Julian Lage - I'll Be Seeing You | Jarasum Jazz Festival 2023

[@williamoakley7094]

Dave’s audible “Wow” at the end says it all. A magnificent, mind-bending performance.

[@phish1]

Oh my goodness, that intro 🤯

[@cooldebt]

Imagine having everyone in the room just spellbound like that - it's kind of like Keith Jarrett but on guiter and without the groaning - an amazing flow of musical ideas

[@shjpgMAN]

My special favorite guitarist and his members who make me happy. Even in this era where commercial music seems to be overflowing, it made me realize how great band music is. This is the best stage performance. thank you. 私の特別なお気に入りのギタリストと私を幸せにしてくれる彼のメンバー。 商業音楽が氾濫しているように見えるこの時代においても、バンド音楽の素晴らしさを実感させられました。 最高のステージパフォーマンスです。 ありがとう。

[@jackwoodward89]

KZbin keeps suggesting this video to me and instead of being annoyed, I just let it play again. An amazing performance. Lage plays with a depth that really should be beyond his years.

[@lynne4747]

Wow!

[@유난맨]

24년에도 와주길,,,

[@alanbrucke]

I'm a lifelong metalhead - but that performance just birthed a love for jazz within me, from now on. Totally gripping intro, absolutely brimming with suspense... the first note when the band finally came in made me cry. The way Julian just rocked out on that octave, playing with accents. The fantastic bass solo. The mad brush skills from the drummer. It was all too good to deny.

[@andyboxish4436]

Agree with every word! Nicely said.

[@Gmunsnhuns]

Welcome to the Julian fan club brother

[@Vincent_Upstate]

Welcome to jazz. Check out an old guy named Joe Pass. Best guitarist of the 20th century in my opinion.

[@grahamaldridge]

I’m only a minute in and that introduction is hauntingly beautiful. He keeps doing this. :-)

[@jazzhinsu]

점심께쯤 자라섬에서 기획한 줄리안 라지 마스터클래스 듣고 저녁에 이 라이브까지 풀버전으로 들었는데, 이날 기억은 진짜 어디에라도 자랑하고 싶어요. 진짜 많이 배웠고 진짜 많이 좋았습니다

[@stefanmitrovic2971]

I herd it it two times, so trust me when I say it sounded better wearing a proper hat alone where nobody could see me.. 🎉have to add what a wonderful experience to hear these people play! Wow

[@littleplaylist2597]

It was a breathtaking performance😭😭 i was so so lucky to see them live🥰🥰

[@stkittsdave1]

Dave friggin King!

[@sailaalias9719]

I was there and it makes total sense that the festival chose this tune to be put up on YT. That intro.. and the interplay after that.. just WOW.

[@jimjamjerry]

That was so nice :) I love music

[@jakerslucky24]

Holy cow! What an intro!

[@_kimbaechu]

헐? 왔었던건가?? ㅋㅋㅋ 오마이갓!!!

[@nora1172]

🥰👏amazing unusual sound combination out of this guitar, bass drums trio wow 😯 men thats morning meditation highs.

[@Ramiroescorial]

¡Wow!😮

[@mattyobrown]

sick gnar~

[@PaulParker-ub9sq]

Wow

[@drmarcfpelletier]

The essence of a perfect performance.

[@Dzonrid]

Speechless.

[@zaldum386]

Brutal

[@marcozbo]

Miraculous performance

[@briandennehy6380]

I must have watched the intro over a hundred times at this point

[@StuartwasDrinkell]

Who is anyone else but these three!? Mind blown!

[@kay4x4]

That intro was beautiful

[@gregedenfield1080]

"GIVE THU DRUMMU SOME"!!!!!! awesome performances usual.

[@freddymclain]

these guys are somehow able to look down upon the venue and through the concrete and steel superstructure of the building and play at the same time. I find that quite amazing.

[@RagggedTrouseredPhilanthropist]

Genius 🔥

[@austenj4539]

Ted Greene played Fender Telecaster. Julian is playing the same, but without 'Fender' written on the head. So lovely that electric guitar jazz musicians hone in on the Fender Telecaster and rock musicians often love the Stratocaster. Fender, more than Gibson, appears to have won over the professionals.

[@hikaru887]

amazing

[@steernkieker]

Love it...

[@youmustobservesecurity]

what he's doing from 03:07 on is breaking my brain.

[@sungjinlee4397]

중간에 기타산조도 넣어주시고 줄리안 감솨 ㅎㅎ

[@HideyukiNakanoMusic]

great!

[@sailaalias9719]

LOVE

[@tjancijr]

Well, guess I'll go practice some arpeggios then.

[@miguelmeillon5418]

Esto es increíble

[@eugecornel6573]

👍👍👍

[@mlowack]

most progressed player nowadays!

[@Peter-sk5vg]

He learnt all this from Bert Weedon's "Play in a Day"...😅 Only joking and hats off to Bert...but this is Numinous. This is just...words are useless!! What a tone. Lovely rhythm section

[@asda65702]

I love classic sound in Julian's playing. What a wonderful perfomance..

[@user-br7jz7hu8u]

진짜 너무 좋았음...

