How to shoot in the dark with GH5 or any camera

[@TheCrazyGorilla]

You should do a comparison between the amount of noise from 4K vs the "6K" setting. Similar to what you did at the beginning when analyzing the clips, but more thorough.

[@JooWorks]

I'm not sure what else is there to test. Colour noise, grain, makro blocking? What would you be interested of?

[@TheCrazyGorilla]

Yea those would be good. Also, how high the “6K” ISO can go still being useable vs normal 4K.

[@AllThingsFilm1]

I've learned a lot since buying your kit and watching your videos. I never heard of setting the shutter speed to 1/25 to improve low light shooting. I can't wait to experiment with what I've learned from this video. Thanks, Joo!!

[@JavierMercedes]

You had me subbed by 1 minute in, It was the music and cuts, I loved the audio levels. But I'm just an audio engineer guy. suuuuuupppppper informational. You put a lot of work into this and it shows.

[@SpectreSoundStudios]

Did I miss what 1.8 zoom you were using with the speedbooster?

[@JooWorks]

SpectreSoundStudios Hi, it's the sigma 18-35mm f1.8 Nikon glass that I use with the metabones adapter.

[@vanzrealm]

Glad I came across this video because I ordered a LUMIX G85 and the only thing I was worried about was its inability for use in low lighting. Great tips on how to improve this! ThankYou!!!!

[@JooWorks]

Vania Brewda you are wellcome. Good to be at service.

[@LukeSherran]

Great video, congrats on reaching 1k! I'm sure you'll get many more 👍

[@visuale2537]

I love watching channels that are so low insubscriber count but content is sooooo good. you are definitely on your way to 100k in no time 🙏🏽

[@HardIsEasy]

Another hard to understand aspect is that during low light you usually don't have much DR in the scene... Then why compressing all the input into V-Log is giving better results... compared to Cine-D you should have more space to record the same data...?

[@impatrickt]

Light travels through clear glass the same way - It doesn't matter if you have a 100 feet of glass or 1mm. If it's clear the light is the same. A prime lens at f5.6 will let in the same amount of light as a 100mm telephoto at f5.6. Source: www.bhphotovideo.com/explora/content/prime-vs-zoom-can-you-tell-difference

[@CallMeChato]

Nicely done. I'm rushing out to try.

[@twosheafilms]

Very well done video Joonas! Thanks for putting this together. I've always stuck to the 180 degree rule, but maybe I'll try a slower frame rate.

[@hydrazine4400]

is it better to shot in 8 Bit or 10 Bit in Lowlightsituation with the GH5?

[@HardIsEasy]

Did you shoot both V-Log and Vivid in 10bit? why you say that Vivid has narrower color space?

[@JooWorks]

Yep. all are 10bit 4k and 6k. Vivid is recorded into rec709 colour space when v-log is panasonic v-gamut. v-gamut is larger than adobe RGB so it's rather large. You can see it sometime like with the clipping saturation on this video. I'll do some videos about colour spaces and stuff soon.

[@HardIsEasy]

Is Cine-D same as Vivid -> rec709? Yea explanation of relationship between color space and 8/10bit would be very nice. I thought that bits are what defines how many color gradiens you get... But apparently there is more to it.

[@JooWorks]

Colour space is how what colours can be captured and how the colours are captured. Dynamic range is how wide is the distance between totally black and totally white. Bit depth is how many steps there is between totally white and totally black. I'll do some videos about these later on to explain these all and what's the practical application of them

[@52goldtop]

"Dark by Design," makes sense. Thanks for a thorough walkthrough and great examples/footage.

[@veronicawood4759]

I have the same setup & great tips about colour space & dynamic range didn't know that!

[@Zachbfilms]

Love the “DARK DAYS” music djshadow!!

[@artemorbid]

Excellent video, I learned a lot- my question is, can I use this type of set up on my older GH2?

[@JooWorks]

Yes you can. The metabones should work on any m43 mount camera.

[@artemorbid]

That's great news, thanks so much, btw- you have a great channel here- thanks for all your hard work and bringing people this great information, I will visit here often, cheers to you.

[@Albanez39]

You have great music taste my friend, you truly know how to build emotion with a grain of art ;)

[@tolife2393]

I've always shot in V-log for my GH5 but If it gets too dark I read it is better to shoot non log profile. In that case which profile should i shoot in? since Log + ISO 800 is normally the highest ISO I will go to keep sharp image on an f1.4 lens. THANKS! and keep up the great work!

