sing like we can hear him here?. Taurino Parvis on the other hand was only 24 in 1903 when this recording was made.

[@G.Andrea_Piras]

Splendide voci.

[@giovic9802]

The best tenor and the best baritone ever recorded together? Wow

[@antoniocfilho9544]

PARABENS LINDAS OPERAS NAO PODEMOS DEIXAR NO ESQUECIMENTOS

[@purisermonisamator]

Спасибо за замечательную находку. Голос Яго напоминает Котоньи; впрочем, пожалуй, вибрато у последнего было сильнее выражено. В любом случае эта запись заслуживает возвращения к ней.

[@ivanscotton6163]

Sabiam que quem fez o Conde Fabiano Fabianni na estréia da Maria Tudor de Carlos Gomes foi Francesco Tamagno .?

[@Garwfechan-ry5lk]

It is Cotogni, he recorded in Patti's home at Craig Y Nos in the 1900's as well. On a Visit they are in a Music Collection. certainly not Taurino Parvis. This voice is very like him.

[@ronaldgoff7499]

old but great history of what they were after their prime zenatello more like tamagno than caruso

[@christopherhosford7805]

Whoever the baritone is, I find it fascinating that Iago is miked up so close. Yes, Otello is doing his thing, blah blah, and Francisco does it magnificently, but in the foreground, what's going on? Iago (whoever the singer is) is calculating and modulating, and doing his thing in the audio FOREGROUND. Never heard this concept of balance, and I like it. Good on you, Mr. Baritone, and the balance guys in the studio, whatever balance meant in those days.

[@margheritatamagno5303]

Sono Margherita Talamona Tamagno la pronipote del grande tenore.Avrei piacere di essere contattata.Grazie

[@gianpierotilotta2120]

Lei la sua tecnica di canto la sa? Intendo del grande tamagno

[@urbexmorgan5651]

Buongiorno Margherita, sono un'appassionato di Francesco tamagno e della figlia Margherita, sono di Varese, mi piacerebbe sapere la storia della figlia del grande tenore, su di lui c'è la storia, mentre su Margherita purtroppo non c'è, la ringrazio buona giornata

[@margheritatamagno5303]

@@urbexmorgan5651 se vuole mi può chiamare il mio telefono è 3483664632.sarei molto felice di parlare della mia nonna

[@urbexmorgan5651]

@@margheritatamagno5303 gentilissima, la ringrazio tanto, appena posso la contatto, buona domenica

[@margheritatamagno5303]

@@urbexmorgan5651 anche a lei grazie

[@ВвВ-ж7с]

А этот тенор ? есть у вас записи ? it.wikipedia.org/wiki/Angelo_Masini

[@ronaldgoff7499]

great tenor old when this was made pre caruso

[@umbertolazazzara1897]

Ma era mezzo tono piu' basso o era dovuta al diapason a 432?

[@johnfalstaff2270]

The question is, if a 72 year old man (Antonio Cotogni) was capable to sing like we can hear him here?. Taurino Parvis on the other hand was only 24 in 1903 when this recording was made.

[@volkerkuhne6143]

Cotogni war Lehrer der Größten !

[@Melicflucius]

It doesn't sound like Parvis; from what we know of Cotogni's voice (Re di Lahore-"O casto fior" and Duet w/Marconi from I Mulatieri), I can hear the resemblance. (I wrote this as a quick reaction, before reading any of the statements below. I guess it means i agree with the boss! :) .. and yes, I have heard the Tamagno relative hypothesis, but also disagree with the idea that a man of that age necessarily could not have sung that well for the reasons speculated. It is a good observation, but generalizes and eliminates the possibility for case-by-case exceptions, of which there always ave been in the singing world. .

[@trrill]

The baritone here is not Parvis, no. I've only made the point that the Gastaldon song was not famous or well known, having been recorded by *this* baritone and separately by Parvis.

[@ransomcoates546]

Tamagno lost his low notes?

[@johnfalstaff2270]

His low notes were not well developed. Especially here in 1903, when he was close to his death. The same concerns voices of Mattia Battistini and Titta Ruffo. Huge voices but with rather narrow scale.

[@EricTDubin]

This is not Cotogni singing, but rather one of Tamagno's family members.

[@deadtenorssociety2973]

+Eric T. Dubin Despite what has been written by others, I am convinced that this is NOT Giovanni Tamagno. Giovanni Tamagno only sang publicly a couple of times as a very young man before giving up singing altogether. At the time this recording was made (February, 1903), Giovanni Tamagno had not sung professionally in twenty years. I just do not hear this as representative of the voice or the artistry of an amateur singer who had not experienced a career of any sort. Additionally, Giovanni Tamagno was most likely still living in Buenos Aires at the time of this recording. I simply feel that there are too many points that rule him out as the baritone heard in this recording. As to the case for Antonio Cotogni, I have done side by side comparisons to the recording of the duet "I Mulattierri", which was recorded with Cotogni and tenor Francesco Marconi in 1908. Making allowances for the passage of five years in a septuagenarian voice, I firmly believe that the two baritones are the same man. Yes, this is guesswork on my part and I realize that many record collectors will disagree with me on this point and I welcome your arguments.

[@EricTDubin]

+Dead Tenors' Society Indeed this may very well be Cotogni singing, however, without difinitive proof of that, best to state that as you own opinion somewhere in your discription of the recording. You should put your response to me on your discription, seeing as it is very interesting regarding the validity of this indeed being Cotogni. I'm still not quite sure that this is Cotogni singing due to the limited recording that one has to compare it to. Thank you for your response.

[@EricTDubin]

+Dead Tenors' Society I, likewise, should have stated my response as opinion. My apologies...let keep opera alive!

[@deadtenorssociety2973]

+Eric T. Dubin Not at all, Eric. Thank you for having the passion for this wonderful art form to make your (very valid) opinion heard! VIVA OPERA!!!

[@deadtenorssociety2973]

+Dead Tenors' Society My failure to explain my identification of Cotogni as the baritone heard in this recording in my original description was due to a lack of space. I very much wanted to explain my reasoning but I simply ran out of room. Perhaps I get a bit too long winded at times!

[@gregrechesy4178]

The baritone really doesn't sound like he's 24 years old, whoever it may be...

[@paoladatodi8626]

comunque, una voce di una certa età, non di un giovanissimo come in certe ipotesi; sarà mai risolto questo suggestivo " giallo"?

[@alfredbernasek3912]

GROSSARTIG