This makes your GH5 & 5s Cinematic

[@MattSolnick]

YES the shade thrown at 2:18 is hilarious. I literally gasped lmao, recognized that voice and video immediately.

[@medx911]

My footage FINALLY FINALLY looks cinematic on my GH5S... you are the MAN!!!! I would have NEVER EVER figured this out on my own. ..thank you thank you!!!!

[@weroyale6530]

Bro you're style of editing and that reddish colours are the best I've seen....pls make videos with this look...

[@bien.mp4]

You sir are a lifesaver. Tired of the other youtube channels demonstrating the same wrong way to colour grade.

[@DennisSchmitz]

Apart from pushing skin tones too far to red, the lut seems to work nicely.

[@nicklaytonUK]

I read a lot of the discussion above, and did I miss something or are you are the first person to mention this? Everyone is extremely rosy cheeked in these corrected pictures. Whereas the examples that are referred to are actually flatter, more natural and therefore more pleasing on the eye in my humble.

[@Samtagri]

Ok, so I’m not an expert or anything, but v-log is a logarithmic profile while other profiles are linear. This means that v-log will be much more capable to keep details in too bright/too dark areas. It is a way to increase the dynamic range. Switching a normal profile to a log profile will only deteriorate the quality further. You will never get quality back that didn’t exist in the first place.

[@JooWorks]

Correct, except turning std to vlog and then back to rec709 doesn't deteriorate the quality as long as you software's working bit depth is 16 or more. (the footage's bit depth doesn't matter) Premiere Pro, fcpx and resolve work in 16 or more bits. But you are correct, the luts will not give you more data, it will just remap everything to vlog. Kind of redistribute the data to a new coordinates. Not magic, but makse it easier to work with.

[@thulanimhlongo4135]

thank you Joo, i just bought the GH5, and your the reason i got one....im in south africa....your LUTs will make me a better filmmaker around thank you

[@QuicksilverSG]

This is ludicrously backwards. Shooting in Cine-D and converting to V-log in post will not improve your footage, it is one of the most misguided things you can do with a GH5. V-log L is engineered purely to maximize the dynamic range of IMAGE CAPTURE, it is not intended as a post-production grading format. This video's earlier advice is correct: With GH5 V-log L footage, you should use a calibrated LUT to convert it into Rec 709 format before attempting to grade it with other tools. But when you shoot in Cine-D, the footage is already in Rec 709 format, straight out of the camera, and it is TOTALLY POINTLESS to convert it into V-log format. If you do so, you will gain ZERO improvement in dynamic range and will only wind up converting it back to Rec 709 format at some later point in the grading process.

[@JooWorks]

Yes, you will not recover any data you didn't capture, just like I said in the video. cine-d is not calibrated image profile. It's colour accuracy is really bad. When you turn it to v-log and then to rec709 with an accurate LUTs you will not gain any more data, but you gain calibrated (or at least more calibrated) colours and a format that is easier for grading. When it comes to DR cine-d doesn't have that much of a difference to v-log. Tested it my self and there is starting to pop up videos on youtube talking about the same thing. Like this: kzbin.info/www/bejne/bmenqWinftGdkLs But I'm not here to talk about the DR difference or not. I will not take any stand on the issue. Yes, LUTs are good start, but one needs to be mindful of which LUT to use. There is big differences between different LUTs. The first video inside the course compares few different LUTs for V-log.

[@QuicksilverSG]

If your actual concern is to improve Cine-D color accuracy, V-log conversion is a time-consuming sidestep. There's a much more efficient and accurate way to calibrate Cine-D footage: Shoot a standard 4X6 color chart (such as X-rite), download Adobe's free DNG Profile Editor, and make your own calibrated LUT. This will produce superior results because it is calibrated specifically to your camera's tone curve, shooting at the color temperature of those particular lighting conditions. Do this with every scene and it will give you consistent color balance across all footage, regardless of lighting variations.

