Pushing the GH5 colour to the limit - Amazing results

[@LightWthoutTheStatic]

This is great. The three dimensionality of color spaces is something not a lot of people really understand, so I appreciate you taking the time to explain how complicated the various attempts at managing the color space really is. Different Log converters tend to have different priorities, and yours are obviously focus on the blending of colors and more fully saturating the color space. Nicely displayed. This is also why I started focusing less on just having 'more dynamic range' and more on what am I doing with my midtones, highlights, and shadows. We get our best and most vibrant colors in the midtones so we should manage our light and our exposure to use that well.

[@flutechannel]

This also works incredibly with the GX8 which share the same sensor and Im blown away!

[@aritrapramanik1988]

Just wow! Checking in with this channel after a few months and that initial edit was just insane. Even though you always had the technical know how your shots didn't feel artistic or cinematic enough in the past. You have taken things to the next level now!

[@iSpike]

You, SIR, are AMAZING mate, I really like how you cover many things and I find it understanding your teaching style very easy to understand. I will do your course a little later & save up for your luts. Cheers from Western Australia

[@AIDVisuals]

giving for free huge experience in this field is so priceless...thank you man

[@fullyformed]

Great, really helpful video, thanks! Just one point of clarification for those who are interested. 18:05 The "safety line" on the Premiere vector scope - connecting the six inner boxes - is an indication of whether colours fit within what is safe for broadcast (PAL/NTSC). That is, it shows where colours will be clipped because of bandwidth limitations (with a safety margin) within the broadcasting system. So while it might be helpful in this situation as a rule of thumb, that's not strictly what it's there for, especially if the intention is to produce the most saturated colours that the colourspace itself will allow. The six outer boxes on the vectorscope equate to the remaining six corners of the cube (after black-white) in the 3D Lut Creator vectorscope, so these are the limits of the colourspace. Unless you are creating content for broadcast, it's debatable whether you need to stick within the safety line - although on the other hand you never know what it's going to look like on someone else's screen!

[@JooWorks]

Hi, Thank you very much for this clarification. Learning every day. :-D

[@animusvisual]

Bingo

[@ActionZ]

thnx! seriously the best (and simplest) to use lut package for the GH5. Panasonic should work with you to create these things

[@EzzenzDK]

FANTASTC!! I got the kit recently and love it!! Thanks a lot for making it!!🙏😎👏

[@eirjordan337]

Aweome Joonas! This is seriously like the best purchase I've made. Totally transforms the GH5. Keep it up!

[@fedeBTW_pokemon]

love the way that you explain your work flow! i will buy the kit for sure

[@RayDavies123]

Woo Hoo! just got my link for the update to Version 5.0. Thank you so much for not making us pay again and supporting existing customers.

[@JooWorks]

Of course. It would be so annoying to get the git again and again.

[@DavidLindgren89]

I have seen you before but this video convinced me to subscribe to you! 🙂 You described it really well and I love that you are yourself and take the time to go thru every detail instead of rushing thru it! I will take a look at that course for sure since color grading is something I want to improve in 2019! 💪 Go Finland! 🇫🇮

[@TimYemmax]

As always ... impressive! Jonas, you did a great job, I love your approach and it's always a pleasure to learn from you, keep it up!

[@eshackproductions]

I use your color correction pack for all my productions thank you Joonas!

[@majordae2016]

Great Video. I just purchased the Kit. Looking forward to testing them out with GH5, Mavic Pro, Gopro 6 and Osmo Pocket.

[@gurkhaliproduction9799]

Awesome video loved it. iam FCPX user does it works on FCPX by any chance?

[@lolo2k]

Thanks! Have a great holiday as well!

[@stilmotionpicture]

Thank you so much for continuing updating the kits on the GH5.

[@MuwexTech]

Colour is so important to videos!

[@no-vd2rh]

Muwex Tech It is the most underrated aspect of indie filmmaking.

[@ZeriaaZombiePro]

Great video, happy easter Joo and keep going strong. I love the colour correction kit and I am using it on test footage before I go and shoot my documentary in a few weeks (using gh5s).. cheers :)

[@seasideshutterworx]

Hi there this looks amazing. Will it work with Lumix s5 footage?

[@matthewskelton5855]

Wow......learnt a lot here. Thanks bud!

[@ParaLightWorX]

Very Nice Video with a perfect explanation! Can´t wait to test it my self :)

[@riophae]

So inspiring. This is what I've been looking for for a long time. Huge THANK YOU!

[@perbl526]

Thank you VERY much! This is by far the MOST useful guide and LUTs ever! Thank you! Tack så mycket!

