How To EQ SUB BASS

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📺 ABOUT THIS VIDEO :
This is the way I get the subs super tight clear and heavy...you need to play around with these settings to suit your track but it will definitely do the business for you if you are have muddy loose low end.
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[@FunkinMatt]

I think this video shows how important it is to train your ears. High passing, dynamic eq, these are all simple techniques, but actually knowing what needs to be fixed and then fixing it, is the hard part! Good work Streaky!

[@Hexspa]

@@sebastianbaran9645 $40k speakers will still be dominated by an untreated room.

[@mariooo88]

@@Hexspa Can you imagine buying 40k $ speakers and not treating the room, lmao

[@Hexspa]

@@mariooo88 Yeah but don't these Barefoots create a cardioid pattern in the bass? I don't imagine that would change the time domain of the room that much but I'd have to see a measurement. Genelec also has the W371A which uses two woofers to balance out modal response. Actually, it's two boxes and two woofers each but they're sold separately - $10,000 ea. These systems are so expensive so fewer people have them. Of the people who have them, none seem to have published measurements from in-room comparing to 'regular' systems. I'm sure Genelec and Barefoot have the tests but it's the "industry standard" to not tell your customers much about the technical aspects of your loudspeakers - which blows! But also there's the work of Floyd Toole who, ironically, reference him when arguing against room treatments despite himself never saying that (that I'm aware). But he did research which found that people prefer more 'live' rooms. I don't think he controlled for professionals who work in absorbent spaces but the idea is out there. For the most part, a room free of too many reflections will give you the most accurate sound from your speakers. The exception to the rule may be when the reflections sum with the axial response to create a flatter SPL at the listening position. Even then, you have to control for the time domain and from what I know, the room isn't minimum phase in the sense that you can EQ down resonances; that means you need physical absorption. So, yes, I can definitely imagine it but in my world that's not the choice I've made for myself. Cheers. PS - I have no sense of humor right now :)

[@soundinthesky96]

Love the more specific techniques! Keep me coming really appreciate them!

[@jazzmastert]

Great vid Streaky. Massive difference from just those 2 or 3 moves! Feel like I'm getting real industry secrets from a master here!

[@brandonpratt9353]

As someone who’s been intrigued and fascinated by mastering for years now I really really appreciate that this channel exists and really appreciate the opportunity to learn from you man! Been having a ton of fun binging all of the videos! Thank you! 😊😎

[@andrewamicarelli]

Perfect timing for this.. I have a song with a sub that needed some cleaning up. You my friend have become my new regular mixing/mastering teacher. Keep it up!!

[@TheBumpdjs]

priceless Streaky i love this. Just tightened up my bass no end. Also i love the way you describe the bass as lumpy and "grabbing" the low end - really felt that - Man thankyou so much

[@eddierey5202]

Wow this is some advanced bass treatment Streaky! amazing! :D

[@lumpyfishgravy]

Always good to see someone use the visuals together with their ears. It's a great way to teach.

[@markhopkins5352]

🤘🏼exactly! A lot of YT mix engineers want us to only use our ears 🤦🏻‍♂️ there’s a REASON for the graphical representation ppl 😁 There’s an ad going around now saying sarcastically, “you’ve been told it’s all about compression and EQ…”. Well, yeah. It is! 😂😂😂

[@mattbarachko5298]

@@markhopkins5352well… yeah. It’s important to be able to get visuals. But the point they’re trying to make is if you’re mixing with your eyes your mix is gonna sound like shit

[@mehmetemin4714]

One of the best overlooked post mix low end videos. Thanks a lot.

[@sandwich-breath]

I really like how tight this made the sub and bass. This is a great 'quick and easy' place to start working with the Pro Q3, which I just picked up on your suggestion! Thanks for the straightforward post Streaky

[@yndsmu2457]

Great video. Been studying Mastering as a different art & this only confirms my investigations about it being an entirely new skill VS Mixing, Recording, Production, etc. Not as hard as I imagined (haven't really got my own work checked out by established Mastering Engineers) but everyone has loved my "lifting" capabilities! Keep it up Streaky, love whatever you share, even the pranks.