[@JooWorks]

Or shoot with a 32x16 colour chart and the x-rite with 6 different exposures and offset WB to four different directions, create the LUT with 3D lut creator, which is the best tool on the market for this kind of work, minimise any human interaction to the process and calibrate the LUTs twice during the creation process and voila you will get even better result. :-D

[@JooWorks]

That's the process I used for the LUTs inside the KIT.

[@QuicksilverSG]

That would work as well, but if you're going to that much trouble and expense, you can cut to the chase and produce conversion LUT's calibrated specifically to color correct GH5 Cine-D shot at specific color temperatures. That way you can work directly on Cine-D footage with no need to waste time round-tripping into V-log along the way. V-log offers no post production advantages over Rec 709 - it is NOT independent of white balance, is not standarized to anything more than Panasonic's proprietary specifications, and your monitor is calibrated to display Rec 709, not V-log. White balance is by far the most problematic issue with color correction of all non-RAW capture formats, with V-log footage just as much as Cine-D. Properly normalizing WB is the crucial step, regardless of your preferred camera profile.

[@EpikCrunkPro]

used your channel mixer settings with a S curve and it's the best LOG to REC709 conversion I have used by far 🙏🏼 thank you so much

[@edgardodj]

Man, you changed my life! Thanks for kit and mini course!

[@CyberDNA13]

This page and this guy is so underrated... YOU DESERVE MORE MATE! Keep it up!

[@MuwexTech]

I prefer it like this: (not a secret) Shoot V-LOG-L video clip of color chart in nice light. Take clip to resolve, go to color charts : Source V-LOG REC 709 REC 709 Use chart. Create cube file. Now you go to premiere pro to apply lut using lumetri, (not the first tab but the second (creative?)) Then go to first one (basic editing?) and do adjustments if wanted. Also in second tab can use sharpening ofc. Love the way it turns out!

[@JooWorks]

I'll give it a try. Thanks man!

[@LukeHolliday]

I think people are just being hostile in the comments because they feel like they're being sold to. Just wanted to let you know that I totally love what you're doing here and I find your tutorials super helpful. There are way too many channels out there that upload "color grading tutorials" that are really just videos of them teaching you how to ruin all your footage 😂 Keep up the valuable content man, I've definitely learned a lot from your channel!

[@alexr1587]

Great video, and right after I watched it I purchased the KIT! Thank you so much for sharing! Great techniques.

[@musketeerJoe]

Your videos are incredibly helpful and clear and informative - but it was the Michael Scott clip that ultimately got you my subscribe :)

[@ConnorLipke]

I fucking died when you included Matti bashing the GH5.

[@JooWorks]

Connor Lipke it's my weird way to show respect to the work he does. :-)

[@Albanez39]

I'm really glad you used Matti's voice and "tips" to show what should be avoided. He should stick to sponsoring Canon instead of teaching things he's not good at :P

[@eaeproductions1]

You’re right. This is what I was looking for.

[@fabgoupil]

Thank you for your excellent advice ! As always, the quality of your videos really makes a difference

[@zaczaclee]

I feel sorry for Joo Works for having so many hostile comments. what i see was : 1. Joo not only gave advices, but show actual examples 2. most of the hostile comments are pure theory Theories may be correct but I feel more convincing on actual examples. I have watched tons of color correcting videos on youtube, and almost no one pull a better looking color of a GH5 than this man. to quote from a legend : "if it looks stupid but it works, IT BLOODY WORKS"

[@JooWorks]

Thanks for this comment. I wanna say as well, that there is alot I have learned after this video and will continue forward. But it's true most arguments against me can't share examples.

[@rosemarydrumcompany6824]

I’m not sure if your method is the appropriate way to shoot footage in the gh5 as I haven’t dived into it enough or tested it...but I will say I am impressed with the way you respond to your criticism and push for open dialogue. 🙌🏻

[@abhisheksuraj]

You completely got me with the Michael Scott's toby reaction... LOL

[@MarcoPeru]

The part about "we know who" commenting on V-Log was brilliant and had me giggle 😁 I believe some people on KZbin get too much recognition for the work they actually put, and sometimes they simply give wrong info to people, but that's another story... Anyways, great, informative video, I always appreciate your effort in giving these tips and ideas! Cheers!

