Timecodes: 00:00 Intro 00:35 This is the End and Apocalypse Now (1979) 02:50 What is Despatch movie trying to say? 07:10 Kanu Behl on Titli 8:20 "Audience ko heroes dekhne ke aadat ho gayi hai" 9:50 "Film dekhte hue kyon chahte hain ki sab samajh aa jaye?" 12:35 "How print Journalism lost its spine..." 15:41 Initial sittings with Manoj Bajpayee 18:18 Manoj Bajpayee alleviated Kanu's biggest fear 20:10 The acting process of Manoj Bajpayee 23:19 When Manoj Bajpayee walked off set 25:56 "Manoj Bajpyee achche hain" 26:54 Benefits of taking too many takes 31:22 How extra takes gave Titli magical moments 34:20 How the Manoj Bajpayee nude scene in Despatch is so pivotal? 38:57 No convincing Manoj was needed for the nude scene 43:27 "More than journalists, Despatch is about human beings" 46:14 "Rii Sen researched and improvised a lot" 48:43 The three women characters of Despatch 53:26 Who's right or wrong - Shweta (Shahana Goswami) or Joy (Manoj)? 56:34 "There is no right or wrong in life" 58:28 "I liked Sandeep Reddy Wanga's Animal a lot" 1:01:08 Why actors happily do scenes of abuse, nudity, violence in Kanu's films? 1:05:46 Climax of Despatch explained 1:09:45 This scene was inspired from Kanu and father Lalit Behl's anecdote 1:11:50 The crisis climate for Indie filmmakers 1:15:35 "OTTs are no harbingers of creativity or Independent cinema" 1:20:59 "We are seeing the last debauched phase of capitalism" 1:24:00 Despatch or Ek Journslist Ki Maut
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