[@UndeadDillema]

how do you lift?

[@cookiebytz]

Another great video Streaky! I am really enjoying these insights, thank

[@AURALKINESIS]

These videos are invaluable! Thank you so MUCH, please keep them coming . Two thumbs up!

[@sammiller9855]

I appreciate these more in-depth videos. Keep them come'n Streaky!

[@YiggaP]

Thanks a lot Streaky !! I've been a subscribed with the bell on for a long time now :-) Thanks for all that knowledge sharing these last weeks. Love.

[@ReeWebster]

A fine example of why separation in the mix is essential! Good stuff.

[@dwaynedmullins]

Brilliant tutorial! My dance tracks needed exactly this little gem! Thank you!

[@EnoraRecords]

Tank you streaky all you tips are great! I’m quite new on this but came quite far to understand type o almost everything you bring up. Your giving me a finer version of what I already do. 😎👍🏼

[@ppgabe]

Hi! I'm a new subscriber and I just watched your previous videos. Please don't burn yourself out!

[@JayBeBerg]

That's really cool, bass is so much tighter.

[@ChrisBevrly]

Yeah I love that low shelf dynamic tilt! Great stuff

[@exponentialagroforestryini4381]

Thanks so much mate!!!! Infinitely Appreciate you and your knowledge!!!

[@Jamusictv]

Nice! And that track is awesome ! The horns sound nice during that break.

[@dicasaudiopt5659]

Very helpful tip. Thanks Streaky

[@1337murk]

Cheers! I gotta log back into the course, been out of the loop for a min while dealing with some things

[@LokoTheChannel]

It is a good technique to have the sub under control, thank you!

[@jjones7837]

Again. Some things are not new...but seeing someone's else's approach and creativity is always great. It's alway cool to see people's EQ curves

[@andrewa.garshong3198]

yess yeasss, smaegol loves mastering secrets

[@Vambibuda]

I subscribe from your first video. Love the content you provided. Greatly appreciated, thanks.

[@shanelindemanmusic2650]

Thanks so much for your content, Streaky.

[@MickeyBlood]

Powerful 👌🏿👌🏿✊🏿✊🏿👊🏿👊🏿👊🏿🙏🏿🙏🏿🙏🏿👍🏿👍🏿👍🏿

[@emiel333]

Great video, as always. But I must say this: what a fantastic song you’re playing!

[@khashayarheidarimusic]

Many thanks to u, this is great, love it, I want to use this technique as soon as possible.

[@johnmaveric5]

kind of like side chaining with a lot more control over the frequencies - definately going to use this advice - great tutorial :-)

[@olivierclasse]

Absolutely great trick thanks 😊

[@jarcau_vegan]

Is there such a word that it is to "listening" what _visualization_ is to "seeing"? Thank you for the lesson 🍀 And congrats for outrunning the 30k!! (Now 57k)

[@meilstone]

Really improves the bass of this track, feels much more muddy when you bypass!

[@hertzouttahell]

music production will get sick in a few years with tutors like you. great job. learned alot in some of your vids.👍

[@producedbygifted]

learned so much in this video...thank you so much!

[@saucemoneybeatz1977]

Love you work

[@skrypture1162]

Great tip!! Thanks Streaky

[@chris-rb7bm]

Thankyou Streaky!

[@pat_holder]

This is gold, thanks bro!

[@andreisolomon3894]

Thank you! You are the greatest

[@mickioannisguitar9355]

Great tutorial. Especially for me as a beginner. Thanks.

[@profonicstudios]

Dope video! Thanks for the 💎s!!🙌🏾

[@iamjonklein]

Thanks Streaky, this is a great help!