[@JooWorks]

Yes, I love the channel too. He is super good at what he does, but misinformation is misinformed. I must spread it sometimes as well. :-D

[@kaimelis]

about whom are you talking? max?

[@ElevnSense]

I laughed audibly at that part because “you know who” canon fanboy, who I don’t generally have an issue with normally, had his gh5 vlog video TORN apart viciously lol

[@Lvisionmedia]

This is maybe the best video so far from a gh5 user. Thx a lot

[@EYEOFTHEYOSEMIGHT]

hahahaha 2:14 calling out Travel Feels video. Great stuff. I disagreed with that guy as well. GH5 is such a great camera.

[@kingdavid7155]

Your GH5 kit is the only thing I use to grade my GH5 and it is amazing what you've done! People have no clue! You definitely deserve more subscribers and I even used it on a Sony FS7 S-log2 and it was way better than what I had been used to...I converted the slog footage to rec709 in Davinci Resolve and then used your GH5 kit to convert to v-log and then used the rec709 film ..wow..also for those who doubt your method of converting cined or standard to v-log and then to rec709 using your kit...they should watch or check out Juan Melara (a professional colorist) and his method is just like yours and I consider both of you the best when it comes to color grading. You guys are the closest thing to an Arri footage on a cheap camera...Please, keep doing what you're doing and I'm sure people will notice very soon..please do something for Sony Users ..thanks

[@tonycaine5930]

Thank you for this tutorial and sharing your LUTS. Although I don't have a GH5, I do have a GX8 which can shoot cine-D that I can benefit from your LUTS...

[@JooWorks]

I have done these LUTs with the gh5 so I can't promise you anything, but there have been people working with these LUTs in gx85 and gh4 and they have said that it works. I haven't tested it my self.

[@carolineandtigger]

Thank you for sharing your thoughts.

[@bruegger]

Thanks for your work. Learned a lot for my videos!

[@ThomasLimqueco]

This has been my saving grace for my gh5, really excited to try this out!

[@triggerd7385]

best salesmen ever

[@STOKfredrik]

love love love it! thanx for creating superior content and sharing your skills,

[@KarrGalaxyStudios]

Great tips.. had no idea about the channel mixer and will play around with that. I will say that i use VLOG-L exclusively now (don't bother with CINE-D unless you only want to do minor tweaks and need footage out faster). I do most of my color correcting then grading by Eye normally with scopes. The Skintone line is always the most difficult to adjust for and get correct. He is absolutely correct in converting the color space first this is logical because you edit for your output format. VLOG-L allows you to push the colors further then would be possible in a standard on Camera LUT due to its dynamic range. Thats the whole point of VLOG.. It would be interesting to see if Joo has a workflow for HDR color spaces yet however? ie a different LUT for those as that is becoming the next big thing.. I will say that I have been using Panasonic's Varicam 35mm to Rec709 Log (downloadable from Panasonic - sorry don't have the link currently) which is also usable on the GH5.. and with some minor tweaking afterwards also gives really good results for REC709 output.

[@edgarhurtadophoto]

Thanks for sharing man. For the mortal color correctors like me, this is more than enough to do better things. I already bought the KIT and everything works fine, congrats.

[@ActionZ]

I have signed up for the free sample lut to try out and still haven't received the download link so I can't comment on the product (or sample of it). However, I have to say, people need to understand no 1 lut is going to cure all and make everyone's image look magical and cinematic like on an amazing youtube video or a movie. Depending on your exposure, iso, white balance setting, 1 lut can look totally different on 2 separate shots. Heck even when the sun get's covered by cloud your shot will look completely different after you apply a lut. I think people need to learn the workflow to adjust shots prior to applying luts rather than rely on lut packs to make their images look like it came from Hollywood.