[@mr.service8820]

well explained will never get this much information, thank you

[@erikhedenfalk]

Your knowledge about the GH5 have helped me a lot, keep it up man!! :)

[@djsmoke79]

Wow i love it... i have my gh5 just a view months and learning much more every day. I am on my way to gran canaria. So after it i gonna see your mini cours.... love the explaining. Nice work man

[@trygvebutenschn4515]

very informative, I learned a lot! I do however have a couple tips for you: 1 - The pushing your face again glass metaphor did not work to well, perhaps it wouldve been easier if you just explained that you get less diverse colours if the gradients clip or something? It's a hard concepts to explain though. 2 - Given that this method would work with any camera shooting with a flat color profile, I guess you could appeal to a much broader audience with a less specific title. Nonetheless, awesome video! Keep it ut:)

[@Aviciiz]

It looks great but you didn't really tell us how you have achieved these vibrant colors without just pushing the saturation slider. How did you do it? I don't use V-log nor do I have a GH5, but I'd like to know how I get the most color out of my footage.

[@CraigSinclair]

Great video. You always make me think of colour in a new way. I never thought about how much colour I was getting from Sony's corrective Luts. Did you make your GH5 corrective Luts in 3D Lut Creator or Photoshop? I'd like to see if I can improve Sony's log lut.

[@wacosta13]

This was such a great explanation. Thank you so much for this video.

[@hughhou]

Hey I have the 4.0 kit but I do not see the Colour 1 - 4 - where is that?

[@JooWorks]

Send me an email I'll resend you the download link to version 5.0

[@NewAge180]

Beautiful! I learn so much from your videos. Any chance you'll make one for Sony users regarding pushing color to the max?! Thank you!!

[@KYLERHOLLAND]

I really love this video. ✔

[@dongerramarco9617]

Ain't we all lovin'it?? Those models though

[@AllThingsFilm1]

Great job! I just tried your CineD to Vlog LUT on my CineD shots and it worked perfectly. Thanks!

[@r0z3d]

Hi! What were the settings when you shot in CineD? Everything -5 ? Thanks,

[@nolanpatterson7285]

Incredible! Would love to buy this for Sony Slog2/3!

[@JooWorks]

early next year you can. :-D

[@baorichard4345]

This dude just like some crazy scientist in the sifi movie...Always doing magic works...

[@JooWorks]

I do sometimes feel like Tony Stark when I'm trying to consider all the variables when making these LUTs.

[@terter973]

@@JooWorks how the hell did you saturate do get this... on photoshop ? i can't figure it how

[@jianzhong794]

Very good video and I would like to buy the kit 5.0. I am using Sony A7 iii and I would like to get instructions on using A7 iii. I noticed in your video that you do have the luts for A7 iii. Have you finished on that? Do you use Davinci resolve? Any instruction on Davinci?

[@michaelfrymus]

I asked this, he said that he will be creating upgraded luts for sony in early 2019 :)

[@JooWorks]

@@michaelfrymus Yes.... Few weeks and then..

[@yuanlu2091]

Great work! Did you shoot the surfing scenes in 10 bit?

[@Kakkojani]

Very interesting! Definitely gonna try this.

[@Filmmaker809]

Great advice. Need to test this with my Premiere CC.

[@michaelnilsson596]

Hi... Gorgeous footage, I will give the Kit a try soon, just purchased it... :) Which lens and gimbal did You use between 0:22 - 0:45 in this video...? Stunning work...!

[@mahdiazizi6342]

it all begin at 00:27 ends 00:45 such a shape

[@dongerramarco9617]

I dub thee the wisest commentator on this video CONGRATS

[@helmet212]

Never went past that. What the hell was the video all about?

[@dongerramarco9617]

@@helmet212 hahahaha thats all good tooo was worth it

[@JerenKanava]

dope hair bro!

[@benjisandk]

Quick tip for you: Low cut your sound at around 120 to 150 hz to remove those booming sounds that appears in your zoom recorder when you put your arm on the table, like at 2:23 :)

[@JooWorks]

Thanks! I seem to learn all my audio stuff from youtube comments. :-D I'll try that next time.

[@FullTekAuto]

I'm a big fan of the Sony A7 II standard color profile. How do I extract it and turn into a lut? For my Gh5. Please help Joo.

[@arieljgd]

I have your kit. So useful! Would like to see how Resolve Color Management do this expansion of colors. Can you provide me the image of the colors in vlog so then I can send you with RCM treatment?

