Hollyland LARK 150 vs Rode GO vs Synco G1 - The Worlds smallest mic review!

Taking a look at the worlds smallest wireless microphone kit, the Hollyland LARK 150 and comparing it to the original Rode GO and the Synco G1.
They’re getting smaller but are they getting better?
Lark 150 links:
CVP - cvp.com/produc...
Proav - www.proav.co.u...
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Disclaimer:
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There has been no payment for the content by outside persons or manufactures. As usual, I always reserve the right to say whatever I genuinely think about any product featured on extrashot.
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[@StudioGalvan]

The most comprehensive and objective review I have seen/heard that included the Synco G1. I now need to see how the G2 fares since that has been out.

[@MattSpaugh]

EXACTLY what I've been looking for. Thanks so much. I've been curious to see how the Synco would stand up to the two more expensive options. Very complete overview of all three and wonderful production value to boot!

[@extrashot]

Glad I was able to help, and thank you for the comment.

[@mistersir]

I must this this is one of the best reviews I've seen on wireless mics!! I've watched over 40 at this point and this is so in depth and entertaining. Love the scientific method at work here :)

[@carlosq00]

After numerous sound drops using the RODE system (2 channels) I am leaning toward the Hollyland Unit with Deity Micro Lavs thanks for this video, love your channel and content 🙌🏽🙏🏽👊🏽

[@extrashot]

Cheers Carlos... I also had a few drops on the Rode, particularly when more than a few steps away in distance. Although, when it worked, I generally preferred the sound quality of the Rode, the Hollyland was very close. The LARK150 also never missed a beat in the month I've been trying it... so that is the deal breaker for me. The Hollyland transmitter batteries don't last quite as long, but at least they charge easily whenever you're not shooting... or over lunch !!!

[@MCMAGIC.]

I really appreciate this review , learned a lot of valuable tingz

[@juandivelasco]

The best review comparison video I have ever seen. You have definitely won another subscriber from Spain. Thank you. ( I did return the Synco set last December for exactly the same reasons you have given)

[@extrashot]

Hello from Bournemouth!...thank you for the sub, it's appreciated. I'm glad I'm not the only one who had problems with the Synco, I was starting to feel bad for criticising!

[@thegrumpygamer3081]

@@extrashot I thought I recognised those beach huts, Boscombe?. Looking at the lark myself, just for use with an action cam, but it might be a little big to mount on top.

[@scotey]

This is an outrageously great review. Thorough, thoughtful, and open-minded. I know how much effort it takes to create something like this. Well done, sir.

[@scotey]

I heard a difference between the Rode/Rode and Hollyland/Rode pairing at the end. The noise floor on the Hollyland was seemingly non-existent. I had to put on headphones to confirm this. Though when I listen a second time, there seems to be a noise gate on the Hollyland. Is that in the device or was that added in post?

[@extrashot]

The only thing I did in post was apply a 'levels' filter in FCPX to stop anything clipping over 0. This was done over the whole video at the end, so it should of been applied to everything equally. I'm sure a skilled audio engineer would be able to get better results out of every unit tested. The trouble is... I'm coming at this from a cameras point of view!

[@daviddurrani]

Fantastic review once again. I have the Rode Go in my hand and have not opened it yet but now I think I've made the right decision. These reviews often imply that big names are big for good reasons. Not so easy to take the crown away no matter how fierce the rivalry. You really need to create an outstanding product to beat the incombent.

[@extrashot]

Cheers David, and very true!

[@bugeater38]

Great comparison... You've really helped me make my decision. My wife and I do travel videos in Thailand and the Lark 150 looks perfect.

[@extrashot]

It's great being able to charge the TX units a few times during the day... especially when you're traveling off the beaten track!

[@Video-artisan]

You've just gained a usually reluctant subscriber. Very nicely done.

[@extrashot]

Thank you. I'm grateful that you overcame the reluctance and it's genuinely appreciated. Welcome on board.

[@casadepistola]

Fantastic review, mate. Was planning to purchase the Synco G1 until I came across your review. While the price point was attractive on the G1, it is useless with hisses and sound cut-out. Thank you for doing this valuable comparison. Cheers.

[@richarddzisiewski7197]

Great piece as always. Recently bought the Rode Go and must say I really like them and so far have no issues with them, but due to lockdown etc they haven't been pushed that hard yet. But you now have put the idea of having a play with the Hollyland set up...Thx for that !!

[@extrashot]

It's close.... comes down to form factor, design and reliability for me... but they are defiantly worth a look.

[@DanorGerald]

This guy’s great! Instantly subscribed after this entertaining and informative video. Amazing that we are at a place and time in this business when someone of your experience and skill is interested enough in the technology to make a high quality production out of a simple gear review. Just awesome! I was not even aware of the Hollyland Lark 150 until I saw it mentioned in a previous video and then found this review. Just in time for an upcoming project. Hope Amazon can get it here in time. Thanks for taking the time. Clearly you have worked with much higher end gear than a DSLR over the years. But here we are in 2022. The future has spoken.

[@DaveKnowlesFilmmaker]

Got my Rode Go II today and charging right at this moment. It arrived in just 2 days from a UK supplier. This is amazing as in the past I have had to wait sometimes months for new Rode products. I also hope you do a test of it.