[@JooWorks]

Hi, so you signed in to the course as email? I seem to have some issue with my email provider. Need to check into that. Send me an email and let me help you get the links. And I'm agree 100% that no one lut will fix your shot. Often when you apply the LUTs from the pack, your footage looks bad, but then you adjuste exposure and wb befor the lut and you get something totally different and good looking. The best results come from using the V-log and the LUTs meant for WB fixing inside the KIT, but it's but unpractical to be using them all the time. So Premiere's sliders shall do. :-)

[@zekegriggs9234]

This is awesome!! Great work, thank you for sharing the info!!!

[@adansotelo6038]

You got me! I paused haha. I'm about to purchase the GH5 and this is super helpful! Thank you so much man

[@JooWorks]

Adan Sotelo you are most wellcome. Do check the free course as well.

[@JimmyLeeWolff]

awesome, bought it. I will try it out soon and give some feedback here

[@titaniumslug]

Your skin tones look a bit lobster-like to my eyes. And shooting in Rec709 then "converting to log" then converting back to Rec709 seems very silly.

[@JooWorks]

:-D Yes, I like saturation and redness. inside the course in the next video, I'll show how to go beyond "my style" and how to work with saturation for example. :-) Try my best to upload it today.

[@MikkelGrumBovin]

this video is beyond silly - its bad,-

[@MikkelGrumBovin]

damn - you are resilient ! Ill give you a thumb up for tenassity ! ;) (y)

[@LightWthoutTheStatic]

Because it IS silly. And ineffective.

[@telelaci2]

@Joo.Works Titanium is right, double converting is not good thing. And you know that when you say : "...for example the CINE-D has less dynamic range than the real Vlog...but there is the trick to get most of it back..." Hmmmm. The "most of it" is enough ? Because we wanna save $100 for the Vlog upgrade ? Hmmm. You are a little bit one-sided, biased towards yourself. Because you dont think of disadvantages you don't really care, because the idea is "great". Nah its not so great at all. You convert jpeg to RAW then you edit it then you convert RAW to jpeg again. And you think this double conversion (compressions) is lossless or almost. I pay $100 instead, (for Vlog upgrade) its nothing compared to equipments and accesories. Then I shoot in RAW not in jpeg. Of course in video world its not RAW and jpeg, but at least everyone can get the methaphor. "I like saturation and redness..." - ok but you don't seem like a great photo/video artist sorry to say. It's my opinion, no offence. You should buy GoPro6 , you could get tons of saturation. Just don't mix the art and the technical details please, they are totally different categories. That's your mistake. Maybe other people don't like the lobster skin, oversaturated and underexposed picture, maybe they do, who knows. Some people above who say "I much prefer 4:44 to 4:48" , they are maybe right maybe not. But I think 4:48 is definitely not better than 4:44 , not at all. They have just differerent problems. Just stick to the technicals in my opinion. And saving $100 is not a great deal to a professional for "almost as good" and for "most of it" :)

[@kalbijjim]

Thank you Joonas, been learning a lot through your very descriptive and detailed videos. Blessings, Mike

[@JooWorks]

Good to hear this Mike! :-)

[@MikkelGrumBovin]

fool

[@JooWorks]

Mikkel Grum Bovin :-D short and sweet.

[@getmarked4066]

I really enjoy your personality

[@JooWorks]

Thanks!

[@mattdutiel]

awesome video man! was that a TF sound bite about the youtube color correction? lol love the vid and the tips. liked and subscribed!

[@JooWorks]

matt dutiel yes it was TF. I relly like his channel.

[@mattdutiel]

me too! I thought I recognized that voice! great info, keep up the great work!

[@victorbart]

I shoot Vlog. In premiere I apply tge Panasonic vlog to 709 lut. Then I tweak the curves saturation contrast etc to my liking. Simple and good results.

