Tiffany Poon / Scarlatti's Sonata in D Minor K.9 / G Major K.13 / F Minor K.466 / C Major K.502

[@billzhangzy]

4:15 Here she changes piece and starts the new piece so well! Love it! 😻 Her trils are just amazing 🤩!🎉 Wish her all the best for her future! 💗❤

[@LoveJoyPeace378]

Superb! Gorgeous!! Smooth, and sweet!

[@localboy333]

Her trills are so thrilling!!!....

[@Ben777World]

You are a natural at Scarlatti. The clear simplicity sounds so honest. This makes it memorable.

[@neville132bbk]

K.9 was beautifully clearly played...an interpretation quite different from any other I have heard.

[@gabriellamapac9609]

Yes she is incredible 👏👏👏

[@billzhangzy]

😊

[@sergiulisnic7205]

Amazing

[@davidmercado8717]

Bravoooo!!!

[@christopherfleming3402]

Love it!! The trills are great and the ornamentation she adds is very stylish and works really well. Her tone, articulation and phrasing are perfect. The first sonata, K9, is technically easy, so I often set it for my pupils at the conservatory in the intermediate level. I will show this video to them. I wish this young woman all the best for her career.

[@Madaduxum]

beautiful playing of kk. 9

[@hosinooji]

I like your K9 the most

[@neville132bbk]

.K

[@lavendelle_swift]

The best interpretation of Scarlatti's Sonata K. 9

[@2688HS]

K.13 is my favorite. Thank you.

[@Daniel_1223]

It's so simple and clean, yet so exciting and magical!

[@youtune2819]

It does sound simple! But its not :( it is a very difficult, but she makes it sound so lightly and easy, she is wonderful!

[@connypiano5038]

Couldn't be played any better... Outstanding young artist!!

[@JadeCurty]

Oh my... so beautiful.... I can’t stop listening it again and again... Bravo ! :) I hope to see you playing one day (without a screen)

[@ErnestSDavis1]

Wonderfully beautiful, especially the F minor! You are converting me to Scarlatti.

[@frederik606]

Bravo Tiffany,la K 466 ♥️🎵🎶

[@militaryandemergencyservic3286]

the best i've heard from Tiffany

[@franciscoj.munozbarros6150]

uuuuuffffff braaaaavo!!! what a beautiful, subtle interpretation of Scarlatti ... immensely inspiring

[@edwardwilliamson1863]

Absolutely gorgeous. Your technique is supple and you have impeccable phrasing and articulation. Scarlatti had a knack for texture, and you really bring that aspect out in your playing. Lyrical, bright, with a delightful dance quality to this piece. You interpret his music, which was composed on and for the harpsichord, to the piano with ease and relevence. This is a chamber piece which you pull of with grace and verve. Well done.

[@maartenvanderlek8955]

I don't know the K-numbers of Scarlatti. I have heard 1 to 8 before. Before Tiffany had played only one note of K.9 I was suddenly completely moved in this piece. Just so. Great. Thank you so much!

[@Neardelight]

Beautiful

[@newyorkfilharmonik110]

Your videos with Scarlatti in the background got me to explore a couple videos a few months ago. Thank you for the edification.

[@liloruf2838]

This is so awesome!! Thank you so much

[@jean-marieboisbouvier6678]

Très beau. C'est ca... MERCI :)

[@frederik606]

Scarlatti !🎵🎶♥️

[@frydac]

Love it, also quality recording, still more exception than rule on yt. Thx to all involved!

[@horace7763]

I love her!!

[@leoguerra4516]

👏👏👏

[@fei8075]

❤

[@AnnaKhomichkoPianist]

Beautiful performance! The name of the video is not accurate though, she’s playing here more sonatas :)

[@grjoe4412]

Critique. For the F minor the left hand and the right hand together(not only separately) form a beautiful continuous rhythm. You could make this rhythm more clear and pronounced.

[@larryseverson5012]

Someone commented that you might have been a little hard on yourself. Something about leaving off a not after 502 I think. The question is what bearing does a mistake of that (minimal) magnitude have on your career? Perhaps you could comment on the function of "mistakes," or even a mistake that you heard during your career. With something like the Mozart that you are working on with the cello - were you satisfied with the event?

[@kinkokonko]

needs more bells

[@progreekminecrafter710]

So many people are coughing lol

[@davidmercado8717]

Music IS NOT a visual art, please, just listen!

[@johnan8509]

It can be. Otherwise we would just cover up the pianist and the piano. We like to see the person behind the music too.😊

[@woshimami]

So so so perfect..... until the very last bar, that missing note, it was screaming so loudly... I was cringing for her. I can see her disappointment when she took her bow.

[@christinaannabel]

If the vast majority of her playing was accurate and expressive, so let's focus on that. This twenty-four year old pianist plays well, has wonderful technique, and is artistic. There are many more years for Ms. Poon to improve her craft, and focusing on rare, minor errors isn't helpful for her or for us. We can already see that she has high standards to begin with, so we are assured that she strives to be her best. Therefore, we can overlook tiny flaws in favour of the wonderful entirety of her performance. After all, the very reason we came was to listen and enjoy! : )

[@davidw6936]

I play K.502. There isn’t any missing note in her performance, at least not according to the score I have. Maybe you have a different edition?

[@Treyvis97]

I'm sorry to be negative. The performance in general is fantastic but I don't understand why you would change the hand crossings in K. 13. Scarlatti is famous for his hand crossings. It's part of the fun of playing Scarlatti and it's part of the show! Changing them does not make you clever it just makes you appear to be chicken for those of us that know Scarlatti. If you can't handle the hand crossings you really shouldn't play his music. Other than that you play beautifully and have so much expression in your playing. I do appreciate that part of your playing.

[@juyeonthinker5149]

stfu

[@laurenbjeldanes934]

Maybe the version of the piece she read didn’t have hand crossings written at all? Idk, but I was also wondering the same thing.

[@laurenbjeldanes934]

And considering the level of complexity of pieces she’s played in this past, hand crossings shouldn’t even be comparable. I am almost certain Tiffany is more than capable of doing hand crossings 😂

[@laurenbjeldanes934]

kzbin.info/www/bejne/rGfEh4N-d9aFqK8 here’s the video where she sight read this piece. I have a feeling that hand crossings weren’t written at all in the version she read bc of how smoothly she played that section. but then again it’s Tiffany, the god at sight reading... 😂 I guess we will never know haha

[@Treyvis97]

@@laurenbjeldanes934 I agree. She's world class, so why leave out the hand crossings?? I doubt there is a version written anywhere that has removed these. they aren't that difficult. And seriously if she's reading from something that isn't an urtext edition then I lose respect for her there as well. But what I do see more and more from pianists playing scarlatti is that many of them change the hand crossings to make it easier. I just don't understand why a world class pianist would do this with a composer that is famous for his hand crossings.

[@banjoboy01]

why is her wrist flopping up and down uggg