Jean Gilles - Requiem (1704)

[@Joachim-dj2em]

Sehr ergreifend und bin sehr erfreut über diese schöne Musik von Jaen Gilles zu hören,ich danke allen Mitwirkenden Solisten Chor Orchester und Dirigent ebenso Bartje Bartman,sehr zu empfehlen Gruß von Joachim Ehlers aus Schallstadt südlich von Freiburg

[@marisaelenenadiejasecondch4829]

Acoustic and lovable

[@369maja]

I love Jean Gilles 👏👏👏👏👏🥰

[@simonwilliams9398]

New to me. Perfect harmonic style, compares well with Charpentier. And crazy clefs! Thank you.

[@bernardo3725]

A very good advice from a colleague from Toulouse, never heard before from Jean Gilles before

[@brianmsdk]

The landing on Kyrie eleison is just beautiful!

[@damiangonzalez_esp]

😍 I love manuscripts so much! Thank you

[@MusiExplora]

wonderful piece of music!🤩👍👏

[@juanpablovelez7656]

Thank you so much! I've always wanted a score animation of this.

[@CanaldeArquitetura]

beautiful!

[@wolfie8748]

Te decet hynus is truly beautiful

[@ronaldmessina4229]

Another selfish idiot who wants all of the language in anglosajón. All of the languages are correct to explain the situation

[@carlosrevueltamarti7392]

Se interpretó por primera vez al día siguiente de la muerte de Gilles en su honor, y rebosa optimismo y alegría para ser un réquiem.

[@baudobill547]

A veces la muerte trae más alegria que tristeza, especialmente para el muerto

[@ronaldmessina4229]

Another selfish idiot who wants all of the language in anglosajón All of the languages are correct to explain the situation

[@christianwouters6764]

Marvelous work and truly a "requiem", it is so restfull and gentle while most other requiem settings are dramatic and dreadfull, including that by Mozart.

[@RTCMAHL]

The opening alone is a shift from most Requiems.

[@christianwouters6764]

@@RTCMAHL Also the rest of the piece lacks the dramatic and extreme accents most requiems indulge in to evocate the horror of death.

[@ahoj7720]

The first, and one of the best, "theatrical" requiems: soli, chorus and orchestra. One of the masterpieces of the Louis XIV period. One of its descendants, in the same mood, is Fauré's. I'm glad you chose a version with the original setting (without the drums and trumpets added after Gilles's death) and the original Gallican pronunciation of Latin.

[@_PROCLUS]

💝💝💝 TY

[@ronaldmessina4229]

Another selfish idiot who wants all of the language in anglosajón All of the languages are correct to explain the situation

[@jimmywalsh6701]

👌

[@영식김-x1k]

Mass des Morts, 1980년 태어난지 열흘 만에 저 세상으로 가버린 영도의 넋을 기리며, 구천을 떠돌 영도의 영혼을 다둑거리며, 영원히 편안하게 잠들기를 기도드리며, 이제야 애미와 애비가 이 므악을 보낸다.

[@ronaldmessina4229]

Another selfish idiot who wants all of the language in anglosajón All of the languages are correct to explain the situation

[@영식김-x1k]

Requiem aeternam, Donna eis, Dimine, Et lux perpetua eis, Kyrie eleison

[@ronaldmessina4229]

Another selfish idiot who wants all of the language in anglosajón All of the languages are correct to explain the situation

[@joswylin7787]

Schitterende uitvoering, zowel vocaal als instrumentaal en prachtig in beeld gebracht met de originele partituur. Alleen jammer dat de oude Latijnse uitspraak niet helemaal klopt...

[@ronaldmessina4229]

Another selfish idiot who wants all of the language in anglosajón All of the languages are correct to explain the situation

[@michellaboureur7651]

C’était la prononciation traditionnelle du latin à cette époque en France, qui a eu cours jusqu’au milieu du 20è siècle. Elle n’est peut-être pas correcte d’un point de vue strictement philologique mais elle est authentique. Une prononciation « moderne » dans cette Messe des morts aurait été anachronique.