[@JooWorks]

Good to hear that. Try my vlog to rec709 LUT, you might like it better. :-) Tell me what you think. The LUT is on the course page.

[@paulscott6854]

Dood this was dope! Thank you so much. Definitely helped me out big time. I paid for the luts and did your course. Excellent. :)

[@JooWorks]

Paul Scott thaks for telling! :-)

[@mangehenrik]

Really impressive! Thank you Joonas! You have such a inspiring way to think out side the box. Kiitos, Magnus

[@MikkelGrumBovin]

fool

[@mangehenrik]

Mikkel Grum Bovin You mis spelled cool

[@ledzhvisuals]

Thank you very much for the info with comparison. It feels uncomfortable to convert from Hybrid gamma to vlog.. but I agree that its better in some ways. I should try to see the difference. Thanks!

[@JooWorks]

Four I'm scared to do that too, but so far the quality has been the same. I'll try to make the Lut as perfect as possible. Going to do more test sooner or later. If you wanna be 110% sure, continue with vlog for now. :-)

[@toriigatedigital]

You are my favorite KZbinr joo humble person as well. I look forward to the more content you have in store.

[@JooWorks]

Thanks! It's better to be humble. Less trouble... :-D

[@MikkelGrumBovin]

fool

[@enjoyyourtime]

Good video mate. Deffo will try. Learn smth new every day

[@sandeshraut9093]

man apreciate your work, amazing. keep makin.

[@adrian28008082]

Awesome work keep it up!!!

[@4MyWork]

Necessity is the mother of invention - I will try this

[@samguw]

This is amazing

[@Ssjutsu]

Great work brotha! Much appreciated

[@MIBIncomeEncourager]

Joo brother your visuals are effing stunning..........started checking your work out (as you genuine and its good)....im still struggling between buying a gh5s and the blackmagic 4k.....i know all the differences.....have you any thoughts on this? ......i love the rich colours of panasonic.....still think (even thought the dynamic range is different between the two cameras)......have you bought any anamorphic lenses yet to work wiht the gh5s.......i know the sirui......are awesome....let me know your thoughts......ide be grateful bro.....keep up the magic.....these shots are stunning mate.....rich and poetic ......

[@GurmeetSingh-fr8uo]

Did attend film school? which camera are you using today for filming?

[@alekvizerski8756]

Man, you're genius! Really

[@JOEBLACK1979]

thanks alot for sharing bro!

[@santulama6937]

This is my third visit to this VDO, and Today I noticed the voice. I know who it is. It is used to be called Travel Feel. Well I have subscribe both channels buts everyone can have opinion. Actually m thinking of Blackmagic Pocket 4K but not available so looking for GH5. Checking this vdo to make sure can I get BMD color. Thanks man. Keep ROLLING.

[@jeroddunn]

Panasonic has a free vlog to 709 LUT. Try that first before buying this.

[@giannagiavelli5098]

is it a plugin?

[@JooWorks]

I tested it and it's super bad. The first video on the free course compares different lut's. The official is among the worst.

[@andrem2976]

Ahh man I hope these LUTs can somehow work with my Sony! I’ll give it a try! Thank you great tips!

[@JooWorks]

OH! They will not work with sony, or at least should not work with sony. Sony log has a different gamut (colour space) But soon I'll do a corresponding KIT for Sony cams. You just need to wait few weeks. :-/

[@JooWorks]

What settings do you use on you sony? I can create you a quick test LUT following numbers.

[@andrem2976]

Joo.Works sounds good I’ll definitely be looking forward to your video on that! I shoot in SLOG2 primarily and alter between the pro and sgamut3cine color space...kind of created my own tweaks to my taste ina few different profiles...your LUT is exactly what I want my footage to look like! I’ll be waiting on that video! Thanks again!

[@JooWorks]

No idea if this works: www.dropbox.com/s/dsa4jvpxte8nxjb/s-log2%20%26%20s-gamut3.cine%20to%20rec709.cube?dl=0 tried it with some random footage from the next and it looked ok. :-/ It's done by folloing numbers and just compressing the extra DR to rec709, so there might be some clipping and crushed shadows. So if there is you can apply a curve before the LUT to cover them.