[@extrashot]

That is quick... I didn't even know this was being launched so soon! Sounds good?

[@thailandtony]

Very informative and well put together video I was just about to buy the Synco but after watching this video it has made me realise it would not better than my current unit which is a cheap UHF system which works fine but from time to time it will loose signal or pick up interference which always seem to be at a crucial part which can be very annoying🤬🤬 but your video is the first video I've seen to actually show the synco product properly which many others haven't 👍 Thank you as you have saved me wasting my money 🙏🙏

[@extrashot]

Glad I helped you save money... since I made this video I've found myself using the Rode mics more than anything else. I think it's the build quality that gives me more confidence in real situations.

[@Jambo1999]

I've watched a couple of reviews on the Hollyland, you are the only one to mention the battery inside the case. Clearly the case must be taken with you on a day in the field. You didn't mention Hollyland has a way to output in mono, with the second track as a -6dB backup.

[@extrashot]

That's true... the -6db ST mode is very useful if you're only needing one mic.

[@AuntieRachelsChaoticKitchen]

Brilliant review, thanks! I've just ordered the Hollyland. I'll hold off on buying a separate lav mic for now in the hope you got duds! (Also, for anyone thinking about buying one; Amazon are currently running a £20 off promo, so I paid £180 in total (Sept 5th))

[@scb2scb2]

Nice review the mics on the lark 150 are fine for me (given they are included) and sounded the same as the build in one for normal use. The rode lav i also prefer and your method of mixing them makes sense to me. Where i think you could have spend a little more time is how easy the lark is including the -6 dB feature, mono or stereo mixing, hot swapping and line and headphone out on receiver. Personally like they added the 2 lav mics but its the component that could be upgraded. Lastly all parts can and will be updated by the usb-c charging box. Now i am a little biased since i was beta testing for hollyland on these units.

[@extrashot]

All good points Daniel, and you're right, the -6db ST mode is a useful thing I should have included. It'll be interesting to see what Hollyland are able to upgrade but that charging case is a genius design... the form factor is a big thing for me and the way I often have to work alone. Good work with the beta testing, it looks like this was their first go at a dedicated audio device... but they nailed it !!!

[@pigmintfilm256]

Fantastic thorough review dude, and a subscription earned! I'm deep into my research of these wireless options at the minute. I don't know if I'll really need to mic and mix two talent, but I figure I may as well buy something with that option. You would think Rode will bring out a two transmitter version at sone point. Have you seen the Picomic? It's by far the smallest - but I would imagine sound quality takes a hit for that. Would love to see how it compares.

[@extrashot]

I'd never heard of Picomic until you mentioned it... just looked them up. Amazing specs, especially the idea of a 20 hour battery life. I need to hear and see what they're like... Thank you for the sub, it's really appreciated.

[@kayodeolaosebikan7462]

Excellent video! From your test, i'do prefer the Hollyland Lark mic than the others

[@extrashot]

The design of the 2ch TX/RX and the charging case sets them apart from the Rode for me... although you'd probably want better Lav mics.

[@andrefelixstudio2833]

You bring up some really good points in this video and yes some of us camera guys are now mucking about the sound!

[@extrashot]

It's not that we want to muck the sound up... we're often forced into doing it!

[@tantranodual]

Nice review, thanks. I've just tested the Synco G1 (A2) with a Lumix GH5 for two days. Lowering the Synco gain to the minimum, and lowering the GH5 gain to -6dB (-3dB without lav mic) it works nice, without background appreciable noise (or very low). I never experimented sound cuts in normal conditions.

[@extrashot]

That's good to hear... I suspect I might have had other issues, either with interference or a faulty unit. If they work then they're great value!

[@kevinmcroberts8527]

Quite briefly at the beginning, I thought you'd grown a splendid curly mullet. Thank you for the comprehensive and entertaining review

[@extrashot]

It's a while since I sported a splendid mullet !!! 😂

[@StairwayToVideo]

Excellent Review!! Thanks for making that video!

[@SimpleSandalsMedia]

Man, this is the test I really needed! I am now definitely convinced to get the Hollyland LARK 150. And may I compliment you with your remarkable documentary style voice? It's very pleasant to listen to you explain things. Instantly subbed your channel.

[@extrashot]

Really sorry it’s taken so long to reply… I was taking a break from KZbin! Did you get the Hollyland? I see DJI have recently copied the design... I'd be interested to hear what they sound like.

[@AlbertNurick]

Nicely done. I'm in the market for a wireless system for interviews; Hollyland looks like the obvious choice.

[@extrashot]

If you might need two transmitters, the design is very useful.

[@caitlin1662]

Oh thank you, so, so much for this. I am canceling my order of the Synco. That whine would drive me insane. :D I also appreciate such a thorough review.

[@EugeneMaynard]

Great overview Paul. I think I am leaning more towards the Tentacle Sync 32bit work flow as my next investment as a solo shooter to complement my Rode Link systems. You made me laugh and cringe with your “ we have more importantant things to be getting on with” statement. I understood that it was tongue in cheek but I have a few Swedish sound engineer colleagues that would not understand the humour! 😂😂😂 Happy New Year and keep up the great work with you channel!👏🏾🙏🏾

[@extrashot]

Thanks Eugene... and sorry about my English sarcasm !!! That 32bit Tentacle looks very interesting. I'd love to test it out with the Zoom F2 bt. If separate sound fits in with your workflow, I think 32bit float is definitely the way to go! Happy New Year to you too... stay safe and well.