[@JooWorks]

TOLife I’m not sure if there is really a difference in noise between profiles or is the noise just more visible in v-log. You can just push down in grading. I´ll do some test later on.

[@AlanRuic]

Hey, very cool explanation. I think this is something that popular opinion gets very wrong on KZbin. They all want to change night for day instead of just accepting dark frames and grounding those with a highlight or a reflection. Great explanation, Joonas. 👍🏻

[@HamiltonSRink]

The slower shutter speed in video is a great idea! Wish I thought of it!

[@andyarts8382]

Brilliant video, awesome that you're replying to questions. May times I see video and people have questions but they are never answered. This is a great way to keep people looking at your videos. Love it. Cheers from Canada.

[@JooWorks]

Thanks Andy. There isn't too many comments so I have time to answer them now and then. I hope to have more time to do more videos as well.

[@LouisKellner]

Great Video Joo Thank you! But what the hack is vivid?

[@kenor7880]

Great tips and I enjoyed your breakdown of each scenario! 👍🏻

[@mstudioofficialwedding6362]

hi my friend can you make settings for gh5 to instal to camera please and which lense is best for very clear video because i have problem with my video alway same noise is there i not understand please help me thank you

[@ted_nemeth]

i really like your channel. so glad i found it. just got my GH5. thank you for your efforts.

[@JulianMakes]

god that music takes me back. great video just what i needed thanks

[@NickWichman]

great video. your video examples are super helpful for context.

[@TheaterJunkie]

What kind of speed booster are you using?

[@AllThingsFilm1]

Recently I saw someone use the CineV profile for the GH5. Tonight, I shot some night scenes using the CineV profile and 10-bit. The CineV profile has a much cleaner grain structure than Log. So, I brought my shots into DaVinci Resolve and I was able to pull out more shadow detail and tone down the saturation without losing the nice grain structure. I really like the colors and details I can capture with CineV.

[@JooWorks]

I recommend shooting the same scene with both profiles and then lift (make bright) the shadows up from the cine-v profile to same level as the V-log or push v-log down (make dark) to the level of cine-v. I would assume they're not to be much of a difference in 10bits. 8bits maybe because V-log is not so good in 8bits. While you are at it, try to compare HLG, Cine-V and V-log. You might get interesting results.

[@deepsenseproducao]

are you using a conversor to use nikon lens in lumix? witch one are you using?

[@JooWorks]

I'm using the metabones speedbooster XL from Nikon to M4/3. It boosts light about 1 1/3

[@deepsenseproducao]

Can you see if this speedbooster is good because i dont have mutch money to buy a metabones www.ebay.com/itm/Focal-Reducer-Speed-Booster-Adapter-Canon-EOS-EF-mount-lens-to-Micro-4-3-M43-GX7/151961866004?hash=item2361a20f14:g:7MMAAOSwGvhUE~mO

[@JooWorks]

OH! That's super cheap. Too cheap to my liking. :-D I could test this out, but it will take time, for I'm traveling for 60 days and can't order stuff there.

[@deepsenseproducao]

well if you could test it it would be nice and I dont have rush on this matter. thank you for the help. I will try to find other stuff good and cheap :)

[@justinspirational]

Great video- thanks! May I ask how shooting at a slower than normal shutter speed of 1/25th sec at 24fps how that will affect the look or filmic look to the video? What about if shooting slow mo at higher frame rates up to 60- 180fps? Thank you UPDATE: I see you kind of answered this in a comment below.. So movement will be more blurred but will it lose sharpness in shots in general that have less movement and will it still look 'filmic'?

[@savedpurplecat]

Thanks for this video was very helpful, I have just purchased a second hand GH5 and was wondering how I change my video for low light use to 1/25th second also which lens would you best recommend for astro photography? many people seem to think this camera will not do this kind of work thanks :) Tim

[@reinoutederveen]

I love this: "... so that your frame is dark by design not by bad decisions or exposure."

[@commandohazelnuts]

I LOVE THOSE OLD NIKKOR LENS!!! I am so excited to see someone else with them (subbed for that alone)

[@JyrkiS]

Great and very informative video from you fellow tamperelainen! Keep up the good work!

