iPhone 16: Filmmakers’ Most WANTED Camera UPGRADES

[@pglazzari1]

This channel is so underrated. Ugh!

[@THEDPJOURNEY]

Thank you so much for the compliment. It would really help if you like, subscribe and share. Again.🙏🙏

[@omneyanoureldin3651]

@@pglazzari1 You can say that again!!

[@pglazzari1]

@@omneyanoureldin3651 this channel is…haha

[@MagdaKHindia]

Agreeeeee

[@hotmandead1]

Bump to give this channel a boost

[@skkver_runs]

Let’s all just take a moment to appreciate how well this presentation was done! Pure gold

[@iPhone-Cinematograhy]

Platinum...

[@THEDPJOURNEY]

🙏🙏🙏

[@THEDPJOURNEY]

Thanks 🙏🤩

[@cameraconspiracies]

Definitely with you on the high frame rates. I'm hoping for 4k 240fps and FHD 480fps. I doubt it will be from Apple though. My 4 year old Huawei P40 Pro does beautiful bursts of 960fps in FHD and 7680fps in 720p. I'm surprised more phones aren't even trying to compete in this area.

[@THEDPJOURNEY]

Yeah it’s weird how it’s been so long now without any HFR.

[@CallMeRabbitzUSVI]

​@@THEDPJOURNEY It's intentional, if phones gain the ability to shoot 4k 240fps (Which they have been powerful enough to do since 2022) then they can be used for actual professional slomo work meaning you wouldn't have to buy expensive cameras. The industrt won't allow that just yet

[@vladik210]

@@CallMeRabbitzUSVI but apple doesn't sell professional cameras, so it should be the move for them!

[@momchil_v]

@@THEDPJOURNEY it is because sensors used in smart phones are way to small to capture enough light needed for high quality high frame rate video

[@ivanferrero]

As another content creator in KZbin I have to say to you that your videos are absolutely insane! it´s incredible the work behind to make them look so dinamic and beautiful. Congrats! I don´t have a doubt you will reach the million subscribers.

[@THEDPJOURNEY]

Thank you so much Ivan for your compliments. Yeah a lot of work goes into my videos that I’m asking myself if it’s sustainable actually 😂

[@raquetamalvada]

Constant aperture and same camera quality trhough all lenses will be game changer...

[@THEDPJOURNEY]

Oh yeah! It’s so annoying to have all these lens options but each look different

[@raquetamalvada]

@@THEDPJOURNEY finally it did not happened.. :( Next iPhone maybe...

[@CanaryFilmPro]

Hello, thank you for the video! Can you tell us which template you use for making this video? Thank you very much!

[@THEDPJOURNEY]

Thanks for watching. I created the template myself on Keynote. I have a video explaining how I make my videos in the description 👍

[@alexdenton6586]

It's true that there isn't much difference compared to the iPhone 15, but I think it's worth waiting for the iPhone 16 Pro Max and switching. Just for the 4K at 120 frames per second, it's worth it-plus, let's not forget that all of this is in HDR, and the video quality we know from Apple is top-notch. The differences may be minimal, but they're worth it.

[@THEDPJOURNEY]

I’d say they’d be worth it if you’re coming from the 14. But not the 15, unless 120 frames is essential to your workflow, which is not the case in 98% of filmmakers

[@alexdenton6586]

@@THEDPJOURNEY Yes, I come from the 15 Pro Max, and as you said, 120 frames per second is never really necessary. However, is it enjoyable and much smoother? Absolutely. I know it's not the best comparison in the world, but for example, when I watch a video game at 120 or 144 frames per second and then switch back to KZbin to watch videos at 30 or 60, it feels rough. It's not smooth, and it's unpleasant to watch. What makes me happiest is that Apple has pushed this trend so quickly, which means the rest of the industry will follow. Eventually, KZbin will catch up as well, and when that day comes, it will finally be the end of slow videos. We’ll finally have smoothness everywhere.

[@MagdaKHindia]

Verrrry good points!!! Glad this is not just about rumors but more about what really makes sense for filmmakers.

