How To Highlight Chord Tones - Playing the Changes

In this video I explain how to expand on your guitar solos by adding the flat v to the minor pentatonic scale to create the blues scale.
I talk about how to mix the major and minor third interval and finally how to use dominant 7 arpeggios and triads to outline chord tones while soloing.
Specifically, we look at mixing and matching the two scales over a Major Chord Progression.
I also talk about how you should be trying to think about playing over chords instead of playing patterns.
I show you a few ways of outlining the chord changes to lead the listeners ear through the changes.
We use the Major and Minor 3rd as a pivot point so we can switch between major and minor pentatonic scales. I use triads and target the root notes of the chords. Finally I also use the Mixolydian mode and Diminished arpeggios in this example.
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