[@Martincyborg]

Rode is the winner for sound quality for me. We use the Deity Duo recording on a mixpre 3-ii, but keep a two pair kit of the Rodes for backup. Knock on wood. The Deity has been faultless and awesome all the time we had them. Thank you for the great video.

[@extrashot]

Cheers Martin, Have a good New year!

[@duncandrake2580]

Great comparison! The synco did not have a background noise at the beginning of the video but definitely had in the studio test. Maybe it is an autogain problem? In the silence of the studio the gain gets set higher and ends up introcing noise? Just a thought

[@extrashot]

I know what you mean and you may well be right... mind you, there was so much hiss from the sea you might not of heard it anyway !!!

[@terrywilhite]

Fabulous review. Stellar voice and writing. Wowwww.

[@LDUB250]

Awesome video! If the Hollyland Lark 150 was out when I was looking for new audio I might have given it at a look. Great features but you pointed out some audio bugs. For the last few years for work, I have been using Sony wireless transmitters. This year, I purchased a Sony UPWD system with Mi hotshoe for my personal work and it's flawless for Sony camera users.

[@extrashot]

The Sony with a hotshot is a great advantage if you've got a camera with Mi. It would have been good for me to include the Sennheiser AVX-ME2 set as well, but we're starting to move into another price bracket then. Thanks for the kind comment Lee.

[@Livingtheglobe]

Amazing Comerarison Thank you. The LARK sounds more bassy, the RODE sounds brighter.

[@extrashot]

Thank you... and I think I agree. It's amazing how much better they both sound with a decent mic plugged in!

[@mattbigwood]

Another excellent and in-depth review.

[@extrashot]

Thanks Matt.

[@BusStopBourbon]

Wireless go II!!! Can’t wait for your review.

[@GrandProductionsMedia]

Crazy rode was on top of it with all these other systems coming out, mine is arriving tomorrow 🎉

[@jacoblopez2549]

Great review! Do you have a video on the Saramonic Blink 500 Pro?

[@extrashot]

Unfortunately not... in fact I hadn't even heard of it... just looked it up. Definitely looks like a viable alternative!

[@4duros]

@extrashot ​ THANK YOU, THANK YOU & THANK YOU VERY MUCH! Few days ago, your video about Panasonic Lumix S5 was one of the most helpful that contributed to me to decide for make that beauty join our channel setup improvement. Can't wait to receive it (hope will be soon, at the begining of next week). Today, you gained me as a new sub! This other one also contributed a lot on my process about wich wireless micro solution will join our setup improvement. I considered the Rode at the begining of the process, but since a pair of days ago, each time is losing relevance, cause its price, and the trouble that means to try to arrange dual channel. Now, on my balance, clearly stills the Hollyland Lark 150 at first option, but there is also a second candidate: Saramonic Blink500 Pro B2 I'm prety shure that if you contact them, they will be very happy to give one unit for review, testing and so on. (saramonic dot com slash contact) There will be very helpful to the comunity to know what do you think about it. Thanks a lot again, and keep up the good work! See you on your next video! Long life! 🙌😉

[@extrashot]

@@4duros Thank you for the very kind comment and the sub is appreciated! I see the Saramonic's are getting a lot of love... I normally like to give it a while between reviews of the same sort of kit, just to mix it up a little, but these are definitely worth a look. Thank you.

[@jonathanfarber]

wonderfully comprehensive. Thank you for your effort here.

[@handmadeharriells]

FANTASTIC. That was highly enjoyable! You’re a born entertainer. Subscribed 👍🏽👍🏽

[@extrashot]

Thank you... very kind of you to say so and much appreciated!

[@MichaelScrip]

Thanks for the review! Did you test the Safety Track option on the Hollyland? That's a great feature especially for solo run-and-gun recording.

[@extrashot]

I didn't when I was testing all the units together... but I've since used it in anger and totally agree... the ST Mode is brilliant when you only need the one mic !!!

[@MichaelScrip]

@@extrashot Thank you! 😁

[@alexoatrunner4619]

Absolutely amazing comparison. Still undecided but at least feeling very informed now 😄

[@extrashot]

Thank you!

[@NATandGAV]

SUPER helpful vid bro. So thorough on the in studio comparison. I'm torn as to whether we should wait for the second rendition of the Wireless Go units...we're so far down the Rode echo system. The two channel version...let's hope!

[@extrashot]

Rode really need to do a 2xTX 1xRX version asap!

[@NATandGAV]

@@extrashot Actually, after I posted this comment last night I reached out to RODE and asked them if they were releasing something similar to the Hollyland 150 any time soon...their reply: 🤐🤐 I FEEL like this might be good news...

[@extrashot]

@@NATandGAV I do hope so - the more competition the better for all !!!

[@NATandGAV]

@@extrashot Agreed.

[@bjoernfischer]

For weddings, the hollyland lark 150 would be great for me. I could mic up two people at the same time. But I will wait a few months, maybe Rode will bring out a new version as well. :)

[@extrashot]

True, I definitely think two TX into one RX is the way to go!