[@THEDPJOURNEY]

Glad you liked it. 🙏

[@TheIconfriend]

I hope Apple are listening! Great list of features and as always, your videos are enjoyable and wonderfully put together!

[@THEDPJOURNEY]

Yeah I hope we see some of these in the 16. Cheers!

[@DaveKnowlesFilmmaker]

Top of my list would be to stop the screen dimming. This always seems to happen to me just when I could do with seeing what I am shooting. Also I wish BlackMagic would do something about their wave form size so I could enlage it and decide where I want it put. Maybe also a couple of programmable buttons on the app so I could esily call up false colour or whatever. Lastly I do hope that BeastGrip redesign thir cages so you can use the extra buttons on the iPhone and also redesign the awful way they attach a handle with a bit of bent metal. Its for both of these reasons (and the ridiculous size and weight) I sold my Beastgrip cage almost as soon as it arrived from the US.

[@THEDPJOURNEY]

A lot of good points here. Thanks for sharing

[@angelinegonyea7895]

This is a wonderful video. Thank you very much. Is there an updated video showing what actually happened/came out with the iPhone16?

[@THEDPJOURNEY]

Yup here’s a video about the new 48MP iPhone 16: The New 48MP Ultra-wide FAIL!! (Nerdy tests included) kzbin.info/www/bejne/qJrSY2lme550hsU

[@angelinegonyea7895]

@@THEDPJOURNEY Thank you so much.

[@BenChamberland]

All great suggestions right there 🙌 What is your take on H265? I wish we could have some native h265 options or just a solution to have a better quality at smaller file sizes. (I say better, because you were one of the first to point out the lack of quality in h265 on the BM app). Keep up the good work 🙏🏼

[@THEDPJOURNEY]

H265 is compressed in all cases, i don't you'll get a better version from Apple in their native app.

[@Cusmire]

I think if you made this video months ago, Apple would apply your recommendation in their next iPhone. I'm always on waiting for next video.

[@THEDPJOURNEY]

I wish. We all know apple has a mind of its own. Not the best in listening to their users

[@darkknightwithanidea1845]

Brilliant analysis and review as always keep up the great work with missed your channel and yes, I guess we’ll find out tomorrow💪🏼✒️🎥🇫🇷

[@THEDPJOURNEY]

Thank you so much for your compliments. Yeah planning to be more active these days. Got a lot of stuff to talk about and share. Not much time. Gotta find a way to spend less time to work on episodes without compromising quality

[@omneyanoureldin3651]

Absolute valuable info👍 Thanks again.. and again!

[@iPhone-Cinematograhy]

and again...

[@THEDPJOURNEY]

🙏🙏🙏🙏

[@AhmedZuhairAli]

Incredible video bro, credit is due where credit is due... keep up the hard work!

[@THEDPJOURNEY]

Thank you so much Ahmed!

[@cweb1988]

Really hoping we'd get 48mp upgrade to all 3 cameras/FOVs. And maybe some stabilization improvements. You'd think they/phones would be able to implement the same level or even way better AF/tracking and detection than mirrorless do now. And I wish they'd make every camera the same as the main camera. Then we'd be talking.

[@THEDPJOURNEY]

I mean they have the processing power and the AI technology for face recognition, so AF shouldn’t be a problem. Let’s see

[@AllThingsFilm1]

I went from the iPhone 12 Pro Max to the 15 Pro. Which was a huge leap, especially in image quality. The first thing I noticed was the insanely clean video footage compared to the footage I captured from my iPhone 12 Pro Max. I would love to see ProRes RAW and 32 bit float audio, before I consider going from my 15 Pro to the 16. Especially, a focus tracking feature would also be a fantastic upgrade. We'll see soon enough.

[@THEDPJOURNEY]

That’s a major leap from 12.

