Fugue in G minor, BWV578 - J.S.Bach / Arr.L.Stokowski - The Philadelphia Orchestra

[@TTi5-XP]

1:33ここ好き

[@川上翔馬-h3n]

1.25倍速で 3:02 の終盤メチャクチャカッコいい‼️ トロンボーンの4人組がカッコよく奏でてるのメッチャ好き‼️ バッハの小フーガト短調最高‼️

[@kazumuta]

これは...最高です‼️

[@みーくん-o1z]

重厚感ある管弦楽。これは､これでアリかもしれない。

[@labsakura4104]

オルガンで聴くより1つ1つの声部の動きが分かりやすいな

[@michaelmarsten4019]

One of the best interpretations of Stokowski's mid-19th-century view of Bach yet recorded. Up to the intro to the fugue's final episode, one of the most faithfully Baroque renditions ever upheld by a top flight professional orchestra, especially those fabulous Philadelphians. Alas, the molto rallentando to the final episode and the close of the final episode itself were exaggerations even of Stokowski's hyper-theatrical treatment of the grandly solemn closing resolution of the fugue's progression from solo voice to full ensemble. Yannick Nezet-Seguin needs to stick to the consistently less exaggerated treatments both the Baroque and even Stokowski's imitation-Mussorgsky closing reminiscent of Boris Gudunov have to offer, neither of which sacrifice either grandeur or solemnity to cheap melodramatic effect. Continued Best of Good Fortune in further elevating this classic gem to its proper place in music that needs no overdoing to reach its audience's hearts and souls.

[@concontal-sk]

あ〜な〜た〜は髪の毛……

[@kazumuta]

ブリトラ😂

[@真一山本-k9v]

100万ドル💰のサウンドが失なわれたオーケストラ。 もはや、昔の面影はありません。