[@nerdMike]

Great atmosphere with music. Nice video. Speed booster are expensive I see, do you need them with FF lens to get more light? Usually aps-c designed lens has smaller lens hole at the body. Do you lose infinite focus with old manual lense and those adapters? Thanks

[@barneyelo]

Great Video 👌 these clips looks super awesome with the wet surfaces...now I'm excited to also shoot in dark conditions :D

[@vidookproductions1219]

I have gh5 and metabones speedbooster with canon mount as I use Canon lenses I am wondering should I buy rokinon 12 mm with canon mount or micro 3/4 mount ... would speedbooster improve that lens even more?

[@JooWorks]

VidooK ProductionS if you have the metobones, then get the canon mount one. The metabones one will make the lens wider, fastere, sharper and more bokelisous, and you can still just get your self a normal adapter (not speedbooster) and use the lens as it would look on a m4\3 mount.

[@vidookproductions1219]

Joo.Works Thanks Brother I thought so

[@JooWorks]

Your are wellcome. :-)

[@vidookproductions1219]

Could You please help me with this question?; I have bought Samyang f2.0/12 mm NCS CS Ultra wide angle for mirrorless and I wanted to attach it to My Panasonic gh 5 via metabones speedbooster . Lens arrived today and I am surprised as it doesn't fit to metabones as well as it doesn't fit directly to the camera ... I realised that it is conon m mount and metabones is ef mount I am so confused and cannot find the answer in interent I can see there are adapters from ef lens to M body but I cannot find any from m lens to ef body would You please help Me ?

[@JooWorks]

VidooK ProductionS I'm sorry, it migth just be that there is no adapter for that. Lenses with different mounts need a different distance from the sensor, because of focusing. For example canon ef need to be further from the sensor than m43 lenses Ef needs space for the mirror to fit in between. Because in the m43 there is no mirror that space can be used to fit an adapter in stead. So if the m-mount needs less space than the ef mount, then there is no space in between to fit the adpter. There might be some options of abapters with a diopter to change the focus distance, but they will be more expesive most likely. I wound return the lens and get the right one, or try and sell it. :-\

[@intriestodofilms]

um.. im here with a problem. i've bought my gh5 like 4 days ago, and.. it is freezing when i want to watch what i have got.. it just keep telling me "this motion image cannot be played", and when im trying to delet it, it says "this picture cannot be deleted" any solutions out there? coz i really love this camera a lot.. or should i return it back, and buy another one?

[@pedrodelaloca4176]

Which Nikon 1.4 lens was it exactly? Are you using Metabones Ultra?

[@Rikkilover17]

What’s the name or link of the speed booster and lens ?

[@FilmGradeIII]

What is your fps if your shooting on 1/25 shutter?

[@YAXHY]

I’ve gotten to know my gh5 but am always sticking to the 2 native iso, 400 for daylight and 800 for indoors, lowlight. I use the ninja v and always shoot 4k 60 in prores- which gives me more noise but the dynamic range helps with post where i can just raise my shadows or lower highlights 3x more than without prores. I use topaz video ai for noise removal as it actually does quite a baller job. Im wondering from a veteran gh5 user, to which iso have you raised above 800 and could still get a nice clean image after noise reduction. I never even tried it as i expose my shots by : lowest iso, preffered aperture and sufficient shutter, and am kind of scared to even try to shoot above native😅

[@YAXHY]

I have a sirui 35mm lens with 1.8f and incoming laowa 7,5mm with 2f if anyone is wondering, my lens are fast

[@romainromero9020]

Did you use noise reduction in post?

[@JooWorks]

Romain Romero nope. :-) not for these.

[@tonylouisvisionvideography3469]

Awesome video and nice background music. Thanks for sharing Subscribed

[@genjii931]

Congrats on reaching 1k. Next stop: 10k!

[@JooWorks]

Thanks! It came faster than I thought. Next goal? ;-) 10k?

[@RedVogt]

You should link @djshadow if you're using his music... Just saying...🙏

[@JooWorks]

True that. I should add it to the description as well. In the end of the video it's there.

[@davidalanmedia]

Thanks for the video nice to compare the different profiles.

[@chriswright6381]

Just out of interest - what is the zoom lens you take off the GH5 in the video? Wasn’t aware you could get a zoom lens for M43 that went to f/1.8.

[@JooWorks]

It's sigma 18-35mm f1.8 Nikon aps-c lens, but with metabones you can use it in m43 mount. The speedbooster will make it even faster f1.1 lens, but when it's zoom it isn't that fast. It's about the same as f1.4 native prime.