[@BushMasterThermal]

@@extrashot Can't beleive Rode hasnt released this two in one stereo unit yet. Really... Come on Rode it's 2021 now XD fml we need wireless Stereo recording without buying two separate mono units with bulky setups

[@bjoernfischer]

@@BushMasterThermal yeah, i really hope they'll bring something out soon. when was the original rode wireless go released?

[@BushMasterThermal]

@@bjoernfischer Since April 4th 2019! They've really messed up on releasing the stereo version. Where as many other competitors have taken over the initiative we content creators needed from the start. There is also Pico Dual Mic wireless And you should try Comica Boom XD and Boom XU ( XU being the newer version and transmission system) Both Stereo units like the Hollyland Lark 150

[@extrashot]

@@BushMasterThermal I can't either!

[@aldredge_saxxon]

Great comparison and review, you hit the mark. Well performed well received.

[@RamasolaProductions]

Another enjoyable to watch review! I get thrills as the music intro cresendos to the TADAAAHHH!!

[@extrashot]

Thank you... very kind of you to keep watching!

[@absolutevideo1899]

Great review, I've been using The RODE from its first release on broadcast stuff great value and never had any problems, its my recommendation for ease and confidence on high pressure shoots.

[@extrashot]

Thank you... my Rode's have also been great... they also have the best battery life. However, it's a much closer decision if you need two channels.

[@absolutevideo1899]

Yes I agree with you on that, I've been using a wired boom mic for multiple situations, and the Rode for individual interviews. I love your Blogs so keep it up.

[@StairwayToVideo]

What was the nice Rode Lav mic you used on both the Rode Wireless Go and the Hollyland Lark 150?

[@extrashot]

Really sorry it’s taken so long to reply… I was taking a break from KZbin! To answer your question... yes, same Rode mic on both.

[@StairwayToVideo]

@@extrashot Which Rode Lav mic was it? The Rode Lavalier Go? Or, some other Rode Mic? Thanks.

[@extrashot]

@@StairwayToVideo I used the Rode Lavalier's that originally came with the 'Rode 'Filmmaker Kit'. Not sure what they are called... I think it was just 'Rode Lavalier'? It was what they had before the Rode Go system, but they sound pretty good.... not up to the COS11 standard but okay for the money!

[@StairwayToVideo]

@@extrashot Thanks! Great video. I appreciate you making it.

[@MikeEbrahimi]

A true honest review from a professional videographer.

[@extrashot]

Cheers Mike, very kind!

[@DaveDugdaleColorado]

Agreed.

[@extrashot]

@@DaveDugdaleColorado You're too kind Dave!... when are you going to start giving us more content? I'd love to see you post again... maybe I need to encourage you to do a collab !!!

[@SDPickups]

Great review. I got the Sokani UHF system for $100. It was ok, a bit difficult to get the right audio levels set up, so I bought the Rode Go II. I'm using my beloved Panasonic Lumix DMC G7, and the Rode was a DISASTER. LOUD RF interference, no matter what I did, it was always there, sometimes barely audible and then sometimes like a plane flying over. I called Rode and they pretty much told me the Go II is incompatible with my DSLR. They need to have a list of DSLR's it won't work with, am returning it. Will have a look at the Hollyland and go thru Amazon so I can return it if it does the same things.

[@extrashot]

I've never heard of the Rode being incompatible with some cameras! Were you powering the receiver at the same time? I was getting some interference if I tried to connect the USB on the RX for unlimited run time. Just a thought. No problems with the Hollyland.

[@OurFantasyLife]

I actually had a similar experience with the RODE VideoMicro Pro and my Canon M50. There was a hiss / buzz that I just could not get rid of. RODE's suggestion was to wrap the audio cable in tin foil. I returned the RODE and ended up getting a $25 TakStar mic - problem solved. I was blown away. Everyone that I talk to has had some type of problem with RODE at some point, I'm not quite sure how they've become an industry standard with such spotty quality.

[@ProfezzorTrishPhD]

Excellent review, this is the best review on mics that I’ve seen. What type of lightening and phone mount to you recommend for vlog on a iPhone.

[@extrashot]

I've only just started using my phone with audio (normally b-roll only) but it's a good question that I need to investigate.

[@zagorcuk1966]

8'17" ..... :) similar situation. But you just do it, instead of giving up because of changing times and "democratisizing" of broadcasting. Bravo.

[@lynsmith1096]

Good comparison video. Happy New Year.

[@extrashot]

Thanks Lyn!

[@bbjib]

Thank you for a calm and detailed review.

[@extrashot]

Thank.you bbjib, very kind!

[@carforumwanker]

Chances are the Mics supplied with the lark 150's might have been a poor batch? It would be good to see a recent test using a fresh set to see if they have taken the product further with software updates etc

[@extrashot]

I think you're right... I'd also like to try the DJI version of the same design of RX/TX soon...

[@StrategicMessagingForLiberals]

Thanks. These are tests I would have done and now I don't have to do them. This helped me make the decision to purchase the Hollyland, even with it's goofy name.

[@janaecarlee]

What was your output volume on the LARK? And how did you edit the audio in post? Your audio is clear. How do I eliminate the static?