[@deadeyessmiling]

Great video, thanks so much for posting! I'm currently using the Leeming LUT, and one thing I find particularly useful about it is that it works in any light as long as I'm doing a custom white balance when I shoot. I wonder, if you were to do that with your LUT, would you still get the same results without running into the issues you did in the waterfall example?

[@JooWorks]

The other LUTs work just fine in other situations. Do you really like the Leeming lut? It's technically excellent, but the end resulting look... :-/

[@EquestrianSport]

Thank you very much for that explanation. Now I have my face against the glass. I will send you a test of some video with that theory and your Luts applied.

[@vasiliychernomorov1115]

The most interesting part was missing. How did you manage to create that precise LUT? What the tools are?

[@JooWorks]

It's not missing. :-D It's the 3d LUT creator program that I used and tools inside that software. How I did it is missing, for a reason. ;-)

[@Milestonesoflove]

Love the video and the whole explanation of the cube. If you make this for Sony a7iii i would totally buy it to support you . After watching on how to edit faster on premiere we use that technique now on all our workflows. I would like to thank you for showing us an easier way and better way to do things.

[@JooWorks]

Thank you for sharing your experience.

[@djgylo_painto_producer]

Good job bro. I have a question tho. Between the 12-60 leica lens and the Canon 24-105 red ring lens using metabones on the GH5. Which one delivers better quality?

[@AnishNapper]

The canon glass for me. Used the 12-60 was not happy with the result i got. 24 might not be wide on the camera.

[@AdventureRoutine]

hey joo, as always amazing video and so motivating to watch. we just bought the kit. we wonder if you can make a video in the future how your workflow will be in final cut. we are struggling a little bit with it. thanks

[@JooWorks]

On the settings page of the free course, there is a video about it. But It's a good idea to do a full workflow video about it. Maybe there is some free tools to add to FCPX to make the process easier.

[@GermanViking]

Dayum!!!! Those colors! 0:26 ❤

[@chrismorenomccarthy8487]

hi joo! can you make a video on exposing vlog correctly on the gh5?

[@AdWiseGroupie]

Do you shoot with V-log L or HLG on the GH5? Your LUTs work well for both. Just curious as to which you choose.

[@pathania]

magician at work

[@dubumowith7376]

any tips for pushing a natural profile in a camera like gh3 to its limits?

[@WALKINGonTheStreet_Official]

Your honest comment at the end of the "one-time" offer clip convinced me to purchase the LUTs(JK!), Thank you for the great LUTs! These saved me from a headache!

[@shutterhouse]

Dam, I'd loved really the previous Version of the Kit but the new Luts are awesome. I'd testet with old footage of my GH5 in Cine D and it Looks so great. Do you have experience with the Mavic Air (Cine D) Profile? Love your channel and you deserve much more subscribers.

[@JooWorks]

Thanks mate. There is a lut for mavic pro 1 d-cinelike, and apparently, it works for air as well.

[@shutterhouse]

@@JooWorks thank you very much. That was my initially thought. I have to check it out much more.

[@Tarakaramafilms]

Hi Joo, your videos are great. Color is so good. What sort of lens do you use? I think if you can add those technical details in description, that would be a great help. Thank you

[@JooWorks]

Mostly I use sigma 18-35mm nikkor 50mm and Samyang 85mm and a speedbooster for Nikon.

[@biscuitsalive]

What are your thoughts on the leeming LUTs for skin tones? Curious on your thoughts on that.

[@JooWorks]

I like the Leeming LUT from a technical point of view. Really well done, but the colors are not accurate and I don't think I like the aesthetics that much either. I would like to talk to mister leeming and and as why hi makes the lut as he does for the look is off but other than that it's great, no banding no stress to the image. I use it as a bench mark when I'm trying to make my LUTs "smooth".

[@tomcypher3864]

Great research! By the way, I saw that you had a sharp edge at the top of your cube (your LUT), which probably represents white (and, because of that, represents also highlight rolloff). Did you try to get this edge soft (like other edges of the cube)? Maybe that could help get rid of the coloured ring around the sun?

[@JooWorks]

The sharp edge is actually the sun fixing. The highlight is closer to the neutral axis making the top sharp. :-D You are really observative.

[@tomcypher3864]

@@JooWorks Thanks!

[@PJSzabo]

this is great thank you so much.

[@BLDH]

Wow! Just wow! Blows my mind!

[@Aggy8888]

there´s that one day i´m not watching bike videos but instead some completely other topics and which comment i´m reading now? haha... Bikers are everywhere

[@jonathanheinemann9366]

Could this lut work with the Panasonic g85 and a custom set flat profile or cine-d?