[@adamjonsson1291]

Great video ! Enjoyed watching it and you are very good at expalaining

[@DzintvNet_vj]

thanks for the tips!! at next event i will try many settings. Can i record iso/shutter and other settings into meta names in my videos (like photos?).

[@JooWorks]

dzin-tv.net hmm... you maybe could see them when you look at the footage from the cameras lcd, but I don't know if you can access the metadata with the computer...

[@DzintvNet_vj]

Lol, im just found exiftool (command line program). It show me many useful info about iso, shutter speed and other. Damn! :D Everyday i use Adobe Bridge and Media Encoder and there is no info about source (Adobe Premiere shows only codec info). I saw also GUI version this software but not works good at my computer :/

[@gopolarisstudio]

What was the ISO in those shots?

[@ted_nemeth]

OPINIONS NEEDED!!! I just bought a GH5. I own no lenses yet. I love shooting night street (video) scenes (on my iPhone) exactly as you beautifully captured in this video. You shot that with the speed booster? Could I achieve that same performance with a native lens like the Panasonic Leica 25mm 1.4 lens do you think? Or should I start with a Metabones booster and buy like a used fast prime to adapt? I really want a killer low light video setup. Buckets of gratitude.

[@JooWorks]

Vagabond-Dogs TV! Leica primes are actually quite fast. Sigma 18-35mm with the speedbooster is pretty much the same as leica 25mm 1.4... as fast.

[@ted_nemeth]

Thank you! I just discovered the Olympus 25mm 1.2 which I hope will be great for night video. Gets good reviews so I think it will be my first lens.

[@ErikStenbakken]

Thanks for the test and info. The technical comparisons were very useful. Thanks for sharing!

[@JooWorks]

You are wellcome!

[@amiyrlewis153]

What you think is best native lens for lowlight filmmaking if u pick only one

[@JooWorks]

Hmm... Just one... No matter the price? Well then The Voigtlander f/0.95 25mm. Or some other focal length. It's manual, but native. I have not tested it, but seen some great looking footage from it. If you need autofocus... I had a leica 25mm 1.4 lens that was pretty much as fast as my Sigma 18-35mm 1.8 with the speed booster. It's a fantastic lens. Mine was stolen. Someone else understood the quality of it. That one you can get rather cheap from the internets.

[@amiyrlewis153]

ok thankxz! yes autofocus ... what you think 15mm f1.7 im leaning towards it...And im sorry for your lost too...i hope they take his jail mugshot pic with that lens...

[@mangehenrik]

Nice work! Interesting as always.

[@JeffBourke]

Great video. 90% of the “expert” camera channels will bang on about 180° shutter angle laws bla bla. It is absolutely valid to vary your shutter speed and for 60p playback or any electronic stability, faster shutter is better.

[@spotcutsfilm]

Hi. Nice work. Tell me about shutter speed. Is it good use the same shutter speed and frame per second ? Do you think that it's doesn't matter when I shooting in the night?

[@JooWorks]

The rule for shutter is normally to use 180 degree shutter. That's from the time of film and cinema cameras. There was this rolling wheel inside the camera that had half of open half closed. So 180 degrees of the wheel was closed. When the wheel was turning and the open part was visible the film inside that camera stayed put, but when the wheel was closed (other 180 degree) the film moved inside the camera to the next frame on the film roll. So in practice that means that if you shoot 25fps your shutter should be half of that 1/50s. Because each turn of the wheel, half was open half was closed. So if you shoot slowmo 60fps you should have your shutter at half of that 1/120. But if you want to get more light into the film/sensor you can now keep the shutter open all the time, like having a 360 degree shutter wheel. That was not possible when the film needed to move inside the camera. If you shoot 360 degree you'll get more motion blur for there is more time for objects to move during the exposure of the frame, but other that that there is no draw back. So for max light, shooting 24/25 fps use 1/25s shutter. If you shoot 60fps use minimum of 1/60s shutter.

