How To Reamp

[@arthurzatarain8062]

The Studio One Pipeline plug-in is useful for routing signals to pedals and amps and then back into the DAW. The ability to save Pipeline presets simplifies setup and reuse of settings that work well in different situations.

[@CreativeSauce]

Nice tip thank you!

[@TerenceKearns]

For anyone who wants to experiment more with spatial mic placement, and does not want phasing to occur, there is a great plugin called MAutoAlign. I use it when recording live bands to deal with bleed. If it's too pricey, then just noodle with your track delay compensation in your daw and use your ears to listen for phase issues.

[@Dracarou]

Such a good spirit. That little tune sets me to reminiscing. Nicely done!

[@alterhijo164]

Thank you! I couldn't get a convincing sound with the DI take and couldn't duplicate it perfectly by playing a separate take. I re amped my DI bass successfully because of this video. Also added slight fuzz to the amp tone.

[@brianoswald2892]

I use a tc Electronics Mimiq Doubler to start with two mono tracks simultaneously. .Sometimes I put a TC Electronics Flashback Delay mono-in stereo-out in front of the Mimiq. It give me endless possibilities before re-amping

[@got2rock4]

Best reamping videos I've seen yet . All the other fly through so fast you can't see what they are doing. I've been recording guitar since 80s but just now experimenting with reamping dry signals. Thanks😎

[@LonelyRocker]

Been waiting this one! Lots of great info in this video. Reamping can be confusing but you presented how to do it very clearly. And great T-Shirt!! Loved that band...

[@isaacwells8515]

What a beautiful guitar

[@CreativeSauce]

Haha - cheers man :)

[@jashar1]

Awesome video! Very inspiring, I need to start using more outboard/non-virtual equipment for re-amping.

[@CreativeSauce]

Cheers man - yeah, its fun to get hands on :)

[@h1de]

Here's a trick: use two mics. One closer to the center and one closer to the edge. You'll get one high and one low sound and then blend them to your liking with the faders.

[@TerenceKearns]

Love this episode. Keep up the great work mate.

[@RonnieVaiArovo]

Beautiful Mike, thanks for making a video I requested politely 👌

[@CreativeSauce]

My pleasure Ron. The KZbin algorithm was against me making this video (not a popular topic), but I've wanted to make it for ages. It's a fun thing to do, and also let's you separate your performer and engineer personas! More guitar recording videos to come.... screw the algorithm!

[@RonnieVaiArovo]

@@CreativeSauce Wicked man, you are the best 👍👍

[@jimp5713]

@@CreativeSauce Hey Mike, looks like this video is 3 years ago, but wondering if you could help explain how you recorded the dry signal -while using an "amp-sim" - I presume that is some Guitar VST instrument that you are referring to. I am trying to wrap my head around getting a dry signal while using a Guitar VST. -like Guitar Rig /or - Ampire -(Studio One native). & be able to record BOTH Dry + VST signal simulataneously? ...I just found a different video that mentions Splitter FX included in Studio One, so maybe somehow with that? Thanks....

[@Yo-oz6pj]

Please make a tutorial video on how you make your videos, how you edit them, how you created that animation intro video with drum sound, etc.

[@JesusRodriguez-dc7of]

Haha, that's what I'm saying. I don't think Mike knows that beyond being a really good musician, he's also an expert in video production. You can tell he knows his stuff. 💪🏻

[@crunch6161]

Great tip for recording a stereo setup with one amp! I have one question, is there a reason for creating a sub rather than simply changing the output of the DI directly to o/p 3 of your interface?

[@ChrisM541]

I'm keen to know this too since I'd likely have recorded directly into the track rather than to a separate sub - especially when using only one mic / a non-stereo guitar cab source. If using two mics I'd likely record these on separate tracks to allow me separate post-record control of each.

[@MrTADEUSARIUS]

Hello and thank you for your videos!!!Can i ask please which are the advantages and the disadvantages with reamping and not connecting the mic of amp direct to the input of the audio interface?Does give a better and real sound of guitar?Thank you again!