[@ricknendepa6633]

Thank you!🙏🏽

[@mredben]

Nice video and tips

[@SebastianForssman]

Good Job Joonas! Can you Export your videos in 4K instead? We would see more detail then, even if you shot and screen record in 1080P. KZbin allow much higher bitrate for 4k content.

[@KaloianKalchevVideographer]

You`re very strong guy, thanks again!

[@BrainDesmo]

Joo. Sick video man!

[@dannyhutchins7088]

What were the camera settings and kit you had for this? The quality is amazing in such low light!!

[@ernolaunis]

Thank you Joonas, youre 6/5 dude!

[@victorfernandezfernandez]

Great! as always!! thanks so much

[@zyllz2414]

YES THIS IS WHAT I NEEDED THANK YOU SO MUCH❤️❤️❤️

[@IanMihura]

You are an inspiration man

[@lucaspelus2889]

Nice so the HLG to vlog works with Cine D for example if I understand ?

[@STONJAUS_FILMS]

Interesting! would it be accurate to say that any LUT including yours need to be fine-tuned depending on the ISO settings? Meaning that a theoretical "perfect" VLog to 709 LUT for ISO 800 would not be perfect if I used ISO 2300 where can I get the official gh5 luts to compare it myself? thank you very much.

[@JooWorks]

Yes, iso does affect the images, but not that much in my experience. The official lut can be found on panasonics webpage, just google "official lut for V-log from panasonic."

[@mattew862]

Is it works with GH4 please?

[@BaileyCook]

What lens did you use for your talking head shots in this video? Great work as always!

[@JooWorks]

sigma 18-35mm at around 25mm maybe.

[@pHarrisDesigns]

Do you have your camera settings saved anywhere for download or on your website that shows what in camera settings you use? profile etc

[@Sevy0815]

Hey Joonas, do I have to buy 5.0 if I bought 4.0?

[@silklion7375]

Im always surprised what you can do wit an image. I wonder if this would also work with the Panasonic G85 in Cinelike D or Natural. The camera shoots internally only in 8bit 4:2:0 and via HDMI 8bit 4:2:2. I would like to know how much 4:2:2 compared to 4:2:0 is better when it comes to color grading. Or is 8bit vs 10bit or even 14bit the biggest difference maker?

[@JooWorks]

The kit seems to work just fine with other lumix cameras that shoot the same profiles. Try it out and you'll see, if it doesn't 14 day refund time. :-D

[@ttn109]

Love your work! Keep it up!!

[@JooWorks]

Thanks mate!

[@travelwithoutmoving8842]

Can i do the same with a GH4?

[@dongerramarco9617]

when you use models like that in your video its hard to follow what you are trying to teach

[@smalltownsavouries]

The model was secretly him.

[@dongerramarco9617]

@@smalltownsavouries, then he is really good and evil at the same time to fool us like that into getting boners

[@smalltownsavouries]

Hahaha. Best comment of the year goes to...

[@Ceewalk2009PSN]

If you ever plan on updating the LUTs do we have to buy them again or do we get a free Update?

[@JooWorks]

I have sent updates to old customers for free. :-)

[@fazwb]

Top work!

[@ememunabia6488]

will the Colour Kit work with Older Panasonic Cameras such as GH3?

[@JooWorks]

GH4 and other newer lumix yes, but I would assume that with gh3 no. :-/

[@sobolevskys]

Helpful !

[@DavidBexon]

Hey man, loving your work. Can I get a discount code please?! Not sure where to find it 🤔

[@JooWorks]

if you sign in to the course, you'll get a nice discount at the getgo.

[@Tadwilla]

Hi, what HLG/cineD/standard profile settings do you use for gh5?

[@michaelkerkering5720]

Is there a way to get the LUTs your using???

[@JooWorks]

Yes, they are inside the Colour kit for the GH5, There is a link in the video description

[@djbigheadmugg9550]

BMPCC 4K CANT WAIT TILL I GET MINE!

[@jaisuthar2191]

which camera you used for this your video making ? 10 bit 422 ?

[@JooWorks]

Gh5 and 1080p 50fps 10bit 422 or 25 4k 422. V-log.

[@Aggy8888]

Where can i watch the whole beach sunset edit?

[@JerenKanava]

The website is down :((

[@danielshepherd7306]

Hi, looks amazing, but the free lut preview download gave me an *empty* "FreeLUTs" zip folder. Any chance you can fix this please?

[@JooWorks]

Oh, try to download it again, or ask someone with a mac to unzip it. Windows seems to have that issue sometimes.

[@hoodaffairstv]

Is the audio in this video coming from that zoom

[@pavannayak7668]

Yes man