[@M4rs0]

Amazing review, you've answered all my questions, yet a new one arose. Which lav mic would you please recommend to up the Lark 150 transmitters with?

[@extrashot]

Thank you. My old COS-11 mics work well with the Lark150 although they are a little quiet. The best compromise for me (especially cost wise) is the Rode LAV mic. The Lark150 does come with LAV mics... it's just I suspect mine were actually faulty!

[@robinsmith5418]

Concise and honest. The latest Rode Go2 with updates possibly brings closure to any doubts

[@extrashot]

Thank you... and I need to buy one and test !!!

[@clifftotten7609]

Can the Lark 150 receiver be powered for long day shoots? USB power? Also, can you adjust the transmitter input (mic) gain for loud speakers or soft speakers? Great video, thanks for doing this.

[@extrashot]

Hi Cliff, The receiver can't be powered by USB while using, in fact it doesn't have a USB socket, just the connections on the bottom for charging in the custom case. The only control you have over gain is on the receiver output. Sorry about that.

[@clifftotten7609]

@@extrashot Doh!!

[@TexpatOTG]

Nice review. I have noticed that the lav mics have a lot to do with the quality of sound quality you get. Just using the one in the box isn't always the best idea. I don't use wireless, I use Tascam recorders. I have tried lav mics in a wide price range. One of the best sounding mics for my recorders was also one of the cheapest. I have some costing up to $125. My go-to mics are Boya BY-M1's that cost about $20. .. the new series of these mics isn't good, but the older and cheaper has a good sound.

[@extrashot]

Totally agree.... and when you find one you like, hang on to it hard !!! I've got a couple I've probably had for more than 10 years... still sound like nothing else!

[@scottgmaclean]

Happy new year, Paul. Nice and clear review, especially comparing lag on the timeline - great idea!. Happy user of the Rode myself (except their fiddle clip on wind muffs). I was a little concerned when I first started watching - it looked like you’d grow a mid-life-crisis mullet, but then I realised it was your furry collar :-).

[@extrashot]

😂... I'm old enough to remember actually having a mullet !!!

[@elementary8963]

Listening on my HD650 headphones, I hear a high pitch distortion (whilst speaking and shortly afterwards - but it disappears during silence) at 15m13secs on the Hollyland. Shame - as I love the look, usability and charging case. Based on your video, it would be the Rode for me.

[@scb2scb2]

I did not detect anything on my units and compared to the rode wireless go i have noise level is about the same but different i prefer the somewhat darker noise on the lark over the rode but both are very low. I own both and find the lark 150 the prefered units but indeed maybe when needed with a other lav mic.

[@extrashot]

Following your comment, I went back to the rushes and you're right, there is something going on in the clip at 15:13. It's strange because it's not on the other clips I've got with the Hollyland. When I use my COS11 it's perfectly clean, but when I use the Rode Lav it sounds like bad noise reduction! It's very slight... and only on the clip with the Rode mic. Not sure what that could be...?

[@elementary8963]

@@extrashot I may have the answer. I thought about this after I posted my comment yesterday. A few years back I bought two Rode Rx/Tx packs. During my initial testing, I noticed interference similar to the clip at 15.13. I nearly instantly returned both packs - but then I tried the units with a Sennheiser ME2 lav mic. Perfect audio. So I ordered a couple more ME2s (I found them on sale at the time for £59 each) and I keep the bundled Rode Lavs as spares. So, all good then? Not quite. Just to check, I went back and listened to the Hollyland with your COS 11 mic (a very nice lav - wish I had one!) - and again, you can hear the same interference in the audio - although it's much less than with the Rode lav. That said, you can probably eliminate it in post and I don't know if you had you mobile phone nearby or if there might have been anything else that might be causing the issue. Finally, thank you for making these videos - like you mentioned, it's better to have an soundperson to ensure the best possible audio is recorded. However, there isn't always the budget for a sound person - and that's when reliable, fool proof, easy to use sound kits is very important. My current solution is the Tascam DR60DMK2 as you can power it off a USB power brick, it has camera feed audio output and it records two channels of audio - the second being 10db lower than the first.....it works really well, but I am looking for an additional much smaller solution.

[@extrashot]

@@elementary8963 Thanks for the expert analysis... I also suspect it's based on interference from something. When the Synco started playing up I went around my kit in the room counting what devices used 2.4GHz, Apart from my phone, iPad and laptop, I also realised my camera had it turned on... and two of my lights... so that was six other devices in close proximity to the wireless mics. I turned most of them off and was still having problems. Ironically, the biggest 'leaky' culprits were the lights... and I never even use the WiFi on those... so that's been permanently turned off. At one point, I discovered that if the light controller was near my iPad, it would completely wipe it's connection out! When I use the COS11 on the LARK150 they now sound very clean to me... but then my ears are getting old !!! Thanks for your help.

[@tawannaharris5206]

Your review was so informative. Thank you so much!!!!!!

[@sitedev]

I often shoot with 4 Rode Go’s into an F8. Generally they work fine unless the talent turns their back to the F8. The Larks look interesting ... considering selling my Rodes and buying 2 Larks. Thanks for the comparison!

[@extrashot]

Cheers Chris.... definitely worth trying the Larks before selling the Rode Gos! The TX batteries don't last as long (probably because os the size) but so easy to keep charged. Good to know how you get on.