[@spotcutsfilm]

Joo.Works wow. Thank you for such a long and comprehensive answer:) Good luck 👍 👌

[@PrezMaxHayden]

Well it can add a different effect depending on how long u keep the shutter open. As said above, There was a spinning wheel inside the camera that did a full revolution in 1/24th of a second. However it was a half circle. So the exposure was only 1/48th of a second. However, this didn’t stop film makers from Experimenting. They developed a wheel that u could change the shape of by either decreasing or increasing the gap between the beginning and the end of the half circle. Aka. decreasing/increasing shutter angle. Increasing the shutter angle, so making it anything higher that 180 degrees, exposed the film for longer which creates more motion blur. If u decrease the angle, so more Pac-Man shaped and less then 180 degrees, exposed the film for a shorter period of time. So There is less motion blur. See the battle at the beginning of gladiator for use of both, and the beginning of saving private Ryan as an example of smaller shutter angle. You’ll notice when things fly in the air they seem almost choppy. I’d say movement in the frame seems much more kinetic. On DSLR’s tho, instead of shutter angle it’s shutter speed, used for still photography. There is an equation to figure out the correspondence tho. To go from shutter angle to shutter speed it’s: 360 divided by the shutter angle times 24 (ex. 360/90=4 --> 4x24=96). So shutter speed is 1/96th. To go shutter speed to shutter angle it’s: 24 times 360 times shutter speed (ex. 24x360=8,640 --> 8,640x1/96=90) so shutter angle is 90 degrees. Hope this is helpful!

[@mangoostaweddings]

As usual, very informative and professional, thanks!

[@NarekAvetisyan]

Really enjoyed your tutorial. Nicely done :) Subed

[@Gershy13]

What mics did you use?

[@JooWorks]

In this one I have a Rode lavmic on me to get my voice.

[@skylightmedia3972]

How did you get those entire shots in focus @ 1.4 aperture?

[@JooWorks]

When the subjects are far enough the depth of field gets wider. So for example the houses were far enough for the depth to wrap them all.

[@skylightmedia3972]

Thank you for the response! You were using the Sigma 18-35, right?

[@JooWorks]

Because it's wider it will have more depth of focus. :-)

[@JimRobinson-colors]

v-log you actually have less data per stop, but more stops of DR - So rec709 profiles will have more color information in the important stops - You are calling more accurate, but that is not really the case. Vivid ( not my preference ) will have more color information in the stops that carry the color in night shooting.

[@JooWorks]

Thanks for the explanation. :)

[@emd1072]

your videos are so helpful. just wanted to say thanks. I'm learning a lot from you. Also Panasonic should say thank you to you too. I'll probably upgrade from a6000 to gh5

[@mgr5550]

So whats the verdict is it ok for medium low light situations or not ? Is it horrible ? Is the GH5s miles apart in low light low noise ?

[@JooWorks]

with all the tricks it's just fine. gh5s is a must if you don't use metabones and fast lens.

[@mgr5550]

@@JooWorks > If i shoot mostly mid lit, like restuarants etc. Not extreme low light. And if im using a Pana 25mm f1.7 ? Then do i still need a GH5s, the price is almost the same, only slight difference in my country. But i hate that it doesnt have IBIS to do good handheld B roll moves etc ? Plus i heard the IBIS helps even when on a gimbal enhancing the gimbals smoothness more ? I use a Crane V2 and would be getting a Ronin SC.

[@ehabmamdouh9519]

What is metaball and speed booster ? Thanks

[@JooWorks]

Ehab Mamdouh metabones speedbooster is an adapter that with witch increases your sensor effective size to aps-c size sensor. It makes you footage sharper and your lesn 1,3 stops better at low ligh\faster. That why I have Nikon lenses and no native m43 lenses.

[@ehabmamdouh9519]

thanks a lot

[@ehabmamdouh9519]

Well @vladmir Putin you left your important things to find my comment and make fun of it ? Probably i can advise you to Fill your Precious unimportant time ;)

[@qadrir]

I totally agree I have always used very comparable settings and have always paid attention to most important in my opinion and that is what's in front of my camera "The Lens" not so much on whether I have Canon, Sony or Panasonic. Balancing the triangle is the trick. I love Olympus 17mm f0.95 on my GH5 for low light.

[@JooWorks]

There is a 0,95 native lens? Is it manual?

[@qadrir]

Yes. My bad I meant Voigtlander 17 mm 0.95 MFT & 25 MM both are amazing lenses Manual Focus and these are probably the sharpest best low light lenses for the GH5. I also have an Olympus I use for wide angle but it's not as good as Vogtlander it's a 12mm f1.8

[@skylight4137]

Nice work man Keep going

[@arieljgd]

Do you know how to apply a color palette in a color grade?

[@JooWorks]

I was thinking of making content on colour grading as a whole workflow. Not only the post part. So there I would talk about colour palets as well and how to end up with one in you video as well. Would you be interested?