[@ZWARBHATTAA]

Two things- Sensor and Lenses. Upgrade the sensor to one inch, many chinese companies already have it. You can’t beat physics. One inch sensor is the minimum size you need. Additional apple designed proprietary lenses (Tele, Macro, Wide) with wide aperture which can be magnetically attached to the existing lenses. Physics is physics. See Vivo X 100 ultra in low light. Easily crushes any iphone till date. So software is important but its the hardware that stands the test of time. But its Apple. They could have done this years ago. But they are just milking it with petty incremental upgrades every year. Well…

[@AnasAqabawy]

Even if it looks so basic to be mentioned, but a bigger sensor size + computing photography will be a real game changer for the iPhone. For the points mentioned at the this video and as a Events Videographer, the most effective one will be same aperture cross different lenses as I’m suffering while switching between them at the same location & lighting conditions. As usual your content is amazing.. thanks a lot man

[@THEDPJOURNEY]

Larger sensors are more like a myth these days honestly, sensor tech now is lightyears better than 10 years ago when the only way to get better quality was to build bigger sensors. And yeah, the massive difference in exposure and even quality between each lens is pretty frustrating honestly. I really hope that 48MP sensor would be the same as the 24mm. And i hopr they fix that 120mm sensor a bit and get it as close as possible to the other 2

[@DanPetru.]

LUT monitoring and burn in option.

[@THEDPJOURNEY]

We already have LUT monitoring on BMC 👍

[@waynejordan3295]

Come on guys look at this smooth animation and only 76 likes and 707 views.

[@THEDPJOURNEY]

Thanks for your support 🙏🙏🙏 Would super appreciate it if you can share and spread the word, thanks again

[@andyk6344]

Truly amazing production quality on you videos and you really know how to break things down so that non-professionals like myself can follow along!! Hope you will gain many followers and subscribers as time passes by! Could you be so kind as to share where you got the dark gray background for your "slides"? Trying to find something similar, but cannot. Will use it for my productions at my workplace where we do in-house training of our staff ;)

[@THEDPJOURNEY]

Thank you so much for the kind words and support 🙏 I’m created the background form many other backgrounds I had actually. But you can easily make one with AI now

[@andyk6344]

@@THEDPJOURNEY You are very welcome - and thank you very much as well for the quick reply!! While on this topic, I hope you don't mind me asking another question; During your slides in this video you show the iPhone and the lenses etc. These seem to be a mix between video or 3D rendered shots as well as graphical elements - obviously with a transparent background/alpha channel.... the quality is as good as I've ever seen before... Did you make them out of photos/videos taken by yourself - or are these elements you've acquired from somewhere else? Hopefully I'm not being to nosy - just trying to learn and improve my own skills ;) Hope to hear back from you again and meanwhile have a wonderful Sunday! Regards from Norway :)

[@THEDPJOURNEY]

@@andyk6344 no worries at all, the 3D phone in the first rumors part is a 3D model that I imported into Keynote which only accepts USDX format. others are from the Apple website. And the cover is the one I personally shot of my iPhone

[@andyk6344]

@@THEDPJOURNEY Ahh - I see, well it looks really good and the quality is amazing!!! What are good sources to get/buy 3D renders that work in Keynote?

[@THEDPJOURNEY]

Sketchfab- turbosquid

[@AANasseh]

Good job! I can only dream for ProRes Raw and 32bit Float!!! OK... Let's see what happens!

[@THEDPJOURNEY]

Let’s see! I’m sure Apple will introduce these “eventually”

[@philpritchard5173]

While they’re at it how about SDI out?!!

[@THEDPJOURNEY]

Hahaha. Don’t think so, but you get the feed from the usbc. Maybe a 3rd party hub that converts usbc to SDI

[@omarmokbel1273]

Thanks I appreciate that

[@THEDPJOURNEY]

Cheers thanks

[@markjob6354]

*There's one more feature I would like to see added -Not just 8K oversampled 4K, but also actual 8K resolution record mode in true 24p.*

[@THEDPJOURNEY]

Technically speaking the 24 mm lens is already 8K, and the new wide lens will soon also have the same sensor. I believe the hardware is already capable of recording these resolutions, but probably will have a time limit since it won’t really sustain it for a long time I assume.