[@DavidBattistella]

Another straightforward honest review. I agree with you on the ride/ride setup. I still use my senheisser wireless system alongside the rode. Had a warranty replacement on the rode. Their service is excellent and because it was in the warranty period there was no charge. Rode backs their products with excellent support. That actually matters and I am speaking from personal experience.

[@extrashot]

Totally agree... especially when your reputation depends on this stuff working!

[@DavidBattistella]

@@extrashot gear fail is the worst thing you can experience. It happens and backups are important but there is nothing worse that gear failing.

[@extrashot]

@@DavidBattistella True... it's more than embarrassing... always makes you look bad even if it's not your fault !!!

[@50450720]

Fantastic review, I really enjoyed it, thanks for taking the time to do it 👍

[@extrashot]

And thank you for the comment... very kind!

[@RockyColaFizz]

Fantastic and thorough review . thank you.

[@extrashot]

Thanks Rocky, appreciated!

[@NateReimers]

Got another sub! Great comparison and it's insane how technology is advancing.

[@extrashot]

Thanks Nate, the sub is appreciated... and yes, the advance is amazing!

[@rhythmofrunning5867]

Outstanding review...thank you for the time and professionalism you put into it's making! I'm a complete newbie to KZbin content production. I'm wanting to market my business on a budget but still look & sound professional. I've been going back and forth on Rode, Synco and HollyLand. Though I think the Rode sounds "slightly" better than the Hollyland, I feel after much research and then your video that HollyLand is my decision. I've watched many, many reviews and this one is one of if not the best. I wish you were able to do an affiliate link for Amazon here in the states...thanks again!

[@mehdibazyar7144]

Honestly, I know nothing about professional videography. One of the reasons I'm watching your content is because how passionate you are about what you do. And that voice of yours can be used for an audio book, think about it Paul. And one more thing, please create more mainstream content, not just the professional things, common photo and video stuff. Thank you

[@extrashot]

Thank you for such a kind comment... I take your point about more mainstream content but not sure I could do audio books!

[@mehdibazyar7144]

@@extrashot Your welcome, as others said, your channel is so underrated. Aaand I'm serious about the audiobook thing, it'll work 🙂 Plus, it will be awesome to see more content, heck I don't care if you review videogames every once in a while. Just make something 😄

[@extrashot]

@@mehdibazyar7144 Thank you... I'll try to up the output!

[@UXXV]

Jesus Christ! This went beyond the call of duty for testing bravo!

[@extrashot]

I've been using all three systems for a while, so just a case of collecting thoughts.... but thank you!

[@jeury-tavares]

Your next video will be a voiceover in a National Geographic documentary. Well done! Looking forward to your other videos.

[@jeanlue]

As always another great video. totally worth it. Thank you for saving us money.

[@Jambo1999]

What is the "coz 11" lavalier mic? Ah I found it, the Sanken COS-11 $470 !!!

[@extrashot]

That's it... they do sound crisp though!

[@hadrienpicard6554]

best comparaison video, bravo!

[@extrashot]

Thank you!

[@victorlolo2008]

I enjoy your review and the way you speak

[@GilKreslavsky]

Great review! Can't get people who test them in studio enviroment, you are supposed to use the on the go

[@nickRS100]

I watched this video after I’d ordered the Synco G2(A2) for £85 from eBay. I opened them very carefully in case they were going back! They’re not! The RF noise you got was truely horrible and gets on my nerves much more than the hiss noise floor. I’ve only just realised you were testing the G1 and I think they have listened to you and several others. A quick noise floor test was about -40-45 db and once I applied RX10 (free upgrade from RX9 as only got 3 days ago) down to about -55db. No RF noise that I could detect audibly with headphones at all. Cheers

[@derekroberts5931]

How are they now?

[@nickRS100]

@@derekroberts5931 l’ve not actually used them in proper use. I got them for a project and it turns out it involved talking head one person video where a plug in overhead cardioid condenser did the job and then upwards of 6 people all talking unscripted which could have been done with boom mic and operator (neither of which I had). So they didn’t get used.

[@derekroberts5931]

@@nickRS100 thanks for feedback, I was debating the synco G2 A2 vs Rode Go 2. I don't know which is better, besides price. Also any good clear lav mics?

[@nickRS100]

@@derekroberts5931 I have a music audio recording background and realised during prep for the audio for video session that anything other than a “proper mic” was going to be a make do. I compared the mic output from Synco G2(A2) transmitters with cheap lapel mics and decided the lapel mics would only be needed for discreteness. My notes say the noise floor I measured with the Synco system was -40 to -45 db which I could reduce without significant artefacts in Izotope RX to -55. The main advantage of the Synco is price for convenience of wireless.

[@derekroberts5931]

@@nickRS100 Thanks Nick if you were comparing this to the Rode Go 2 where would this rank. My Concern is lost audio. I know the Rode has built in audio for recovery is say the wireless craps the bed. I wasn't sure. Also any lapel mics to attach to these wireless to make them sound great or does the synco lav that the G2s come with do good? Thanks man.