[@andrem2976]

Joo.Works Thank you so much brother! I’ll give it a look!

[@KutWrite]

Well done... or heel goed if I judged your accent correctly. I don't have a GH5, but still found this interesting. I'll be working on a film this Spring & may be able to use the techniques. Dank U wel!

[@JooWorks]

Channe mixer technique should work with any LOG profile and for example I'll be doing a video for sony a6500 someday soon. What camera are you using?

[@miriamvonhall1543]

I have mix fillings about this vid. I totaly agree with you about color correction and color grading V-log. BTW: Travel Feels is Canon Fanboy so dont expect fair review and true information. I assume that he never work with real C-log, except 'desautrated standard ' so called log;) Now, converting CineD to V-log will NOT give you real V-log. Decreasing ISO will not give you V-log's Dynamic range. The reason of 800ISO for V-log is because you will get at that ISO the most of DR. Both of them are compressed which mean they loosing a lot of information which you can not restore, but V-log still will have more information to play, and without applied color theme. That's my 2 cents;)

[@JooWorks]

Hi, Yes you are correct. Cine-d's smaller DR and smaller gamut doesn't magically turn into more data with the LUT. But I do wonder about the native iso and vlog and DR. Charts of the camera's measured DR seem to indicate that the DR is better at iso 200 in RAW images. So I wonder why is the v-log's base iso set at 400... And when I do tests with the camera. I do not see that much of DR difference between cine-d (iso 200) and v-log (iso 400). Even V-log at 3200 iso doesn't show noticeable less DR after a proper noise reduction compared to iso 400. Of course, the noise floor is much higher, but I'm more interested in returnable detail. I measure DR as details, not as lack of noise, for noise can be fixed, lost details can't. I think this base iso & DR theory is more or less misunderstood... For if it doesn't show up in tests, well then it's a sign that we have probably misunderstood it somehow. This could be a nice topic for a video.

[@miriamvonhall1543]

I couldn't agree with you more! This would be very interesting topic, and frankly speaking i dont know why no one from Panasonic produce this kind of video, explaning how and why set you profile to record the best possible image qualitty. And i wonder why, because that knowledge will give Panasonic user's advantages of using their camera's.

[@vcostaa92]

DUDE, thanks for this video.

[@TheJumpChronicle]

Straight called out Matti from Travel Feels 😂

[@robes000]

Hahaha, great sound bite. Great vid!

[@giannagiavelli5098]

Most excellent.

[@TomGardner]

Thanks! I will give this a try.

[@tomcruz5495]

Subscribed! I dont like to much red skin tones, but your approach is the best!

[@JooWorks]

Thank! I add often way too much saturation and like pink! :-)

[@AntonioVillagomez]

Great stuff man, I'm going to get your LUTs and try them out!

[@hivestudiosinternational]

You can approximate the color output of VLOG with what you have done but you will not have the same dynamic range in the footage. You will have less detail in the highlights and shadows. Also I would be careful of introducing extra processing that introduces banding. You certainly have achieved a nice final look in the footage here though.

[@JooWorks]

Matt Drummond I would agree with you in the case of real cinemacameras, but in the case of gh5 the dr difference is not so obious. For example a "senior colourist" was not able to see the difference in dr between cine-d, hlg and v-log after the conversion to v-log. The banding is an issue if you work in 8bits workspace (the footages bit depth doesn't matter) but luckily all major editing softwares work in 16 or 32 bit mode. Thanks for your words.

[@IsmaHAWK]

Really clean!

[@stephanefeltesse8838]

Such a great work man! Thank you so much!

[@JooWorks]

You are wellcome!

[@Thegbiggamerz]

I paused. This was a great tutorial my guy.

[@krzysztofmmichaluk]

Thanks for so professional speach. Respect. Great knowladge.