[@josephcullen2512]

Hah wow nice ideas. Maybe one day. A bit much to hope for this year's phones though

[@THEDPJOURNEY]

Yeah that’s a list for the years to come. Thanks for watching

[@PatrickMastersProductions]

I'd love 32 bit float, 4K120 fps, and 8K recording please.

[@THEDPJOURNEY]

Technically speaking, the 48MP is 8k, so there’s a potential for 8k recording

[@PatrickMastersProductions]

@@THEDPJOURNEY I do't think Apple gives us 8K until all cameras have 48MP which wont be until the 17 sadly.

[@hotmandead1]

Bump this channel ! Amazing suggestions but the problem here is that many consumers may not go into such fine details. It’s only when more of the industry professionals will confess their desired to Apple and demand updates is when the company will shift its investments. It’s out now am I’m using one waiting for more videos 🎉

[@ATLJB86]

Some of these issues are asking a bit much! Expensive cameras have theses same issues. Things like low light and auto focus, etc. It will be interesting to see what the ai can do but I think it’s too early and a bit of a stretch.

[@THEDPJOURNEY]

Yeah I agree, the list should last for a couple of years I’d say before they tick all the boxes. I’m feeling optimistic.

[@TohPhimmasenh]

Who else wants cinematic mode in apple log ? i feel that it isn't too much to ask

[@jeffwoodvisuals]

Me!!! And manual control 👍🏻

[@THEDPJOURNEY]

I thought of that, but they need to improve the edge detection first since cinematic mode still ook pretty amateur with its super fuzzy edges, especially around hair

[@jeffwoodvisuals]

@@THEDPJOURNEY I’m hoping the faster A18 will do a better job of that. If it can match the quality of stills portrait mode I’m all in!

[@danieldevine]

If they only fixed the lens flare issue with LEDs which is especially bad at concerts or night time on the street, I would upgrade for that alone! That needs to be a priority! RAW video would be sick for adjusting exposure after. Rumour of an even larger sensor for main camera and even larger again for the Pro Max version (like the iPhone 12 pro max had a bigger sensor than the 12 pro)

[@THEDPJOURNEY]

I actually wanted to include that, it's more like ghosting not flare, is that what you meant?

[@danieldevine]

@@THEDPJOURNEY yeah! It’s such a pain! If you look closely you’ll notice they removed it from still images in their processing pipeline! So they’re clearly aware of it, and it never used to be this bad, only since maybe the iPhone X/11pro

[@THEDPJOURNEY]

I gotta check this out. I remember seeing it many times. But didn’t notice it’s not present in photos

[@iPhone-Cinematograhy]

A huge thank you, Sherif, for all the hard work and dedication you put into your KZbin channel @THEDPJOURNEY. Your in-depth videos are an invaluable resource for filmmakers and cinematographers. Please continue your amazing work-your efforts are truly appreciated! I tell everyone who will listen to subscribe. Cheers...

[@THEDPJOURNEY]

Thank you so much for the kind words and support, really happy to find awesome people like you who truly watch and follow my channel.

[@waynejordan3295]

Please do a video about the next samsung s25 Ultra

[@THEDPJOURNEY]

I’ll check if I can get my hands on a unit

[@pitrow66]

Great video.

[@THEDPJOURNEY]

🙏🙏

[@666size666]

Yes, a tally light please.

[@THEDPJOURNEY]

I knowwww 😂

[@ScoutFPV]

Brilliant!