[@Falk4J]

Why's the Comica Boom XD always been left out when it comes to these comparisons with the newer and pricier Synco? The Comica has the best versatility since there are USB-C and Lightning Receivers available which comes in handy when your phone just because it's premium (accept for Sony I must say) has no 3.5mm connector any more and you need wireless audio on there. I'd like to know how the Comica XD compares to the Synco G1 or G2 audiowise.

[@extrashot]

I know it's weird but I'd never heard of the Comica Boom XD until I made this video! Maybe they launched at different times in different countries??? Heard of them now though!

[@ljwaugh1]

Great review and your experience and professionalism shows. Thanks.

[@JoeMustang99]

I have the Rode and the Hollyland but prefer the Hollyland. My included Hollyland mics sound fine but I'll try the Rode Lav with it. Usually keep the Rode Lav on a Tascam DR-10L which is an excellent little recorder. Excellent review. Here from Oastler, by the way.

[@extrashot]

Thanks Joe... I suspect my Hollyland mics were faulty examples... it was a very early unit.

[@Alborz.]

Amazing review. When I had the rode Go I was so disappointed that every time the talent turned around, even when only 10 meters away, the audio would cut out. I really hope the lark 150 does not have this issue as it looks great.

[@extrashot]

The Rode I tried, didn't seem that bad (more than 10 meters) but the Hollyland has proved even more reliable since!

[@p_p]

best rewiev ever. thanks man

[@leorockamsterdam]

So useful video with professional view, I got Rode, still happy with it. Looking forward to see more consumer products by for professional view. 👍 Happy New Year 2021. 👍

[@extrashot]

Thank you Leo... and a Happy New Year to you too!

[@leorockamsterdam]

@@extrashot Thank you Paul 😊😊 Best care your there 🍀 Really enjoy to watching your video. 👍

[@haischool]

glad I found this video. I am looking for a 2 person wireless mic. was going to go with rode but the Lark seems to be the better option.

[@extrashot]

It is a clever design when you need two TX. (the -6db safety track mode is useful too)

[@candyartstv]

I'm starting to think that maybe I need to send my rode unit back. It looks like the later models perform much better non-line of sight, where my unit starts cutting out after only a few steps. Purchased more or less at release. Rode does sound better.

[@extrashot]

It's strange... mine seems okay up to around 50 meters or so, but a few guys I work with have problems NLOS like you... after more like 10 meters. Some of these are much the same age as mine, so I'm not sure what's causing it?

[@AwesomeShotStudios]

If you haven't got your hands on the DJI Mic, you should give it a go. I have to say I'm greatly impressed so far, as it bests the Rode system in most every way: size, ease of use, audio quality, flexibility (magnetic mount/clip mount)..and most importantly (for me) is the ability to record internally. Dropouts will happen, it's a given...so having a backup recording is crucial. RIP Synco. I don't expect they'll have a happy user base.

[@extrashot]

I really need to try the DJI Mic... looks good on paper.

[@Steviegtr52]

Is it possible that your home wi fi at 2.4gh was affecting the transmission. Steve.

[@GoodbyeMyLover07]

Can this mic be used without additional adapters needed for online live classes? I am a Pilates instructor using zoom for online classes. I need the mic to work while sharing music through zoom to participants. My wireless go by Rode needed so many other adapters and in the end the mic volume is very low. Looking to purchase this mic instead.

[@extrashot]

They all provide the same 3.5mm TRS mic level output... so it's unlikely to be different to the Rode?

[@LockDogg38]

Stephanie, have you found an alternative to buy ? My partner is a yoga instructor using Zoom and IG Live and so far we are considering the Synco G1 but are curious to see if there are other (cheap) alternatives out there

[@igorigosta]

Really great review! Not like a fancy you tubers.

[@farisbakhsh5984]

What mic are you using while talking about the mics? Thank you!

[@extrashot]

My main studio mic is a Sennhiser MKH60 P48 ... had it years and still love it.

[@sjcampbl]

Nice review. I too would like a review of the new Rode Wireless Go II

[@extrashot]

Thank you!

[@okadk]

If you are testing the range of the device on the same time i.e. all On on the same time they will interferre, even if they are not on the same channel. The transmit signal from a one unit will be so strong at the adjacent unit that it will cause the radio to be compressed (clipping) due to the strong signal. This will cause the receiver to turn down the gain (AGC) hence it will loose sensitvitity level. This is channel independed but depend on distance to the other unit + time of the TX/RX frames of the radio signal. The longer time of TX/RX frame they higher risk of collition from a close by interferrer.

[@extrashot]

All true... and most of my testing had to be done separately, however, it's not uncommon to need more than one WiFi device on set at the same time. It's not just microphones either... we've now got WiFi used for camera control, video links, lights, porta prompts etc. It's quite a forest of signals out there!

[@thedvguy]

I use the PicoGear PicoStream PicoMic 2. I love it.

[@MattSpaugh]

Good morning Paul, long time, no type. Thought I'd share my recent experience with the Hollyland Lark 150. This unit has been a nightmare for me. Long story short, I had issues with mine about 6 months in. Firmware updates are a huge pain if you're a Mac user. That didn't work so they had me ship it to Texas (AT MY EXPE NSE???) for repair. The RMA tracking system is pathetic - it makes no sense and was never updated. I finally got a replacement unit. I used it on a job and on day two, it would no longer pair. I've reset all four components - nothing. The customer 'service' seems to be Asia-based so, being in the US, every exchange took 24 hours. The emails were difficult to decipher and the process just took forever. After two unusable units, I don't think I could ever trust it for professional work which is a shame because the form-factor, sound quality, etc are surprisingly good for the money. I wasted a lot of time on set and looked like a chump in front of my client. Hope you're well - looking forward to new content from you!