[@arieljgd]

Yes! That would be awesome!

[@tindikali]

Jus having problem between setting shutter 180 degrees for film low iso and low aperture...so ig i drop shutter am i maintaining film standards....

[@dominikweiss1996]

nice viedo!! what kind of camera-strap do you use in the first part of the video? maybe you have a Link? :)

[@JooWorks]

I bought it from Bangkok, I'm not sure can you get it online...

[@johnoconnor99]

Thanks for the video. Getting the G85 this week. First Dslr.

[@RotterStudios]

Great video! all things I do as well. all these camera people want the faster chips, the faster processors. if they learned how to use their cameras and lenses, it would look GREAT! subbed

[@charliemcgrain]

Not one mention of a light or exposure meter?

[@RuckusIIV]

I highly enjoy the cleanliness of your static room shot. It really makes everything looks crisp. I also did not know about the 6K on the GH5 until I saw this video and now I am researching faster cards and how to set it up. Is it worth going to 6K on the GH5 for certain projects?

[@Hshdjdjdhd]

Is the kit lens of the gh5 good or is it trash?

[@JooWorks]

There is two versions of it. Leica great! The normal ok. I would sell the normal kit lens and buy an old vintage prime lenses instead of it. But then you would not have AF.

[@Hshdjdjdhd]

Joo.Works thank :3

[@caicarney5614]

You just got another subscriber from me! Sweet video

[@alenz01]

Great and clear video, thanks man!!!

[@StarsoftheStreets]

Dude, I love your videos! Thank you for sharing your awesome knowledge :) Much love!

[@OzzieTech]

Great informative video makes me want to take my gh5 out at night time

[@Pilantravis]

Shooting at 1/25 sec doesn't give you any problems regarding the flickering lights? How do you manage this problem?

[@patrick4259]

Just subscribed. Excellent content. Keep it up!

[@JooWorks]

Sure I'll try my best. Thanks!

[@georgioslachanas5379]

Nice!Did you use a lut to vlog-l footage ?

[@JooWorks]

Yes I used the LUT that I created on a previous episode. You can download it by joining my facebook messenger list. here joo.works/join

[@elioprod]

hi J00 ! great video !! could you tell me how to set minimum shutter speed in video mode ? i'm trying to shoot with anamorphot 1.33 but so much noise at night ,thank you for your answer

[@JooWorks]

ELIO MUSIK hmm... I don't know how to set minimum shutterspeed? :-\ sorry.

[@elioprod]

You said 1/25 is Good for shooting at night But impossible to select less than 50

[@elioprod]

sorry @Joo.Works i wanted to say maximum!! , i can't set less than 1/50 in my gh5

[@JooWorks]

Oh really? What frame rate are you shooting? I you shoot 50/60p it wound let you go under 1/50 or 1/60 in shutter.

[@elioprod]

My fps is 25 ( 4K 8bit) And a quite dark Room... Do i have to pull out v-log for shooting in Low light ? Thanks a lot for your help

[@Muwex]

Good work mate! / Hyvää työtä äijjä! Mun kanavalle on tulos testivideota GH5 + Kipon Baveyes x0.7 EF-MFT AF II + Sigma 18-35mm Art. En tiä onko Metabonesin speedboosterilla samaa ongelmaa, mutta täydellä aukolla lähes kaikki lasit aika pehmeitä reunoilta, (lasit parempia esim. tuos täydenkennon 5DIII) Testasin: Canon 24-70mm f2.8 L + Sigma 50mm Art + Canon 85mm USM + Canon 100mm L Macro f2.8 myöskin varmistaakseni asiaa. Samoin täydellä aukolla aikas laitta chromaattiasta aberraatiota. Noh, video tulee mun kanavalle tuos alle viikon sisään kuitenkin! :) Toki hinta on speedboosteriin nähden 2x halvempi, että sikäli enemmän rahalle vastinetta kyllä tässä.

[@JooWorks]

Ostin aikanaan metabonesin koska testeissä se näytti tarkemmalta, vaikka edullisempiakin oli tarjolla. En ole testannut ilman boosteria, että miltä tarkkuus näyttää täydellä aukolla, mutta tyytyväinen oon ollut.

[@Muwex]

Joo.Works Kyllä. Päivitän varmaan speedboosteriin joskus jos sattuu investointi budjettia riittämään.