[@THEDPJOURNEY]

🙏🙏

[@Dublincarspots]

Anyone know what the optical zoom is for cinematic/ video

[@THEDPJOURNEY]

Sorry, I don’t understand the question

[@Dublincarspots]

@@THEDPJOURNEY on cinematic mode there would be an optical zoom, it’s basically a zoom lens that gives good quality. Do you know what the optical zoom on the 16 pro is? It would be 3x or 5x

[@yaboybecool85]

@@Dublincarspots five times on the pro and the promax this year

[@HarshDua-x8g]

8k immersive video would be amazing

[@THEDPJOURNEY]

Technically, it’s possible on the 24 mm sensor since it’s already 8K

[@CallMeRabbitzUSVI]

​@@THEDPJOURNEYYou need 2 sensors for immersive video for the Apple Vision to work so you would need 2 8k sensors

[@aperture8983]

The Nice Dream😂

[@THEDPJOURNEY]

Dreams will come true one day

[@Inventi0ns]

LOVE

[@THEDPJOURNEY]

🙏

[@ciprianadrian21]

I just want them to switch to an 85mm telephoto instead of the 120mm !!!

[@THEDPJOURNEY]

Isn’t this what they already have in the older version?

[@ey5644]

Amen!!

[@THEDPJOURNEY]

Amen 🙏

[@JustDushawn]

yeees to the tally light :D

[@THEDPJOURNEY]

Someone made it to the bonus feature, well done!

[@TheTechnoPilot]

Am I the only one who could almost care less about the ultra wide?! Give me a technological focus if anything on the telephoto even over the standard (wide). Also even as a DIT, I see little value giving ProResRAW in the iPhone. ProRes generally is great, but its real benefit is throwing out the additional image processing, not the container, and RAW already while awesome to ubiquitously have access to, has little to no value for a phone for anyone but a high end (not KZbin) pro who needs to bring the camera into and existing RAW workflow that MUST use a phone for certain scenes. I would actually rather see a good h.265 container with 150-200Mbit in LOG and no NR over even the existing ProRes422 since that’s actually a bloated container for the image from the phone even before we consider RAW.

[@THEDPJOURNEY]

Ultra wide is great for location scouting actually. Also influencers found it super creative with extremely distorted angles of shoes 😂

[@RoadFromNowhere_SE01]

I hate how wide all the lenses are. I shoot on long lenses as much as possible. An 18, 50, 120 would be great and have all the lenses match in exposure and quality. 🤷🏼‍♂️🤦🏻‍♂️

[@Skapo]

Yeah you’re in the minority here. Wide angle is super important for the vast majority of people.

[@THEDPJOURNEY]

Another thing about raw vs your request of no NR. Raw as you know doesn’t have any NR. And the advantage is how it would fit in a bigger production as a B cam. Also if you’re increasing the H265 bit rate, then it’ll get close to the raw file size. People don’t realise it, but ProRes raw is pretty small actually compared to ProRes 422. But I understand the point that h265 will still be smaller

[@TheTechnoPilot]

@@THEDPJOURNEY haha yes true, but for scouting I rarely find the images lacking even on my 12 Pro.

[@GlobalShutterNY]

I don't think RAW makes sense for the iPhone- no way you are going to want 48MP RAW video - and just using the small section of the sensor that represents an 8K image would be terrible for most applications. Give me a down-sampled 4K image and ProRes is optimal with these small sensors- the down-sampling really helps (that's why the Sony FX30 has a nicer image in adequate light than the FX3 - it's down-sampled!) RAW means NO downsampling. I guess we could ask for 4:4:4 color - but I doubt that is going to make any real-world difference...

[@THEDPJOURNEY]

I thought aboutt he same thing, but if you look at their RAW photos, they're 12 MP coming out of the 48MP 24mm sensor, which made me think that mayeb they're line skipping or pixel binning to get the RAW photos. So maybe they can do the same in Video and give us an oversampled 4K raw. On a technical level this means the AD converter is placed after the conversion process to convert the oversampled 8K, so might be a different flavour of ProRes that's similar to BRAW, where it's a smart 4444 container that acts like raw

[@GlobalShutterNY]

@@THEDPJOURNEY Interesting - since technically real RAW is supposed to be unprocessed... Not sure it would add more than a ProRes recording of the downsampled sensor.