[@MrOri68]

Hey Streaky! I know this is an older video but something here puzzled me. I was always under the impression that when dealing with these sub frequencies it's better to use linear phase eqing to retain "phase cohesion"? (I don't know if correlation is the right word here). I may have missed you talking about it in the video but I could see you were using the ff zero latency mode.... is that for accessibility or is there another reason for it? 🤔

[@TallerdelSebaRehbein]

Good stuff, thanks Streaky

[@lucadavinci1235]

Love the video! Song is nice too!

[@Desiqnify]

This has helped me a lot, thank you

[@MrJamesGeary]

Now lets hear those same cuts on the weiss eq :)

[@WorstViktorEU]

@@gnthr7992 the same super good algorithm that the original unit uses for a fraction of the price.

[@Peter-gu9ph]

Can you please help me - what's the quality difference between Softube Weiss EQ MP (RRP USD199) and Softube Weiss EQ1 (RRP USD549). I know EQ1 is for mastering and has stacks of extra features, but can I use EQ MP for mixing AND mastering...?

[@nj1255]

@@Peter-gu9ph The EQ MP is minimum phase only (like most other EQ's are) while the EQ1 has both minimum phase, linear phase and dynamic EQ modes (similar to Pro-Q3). Shure, you can use EQ MP for mastering. What you are paying extra for with the EQ1 is the linear phase and dynamic modes, but they are not a must-have if you already own other linear phase and dynamic EQ's.

[@Peter-gu9ph]

N J thanks for explaining!

[@jon0830]

amazing and to the point, thank you

[@iamgeses]

Class tip mate. Banging song too

[@kendallhoulder5139]

WOW THIS CLEAR UP SO Much On My Song...Thank You Bro....

[@colinhawkins9762]

Hey Streaky, I'm loving your videos! Thank you for sharing here on KZbin. I'm wondering if you have a video on how to properly set up you kick and sub. I will keep looking through your channel to see if I can find a video that you have done previously!

[@RS-pp7ng]

GREAT video. cheers dude.

[@PharaohLawLess1]

another great mixing tip

[@unc1589]

New sub here. That was really good. Smart mixing!

[@five18studios82]

What are the headphones you're using and do you like them for mastering/mixing?

[@thenoddy7]

Nice one 👍 I noticed you're using the natural phase mode. I might have thought a linear phase mode would work better for the high pass?

[@norand022]

How is it different from the other method you showed the other day (compressor side-chaining from duplicated kick track or from the sine generator)? Should we use both at the same time? Which when?

[@NickCent]

Diamond right here!

[@ProdbyTrehnt]

Hmm. So adding saturation after my eq would help bring some of that oomph back? Or would you recommend before. I really like how warm tape saturation sounds on my low end.

[@deamhub]

GENIUS SIR!!!!!

[@melchiorvandijk6138]

This is amazing!

[@djicebreaker80]

Yes i really enjoyed the video, training your ears to know what frequencies is best, especially low frequency, midrange too , so the sub frequencies is extra layer to mix to get more punchy Right, what was the sub frequencies for the sub? Is it just preference or is National standard across all EDM tracks

[@LetMeDieLord]

Hey streaky, I can't thank you enough for letting us all know about these wonderful techniques! Gosh, I hope I'm not sounding like too much of a fanboy here😋...one question though: do you see any advantage in mono-ing the subs this way, versus using something like the monomaker in some of the brainworx plugins for example, or any other Plugin like it, where you can just set it to a frequency you like, and everything below is being made mono....? Thanks!!

[@yaibadood1609]

oh my lord im in love what is this song

[@crxzycraine]

Great video 🔥🔥🔥

[@jsadecki1]

Bangin tune

[@AlbaCOR3]

Probably a silly question but are you applying these EQs to the master or to just both bass and kick?

[@gylp2]

love that track

[@thefullspectralmethod1340]

Thanks for sharing, really sounds a lot tighter. Just out of curiosity, could you achieve a similar result with a low band compression and make up gain, instead of the dynamic EQ?