[@extrashot]

I'm really sorry to hear that Matt... sounds like a nightmare and never good in front of the clients. I must be honest, I've broken one of my TX units too. A little sideways pressure on the 3.5 mic jack is all it takes to snap it right off the board inside. Such a shame because the idea was good. I see DJI have just launched an almost identical setup. I wonder if that's better built?

[@MattSpaugh]

@@extrashot I would think the DJI product would be superior in every way given my personal experiences with DJI. I can attest first-hand to their excellent customer service. It was so good I made a video about it! kzbin.info/www/bejne/eJfZg2uagr2pnc0

[@AdrianOleasEmpire]

Hi, greetings from Cali Colombia, i really liked this video, but stil SO confused, i mean, it is clear, Rode, sounds great, but not lav mic included and the gain settings is poor, synco, so disappointing, but the Lark 150, sounds great, really low floor noise (it seems at lest) but crappy lav mics... So, all of that is clear, buy the larks, with other lavs, BUT, what if i have to record in a field recorder like zoom F8? How can i split the L and R signals, but with balanced cables each splited cable? I mean, i need to plug from the out of the receiver both lines with balanced cables (xlr or trs, doesn't matter) there's some how to do that? Do you know the FDTech or Feidu FD40 or FD50? Can you tell me what do you think about those or maybe the Comica or the Pixel Voical Air??? (Those are UHF actually) I don't know what to do!!! It is frustrating!! (Actually the 2.4Gs, aren't enough, cause sometimes i have to work with more than 6 actor's at the time, so more than 4 transmitters at 2.4Gs can create interference and drops)... Please, i need a light about all of this, thanks for your help

[@extrashot]

Just to make it even more confusing... Rode have now launched the Go2 which also provides two channels. I haven't tried the others you mention, but there's been a few on here praising the Comica units a lot. Good point about splitting the channels. I'm no sound engineer, so you might be able to help me here... if the L and R signals are leaving the Hollyland unit through a single 3.5mm TRS, then that can't be balanced... but is it then possible to split that signal into two mono balanced cables? Wouldn't you need a way to reverse polarise one feed in each cable or am I over thinking this?

[@AdrianOleasEmpire]

@@extrashot thanks for answer that fast... Im not really sure about how it works in the splitted way, have to search som extra info on the web... Thanks!!!

[@extrashot]

@@AdrianOleasEmpire Me too!

[@candyartstv]

Rode just needs to release a dual receiver kit, and sort out the line of sight nonsense. Paired with a ZOOM F2(-BT) and you're more or less golden for sound.

[@extrashot]

I need to test that Zoom... I like the sound of 32bit float!

[@lucasmicarelli]

Very, very, veeeery goood comparison!!! Thank you

[@extrashot]

Thanks Lucas !

[@haddonhousefilms]

Great review. Exceptional testing strategies. I agree the hollyland with the rode mics would be the way to go. Can't get over the design of hollylands kit. It's ingenious design is a tempting bargain.

[@extrashot]

Really sorry it’s taken so long to reply… I was taking a break from KZbin! ...and to answer your question... have you seen DJI have almost exactly copied the same design now!

[@haddonhousefilms]

@@extrashot yes I have seen that. I ended up getting the hollyland set. But I will also be getting the dji set as well. I love dji. I have the mavic and osmo x5. Love them both. And the new ronin 4d looks amazing as well. 😍

[@davidp158]

Solid review! BTW, all my sound recordist friends a bit snarky towards us camera guys. It comes with the territory. I typically use Sennheiser G3 radio mics, but also have RodeLink wireless as a back up. The Rode has been susceptible to interference, especially when used next to my Sennheisers, so I think Rode is light on shielding, or maybe their transmission/reception power is just not strong. The Hollyland Lark looks like an interesting product and potentially good value, but (1) the battery charging process concerns me and (2) the lav mic is sub-standard. FWIW, I would use a different lav mic with any of these devices. I think the Hollyland Lark is the best option here. The Synco unit is a non-starter.

[@extrashot]

Thanks Dave... and you're right about the snarky sound recordists... but to be fair, we are doing their job !!! My Rodelink's have been great but the Rode GO's are definitely more susceptible to interference with my kit. I found the Hollyland charging case a brilliant idea, but you do need it, because the TX batteries don't last as long as the Rode GOs. Thanks for the feedback.

[@AngelusHD]

That noise on the background of the Synco makes it kinda pointless for recording audio. With such a deal it’s almost impossible to be good. :( Not being reliable because of the drop offs and making a sizzing sound. Did you contacted them if this is normal behavior?

[@extrashot]

I did contact them and tried the fixes they suggested. I think the main problem I had was with interference from other 2.4Ghz items in the area.

[@AngelusHD]

@@extrashot Allot of other reviewer did not mentioned it but with headphones without background music i could hear it easily. Hope they can fix it by firmware.