[@RootinrPootine]

How is it that the zoom AM7 is the only decent non-corded, non-wireless stereo mic for iPhone of note -- and it’s $100, the same price as a 2024 H1 which, being fully separate has all its other uses and features--and the AM7 has its own issues, despite being a dedicated phone plugged mic. If I don’t want to mic a person why would I want to risk wireless issues/ battery etc, I just want better audio recorded directly to the video file, how is this still so neglected? There’s really no reason Apple can’t include an internal mic of much better quality able to work for calls and quality video alike

[@THEDPJOURNEY]

Actually their internal mic is pretty good, but you gotta be so close, signal to noise ratio problem

[@Diego.E.D]

For the common user the iPhone 16 is a big NO!, for filming I got my equipment that works well 😉, in the other hand nice content.Cheers mate.

[@THEDPJOURNEY]

I totally agree that a common user would not need that, but it's their choice not to use it after all. Also I don't hink a common user would buy the Pro Max, don't you think? Apple made it clear that the Pro Max is dedicated for camera enthusiasts. So it'll make sense to give them these option. Thanks for the compliements mate 👍

[@rogeriogomesosorio4755]

Bigger sensor--

[@THEDPJOURNEY]

I assume they’re limited by the phone size, but it’s possible for a maybe another 10-20% increase

[@rofmo]

Regular 16 should be thin. Pro and pro max should be thicker to allow Bigger sensor. It just makes sense. Majority of ppl buying pro and pro max would gladly trade size for better camera

[@THEDPJOURNEY]

But size won’t really make much of a difference anyway unless it’s a 1” sensor maybe which won’t be possible here anyway.

[@rofmo]

@@THEDPJOURNEY that’s y they should change the size. 1” is totally doable. They should join the, camera first, phone second bandwagon on a different model even.

[@THEDPJOURNEY]

@rofmo minimum flange distance will prevent them from using it on their phones. You need a minimum of 1 cm almost between the sensor and the back of the lens, that’s thicker than the phone itself

[@SuperSinamatic]

I would bet the house Apple is not touching 32bit float .. but I like the wishful thinking.. and it would be great if Apple made their own small "Lark M2 like" wireless mics.. call them iMics or something.. without the use of a receiver.. because it would be built in the phone.. more wishful thinking

[@THEDPJOURNEY]

I second that! iMics... I like it

[@JavierPineda50]

❤

[@THEDPJOURNEY]

🙏

[@coin777]

1:11 Customizable and Apple? You must be high and drunk.

[@THEDPJOURNEY]

Haven’t you seen how their new action button in the iPhone 15 is fully customisable? Maybe you were also high and drunk you couldn’t see it 😂

[@axelfoley1768]

No need for 32bit audio.

[@THEDPJOURNEY]

It’s like saying “no need for RAW”. Something that doesn’t apply to everyone but is definitely needed in most (if not all) professional scenarios

[@axelfoley1768]

@@THEDPJOURNEY what you're meant to say is... it's NOT needed in most professional scenarios. RAW for photos is needed for post-processing since it allows non-destructive editing before converting to a printable file, yet RAW is not needed for video. ProRes 422 HQ is not RAW is it? I'll ask you, did you ever hear crunchy sound due to 16bit audio from the last 42 yrs? Nope! Believe me it's not that I've settled for 16bit audio, hell, audio has gone downhill from there since most audio compression codecs downgrade the sound one way or another. But I can assure you that 32bit uncompressed audio is overkill, a total waste of time. Similar to comparing ProRes 422 HQ to RAW, the RAW is overkill, unless a video house demands it for their own reasons. But I can't see what those reasons would be unless for archival pedantics. Anyway, bits in audio is not analogous to codecs for photo & video. That's my point 🪂 I assure you that 32bit audio is definitely not needed in most professional scenarios unless a client demands it for some strange reason. 32bit audio is just for people who don't know about audio & are being pretentious or employing it just for the hell of it out of ignorance. Nothing wrong with using it, fine go ahead, but it's also gonna put massive strain on the camera's/phone's CPU, especially if you're at big sampling rates like 384kHz. But audibly it's a waste of time.

