Grateful Dead - Hunter's Trix Vol. 164 - Philadelphia PA 4-19-84

Grateful Dead
Hunter's Trix Volume 164 by Hunter Seamons - Philly '84 1/3
Philadelphia Civic Center
Philadelphia, PA
April 19, 1984
Set 1
1 - Bertha ＞ 0:00
2 - Greatest Story Ever Told 6:47
3 - Loser 10:51
4 - C.C. Rider 18:29
5 - Bird Song 26:48
6 - Hell In A Bucket 40:21
7 - Big Railroad Blues 47:48
8 - The Music Never Stopped ＞ 55:21
9 - Don't Ease Me In 1:04:07
Set 2
10 - China Cat Sunflower ＞ 1:07:14
11 - I Know You Rider 1:14:42
12 - Estimated Prophet ＞ 1:21:02
13 - Terrapin Station ＞ 1:35:04
14 - Drums ＞ 1:48:17
15 - Space ＞ 1:59:06
16 - The Wheel ＞ 2:08:55
17 - Wharf Rat ＞ 2:14:44
18 - Sugar Magnolia 2:26:03
Encore
19 - It's All Over Now, Baby Blue 2:35:06
Note: This account is not managed by Hunter and I take no credit for his work. I am just making it available here for more people to enjoy. You can also find Hunter's Trix volumes on archive dot org and shnflac dot net.
Hunter's Notes:
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Matrix
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SBD (shnid=118658):
Recording Info:
SBD -＞ Cassette Master -＞ Reel -＞ Dat (SV3800/48k)
Transfer Info:
Dat (Sony R500) -＞ Sound Devices 744T -＞ Adobe Audition v3.0 -＞
Samplitude Professional v11.2 -＞ FLAC
(3 Discs Audio / 1 DVD FLAC)
All Transfers and Mastering By Charlie Miller
February 2, 2012
Notes:
-- Set 2 is seamless
-- Thanks to Joe B. Jones for his help with the pitch correction
[11-second cut during Bertha. 16-second cut during Space.]
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AUD (shnid=154718):
This is a 16/48 fileset. 24-bit ＞ 16-bit via dBpoweramp
Source Info:
Doug Lamarre's Master (FOB) Audience Cassettes (section 102, row O, seat 15); Sennheiser 441 mics ＞ Sony D5M
Transfer Info:
Master Cassettes (Nakamichi CR-7A) ＞ Tascam DA-3000 (24-bit/96k) ＞ Adobe Audition CC 2022 ＞ TLH flac2496
Notes:
- Thanks to Doug Lamarre for the master (FOB) cassette recording
- Thanks to Charlie Miller for the transfer and coordinating this effort
- Thanks to Jeff Silberman for the Sennheiser 441 source which supplies some crowd and beginning of "Bertha" (0m20s total), additional 0m05s patch in "Bertha", a 0m06s patch in "Bird Song", a 0m04s patch at the beginning of "The Music Never Stopped", as well as a 4m13s patch in "Drums"
- Fresh transfer
- Pitch Corrected
Mastered by Scott Clugston
November 2021
[Circulated 12/17/21]
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Thank you to Charlie Miller for the SBD transfer,
to Doug Lamarre and Jeff Silberman for recording the show,
to Charlie Miller, Scott Clugston, and Joe Noel for the AUD transfers,
and to Dan Raznick for feedback on the Bird Song mix.
Matrix by Hunter Seamons using Final Cut Pro (FLAC ＞ AIFF ＞ Final Cut w/EQ ＞ AIFF CD tracking via Audacity ＞ FLAC16 via xACT w/meta-tagging)
December 24, 2023
Notes:
The first 1m25s of Bertha in the SBD mix has a boomy, flat sound before it kicks into gear.
The SBD levels were louder for the first couple songs and were reduced to compensate.
A loud burst in Jerry's vocals during Bertha was reduced.
Jeff Silberman's Sennheiser 441 Dat recording, No. 142045 via Charlie Miller and Joe Noel (5/25/18), patches additional sections between songs in the AUD to maintain a continuous AUD track in the matrix.
11-second cut in Bertha (in the middle of huge Phil Bombs) and 16-second cut in Space in the SBD source now patched. The most beautiful, ethereal section of Space is where the cut occurs at 6m36s - interesting to go AUD-only here for this transcendent moment.
Tuning sections were trimmed.
Lamarre's recording adds some deep, resonant bass that is much needed for these particular SBD mixes. There was some pretty extended high end (treble) for these Philly shows that was EQ'd as needed with respect to each source.

[@jasonellis9550]

Yes indeed!

[@jeffadelman1536]

I was there, exactly where 🤷‍♂️ ❤

[@terryatpi]

Yup. Me too.

[@onthebus11]

TY Oh Bertha🌲🌲🌳🌳🚌🚌

[@davidgordon7673]

Fantastic setlist. Love these pre-coma 80s shows.

[@carycrediford7036]

Headed into 2024 I’m still so very grateful that these guys were so unselfish and generous with their time and dedication to their craft! I fondly remember getting “ new bootleg soundboard tapes “ and now it’s available quicker than instantly 😎✌️🇺🇸. God bless All the members of The Grateful Dead! And thanks again.

[@yoidontknow]

I wanna thank you from the bottom of my heart for sharing all of these with us, you have helped me discover my favorite era of the Dead through these incredible matrix versions of the shows. These always sound better than anything else there is from the 80s and I got so excited to see that a new video was put up, because I knew it meant I had some new exploring to do!

[@RicoSuave8]

ALWAYS A GOOD TIME IN PHILLY!!!! 🔔 🎉 🎶🎶🎶🎶🎶✨️✨️✨️✨️✨️ THANK YOU

[@Gianelli9]

Nice!

[@psilobom]

I'm surprised I never saw Grateful Dead art that combined the lightning bolt and the liberty bell before, tho I always imagined the lightning bolt would be the Crack itself. Still, thank you for your work is reuploading these! The Dead got me through Chemo (~):)

[@jeffadelman1536]

So glad you made it. 🙏 ✌ ❤

[@rickmcgough8048]

The bolt caused the crack. Or it was Phil!

[@WeirsBeard]

Sweet! Thankz for another gem!✌️💙💜💚💛🧡

[@agnome1176]

Last Saturday wake ‘n bake of 2023😽💨💨 Fresh as it was in ‘84🎉☮️👉🌏Happy 2024🗿🧙🏻‍♂️Bottle caps & balloons 🎈crispy tapes🙏📯💞a long strut from the Jersey Shore⚡️seeing dozens of shows in a row 🫠🥰💥going on tour🎁we were so blessed *€=*{~)*

[@LL-bl8hd]

Thank you Hunter! Listening to Bertha now and it's sounding great!

[@gratefulpan4707]

thank you for the post

[@RickyRicardo-jd8ed]

Rock On Children ✌️

[@noahtheearcetectvsthesuici9768]

Happy New Year from the classified section ⚡⚡⚡⚡⚡⚡⚡⚡⚡⚡⚡⚡⚡

[@LL-bl8hd]

1:27:34 Haven't heard Bobby do that before 😂😂 Poor Jerry's voice sounds rough this night. Playing is 💯 though!