The challenge with Apple is that it’s offering a device that its primary purpose is intended as a smart phone, secondary as a camera… 2 very different mentalities to please. Also it’s not about what they offer as much as how they offer it. Like how they gave us 120p but only on The 24mm. Good to have but with annoying restriction

Hahaha… glad you enjoyed the confectionery. You win another round of soda

Cheers

You’re right. It could work for any phone. People would get that without me saying it just like you did 😉

Thanks 👍🙏

Thank you so much again for you support 🤓

It works also, but I always buy an 82 to make sure it fits all my lenses where the biggest lens I have is an 82mm

Really happy you appreciate the effort that goes into my episodes, I’m sure everyone offers a different mix that would please different people. And I’m glad my mix of 100% practical education is what you’re looking for 🙏🙏🙏

You Rock! 🤘

Thank you so much for such kind comment 🙏🙏

My pleasure

USB-C is a game changer for iPhones, no doubt

Thanks for your comment, can you please read the pinned comment? it answers your concern. And all these other rigs again will force you to buy their proprietary filters that won’t work on anything else other that their rig

Really glad you found like 422 🤓👍 Glad I can help at this phase of your career. Best of luck

Thank you so much for the kind words. Really glad it was informative

Haven’t tried honestly, but it should yes

Around $120 for card and enclosure

100% Provided you won’t be doing too much editing and grading to your posts

Glad you liked it. Yeah that’s why I gave a Nerd Alert warning 🤓 but glad you survived it I know it’s a bit intense but necessary

From blackmagic camera, you need to choose the media location from the menu

@@THEDPJOURNEY thanks for getting back to me… all i see is in app only, in app and photo library and files… i click on files but dont see the drive??

Try and format it on the computer first

@@THEDPJOURNEY thats just it… i insert it into the macbook pro and open disk utility but it doesn’t appear there…

Maybe you didn’t properly install it in the enclosure then

You’ll find it in the Blackmagic camera app

You don’t need to buy a 300$ monopod

I just checked the link. Everything is there, you watching on the phone? You need to scroll down

Really glad you liked it and happy your learned a couple of small informations about codecs

Yes they both need to be 4k capable

It’s like saying “no need for RAW”. Something that doesn’t apply to everyone but is definitely needed in most (if not all) professional scenarios

@@THEDPJOURNEY what you're meant to say is... it's NOT needed in most professional scenarios. RAW for photos is needed for post-processing since it allows non-destructive editing before converting to a printable file, yet RAW is not needed for video. ProRes 422 HQ is not RAW is it? I'll ask you, did you ever hear crunchy sound due to 16bit audio from the last 42 yrs? Nope! Believe me it's not that I've settled for 16bit audio, hell, audio has gone downhill from there since most audio compression codecs downgrade the sound one way or another. But I can assure you that 32bit uncompressed audio is overkill, a total waste of time. Similar to comparing ProRes 422 HQ to RAW, the RAW is overkill, unless a video house demands it for their own reasons. But I can't see what those reasons would be unless for archival pedantics. Anyway, bits in audio is not analogous to codecs for photo & video. That's my point 🪂 I assure you that 32bit audio is definitely not needed in most professional scenarios unless a client demands it for some strange reason. 32bit audio is just for people who don't know about audio & are being pretentious or employing it just for the hell of it out of ignorance. Nothing wrong with using it, fine go ahead, but it's also gonna put massive strain on the camera's/phone's CPU, especially if you're at big sampling rates like 384kHz. But audibly it's a waste of time.

@axelfoley1768 Actually my analogy to video was not super accurate, simply because 32 bit float has the solution to the one major issue every none pro audio recordist suffer from… that’s adjusting levels and preventing it from clipping. So 32 bit is more useful actually to none audio specialists than it is to audio specialists who do it for living. When I’m shooting with my camera, I have tons to worry about to retain details and highlights, prevent shadows from crushing, focus, etc… I don’t want to add another item to worry about such as proper audio levels and audio clipping. And for people using iPhone for filmmaking, they are the perfect segment that needs a hassle free solution that doesn’t add more challenges to them. That’s why you can see how so many filmmakers ignore audio all together and just add a music track to their videos and call it a day. And when they want to go advanced, foley would just be easier than field recording.

@@THEDPJOURNEY I misunderstood your aim. I was talking about audio 'quality'. Your scenario is a different matter. But I think you misunderstand. 32bit float is an internal processing method, it's good for audio production engineers bc it minimizes cumulative rounding-errors when utilizing lots of audio-effects & constant bounce-downs. It has nothing to do with dynamic-range (relative to clipping). Since you're aim is to avoid clipping (audio distortion) when recording, then it's a different matter. A Boeing 747 jumbo jet engine produces a sound level of around 140 decibels when measured at close range. A 24bit A/D converter can handle it without clipping. You think 32bit is for convenience so that you won't need to set audio-levels, but that is misleading, since really it's more important to check the dynamic-range spec of your A/D converters. There is a problem bc people think they're recording at 32-bit, but it's just 32bit floating-point calculations internally, having nothing to do with dynamic-range.

Thank you so much for the kind words. Really appreciate your support

ProRes is pretty smooth and easy to work with. I’d say any MacBook Pro from the past 4 years would be good enough

@ Thank you, you have a great teaching style👊

🙏🙏🙏

BEST comment I’ve ever read!

Yeah I hear you, it’s intense, but I hope it was the good kind of intense 🤓

Thank you so much, super happy you liked it

I don’t think so. This seems like they’re just taking full advantage of the what the sensor could be capable of. They might just be saving that for the iPhone 17

True, but it prevents me from mounting lens filters since it takes the space next to the lens🙃

Realllly glad you liked it!!! Thanks for the compliments 🙏 Would really appreciate if you share it. It helps with the channel a lot. Thanks again

H264 is bigger in size, easier to edit, but lower in quality than H265

🤓