Govardana giridhari by Ramakrishnan Murthy

Ragamalika vrutham followed Govardhana Giridhari -Ramakrishnan Murthy( vocal) , Rajeev Mukundan (violin), Hari Narayan (Mrudangam) , Chandrasekara sharma ( Ghatam) @ Naradhagana sabha

[@jeyaramanv4282]

Flow of ragamalika is just like a falls, before the river of song. Really enjoyable repeatedly.

[@leelavathynagaraj4195]

Sri Ramakrishna Murthy gave me immense pleasure such a melody's and God gifted voice of him. May he live long

[@Sowmya-Mohan]

What a gem! Delivered by another precious gem of a musician

[@muthuswami4682]

promising young artist .so smart rendering so classic .Long live .Give pl. upload fll concert

[@DKMKartha108]

शृङ्गारं क्षितिनन्दिनी विहरणे वीरं धनुर्भञ्जने, कारुण्यं बलिभोजने ऽद्भुतरसं सिन्धौ गिरिस्थापने । हास्यं शूर्पणखा मुखे भयवहे बीभत्समन्यामुखे, रौद्रं रावणमर्दने मुनिजने शान्तं वपुः पातु नः ॥ śr̥ṅgāraṁ kṣitinandinī viharaṇē vīraṁ dhanurbhañjanē, kāruṇyaṁ balibhōjanē 'dbhutarasaṁ sindhau giristhāpanē | hāsyaṁ śūrpaṇakhā mukhē bhayavahē bībhatsamanyāmukhē, raudraṁ rāvaṇamardanē munijanē śāntaṁ vapuḥ pātu naḥ || ஸ்²ருʼங்கா³ரம்ʼ க்ஷிதினந்தி³னீ விஹரணே வீரம்ʼ த⁴னுர்ப⁴ஞ்ஜனே, காருண்யம்ʼ ப³லிபோ⁴ஜனே (அ)த்³பு⁴தரஸம்ʼ ஸிந்தௌ⁴ கி³ரிஸ்தா²பனே | ஹாஸ்யம்ʼ ஸூ²ர்பணகா² முகே² ப⁴யவஹே பீ³ப⁴த்ஸமன்யாமுகே², ரௌத்³ரம்ʼ ராவணமர்த³னே முனிஜனே ஸா²ந்தம்ʼ வபு​: பாது ந​: || ശൃംഗാരം ക്ഷിതിനന്ദിനീ വിഹരണേ വീരം ധനുർഭഞ്ജനേ, കാരുണ്യം ബലിഭോജനേ ഽദ്ഭുതരസം സിന്ധൗ ഗിരിസ്ഥാപനേ | ഹാസ്യം ശൂർപണഖാ മുഖേ ഭയവഹേ ബീഭത്സമന്യാമുഖേ, രൗദ്രം രാവണമർദനേ മുനിജനേ ശാന്തം വപുഃ പാതു നഃ || శృంగారం క్షితినందినీ విహరణే వీరం ధనుర్భంజనే, కారుణ్యం బలిభోజనే ఽద్భుతరసం సింధౌ గిరిస్థాపనే | హాస్యం శూర్పణఖా ముఖే భయవహే బీభత్సమన్యాముఖే, రౌద్రం రావణమర్దనే మునిజనే శాంతం వపుః పాతు నః || ಶೃಂಗಾರಂ ಕ್ಷಿತಿನಂದಿನೀ ವಿಹರಣೇ ವೀರಂ ಧನುರ್ಭಂಜನೇ, ಕಾರುಣ್ಯಂ ಬಲಿಭೋಜನೇ ಽದ್ಭುತರಸಂ ಸಿಂಧೌ ಗಿರಿಸ್ಥಾಪನೇ | ಹಾಸ್ಯಂ ಶೂರ್ಪಣಖಾ ಮುಖೇ ಭಯವಹೇ ಬೀಭತ್ಸಮನ್ಯಾಮುಖೇ, ರೌದ್ರಂ ರಾವಣಮರ್ದನೇ ಮುನಿಜನೇ ಶಾಂತಂ ವಪುಃ ಪಾತು ನಃ ||

[@lalitha65]

thank you !

[@As19vlogs]

thanx alot for lyrics

[@itsmeshanthi5564]

Sooonice

[@yeshprabhu2887]

Wow! A beautiful vrittam in ragamalika sung in a feast of ragas: Kapi, Suddhadhanyasi (also known as Udayaravichandrica), Sahana, Dhanyasi, Begada, Pantuvarali, and Darbari kanada, followed by Sri Narayana teertha composition Govardhanagiridhaari in Darbari kanada ragam. So pleasant to hear. Yesh Prabhu, Bushkill, Pennsylvania

[@narayanagaula]

Semmangudi has recorded the same navarasa sloka on a commercial album, and there is some clear influence here, even though only sahana is in common I think. The general style of sloka singing however bears strong Semmangudi influence.

[@user-uz2eu5ld7c]

abundence of real knowledge in carnaticMusic

[@DrTSBhat]

Extraordinary singing

[@shubhanarayannarayananands7006]

Fantastic and exceptional lecture

[@VyasKuchibhotla]

A wonderful rendition.

[@itsmeshanthi5564]

Rajivmuku ndan violin great support

[@user-uz2eu5ld7c]

thanks for uploading this great programme

[@bobbybringi]

Expressive rendition, thanks so much for sharing!

[@VARAGOORAN1]

பல்லவி கோவர்த்தன கிரிதர கோவிந்த கோகுல பாலக பரமானந்த (கோ) அனுபல்லவி ஸ்ரீ வத்ஸாங்கித ஸ்ரீ கௌஸ்துபதர பாவக பயஹர பாஹி முகுந்த..(கோ) சரணம். மொத்தம் 5 1,3 சரணம் அதிகம் பாடுவதில்லை 2)அமித கல்யாண குண,அகணித லீல ...அபரி மிதானந்தகன, நந்த பால ..சமித தைத்ய தம்ப,சாந்த் யாதி மூல ..விமல மானஸ வ்ருத்தி,நிவஸனஸால (கோ) 4)ஆனந்தாம்ருத, வாரிதி கேல ...அலகு பராக்ரம,அனுபமலீல ...ஸ்ரீநந்தாத்மஜ, ச்ரிதஜன பால ...ஸ்ரீகர கிஸலய,லாலன லோல (கோ) 5)பாடித ஸுரரிபு, பாதப ப்ருந்த ...பாவன சரித, பராம்ருத கந்த ...நாட்ய ரஸோத்கட, நானாபரண ...நாராயண தீர்த்த,அர்ச்சித சரண (கோ)

[@balasubramanikr1223]

God bless you

[@user-uz2eu5ld7c]

humble request, PLEASE UPLOUD THE ENTIRE CONCERT

[@muthuswami4682]

Brother Ramakrishna murthy may bring an album on SriNarayanatheertha Tharangams

[@user-uz2eu5ld7c]

GENIOUS RMK

[@user-uz2eu5ld7c]

PLEASE UPLOAD THE ENTIRE CONCERT

[@itsmeshanthi5564]

Sweet

[@MrKanthikumar]

This is not Virutham;it is "Sloka"(Sanskrit)ragamalika with Kapi,Suddhadhanyasi,Sahana,Hamirkalyani,Dhanyasi,Shubhapantuvarali, Begada, ?and Darbarikanada

[@brindarao2052]

The violinist ruined the rendition by being too loud, did not allow the beautiful transition between the ragas by the singer to shine. The delayed accompanying and loudness ruins the main artist singing. Teach violinist to curtail their volume.