[@MyJeanf]

Great video dude , thank you

[@DTChunky]

You're awesome.

[@devanshudodke1020]

amazing work!!!

[@canturgan]

I much prefer 4:44 to 4:48

[@JooWorks]

Interesting! :-)

[@vincelujan2873]

respect to ya, but I really prefer the 4:48

[@JooWorks]

No problem! :-) it's good to hear that.

[@canturgan]

Vince Lujan No worries, that's what makes life interesting.

[@enjoyyourtime]

Second one looked too contrast to me as well

[@romsprod]

Great job dude

[@luckydrum96]

2:22 this could actually be me. Its just so stupid to see all these people on KZbin who have no idea how to use their equipment but still talk about how great their 4k camera shoots in log. But in fact they don‘t even know what that means

[@JooWorks]

luckydrum96 it's not their fault, It took me a long time to understand this as well. :-) we are all just eagar to share what we have learned no matter if it's miss infomation or not. :-D I must do the samething sometimes.

[@sicknamebrah3494]

I'd spend $ on one of your color correction courses. Great work Joo!

[@AMLFilms]

New subcriber here..I appreciate this Channel..

[@JooWorks]

Thanks man!

[@el3xtrosky]

Wow, a jab at Mattih there. You cheeky man! Love both of y'all tho.

[@GeorgeLukaDj]

U got a like cause i paused :D Anyway thanks for ur work and thanks for sharing.

[@HighlyDeceptiveVideo]

Thank you for showing the world the good way of color correcting video. Are you getting the GH5s?

[@JooWorks]

I think I will... I have been playing around with cinematic lighting lately and it's easy to get cinematic lighting at light levels around 1600 iso, but with the gh5 the image is not as sharp anymore then... I hope the 5s has more sharpness there.

[@shardeabre]

Your awesome this was very helpful information

[@liberteefoxtv3463]

You are just Amazing dude !! Thanks so much.. Do you have any ideas on the S1H V Log mode..?

[@jacobrobertdesio9265]

Do you have any “tutorials” where you teach something other than “buy my LUT pack”?

[@JooWorks]

:-D Have been thinking about it. And lately I have not uploaded anything else. But does "Buy my sony KIT-tutorial" count as a "something else"? Those are up soon.

[@newpix7555]

Hi Joonas!!! From Finland? I am in Helsinki as well, aspiring photographer and videographer! Cool channel, subbed :)

[@JooWorks]

Well hello! I'm located in Tampere, at least the next month or so. Then I don't know where next.

[@ridgemills]

Hahahaha that reference to Matti, nice one.

[@JooWorks]

Really like his channel so this is my twisted nod to him! :-D

[@comparedtech4500]

nice tips ... like. BTW , do u recommend GH5S?

[@JooWorks]

Primitive Age I tested it and I liked it a lot, but would still take gh5 because of the Ibis.

[@comparedtech4500]

Joo.Works thank You 🙏🙏🙏🌟 i trust You and this helps me to choose wisely. Great tips . Kiitos

[@comparedtech4500]

I Have RED Scarlet but i really hate it! So, I got myself the GH5 and thx for your tips bro.. ill subc u. Some good tips for Lowlight situation with GH5 ?

[@JooWorks]

I made a video about "how to shoot in the dark with gh5" go and search for it you'll find it. :-)

[@comparedtech4500]

Thx, ill do so

[@farsianvistas3508]

A series is running in NETFLIX, "Deichbullen", which was shot with GH5. I don't think the recordings look cinematic at all. What do you think about?? how can it be that your recordings look better?

[@JoesVids]

2:19...shots fired at Travel Feels!

[@artofduke]

That is how I've alwasy done it. Surprised very few people did it that way.

[@JooWorks]

To what are you referring to? Channel mixer or turning profiles to Vlog?

[@dlohnes]

Just watched this video and learned so much! I don't have the GH5 yet, only the GH4 and love it. Would these LUTs work on the GH4 by any chance? Thanks for your insights and for being willing to share them with us.