[@ChrisM541]

The external re-amp box is only used to send the previously recorded guitar track back to the real guitar amplifier, and at an optimal level for the amp's input. The mics will be plugged into the main audio interface for this set up (he's missed a fair bit of this process out in the video). Check out the Two Notes Torpedo Reload for an alternative, though more expensive, option where you have an additional choice of using cabinet impulses.

[@dirtdiggler4213]

Can you use the art rdb as if it were a DI box? 1 guitar into it and use 2 outs to record wet and dry?

[@chenxi1619]

Nice video! But is Audient iD 14 MKI also able to do reamping?

[@heythere6983]

Thanks for the video. What I’m confused about is , what if I want to record a distorted tone initially ? Does it always have to be a clean tone into an interface? I think Iv seen it mentioned that typo can record a take with an amp and also have a di signal be recorded at the same time? If that’s possible can I then take that DI signal and send it to any amp and speaker? One video I saw confused me because they said a specific type of DI box was needed to recorded the DI signal without getting the speaker impulse response but I don’t get what he meant . A DI signal would have no impulse response to begin with since it’s only coming from the head or straight into the interface? Could you help me understand this? I’d like to be able to record with an amp right away and also have a di signal I can then send out to any amp/speaker configuration later . So what exactly would I need to do other than what was mentioned in this video? Thanks again

[@SadBstard]

Mike, I don't know whether is was just me and/or my Rokit 5's, but there was a hint of overloading(not the good stuff either..) when you played the tune at the end.....

[@netrunner2049]

It wasn't clear regarding which cables are being used. So is it TRS from interface into Reamp Box and then TS (or TRS) from Reamp Box into the amp?

[@bradatherton9369]

Is it possible to reamp using the ID4 instead of the ID14? I looked closely at which output channel you used to and it was Ch3 and 1 or 2. The ID4 model only has 1 & 2, not 3 & 4. Is it possible to use Ch 1 or 2 without a risk of loopback?

[@briankehew579]

When using a pedal alone to process a track (not an amp) how are you getting the signal BACK into the recorder?

[@VentureNW]

Maybe I am an idiot... but did you play the 1st recording through your amp, then pedals/amp... but still the original recording? I was thinking about re-amping and this is literally what I am starting to research, as I am missing the sound of my DSL's tubes. Thank you!

[@CreativeSauce]

You are not an idiot - I don't explain it well! After I decided on my pedal sound, I reamped again. Essentially, once you have your sound sorted, then reamp (record your amp).

[@Drastivik]

Kinda on-topic and off-topic at the same time, can you demonstrate how to use pitch benders in Ample Guitar products? A song I'm covering has a lot of them, and as much I like hearing the power behind each individual note, I need to get a D5 at a few parts but Ample Guitar M Lite II unfortunately doesn't reach that high, and despite my efforts with my DAW's automation system, I haven't achieved any results. I understand if its not worth making a video about but any help is greatly appreciated 🙏🏻

[@mimojapan]

Nice shirt!

[@eddiegeorge4047]

I cant seem to get the output of the RDB to drive the gain channel of my amp - it still sounds like the original dry track

[@shelob12347]

Studio One with an RM32AI. Would I assign an Aux to make this work?

[@AMBIOSIS]

What beautiful finger nails you have. lol. Nice one Mike. 😎🎶

[@CreativeSauce]

LOL - 4K is unforgiving!

[@toddmonroe1415]

WOW!!!!

[@650thunderbird]

👍🏻👍🏻

[@music_creator_capable]

Hey!

[@wjniemi]

I built an active splitter so I can record a DI and also run into an amp with FX. I'm sure you could buy one. The design I used is JFET like the one at this site. Actually, I think this is the one I built. Easy to build, I did mine with 3 outs. Works great when doing reamping because you and/or your client can still use the sound of their amp when laying the track down. www.muzique.com/lab/splitter.htm