[@totemstomp]

This guy will steal your face

[@zaldum386]

He´s gone back to 12s and the fatness in the sound is back! Glorious

[@khangenbamavanjit122]

how do you know?

[@zaldum386]

@@khangenbamavanjit122 because I´m obsessed with Julian

[@khangenbamavanjit122]

@@zaldum386 same here, but where did you find the news cause I didn't and I would like to think I'm up to date

[@zaldum386]

@@khangenbamavanjit122 You can just tell in the video, this are thick, certainly not 11s, if you watch many of last years live performances you can see that the strings are thinner (11s) and also tell the tone is thinner. Just look at the strings no way that 6th is a 49, they are 12-52.

[@sylotop]

@@zaldum386 In an interview he mentioned using Flat wounds 11-50 with a plain .20 G-string. I think the flat wounds are indeed fatter and more percussive sounding.

[@raulboeiramusica4728]

"I'll Be Seeing You" is a popular song about missing a loved one, with music by Sammy Fain and lyrics by Irving Kahal. Published in 1938, it was inserted into the Broadway musical Right This Way, which closed after fifteen performances. The title of the 1944 film I'll Be Seeing You was taken from this song at the suggestion of the film's producer, Dore Schary. The song is included in the film's soundtrack. A resemblance between the main tune's first four lines and a passage within the theme of the last movement of Gustav Mahler's Third Symphony (1896) was pointed out by Deryck Cooke in 1970. Discography The earliest recording of the song was by Dick Todd in 1940 on the Bluebird label. J. Lawrence Cook recorded a piano roll of the song, QRS 7945. The recording by Bing Crosby became a nostalgic wartime hit in 1944, reaching number one for the week of July 1. Frank Sinatra's version with Tommy Dorsey and His Orchestra from 1940 charted in 1944 and peaked at No. 4. A new recording of the song by Frank Sinatra was included in 1961's I Remember Tommy. This new version went to No. 12 on the Easy Listening chart and No. 58 on the Hot 100. A recording by the Poni-Tails reached number 87 on the Billboard Hot 100 for the week ending November 16, 1959. Brenda Lee recorded the song as the final track of her 1962 album Sincerely, Brenda Lee, with the second verse spoken rather than sung. This version features as a significant recurring theme in the 2018 film Out of Blue. Other appearances Yvette (Elsa Harris Silver, NBC contract vocalist was featured singing the song, with spoken words added relevant to wartime, in the Olsen and Johnson film See My Lawyer (1945). Billie Holiday's 1944 recording of the song was the final transmission sent by NASA to the Opportunity rover on Mars when its mission ended in February 2019. Holiday's version was also featured in the 2004 film The Notebook. Norah Jones recorded a version in 2020 in support of the New York Restoration Project during the COVID-19 pandemic and released a video of the performance. Liberace's version plays during the credits to the (then) final episode of Beavis and Butt-head in 1997's "Beavis and Butt-head Are Dead". Liberace's version also plays during the dinner scene and the end credits to the 1990 movie Misery with James Caan as Paul Sheldon, and Kathy Bates as Annie Wilkes. Doc Severinsen and the Tonight Show Band played a somber big band version of the song during the final sign-off and credits for Johnny Carson's Tonight Show farewell episode on May 22, 1992. Ann Hampton Callaway performed the song on Broadway in the 1999 musical Swing!. Jimmy Durante's version of the song was featured in the 2024 Marvel Cinematic Universe film Deadpool & Wolverine. WIKIPEDIA

[@veerapatsatsue8691]

never know rick grime play guitar well, haha.

[@rwjazz1299]

And a tele nonetheless.

[@gigzag]

한국에 왔었다는게 너무 화가남. 어디에서도 줄리안이 온다고 보질 못했는데... 알았으면 무슨 일이 있어도 갔는데.... 뒤늦게 광주랑 자라섬 왔었다는거 보고 이렇게 홍보를 안했다고? 에서 또 화가남

[@user-br7jz7hu8u]

ㅠㅠㅠ

[@InternetEmail-m4h]

Julian Lage vs Pat Metheney ? Who would win the melody war?

[@titusnadeem4084]

Trust me all the notes were 'right'

[@emrealp.]

rick grimes

[@leslielu2996]

Live in LA, intro to same tune is way superior, main melodic lines are much better here though. Jorge Roeder meanwhile runs away with much more engaging bass lines than Scott Colley.

[@AutoRiff]

That version's intro was certainly colossal, like a whole new epic song as an intro. This is more like a little short story, but it hit me harder. He's still improving, I don't think we're anywhere near seeing his final form yet.

[@randyk8919]

I love that we can all listen to the same thing and come out with a different outcome. I much prefer Scott Colley on bass. Bass solos are my least favorite thing ever, unless you are Mingus.

[@leslielu2996]

The magic of improvisational music! Colley is more subtle, cooler and "deeper", while Roeder is" rocky-ier" - your preference.

[@randyk8919]

I don't know who needs to hear this, but, the Telecaster is the finest guitar ever made, and the bass is a rhythm section instrument and should refrain from taking solos.

[@Joshua_Lardizabal]

Kook

[@randyk8919]

If a bass player takes a solo, and doesn't quote Donna Lee, does anyone even hear it?