Francis Poulenc - Gloria, FP 177

[@mikeklimczak9600]

Such a gorgeous work. The final movement always brings me to tears.

[@Luna_and_Miles]

Yep, hard tears over here. EXQUISITE.

[@neildavidsouter5112]

Thoroughly enjoyed following this with the score!

[@PamelaJean2013]

Thank you for posting the score with the recording. I love the kinship with Dialogues of the Carmelites.

[@yordankaacosta2849]

YES, striking similarities!!! And also reminds me of his Stabat Mater so much!!! Beautiful pieces from a great composer. His Mass in G is so dear to me.❤ Greetings from Miami. 🏖🌞

[@yordankaacosta2849]

Thank you so very much for the uploading. Strikingly similar to his Stabat Mater!!!! Warm greetings from Miami. 🌞🏖

[@video1248]

*Merry Christmas to whoever’s reading this comment!*

[@ИринаВладимировнаДындарь]

I: reading this komment in september

[@sandeltra]

Merry Christmas

[@Mezzotenor]

I think you've misidentified the recording. Georges Pretre conducted, and you've got the right choir and orchestra, but the soloist is Barbara Hendricks. Miss Carteri sang on the 1961 recording, but this digitally recorded one is from the 1980s.

[@precipotato442]

You are correct, I've fixed the description. Thanks!

[@yordankaacosta2849]

Thank you for the information.

[@valerieheinderyckx4506]

Prête, Carteri et Henrickx...❤

[@ethanblackburn5817]

YESSS. Thank you. Merry Christmas!

[@Sop-is5qn]

For those who need to practice Soprano Gloria; 0:40 3 0:59 5 1:07 1:30 2:05 10 Laudamus te; 2:45 3:02 3:10 15 3:20 17 3:30 4:44

[@ruslan.denshaev]

Stravinsky’s Serenade en La at the beginning :)

[@treesny]

Yes, definitely... and quite consciously, I'm sure. Remember that in that piano work the first movement -- the opening of which Poulenc quotes -- is titled "Hymne" (Hymn). Poulenc was always generous in acknowledging Stravinsky as his musical "father."

[@Luca-gj9xn]

Poulenc is really brilliant! My choir sang "Les Tisserands" in quarantine style. Write this in the search: you will surely like it. Corale Novarmonia - Les Tisserands (F. Poulenc)

[@shamsbouteille1]

pure fucking genius

[@olivertill7076]

Where is this score from? Is it a new engraving? Useful to see notes corrected in the 1st movement!

[@mattiascravaglieri7793]

Laudamus TE 🎶 Laudamus TE 🎶

[@МихаилМеренков-у8х]

Красиво.

[@epwmolter]

Where all my TMEA All-State folks at for this year?!?!?!?!?

[@lukakutateli5513]

hey guys, any idea where I can find the pdf? Thanks!

[@mikeklimczak9600]

I own the full score if you want a copy of that. I would need your email though.

[@JesusDelCampo]

@@mikeklimczak9600 May I have the full score please? Is it full orchestral score? Or Vocal with Piano Reduction?

[@mikeklimczak9600]

@@JesusDelCampo Full orchestral score. Give me your email and I will scan a copy for you in the next couple of days. Make sure to put "Poulenc" in the email subject line or I may accidentally overlook it.

[@JesusDelCampo]

@@mikeklimczak9600 Do you have the individual parts?

[@mikeklimczak9600]

@@JesusDelCampo No, I don't have parts. I have the full orchestral score.

[@frankborder]

I know she's her and I'm me, but I would have words with Hendricks right now if I could. Why *destroy* this beautiful piece with a HUGE SCOOP on *every. single. note*? It's not defensible in my view. I don't care about "vocal technique;" if you have to scoop every note in order to sing, please stop singing then. It just destroys an otherwise really nice performance. Well, that and not a single choral S is together. Come on folks. What, the technology wasn't available for getting S's together 50 years ago?

[@cobblestonegenerator]

Seriously though! Im a vocal performance major. Im not incredibly experienced but i have a good rep. Handel, Wolf, Britten, Quilter. I have a bit of knowledge of good technique. This is not it! If i started do that scoop crap at auditions, id come last every time. The scoop is not a difference in technique. Its just wrong. Its not on the page. Ya, every one has their own style, but to constantly sing notes that are non existent and slide around like your doing warm ups is just disgusting. Its like not caring about the composers or the work.

[@frankborder]

@@cobblestonegenerator Word! A portamento here and there is one thing, but this was so beyond distracting and appeared to have nothing to do with interpretive practice but instead with convenience. Best of luck in your studies and thanks for the reply!

[@arthurfagen5748]

This reaction is highly exaggerated. She does scoop slightly at the beginning of each phrase but hardly on every note. Otherwise she sings very beautifully. Things are not always black and white. There are shades of gray.

[@frankborder]

15:14 oops

[@tejasnair3399]

1:16

[@roach999]

12:48

[@interex956]

Really nice though soprano solo could at least try to start on the beat, geez.