[@JaddRyan]

Hi Joo. Thanks for the value you're bringing to the community. I watched your video a few times (Paused and liked btw) but still having hard time wrapping my head around the whole idea. You mentioned that using the channel mixer is the right way without actually explaining why. I turned the internet upside down but couldn't find any piece of information that supports this idea. I tried it as well but didn't notice any obvious advantage over other methods. I usually use Colorista for my correction and grading but I tried it with the infamous "youtube way" as well. With some small tweaks, they all would look identical. Haven't yet tried the luts though. That might be a different story. Would be happy to discuss it further with you.

[@JooWorks]

I don't know why there is so little info about the channel mixer (in general), but it's used for transforming different gamuts to others. Different gamuts have different colour primaries and with the channel mixer, one can modify the colour to others. If you look with the key word like: "colour correcting matrix" and "The matrix for conversion from (you camera's log profile) into ITU Rec. 709 RGB" You might find something usefull. This video was my first entry into the world of advanced colour correction (3D lut creator is the best software that there is for colour): kzbin.info/www/bejne/oImWmmZqrKumfZIm33s

[@JooWorks]

Here is a great video of the use of the Channel mixer: kzbin.info/www/bejne/o4vZo51ulMRoqJI But there is no info about the gamut changing, but you get the idea of the channel mixer.

[@JaddRyan]

I appreciate the response and the information. Will definitely check them out. Would you mind sharing the footage you used in your video? I'd like to do some tests and comparisons with different methods. I've already done that with mine but yours would be great as the reference. Thanks

[@JooWorks]

Hey great idea. I'll share stills from my videos. I'll put them to the course page. Are you on my email of messenger list? I'll notify you there when they are up.

[@JaddRyan]

That sounds great. Yes I'm on your messenger list. We've talked shortly before actually!

[@SKFAMILYPRODUCTIONS]

Lovely Nice video Good work

[@JooWorks]

Thanks, man.

[@SKFAMILYPRODUCTIONS]

Joo.Works may I get your WhatsApp number Mine is [phone]

[@JooWorks]

I don't have WhatsApp :-( If you wanna chat with me and you are more then welcome, join my messenger bot and send me a message trough there. I see all of the messages you send and reply to you there. joo.works/join

[@bonsaimediahousetx]

I laughed out loud so hard at travelfeels voice over. Nice to see a touch of humor and your character spice up the video. Beside the channel mixer method, I did a quick video testing typical luts to v log footage, including yours, mine, Panasonic’s and a few more. Nothing else. I have to say I do love your lut, both the normal version and shadow version. The only thing I’ll say is it shifts my images to a more magenta palette, but I have used it on countless shots that need a more precise skin tone and have a fast turn around rate. Check it out if you get a chance. Keep up the great work and thank you for benefitting the community and even my own work in such a beneficial way. PS exposure and white balance are always an essential and overlooked skill set to all film makers and their arsenal. The importance of this know-how can not be overstated.

[@JooWorks]

Thanks for these words and great to hear that I''m of use. These new LUTs are just bit different, hopefully to the better. I should fix the magenta shift... one more task to the list. :-D

[@OzrenPutarek]

You can download free Panasonic LOG to 709 LUT from Panasonic website, its the best way to get accurate 709. Other then that cool video and some good advices.

[@JooWorks]

The Panasonic LUT is not accurate or then the world is really ugly. :-D I made a comparison video of different methods to transform vlog You can find the comparison here: joo.works/gh5-minicourse-part-2 it's the second video.

[@DennisSchmitz]

The lut doesn't work well with V-Log L at all. Crazy magenta cast. Works great on real Varicam footage though.

[@OzrenPutarek]

I never noticed this, you are right, your LUT looks a bit better. Thx bro.

[@YuStudios]

LOL When you said you can convert cine-d back to v-log, i had to scroll down here to see the comments.

[@JooWorks]

It's been a lot of fun to reply to all the comments below.