[@simopp]

Noissa kaikissa on omat huonot puolensa. Metabones ei myöskään ole virheetön, mutta uudemmat mallit suoriutuvat jo kohtuullisen hyvin, eikä esim. Ultraa vaivaa niin paljoa tuollainen soft focus -tyyppinen pehmeys täydellä aukolla. Kaikenlaista värisiirtymää silläkin kuitenkin esiintyy, joten kompromisseja täytyy tehdä. Itse suosin sekä linssitöntä että linssillistä adapteria eri tilanteisiin. GH5:lle uskallan antaa suosituksen Metabones Ultralle, joissain tapauksissa 35mm järjestelmiin tarkoitetuille objektiiveille Metabones XL:lle, sekä Zhongyi Lens Turbo II:lle. XL saattaa vinjetoida kuvanvakaimen toimiessa aika rajustikin joillain objektiiveilla ja LT II taas näyttää täydellä aukolla hieman diffuusoidulta.

[@mikebuster4830]

That was what i looking for! Thanks!

[@AC-MAIN]

Super video - great information!

[@qadrir]

BTW very awesome presentation and content style. Your subscriber now. Thanks

[@michaelnilsson596]

Nice tips... I am very close to selling my Sony ax-700 and getting a gh5 instead, for that cinematic look... You mention 6K in the video, can the gh5 shoot 6K...?

[@markshirley01]

Very interesting - were you using the Nikon f1.4 for the night shots - the footage looks nice and steady - I assume that's the internal stabalisation of the GH5 - this has got me thinking, I own a Nikon D750 (great for photography) but I need a deadicated video camera.

[@JooWorks]

mark shirley I used a slider for half of the shots and half was with the I.S. Lock stabilization. Yes I would recomend gh5 and then use your nikon glass. With the metabones adapter your crop is X1,3.

[@markshirley01]

Joo.Works what's a 50mm work out at on a GH5 using the speedbooster.

[@skinny_sam]

Yeaaah DjShadow! 😎😎😎

[@DavidKfilmmaker]

all profiles will look better out the camera over vlog which is meant for grading. And vlog has a higher noise pattern especially at low light. I think at low light, cineD is the natural alternative to vlog but only if ISO is close to 3200 AND the waveform is showing crushed blacks. That's assuming you don't have neat video or some denoiser.

[@JooWorks]

I have not noticed more noise with vlog compared to other profiles when v-log is graded to match the other profiles. Though with high iso Vlog seems to give more colour noise (3200iso) than the other profiles, but with good lenses you rarely need to go that high. So you prefer cine-d to v-log in low light? Does it have less noise or better colour?

[@DavidKfilmmaker]

Joo.Works I prefer vlog at all times...especially with all-I update. I have lenses that open to .95, 1.1, and 1.4....but if I can't get the waveform acceptable...CineD and natural are next. But this is because I'm grading and showing my narratives on big screens. For vacation videos or out of the camera...cineV and portrait are ones I try first...and vivid. I think each person's circumstances are different. And like you did experiment with different settings. Which is a joy on gh5

[@JooWorks]

Hey! I'm interested where do you see the difference in the 400 mbps codec? I'm lost I just don't see it. I did some tests and didn't realise it. If you do big screen stuff then you might have better eye for it.

[@DavidKfilmmaker]

Joo.Works it's not "that" big of a difference in normal shots. Shots with smoke, fire,,water are better with the ALL-I. The rest is tough to see. The good news is with a gh5 and all-I, you are able to be hired for Netflix productions because the camera fits the criteria for use. A big thing for working DP's...

[@JooWorks]

Hmm.. I have a shoot comming where we are playing around with fire. Maybe I'll shoudl test it then. I just hope that the netflix part is relevant for me someday. :-D

[@christopherjahn8559]

Do you recommend shooting in vlog even at night? I'm afraid of using vlog for my commercial work (when it's dark) because it introduces noise to the shadows. Would be great the see a color correction tutorial for vlog at night. Anyway like your channel and already subscribed great work.

[@liamsilly]

Christopher Jahn Have you gained an answer? I’m interested in this question

[@rodrigo8269]

really nice video! Thanks!

[@sumantkanala]

Very Nice explanation!

[@AmitabhDayal]

nice video mate

[@heathsledger]

Beautiful

[@hugoclayfilmpromotions6803]

Just seeing this now. Thank you!

[@gone4good]

Nice to see Tampere at night - maybe a good idea to stop for a while when passing on E12...