[@Streaky_com]

Yes 👍

[@COSE666]

Absolutely awesome tip!! Are you allowed to release the name of the song? Its a vibe and a half

[@marknhopgood]

Thanks Streaky. Would you consider this to be a mastering technique?

[@murraywebster1228]

Nice demonstration

[@waliddeui6725]

nice, very nice

[@bendavis268]

looking forward to listening to this... when I can actually hear it hahaha

[@JA_0143]

I would like to see a video on how loud we should be mastering at and how to understand perceived loudness instead of just turning the limiter up to make your tracks louder and ruining the dynamics.

[@kaedeschulz5422]

You may should take a look at the video "perfect sound" from hexi base. Pretty good Video.

[@vandpiben]

Good sub bass will make your whole mix Louder, without the need to push mid high frequencies. Room reverbs will also add perceptions of loudness. These two alone is all you need. Another thing is to parallel compress your main elements to bring the in the front and secondary elements in the back. A third thing is to seperately compress left/right sources like reverbs, plugs, delays to create natural reflections. Very small dynamic difference between left and right channel is adding shine

[@insidedastudio7539]

Hey Streaky. What's your usual setting for the Avalon 747sp when you use it to compress a mix? Thanks.

[@Streaky_com]

Watch my video on the 747

[@steso824]

Thanks for the tip! Where would you put this in the mastering chain?

[@ownedbymykitty270]

Awesome tutorial. Would you suggest producers do this during the mixing stage (preferably on a group channel for (kick + bass) rather than leaving it for the mastering stage? If so, since there won't be too much side information, can I just use a plugin such as Nugen Monofilter for mono-ing the lower frequencies rather than having to do M/S processing?

[@Streaky_com]

M/S gives mire control but sometimes you can add in the sides and it sounds epic...mastering fir me

[@dentboxhero1717]

Crazy how you can hear Streaky's brain think. Good stuff!

[@bestdisco1979]

What are you treating ? The track as a whole or just the ,,sub bass ? What compression is involved ?

[@djvando]

love it

[@katakouftenoise9473]

My best investment has been these Audeze LCD-X's . my room isn't perfectly tuned so working anything under 60hz is a slipperty slope, they came in as something I couldnt afford but after using them I decided to keep em because of the value they provide to my work.

[@maxfritz5160]

Nice video! What do you think about the new power conditioner from black lion audio? Would love to see a video about the CAG HDE 250 EQ.

[@Streaky_com]

Not seen it thanks will check it out

[@citadelo5ricks]

Which model Audeze headphones are you using? Do you have any HP recommendations?

[@schofieldmusic]

With headphones, I could slightly perceive louder sub without it getting out of control but I wouldn't think this track need that! Still, these tips may help in the right case. I did notice a slightly odd pumping of the subs which I'm not sure was a side-chained bass synth or sub kick that was there with and without bypass. Surprisingly, couldn't hear any difference with Neumann KH310s and Sonarworks but the pumping was still there.

[@Streaky_com]

Yeah nit the best track for it but good in a lot of situations 👍

[@alexandershulgin5194]

Big up!

[@pimsmit]

super!

[@janmagdevski4973]

@streaky Hi is it common thing for you to grab the sub lows region with the low band compression or dynamic eq, at least for electronic music ?

[@Streaky_com]

Not always only if it’s as baggy as a grannies arse !!!

[@archiepovey4899]

was this just on the drum group or on the entire mix, cheers great video just need clearing up

[@AndyKingCo]

Great video! Just wonder if this would work with something like trap music?

[@irVz]

Your awesome bro✌😊👍

[@seansley]

Differences in Zero Latency (as in your video) vs Minimum / Natural Phase for working in low end?

[@TheShpmusic]

Sometimes high pass filters is not good enough, a low shelf is perfect which I can see u already employed.👌

[@tdwwxyz]

7:42 *low cut, but I’ve added this to a mastering checklist to myself. Beautiful demonstration, great control

[@katakouftenoise9473]

Considering taking your education program , wondering if it would be suitable for someone who's already mastering at a lower tier.