[@THEDPJOURNEY]

@axelfoley1768 Actually my analogy to video was not super accurate, simply because 32 bit float has the solution to the one major issue every none pro audio recordist suffer from… that’s adjusting levels and preventing it from clipping. So 32 bit is more useful actually to none audio specialists than it is to audio specialists who do it for living. When I’m shooting with my camera, I have tons to worry about to retain details and highlights, prevent shadows from crushing, focus, etc… I don’t want to add another item to worry about such as proper audio levels and audio clipping. And for people using iPhone for filmmaking, they are the perfect segment that needs a hassle free solution that doesn’t add more challenges to them. That’s why you can see how so many filmmakers ignore audio all together and just add a music track to their videos and call it a day. And when they want to go advanced, foley would just be easier than field recording.

[@axelfoley1768]

@@THEDPJOURNEY I misunderstood your aim. I was talking about audio 'quality'. Your scenario is a different matter. But I think you misunderstand. 32bit float is an internal processing method, it's good for audio production engineers bc it minimizes cumulative rounding-errors when utilizing lots of audio-effects & constant bounce-downs. It has nothing to do with dynamic-range (relative to clipping). Since you're aim is to avoid clipping (audio distortion) when recording, then it's a different matter. A Boeing 747 jumbo jet engine produces a sound level of around 140 decibels when measured at close range. A 24bit A/D converter can handle it without clipping. You think 32bit is for convenience so that you won't need to set audio-levels, but that is misleading, since really it's more important to check the dynamic-range spec of your A/D converters. There is a problem bc people think they're recording at 32-bit, but it's just 32bit floating-point calculations internally, having nothing to do with dynamic-range.

[@TraceyClinker-o6b]

Gonzalez Patricia Brown Ruth Clark Karen

[@Jefftaylor2114]

Meanwhile my s24 had 200MP and 100x zoom lol. What a joke

[@THEDPJOURNEY]

The maximum camera resolution on the S24 is 50MP by the way. Not far ahead from teh 48MP on the iPhone, don't you think?

[@Jefftaylor2114]

@THEDPJOURNEY the iphone on paper should be the same as the S24 or better. Meaning better MP and 100x camera zoom or better. 30x zoom on the iphone in 2024 at that price is absolutely ridiculous. Both are great phones I just don't understand Apple with their latency. They should be destroying the s24 when it comes to the camera and they aren't. And I have the S24 and iphone15

[@THEDPJOURNEY]

Absolutely agree iPhone is lagging, but my point is that megapixel amount is not an indication of a better camera after all. Both are great phones, but S24 is THAT much better as you made it sound

[@HungTran-wf3gu]

hope apple will producce mirroless camera some day, the camera industry have significant less innovative than camera phone. Big expensive body with less tech, expensive bulky lens.

[@THEDPJOURNEY]

I feel that the natural evolution to what they’re doing here

[@HungTran-wf3gu]

@@THEDPJOURNEY i'm curious about your opinion about the video quality between the iphone 15 pro with prores vs internal h264/h265 on camera like the lumix s5. I know u have a video about the 2 codec but both on iphone 15 pro

[@THEDPJOURNEY]

I’ll probably do a video comparing the iPhone 16 to other cameras

[@HungTran-wf3gu]

@@THEDPJOURNEY love it, can't wait to watch the comparison

[@ramonkroutz]

Samsung is placing a gigantic sensor in next phone. 🤡

[@THEDPJOURNEY]

Keep in mind, bigger sensors will mean bigger lenses, which will increase the size of the phone. I feel at this point these companies just need to make a dedicated camera

[@ramonkroutz]

@@THEDPJOURNEY haha. I want to hate you but you're absolutely right

[@THEDPJOURNEY]

Hahaha… why do you “want to hate me”? I’m not here to promote iPhones or any other cameras. I’m Just a simple dude giving his opinion

[@ramonkroutz]

@@THEDPJOURNEY good opinions. I'm keen to see what Samsung puts in the phone and seeing your review.

[@THEDPJOURNEY]

I’m also curious about that. Also my advise, don’t believe anything till you see it